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Books I Will Read Again

Guest Posts, Books, Books I Will Read Again

Frida Kahlo and My Left Leg by Emily Rapp Black

June 17, 2021
kahlo

By Angela M Giles

It’s not often that an author you admire has two new books published within months of each other. Yet, with the release of  Frida Kahlo and My Left Leg this week, Emily Rapp Black has done just that.

Sanctuary was released in January of this year, and came nearly seven years after Still Point of the Turning World. Both books deal with the what it means to face the unfathomable, the loss of a child, and together these two books present a look at grief and love and loss in a way that is both moving and humbling. Her most recent book deals with loss of a different type, the loss of an “able” body, and while not as heart crushing as the story of losing her son, it is just as remarkable.

For avid readers, the time between books by a favored author can be lonely. At least for me. When I read, I am all in. I don’t have a problem not finishing a book that isn’t working for me, and when I find a book or an author that resonates I want more. Emily is in the latter group.

I first met Emily at a writing retreat in Vermont in 2013. Still Point was on the horizon and while I understood the strength of her writing, I hadn’t read enough of her work to understand the depth. Emily is a prolific, often fevered, writer who is unafraid to talk about messy things. While her books are far between (at least until this year) her essays abound and deal with similar themes. I love her essays. I may love Emily as an essayist more than I love her as a memorist, but I suspect that is due to my  own delight when I see she has published something, anything, new.

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Frida Kahlo and My Left Leg is not a linear narrative, it circles back to loss–both Rapp Black and Kahlo are amputees–but the the loss here is not that simple. The loss of an “able” body, the objectification of bodies that aren’t “normal”, the ways grief over loss changes people are all addressed. The book presents as a collection of essays on these themes, and while this may feel disjointed to some, the form and format are well suited to the subject. The near cult-like following of Frida Kahlo continues to grow, with the details of her personal life at times overshadowing her art. This alone makes her a valid subject for Rapp Black, whose own experience has often been defined by her experience as an amputee and/or grieving mother. But as Frida Kahlo and My Left Leg demonstrates, there is so much more to the sum of an existence.

The book opens with a discussion of  The Two Fridas (Las Dos Fridas) and closes with the retelling of a conversation with Rapp Black’s then five-year-old daughter about her own prosthesis. In the 140 or so pages between the opening and the close of the book, we experience Kahlo as the author does and ultimately we are left with understanding the painter as well as the writer in terms of what shouldn’t define them. This book is a tribute to Kahlo, perhaps even a love letter of sorts, but it is also a well rendered examination of a subject Rapp Black knows well, living with loss.

The final lines of the book are among the most inspiring, and leave us with the reminder that “Love and bodies come apart…Art remains.” This book stands as Rapp Black’s most artistic book to date and will be one that I read and reference and gift over and over.

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Emily is participating in a series of conversations about the book, information can be found on her website. Listen in to the livestreams if you can, I hope to see you there.

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You know it’s an amazing year to be a reader when Emily Rapp Black has another book coming. Frida Kahlo and My Left Leg is remarkable. In this book, Emily gives us a look into how Frida Kahlo influenced her own understanding of what it means to be creative and to be disabled. Like much of her writing, this book also gives us a look into moving on (or passed or through) when it feels like everything is gone.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Are you ready to take your writing to the next level?

Two of our favorite writing resources are launching new opportunities for working on your craft. Circe Consulting was formed when Emily Rapp Black and Gina Frangello decided to collaborate on a writing space. Corporeal Writing is under the direction of Lidia Yuknavitch. Both believe in the importance of listening to the stories your body tells. If you sign up for a course, tell them The ManifestStation sent you!

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Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

Guest Posts, Book Excerpts, Books I Will Read Again

Stranger Care by Sarah Sentilles, an excerpt

May 2, 2021
trees

A couple of weeks ago we told you about an incredible writing opportunity available if you preorder Sarah Sentilles Stranger Care. Read more about how to join us in a generative writing workshop here. Sarah was kind enough to give us an excerpt, so if you are like me and can’t wait for the release of the book on Tuesday, here is a taste of what the buzz is about.

Excerpt from Stranger Care, by Sarah Sentilles

trailing spouse

I always imagined myself a mother. I kept a list of possible names for my future children, pictured myself pregnant and listening to fast fetal heartbeats, looking in wonder at the image on the screen. But I had reservations. I’d absorbed the messages in the cultural ether that framed motherhood as both holy work and trap. My ambivalence grew.

When Eric and I married in 2004 we agreed we’d eventually have a child, but we were busy doing other things—­writing dissertations, writing books, chasing academic jobs around the country—­and by the time we started talking in earnest about becoming parents, I was in my midthirties, and Eric was close to forty.

We moved to Southern California in 2007 and lived in a townhouse subsidized by the university where we both taught. Eric had been hired for his first tenure-­track faculty position in a graduate school of education, preparing teachers for public school classrooms. I was the “trailing spouse,” language that reminded me of the signs along some California highways that show an adult holding the hand of a small child who appears to float in the wind, feet not touching the ground.

Eric liked our life as it was. He liked our freedom, the ease of escaping to the Sierras to backpack and to the Alabama Hills to climb, the unfettered time for activism, for work that might make a difference. We could turn our attention and our resources toward all children, he reasoned, not just our own.

“You’re enough for me,” he said. “I’m okay if it’s just the two of us.”

My friends had desperately wanted to be pregnant, and many had been willing to do anything to make pregnancy possible—­take hormones, give themselves shots, find egg donors, buy sperm, endure IVF procedure after IVF procedure, go into debt, hire surrogates. Their certainty threw my uncertainty into relief.

“I don’t know what I want,” I said.

“Figure out what you want,” he said, “and we’ll do whatever you decide.”

I’d struggled for most of my life to name my desire, separate it from other people’s expectations. To know my answers to even the smallest questions—­pizza or burrito, hike or bike ride, comedy or documentary—­I had to meditate, write in my journal. And when I did manage to figure out what I wanted, it was hard for me to say it. I didn’t trust my knowing. Especially when someone else wanted something different.

Eric does not suffer from indecision. He knows what he wants, and he isn’t afraid to say it. For him, this isn’t about control. It’s about integrity and honesty. It’s about not making other people read your mind. He says what he needs, and he trusts I will do the same.

But I didn’t do the same. When it was time for us to figure out if we wanted to have a baby, I hadn’t been saying what I wanted for years. And Eric was always so sure. If I didn’t know what I wanted for dinner, then why not eat what he wanted to eat? Why not watch what he wanted to watch? Why not hike where he wanted to hike?

These little deferrals accumulate.

I imagine it feels good to be married to someone who accommodates, especially if you don’t know that’s what’s happening. It makes it easier to say “We’ll do whatever you decide” because past experience indicates we always agree.

Until we didn’t.

Until I wanted a baby, and he did not.

the biggest gift

I wanted a baby, but I’d also swallowed whole the story that being a mother would ruin my writing, ruin my life. If I have to play with trains for one more second, a friend texted me, I’m going to shoot myself. Everyone I knew who had kids complained about it. There wasn’t enough money. There wasn’t enough sleep or sex or play. There wasn’t enough time to paint or write or read. There wasn’t enough time alone or time off or time, period.

“Work, kids, marriage, health,” Eric said on repeat after he read some article in some magazine about parenthood and its demands. “Choose three.”

I didn’t believe that scarcity narrative, but I couldn’t point to anyone’s life where it wasn’t true.

Sometimes when we shopped at Target, we’d see tired parents wheeling carts filled with plastic through the aisles, kids running behind them. “Why do you want to be a mother?” Eric would ask me while a toddler screamed and threw himself on the floor next to shelves and shelves of detergent.

“Because I want to” was all I could muster.

Eric didn’t want to have a baby because of the stress parenthood would bring, but there was a deeper resistance, too. Eric loves the earth and hates what people do to it. He follows me around the house turning down heat, turning off lights. “When did you two become vampires?” a friend asked when she came over for cocktails and walked into our dark kitchen. The environmental argument against making another human was a logical one for him to make, an ethical extension of his worldview. “We’re a cancer,” he said and emailed me article after article about overpopulation and melting ice and the great Pacific garbage patch and how much an American child consumes compared to a child born somewhere else. “The biggest gift I can give to a planet under stress is not creating another human,” he said.

Knowing that Eric thought having a baby would cause the earth harm made it harder for me to admit my longing for one. How do you pit personal desire against planetary destruction?

the wisdom of mother trees

In the forest, underground, there is another world. In a single footstep, hundreds of miles of fungal networks are buried in the soil. The ecologist Suzanne Simard studies how trees use those networks to talk to each other, to communicate their needs and help their neighbors. These pathways connect trees, allowing the forest to behave as if it were a single organism. Through the fungal threads, trees share carbon. They send warnings and distress signals to one another. And they look for kin.

Scientists have mapped those underground grids, which look like our brain’s neural networks. The trees are the nodes and the fungal highways are the links. The busiest nodes are called hub trees or mother trees. A mother tree might be connected to hundreds of other trees. She nurtures her young, the new growth of the understory.

Simard wanted to know if mother trees could tell the difference between their seedlings and seedlings from other trees. And if they could, did they favor their offspring? She did an experiment. She grew mother trees alongside both kin and stranger seedlings. And it turned out mother trees knew their offspring. They colonized their kin with bigger mycorrhizal networks than they did the stranger seedlings. They sent them more carbon. They even reduced their own root competition to make room for their young. And when the mother trees were injured or dying, they sent carbon and defense signals to their seedlings, messages of wisdom that increased the resistance of their young to future stresses.

But trees also help strangers. They cooperate and share. As the climate changes, as the earth heats up, ponderosa pine, a lower elevation species, will replace Douglas fir. In a greenhouse, Simard and her team grew Douglas fir and ponderosa pine seedlings. They then injured the Doug fir that was acting as the mother tree. When the mother fir was injured, she gifted her carbon to the ponderosas. She also sent them a warning, information that gave the ponderosas an advantage as they took on a more dominant role in the ecosystem. She shared what she knew about the warming world with the trees that would take her place.

brave enough to have your heart broken

Eric and I met in divinity school in 1999. I was studying to become an Episcopal priest; he was studying to confirm that if people think they know God it is not God they know. Radical agnostic read the bumper sticker on his car. I don’t know and you don’t either. In school, instead of Does God exist? we were taught to ask What do our ideas about God do? Whom do they harm? Whom do they help? We learned to engage not whether someone’s belief about God is true—­because how could you prove it?—­but rather the ways faith affects people’s lives. That can be measured, observed, evaluated, changed.

Humans play a crucial role in creating the world in which we find ourselves, its beauty and its terror—­about this, Eric and I agree. We understand that the world is made and believe it can be unmade and remade to be more just and life-­giving for the most vulnerable among us.

But Eric thinks humans, as a species, will never choose to do that.

And I think we might.

Sarah Sentilles is a writer, teacher, critical theorist, scholar of religion, and author of many books, including Draw Your Weapons, which won the 2018 PEN Award for Creative Nonfiction. Her next book, Stranger Care: A Memoir of Loving What Isn’t Ours, will be published by Random House in May 2021. Her writing has appeared in The New York TimesThe New YorkerOprah Magazine, Ms., Religion Dispatches, Oregon ArtsWatch, and the Los Angeles Review of Books, among other publications. She’s had residencies at Hedgebrook and Yaddo. She earned a bachelor’s degree at Yale and master’s and doctoral degrees at Harvard. She is the co-founder of the Alliance of Idaho, which works to protect the human rights of immigrants by engaging in education, outreach, and advocacy at local, state, and national levels

*Excerpted from Stranger Care by Sarah Sentilles Copyright © 2021 by Sarah Sentilles. Excerpted by permission of Random House. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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sentilles book stranger care

Sarah Sentilles is a writer, teacher, critical theorist, scholar of religion, and author of many books, including Draw Your Weapons, which won the 2018 PEN Award for Creative Nonfiction.  Her most recent book, Stranger Care: A Memoir of Loving What Isn’t Ours, is the moving story of what one woman learned from fostering a newborn—about injustice, about making mistakes, about how to better love and protect people beyond our immediate kin. Sarah’s writing is lyrical and powerful and she ventures into spaces that make us uncomfortable as she speaks for the most vulnerable among us. This is a book not to be missed.

Pre-order a copy of Stranger Care to get exclusive free access to a one-hour generative writing workshop with Sarah, via Zoom on May 25th at 7pm Eastern time. If you register for the workshop and can’t attend, a recording of the event will be available. More details here.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Books I Will Read Again, Guest Posts

Blow Your House Down by Gina Frangello, A Review

April 8, 2021
gina

When I finish a book, I do one of three things with it: donate it to a local book drive, pass it along to a friend, or keep it on my bookshelf to reference and read again. This space is filled with the books I keep. I hope you like this feature, and I hope you like Gina’s book. -Angela

by Angela M Giles

The first time I met Gina Frangello in person, she was on the book tour for A Life in Men. The setting was the Brookline Booksmith, and I was captivated. How could I not be, the book is fantastic. I had known of Gina for some time, she was always popping up on one “writer to watch” list or another, and I followed her online work as well as her Sunday editor work at The Rumpus. But that evening in Coolidge Corner, hearing her talk about her process and actually meeting her (ack!) and then taking a photo with her (ack! ack!) was beyond magical.

I have been waiting for her most recent book for a long time, even before she knew she would write it. Gina is a fiction writer, a very good fiction writer and I have read her books, but I secretly hoped she would write a memoir because I wanted to see what a “Gina Frangello non-fiction book” would be like. I suspect I wasn’t alone in that that secret hope. This week that very book was published.

The title of Gina’s latest book is Blow Your House Down: A Story of Family, Feminism, and Treason, and every time I see it, I am surprised by the impact of the word “treason.” Likewise, when I see the teeth-baring wolf on the pink cover, I feel a little shiver. This visual of the book makes no secret of the fact that what is tucked between the covers is likely unsettling, uncomfortable, painful even. And it is. But it ends well, as we know. Her pandemic zoom wedding, featured in Psychology Today, was a welcome respite mid-quarantine.

What Gina offers the reader is an unsanitized and unfiltered, look at a woman’s life in middle age. There are parts that are glorious and parts that are devastating. Parts that are messy and parts worth doing over and over again. There are the parts that are painful, that are the result of questionable choices. In this book everything is fair game, and no one receives harsher examination than the author herself.

Gina doesn’t flinch when she tells us of the affair that reawakened her sexually while sounding the death knell for two marriages, the regrets she has as a parent, as a daughter. She can describe physical abuse or fucking with the same intensity and she doesn’t give us much room to flinch either. The writing is lyrical and charged. The book opens with a list of words starting with the letter “a,” then proceeds through each section looping time back on itself, interjecting misunderstood words, switching points of view, and ending with fifty meditations. If nothing else the book is a masterclass on form.

But of course, it is something else. It is a book about female desire and female rage. It is a book about making choices and taking responsibility for those choices. It is a book about resilience and reckoning. It is a book about being in the midst of your life when your marriage, body, and parents fall apart. But most importantly, it is a book about what a life looks like when a woman tells her story.

The final sentences of the book are these:

“This much I know: that eventually, we all have to start screaming well before we hit the ground, so the women below us will understand when to scatter, when to take cover, when it is safe to come back outside and try again to change the world. So that future generations will know, from the echo of our voices, never to stop watching the sky.”

This conclusion to her memoir, this feminist directive, is why Gina’s book will continue to stay with me. In telling one story of a woman’s messy midlife, she paves the way and encourages the voices of others to do the same. She has cleared a path, now it’s our turn.

Gina Frangello is the author of Every Kind of WantingA Life in MenSlut Lullabies, and My Sister’s Continent. Her short fiction, essays, book reviews, and journalism have been published in PloughsharesThe Boston GlobeChicago TribuneHuffPostFenceFive ChaptersPrairie SchoonerChicago Reader, and many other publications. She lives with her family in the Chicago area.

Angela M Giles has been published at The Coachella ReviewThe Nervous BreakdownMedium: Human Parts, as well as other journals. She has been featured in print at The Healing Muse and is a contributor to Shades of Blue, An Anthology On Depression And Suicide from Seal Press. She is a curator and editor at The Manifest-Station. Angela lives in Massachusetts where she conquers the world, one day at a time.

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Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Books I Will Read Again, Guest Posts

Books I Will Read Again: The Art of Misdiagnosis by Gayle Brandeis

November 15, 2017

When I finish a book, I do one of three things with it: donate it to a local book drive, pass it along to a friend, or keep it on my bookshelf to reference and read again. This space is filled with the books I keep. I hope you like this feature, and I hope you like Gayle’s book. -Angela

The Art of Misdiagnosis is out this week, buy it here, or at your favorite independent bookseller. 

By Angela M Giles

Gayle Brandeis is an amazing writer of poetry and prose and I have been waiting for this book from the moment she announced the project. Although I truly enjoy her writing and look forward to whatever she publishes, Gayle and I share a strange commonality that made me especially keen to read this- we both lost a parent to suicide. Our losses occurred under very circumstances to be sure, but she and I experience a type of grief that is still a bit shadowy in our culture, and it is a grief that is wildly complex. I was curious to see how she was approaching the subject and what she would make of the story of her mother’s suicide and of her own survival in the face of it. It’s a complicated emotional space to be sure, and in this book Gayle navigates it with grace and clarity and honesty. This is an important work, and not just in terms of grief literature. You can also read it for a discussion of family dynamics, or a discussion of mental illness…just read it.

I asked Gayle about her mother and what she would say to her if she could give her a copy of the book. What would she want her mother to understand about why she felt the need to write their story? This is her response: Continue Reading…

Books I Will Read Again, Guest Posts

Books I Will Read Again: The Child Finder by Rene Denfeld

September 5, 2017
Denfeld

Hi, Angela here. Because of the amount and variety of books I read, I get asked all the time for book recommendations. I love talking about books and thought it would be nice to make book recommendations a more regular part of the site, hence “Books I Will Read Again.” When I finish a book, I do one of three things with it: donate it to a local book drive, pass it along to a friend, or keep it on my bookshelf to reference and read again. This space will be filled by books I keep. I hope you like this new feature, and I hope you like Rene’s book.

The Child Finder is out today, buy it here, or at your favorite independent bookseller. 

By Angela M Giles

I met Rene Denfeld in early 2015. She had an essay about suicide published on the site and I reached out to her to thank her for addressing a subject that is close to me. We exchanged a few emails and established a connection. Then I read The Enchanted and became a fangirl. Then I learned more details about her social justice work and I was in awe. Rene is a force, on paper and in the world, and when I was offered the opportunity to read The Child Finder, I didn’t hesitate. Continue Reading…