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Guest Posts, Relationships

This is where it ends

January 21, 2024
mother, hands

In February 2019, two days after my son’s bar mitzvah, my mother was diagnosed with stage four ovarian cancer. A year later, in March 2020, she left her house for the last time on her own two feet to attend my daughter’s bat mitzvah. Four months later, she died.

The progression seems straightforward: diagnosis, illness, death. But that doesn’t factor in seventeen months of treatment, surgery, emergency room visits, and the emotional impact of dealing with the disease. There is nothing simple about watching the person you love most in the world endure chemotherapy and their slow withdrawal from society. There is nothing simple about watching the person who gave you life die.

Eva Evelyn Ellis married Philip Sonny Matlin at the age of eighteen, had her first child at nineteen and two more by the time she was twenty-five. I came along six years later. Despite marrying into my father’s upper-class family, she remained down-to-earth and kept the frugal mindset of someone raised among modest means during the post-war years, even though her own father later found success as a tailor.

Eva, who went by Evelyn, or Evy, her entire adult life, was an excellent mother, filled with a kind of patience that as a teen I assumed was magically bestowed upon you when you had children. She was even-tempered, warm, and intelligent, with a wicked sense of humour and an armory of solid advice. It didn’t matter what kind of trouble my siblings got into, I rarely saw her lose her cool. She dealt with things calmly, never raising her voice. She was nurturing and loved to laugh. She appreciated a good joke and would sometimes surprise me with one of her own. During one of her many ER visits, a doctor told an offensive riddle (“What’s the difference between a bull and woman with PMS? Lipstick.”) and my mother, half-conscious and fevered, snapped back, “What’s similar about men and tile floors? Lay them right the first time and you can walk all over them for the rest of your life.”

But mostly, when I try to conjure up an image of my mother, I see her lying on the left side of the double bed she shared with my father for sixty-two years, a box of drugstore chocolates on her lap, beckoning me to join her so we could either watch TV together or she could  listen to my latest drama.

On top of being a mother to four, she obtained a university degree in her thirties, returned to school to get certified as a forensic document examiner, then ran her own business while helping my father run his. And she did it all with seeming ease and a quiet grace.

It seems incredible, and it was, but unbeknownst to me at the time, she sacrificed large parts of herself to do it. She strove to be the ideal wife and mother then harboured some serious regrets about it. An unintentional result of her actions was setting an extraordinarily high bar for her children. It was implicitly understood that we, her children, were meant to behave in a certain way.

As warm and patient as she was, my mother could also be judgmental. She had a strict no smoking or drug policy, was never shy to remark on someone’s weight, and had zero tolerance when people did things she disagreed with–even when it had nothing to do with her. She once came close to ending a lifelong friendship because she disapproved of her friend’s choice of partner. For a teenager growing up in her home, all of this felt restrictive, an impediment to getting into the kind of trouble I was supposed to get into at that age.

As a result,  I developed a dual personality early in life. There was the person I was, and then the person I was with my mother.  I hid the parts of me I thought might disappoint her, like my much older friends, my mild promiscuity, and my experimentation with drugs and alcohol. Once, in eighth grade, my best friend’s mother found half a joint in the toilet and called a meeting for all our parents. We were a gang of five girls and my mother sat with the other mothers and listened in disbelief to what we’d been up to. She could not fathom that I would have had any part in it, to the point she stood up and said, “Julie doesn’t do any of those things.”

The joint wasn’t even ours–it belonged to my friend’s brother. But it gathered all those parents in one room to exchange stories, which succeeded in shattering the illusion of the perfect daughter for my mother. When she got home that night, the look on her face and the quiet disapproval was enough for me to quit smoking cigarettes on the spot. I told my friends I did it on a bet, but the truth was, I couldn’t bear having that mark against me in my mother’s book. (Although there was a bet, and I won ten bucks.) The irony isn’t lost on me that in her attempt to model a certain behaviour, I ended up emulating the wrong one. Instead of becoming the person she tried to present, I developed her habit of splitting myself in two.

Years ago, one of my siblings tried explaining to me that my mother wasn’t the perfect being I thought she was. The theory was that our mother lived in a state of conflict, torn between who she was and who she thought she should be. I couldn’t see it at the time. I saw my mother through a lens coloured with love and tinged with worship. It was only after her death that the pieces fell into place, and by that time, it was too late.

Seventeen months passed in the blink of an eye, despite spending several eternities in hospital waiting rooms. Knowing our time would be short, I assumed the role of primary caregiver. I wanted to spend every second possible with her. I lived and breathed doctors appointments, chemo sessions, blood tests, and runs to Walmart to ensure a steady supply of Ensure. My own well-being fell by the wayside as I abandoned home-cooked meals for the McDonalds drive-thru, developing a cheeseburger habit I still can’t kick to this day.

Life at home suffered. My daughter’s grades fell and I wasn’t there for my son, who was taking his bubby’s illness almost as hard as I was. So many times he reached out to me, coming down past midnight seeking comfort, and all I could do was cry along with him.

My mother landed in palliative care in June 2020, at the height of the first pandemic lockdown. Only four of us were allowed to visit her, and only two at a time. We were required to get into full gear–gowns, masks, face shields, latex gloves–and not allowed to touch her. I was there every day, save one, and over the course of less than two weeks, her decline was fast, stark, and cruel.

The last day I saw her, I knew she wasn’t going to see morning. She had stopped eating and was on oxygen, but clearly she’d had a stroke in the night. She could no longer speak or move, and when the nurse came in to try to adjust her pillow, she winced in pain.

I stayed longer that day, from early morning until past dinnertime. I held her hand and played her favourite music. I read her notes that people had sent for her. I recited a few of her favourite Sedaris essays, read from the book I was adapting into a screenplay, and rued that I hadn’t brought along any Chaucer, her favourite (“The lyf so short, the craft so long to lerne.”).

Before I left, I stopped at the side of her bed. All my life, there was always a place for me in my mother’s bed. Even in my forties, when she was home between chemo sessions, we’d lie there and watch Judge Judy. There was nothing I wanted in that moment more than to be able to climb in with her one last time, to seek comfort from the woman who always provided it so freely and with such skill. I wanted to cradle myself in the curve of her body, feel her arm come down around me and pull me in close, her chin resting on the top of my head. Be safe in that place where nothing else could touch me.

But it was just a fantasy. There was no way I could get in there without causing her enormous pain. The tables had irrevocably turned. It was no longer her job to comfort me, but mine to comfort her.

We never had an end of life conversation, but at that moment, I looked down at her and said, “Don’t worry, Mummy. We’re going to be fine. I’m going to be fine. And I am going to do great things. I promise you will be so proud of me.”

Two years later, I cringe to think that in my last moments with her I was still desperate for her approval. That instead of my being there being enough, I qualified myself and told her that I would make her proud. While it’s normal for a child to seek their parent’s approval, this was something I never outgrew. I used to ask, “Are you proud of me?” so often it became a family joke. Every accomplishment punctuated by a “We’re so proud,” every birthday card signed the same way.

Today, diagnosed and medicated, I can recognize that desperation as early manifestations of my anxiety, but what did we know from anxiety in the seventies and eighties? And by the time the nineties rolled around, the whole routine was already inscribed in our family DNA.

I never understood how deeply this affected the relationship I had with my mother; that because I never felt I was enough, I was chasing after her love and approval. Now, it’s so clear to me that I didn’t have to do anything to earn it. I simply had to be. I, as her daughter, was enough. It haunts me that I failed to grasp this during her lifetime, but at the same time, I’m angry that she was unable to show me that she was fallible, too. That she had made mistakes and had regrets and was human just like all of us. Just like I was.

Now I find myself in the painful position of having to tease apart the love I felt for her from the extraordinary weight of it. I have to own the perverse sense of relief I felt when she died, the knowledge that I was free to just be me, without fear of disappointing anyone.

Julie Matlin is writer based in Montreal, Canada with pieces appearing in the New York Times, The Washington Post, The Globe and Mail, Huffington Post, and other publications. She is working on an essay collection entitled Such a Nice Jewish Girl, which is being supported by a Canada Council for the Arts grant, as well as two screenplays which are currently in development. You can see my entire portfolio here: www.juliematlin.com.

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Guest Posts, Alcoholism, Family, Fiction

Asylum

April 8, 2022
moira

The lanky ten-year-old runs full tilt toward Moira’s car as she turns sharply into her sister Bridget’s driveway, barely missing Conor’s BMW. Her son is beside the door before she can open it. “I got a triple, and a double too.” He’s breathless, a huge brown growth of a catcher’s mitt at the end of his skinny arm.

“That’s terrific, Michael.” She slides out of the car, hoping he won’t require too large a dose of admiration, because she’s late. Even her sister Kate, who prides herself on defying start times, is here already, her minivan parked across the street, next to Liam’s pick-up truck. Moira dreads going inside. She and her sisters and brothers are meeting here today to talk about their father, who’s about to be kicked out of his brother’s house in Boston.

She bends to kiss her son, smells the sweet sweat of his play. Perspiration darkens his auburn hair, and his jeans bear the fresh tracks of a slide. He’s big for his age, like Sean, her older boy, and it’s clear they’ll both be as tall as all the Donnegans. She prays that’s where the resemblance will end.

Michael shouts the news of her arrival to Sean, who approaches the low picket fence surrounding Bridget’s huge back yard, looking unimpressed. Moira’s brother Liam, close behind him, waves a greeting and Moira nods. Sean wears a smirk. The sullenness that set in when Moira and Ken broke up has hardened. He’s chosen sides. “I let him hit it,” Sean says, but he brings himself to full height, can’t fully conceal how important it is to show his mother that Michael is no threat.

“Now, don’t be like that,” says Liam, and Sean’s face flushes, reminding Moira how readily he responds when a man points something out. Even Bridget, who’s been watching the boys after school since Ken moved out, has trouble getting him to listen.

“You did not,” Michael insists, and steps up to his brother, who’s leaning over the fence, and tries to grab his baseball cap, but Sean swats him away.

From the yard, Bridget’s daughter Cathy calls them back to the game. “I’ll see you guys later,” Liam tells them, and Moira follows him into Bridget’s kitchen. He’s thin as ever, wearing the leather jacket he dons for occasions when he wants to be especially belligerent. Once inside, he heads for the living room without stopping to chat.

Bridget has water on for tea and she takes her time getting it ready. She seems to be in no hurry for what comes next. She’s wearing another long, loose skirt, but Moira notices she’s replaced her usual T-shirt with a pale blue sweater and her hair is brushed back. She pours the water with exaggerated care, adjusts the spoons on the saucers as if they must conform to code, and brings the cup to Moira, a peace offering. “They’re here. Inside,” she whispers, and motions toward the living room.

“All of them?”

“Peter doesn’t want to start without you.”

It was Peter who asked for the meeting, and Moira is still amazed that he managed to get all seven of them together and on such short notice. No doubt it was Maggie, their linchpin, who got it done. The words talk about Dad must have drawn them in like gawkers to a freak show. They haven’t exchanged more than ten words about their father in almost twenty-five years, not since their mother left him—a decision even Fr. Cashman, who’d baptized all of them and had known their father since he arrived from Derry, couldn’t find fault with.

Moira has seen her father only a handful of times in the past ten years—family occasions she couldn’t dodge. The last time, two years ago, she was attending her cousin’s wedding, in Boston, and her father was seated at the next table. They’d barely exchanged a greeting, but later in the evening he turned to her. The tables in the hall were close and her chair backed up to his. “If you can navigate us to the dance floor, I’d love to have this waltz.”

“It’s not a waltz,” she said, because she had no intention of getting up. What she wanted to say was How dare you? How dare you think we can dance together? But they did. She let him hold her and she put her arm across his shoulder. When he remarked at how tall she was, she had trouble catching her breath. When he asked if her hair was still red, she lost her footing, so she pretended it was because she rarely wore heels.

Later, out in the parking lot, she gave Aunt Mary her number. “In case he ever wants to reach me,” she said. But he never did.

Moira follows Bridget into the living room, where the others have settled in. Someone coughs, and Maggie, a heavy woman with vigilant eyes and the all-knowing look of a matriarch, says Moira’s name, but otherwise the room is stiff with silence. Moira feels as if she’s been called back to reprise a role in a play that closed years ago. The room smells of ugly memories and sweaty tension, like the waiting room of some therapist who can’t leave well enough alone.

Peter, the only one on his feet, leans against the covered keys of the piano Bridget never plays, cigarette in hand, his expensive tie undone. He reminds Moira of a crooner trying to warm up the crowd with one-liners that are falling flat. He’s the unspoken head of this disjointed band of siblings, a title he stepped into at first simply because he’s the oldest male but later his accomplishments gave him status. A decorated veteran of the Viet Nam War, a successful business owner, and the father of five boys, he acts as if he survived unscathed. Moira isn’t the only one who doesn’t buy that. The best you can hope for after a childhood like theirs is to get properly diagnosed.

Moira and Bridget place their tea on the coffee table and join Maggie and Liam on the couch, not far from the piano. Pressed shoulder to shoulder, they dutifully wait to hear what Peter has to say. He clears his throat to begin but doesn’t. The others seem to be taking care not to look at each other as he gives another false start. Then silence.

“For fuck’s sake,” Liam says, “what’s going on? Does the old bastard have cancer or something?” Moira sighs. Even sober, Liam can belittle any occasion. He is Peter’s Irish twin, born less than twelve months after him. Unhappy with second billing, he’s played the foil ever since, the one beyond redemption.

“Why don’t you just say what you have to say, Peter?” Maggie coaxes, focusing, as usual, on the here and now. Her stability has been one of the family’s few anchors. She refuses to dramatize, forces them to accept their options, such as they are. She’s approaching fifty now and has put on weight, but it suits her image: the truth-teller, the one who won’t pretend you can lament your way out of trouble.

“All right, then,” Peter begins. “Like I told Maggie, Dad needs a place to live.” He joins his hands in front of him, like an airline ticket agent looking for someone willing to give up his seat. “So I’m going to need some help with this.” He stops, reaches into his jacket for his cigarettes.

Help? Moira glances at the others. They all seem bewildered.

“What are you talking about?” Liam asks.

They don’t get an answer because Cathy slides open the door to the back yard, sparing no fingerprints on the glass. “Catheee,” Bridget whines, “I just cleaned that glass.” The girl begins wiping the spots with her baseball glove. “Catheee, you’re letting out the air-conditioning.”

The girl leaps into the room, ready to defend herself. “Sean says I can’t have four strikes,” she complains, seeking some greater justice than the rules of the game allow—anything that will get her on base.

Bridget chases her back outside and grabs the Windex she keeps at the ready. The others clearly aren’t ready to consider Peter’s request, because they begin chatting about their houses and their kids, swapping stories about home improvement projects and the cost of dance recital costumes. Moira watches the urgency with which Bridget attacks the glass, and remembers something she thought was gone. The spots were on the wall, and Bridget had gotten up early to try to wash them away. She didn’t want their mother to see them again and get upset. Most of the spots were tiny; from across the room you wouldn’t even know it was blood, because they were brown by then. They reminded Moira of dark freckles and how her father would make constellations from the ones on her arms, point out a baseball diamond, a wagon, a bear’s face. On the wall, she thought she could make out an angel’s wings, but she couldn’t be sure because Bridget was working too fast, and anyway, she knew already that angels had to be make-believe. People liked to pretend there were guardians, but nothing could really protect them.

Bridget puts away her Windex and returns to the couch, adjusting the pillow before taking her seat.

“So what are you saying, Peter?” says Maggie.

“I’m talking about Dad.”

“That much we got,” Liam says.

“Have you actually talked to him? Is that what you’re saying?” Kate prompts. She’s soft spoken, almost whimpering now, and Moira wishes she would stop acting as if she owes the world an apology for breathing. Still, she’s grateful for the question, eager for Peter to get this over with.

Peter flicks an ash into a nearby philodendron, and Moira hears Bridget exhale in annoyance. “Dad’s been in touch with me for more than a year,” he says. “I’ve been up to see him at Uncle Pearce’s.”

“Uncle Pearce is dead two months now,” says Moira, looking at the others, confused. Only Maggie returns her look.

“I guess we should have sent a Mass card,” says Liam, and Conor laughs, always ready to help keep the temperature from rising. He’s wearing a dark gray, conservative suit that makes him look incapable of deceit, his tie perfectly knotted. She can’t remember the last time she saw him in anything not designed to impress a jury.

“So how is he?” says Kate.

“Who gives a shit how he is?” says Maggie.

“Christ,” Liam mutters. “I never should have come here sober.” He lights a cigarette, and Moira clenches her teeth.

“He’s good. Yeah, he’s fine. I took John and Doug up with me last time. They got a kick out of him. And they’d never been to Boston, so it was good. But like I said, it looks like he’s going to have to move out.”

Moira has no trouble picturing that scene—her father joking and teasing, her nephews taken by his odd ways. Pete Donnegan is a larger-than-life transplant whose quirks and speech patterns are throwbacks now, mimicked and sentimentalized in movies. Still, this news bothers her, though she can’t understand why. She feels robbed, as if Peter has claimed for himself something that belongs to her too. She wants to tell him that, ask why he didn’t invite her to go, but she knows how absurd it would sound. Maybe keeping him at a distance was fine as long as he wasn’t close to any of the others.

Peter’s tone softens. “He’s getting old,” he says. “I think he’s a little scared.”

“Scared?” Kate says.

“He’s all alone; he’s got no one.”

“And whose fault is that?” Maggie says.

“I’m not defending him,” Peter insists, putting up his hands, as if to ward off an attack. “This isn’t anything like that. There’s just no one to look after him up there.”

“Like there was no one to look after us when Mom took that job as a receptionist,” Bridget says.

“The rest of us had to do his job for him,” says Maggie.

Liam checks his watch. “Are we gonna go through his venial sins too? I’ve only got four hours,” he says, and Conor lets out a sigh, bracing for the inevitable ruckus to come.

“I’m not here to talk about any of that.” Peter directs this to Maggie, stabbing a finger into his palm to mark the subject off limits. He clearly doesn’t want this to get out of control, which everyone knows is the only place it can go if she lets loose. “I’m just saying that one of us needs to take him in.”

Liam spits something out, a cross between a snort and a chuckle, but no one says anything.

“He’s an old man,” Peter prompts, clearly expecting a volunteer. “And he’s gone completely blind. He’s got barely any sight left at all now.” He’s practically pleading, hardly his usual ploy. He clears his throat as if to signal what’s coming. “He’s got to find a place by next week.”

Liam whistles softly, and Maggie shakes her head, eyes wide in amazement. “Are you serious?”

“Is he still drinking?” says Kate.

“Talk about stupid questions,” says Liam.

“What’s so stupid about it?” Conor says. “How do you know he’s still drinking?”

“Because Aunt Mary called me a year ago, wanting to know if I could come get him out of there.”

“I know all about that,” says Peter, raising both hands, palms out. He reminds Moira of the Pope, calming the crowd from his Vatican balcony. “Aunt Mary told me everything. But that’s not what this is about. She’d let him stay, but she needs to sell the house. She may have an offer.”

“Yeah, right,” says Liam. “That’ll all happen by next week.”

“Shut the fuck up,” Peter tells him.

“You really expect one of us to do this?” says Bridget, providing her own answer with a dismissive wave.

“I’m not going to see him in the street,” says Peter. “He’s my father.”

“So you’re volunteering to take him?” Conor says. Moira hears this as a challenge, inviting Peter to put up or shut up. She wonders if Conor senses it too, that Peter has claimed a kind of sole ownership of their father, the right to decide for him.

“I can’t,” Peter says. “Helen won’t do it.”

Maggie laughs hard. “But you expect us to?”

“For heaven’s sake, he’s old. He’s nothing like he used to be.”

“Oh, please,” she says, “spare us the violins.”

“Right,” says Liam, “we need bagpipes for this one.”

“Like you ever gave a rat’s ass about anybody,” Peter snaps.

“Ah, his lordship has spoken,” says Liam.

Moira squirms. It’s hard for her to be with them when they argue like this. Closing her eyes, she lets their voices merge, tries to disengage. She can’t help imagining how lost her father must feel to have nowhere to go. She remembers what that felt like, wedged on someone’s lap in a crowded car. How did they fit so many people into it? Bridget was crying. Conor was on Aunt Nora’s lap, wearing only one shoe. He’d thrown up, and the satin lapels of his tuxedo were stained. Peter and Helen’s wedding had ended in chaos, their father ringed by men to hold him back. Somebody had to stop him. That’s what everyone in the car was saying. They couldn’t let him go on like that. He would have hurt someone. Moira’s mother was already hurt by then, but that didn’t seem to count.

Aunt Nora was scolding her mother, insisting she couldn’t go home to him, not that night, not ever. They’d have to stay at Aunt Nora’s, and Moira’s stomach ached from it, remembering the last time they wound up there. She didn’t want to sleep in a strange place, didn’t want to be without her books and her dolls. And what would her father do when he realized they hadn’t come home? He’d come after them like the last time, wouldn’t he? He could hurt them.

She prayed her mother would tell them to turn the car around, head back to their apartment. But she didn’t. A panicky tingling down the back of her legs made Moira desperate to get out of the car, to run, find her way home. Her dad wasn’t always drunk, not really. Sometimes he told them stories. Just that morning he’d talked about being best man at his brother’s wedding, tying tin cans onto the back of his car. And sometimes he sang. He’d show them what to do with the song to make their voices blend, harmonizing he called it. Maybe if they talked to him, made him understand, he wouldn’t hurt anybody anymore. She looked at her mother, who’d turned away from the window. The other eye was visible now, badly swollen, making the lid close, and Moira saw why they had no choice.

By the time they returned to the apartment a week later, their father had stocked the fridge with ice cream and soda and found them a skinny terrier from somewhere, with one bad leg. Moira knew he was sorry. He didn’t have to say so.

Kate is listing the reasons she can’t ask Charlie to let him stay, as if this needs explaining. Charlie—her new husband, the fourth—is a wormy little tyrant she met on a discount cruise ship, who’s never done talking about gun rights and keeping America safe from immigrants. He’s never even met their father.

“Is he collecting Social Security? Does he have Medicare?” Kate asks, as if these are the issues that might be holding the others back.

“He’s got all that,” Peter says, “and I’ll take care of the rest.”

Moira’s not surprised at this, given Peter’s income, and doubts anyone else is.

“I could talk to Terry,” Conor says, but Maggie snaps at him.

“You will not talk to Terry. The last thing you need is a viper like that in your home.”

“If you’re ready to put money out, why don’t you just set up an apartment for him?” says Liam.

“He can’t see, for fuck’s sake,” Peter says.

“Then get him a live-in.”

“You can’t trust those people,” says Kate.

“I’m going to spend time with him,” says Peter. “He wants to go to ballgames, visit my office.”

Moira lets herself picture her father wearing a Yankees cap, sitting with her at one of Sean’s games as she describes his wind-up, the speed of the pitch. Her throat tightens. It’s too hard to think about, the years of wondering what it would feel like to have a father, a grandfather for the boys. Ken’s dad has never been much good at it. He spends half his time in meetings and the other half on planes. “I’ll just be a minute,” she tells the others, getting up from the couch. Liam whistles what sounds like “Eve of Destruction” as she leaves the room.

Bridget’s bathroom is immaculate, no hairs in the sink, no spots of toothpaste spit on the mirror, none of the little touches that would help Moira feel at home. She leans forward, both hands braced on the pink porcelain, staring into the mirror at her chin, afraid to look into her own eyes. She inspects the tiny mole below the corner of her mouth; her father’s is in the same exact spot. She wonders why Peter’s so convinced he wants to be back in their lives.

When her father still lived in their old neighborhood, in his sister Deirdre’s basement, Moira walked thirty blocks to see him, telling herself the whole way that it was the stationery store she really wanted to go to, the one that sold the carbon paper she liked. But when she reached the store, she crossed the street and rang the doorbell, her fists deep in her pockets, fighting the urge to turn around. She was graduating high school that Friday and she wasn’t sure he knew. She doubted her mother would have told him and the idea that he might want to be there plagued her, made her feel wrong not to tell him.

Her aunt didn’t recognize her at first. She put her hands to her mouth as if to keep herself quiet. Their embrace was awkward and over quickly, as if the woman found no purpose in it. “He’s downstairs,” she said. “I’ll tell him you’re here.”

“No, it’s okay. I’ll go down.”

The staircase descended into a narrow space that smelled of cigarette smoke and mildew. He’d just gotten a new seeing-eye dog, a shepherd, and almost immediately it began to bark. “Quiet down, McCool,” her father scolded, but the dog, determined to do his job, settled into a soft growl. “Who’s there?”

“It’s me. Moira.” She reached the foot of the stairs and he rose from the couch. The room was lit only by the light from the small, high window that carved a view of shoes stepping by.

“Moira. How are ya?” He began to say more but stopped and she wondered if he was upset, because he was rubbing his eyes and color had risen in his neck.

“I’m sorry,” she said. “I just—”

“Sorry? Don’t be silly.” His voice sounded as if someone were squeezing him. He rubbed his hands on the sides of his pants, at a loss, maybe, for what to do. He didn’t ask her to sit down. He just stood there. So she told him what she’d come to tell him, that her graduation would be at the school, in the auditorium.

He sat down, called the dog closer, lit a cigarette. She waited in the silence, saw the look the dog gave her, as if still not convinced she was allowed here. Finally, she said good-bye and her father said he’d be there. He wasn’t.

Moira runs cold water from the tap, wets her face a bit, steps out into the living room. They’re on their feet. She can see they’ve been waiting for her, want to tell her something.

“Listen,” Peter says, his voice low, almost melancholy, “we’re going to talk to Aunt Mary, see if we can figure out a way for him to stay there a bit longer.”

Moira tucks her hair behind her ears, senses the uncertainty in the room. They have no answers, and the sadness of it empties her like hunger. It’s not the way things should be. “No, don’t do that,” she says, as if she’s made up her mind, as if she’s certain. “He can come with me.”

Someone gasps, and there’s mumbling, sounds of disbelief.

“Moira, what are you saying?” says Maggie. Her grip on her pocketbook tightens and she looks ready to whack someone with it.

“Will you please leave her be?” says Peter.

Moira walks over to the glass doors to see the kids outside but no one joins her. Bridget and Maggie are whispering and Peter goes into the kitchen. She wonders if they’re afraid to break the spell, afraid she’ll change her mind. The kids must be playing hide-and-seek, because she sees Michael sneak into the shed and close the door, which surprises her because he’s afraid of the dark. So was she, for a long time. On summer nights her father sometimes sat alone in the living room without a light on. She would slip into the darkness with him, settle in a far corner of the room, watch the smoke from his Camels lift in the warm air. His straight-backed chair would be pulled up close to the window, as if he was expecting to see something. Always he sat the same way, one leg crossed over the other, one arm resting limply across his lap. The streetlight deepened the lines of his face, and every so often, ever so slowly, he brought the cigarette to his lips and sucked the smoke deep into himself. She never approached him, certain he wouldn’t want that. Instead she kept watch with him, listened to his calloused hand scratch against his whiskers. When he went to bed finally, she’d pretend he’d kissed her good night.

Someone puts a hand on her shoulder. It’s Conor, the reasonable one, the one who believes he can stay out of harm’s way. He’s told Moira he won’t have children, won’t let the cycle continue. “You don’t have to do this,” he says.

But she does.

Mary Ann McGuigan’s fiction has appeared in The Sun, Image, North American Review, Prime Number, and other journals. Her collection Pieces includes stories named for the Pushcart Prize and Sundress Publications’ Best of the Net. Mary Ann’s young-adult novels, about teens trying to make sense of the chaos grown-ups leave in their wake, are ranked among the best books for teens by the Junior Library Guild and the New York Public Library. Her novel Where You Belong was a finalist for the National Book Award. For more about her fiction, visit www.maryannmcguigan.com, you can also follow her on Instagram.

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Writing Cohort Opportunity

Circe is offering: Crucible – A Year-Long Writing Cohort 

Let by Gina Frangello and Emily Black, this cohort is designed for writers seeking to spend a year deeply immersed in writing or revising a book length work.

Cohort Includes:

  • Once monthly class meeting over Zoom
    • 2-3 members will have their pages workshopped per meeting (each participant will be workshopped twice)
  • Every other month individual/private meeting with Emily or Gina over Zoom (participants will have a chance to work with both)
  • Ongoing online communication between members of the cohort to share resources and ask questions in between sessions
  • Writing prompts
  •  100 manuscript pages read and reviewed by Emily and Gina

Email info@circeconsulting.net for more information

***

Statement on Black Lives Matter and support for social change.

Guest Posts, parenting, Special Needs

Improvise, Stabilize, Stagnate, Repeat

July 3, 2021
all

By Abby Braithwaite

“Mom, let’s go up there!”

“You don’t want to go just a little farther on the flat part, see if we can find the stream, and maybe see some of those frogs making all that racket?”

“No, up there! Hmph.”

My daughter stomps her foot, crosses her arms, and juts her chin at the near-vertical bank to our right. An expanse of loose rock, dead grasses and newly-awakened poison oak leads up to the abandoned mine above us, and beyond to the top of the rim-rock where her dad, brother and beloved babysitter are hiking. But really, it wouldn’t matter if no one was up there. Every time we have hiked this trail over the past couple years, off-roading has been this 4-foot, 9-inch teenager’s path of choice. She huffs again, tossing her pink bangs off her mostly-shaved head and standing firm.

“That way. Now.” It’s amazing how clearly she enunciates when she is mimicking my get-serious-and-listen voice. If only her speech therapist could hear her now.

“Alright, let’s go.”

***

If you want proof that evolution is dangerous, all you have to do is parent a teenager. Or teach one. Or just choose one out of the crowd and watch her move through the world. The fact that an entire species has banked our survival on the teenage brain is a mind-bender, and the ultimate proof that in order to get anywhere in life, you have to be willing to risk it all on a twist of DNA.

That first amoeba family could have just trucked along blob-like for an eternity, comfortable in its amorphousness, and populated this planet with slime. But no, some type-A couple of perfectly good cells had to go and mix it up and complicate the next generation with extra material, and things just went from there.

Improvise, stabilize, stagnate, repeat. Evolution in a nutshell. Sure there’s some loss along the way, but how else is a fish supposed to crawl out of an ocean and walk across the sand, if it’s not willing to take a chance?

***

As I follow Adara up the side of the hill, I keep one hand on the small of her back to remind her to keep her weight forward so she’ll tumble up if she trips, and not topple all the way back to the nice sandy path below us. As I feel her push herself up, muscles tensing under my hand, I notice again that her right glute is about half the size of her left, the result of a long-ago surgical repair on a bad hip, and I wonder if she likes this kind of climb better because it’s a break from the relentless, crooked pound-stumble that is walking when one leg is an inch shorter than the other. Maybe, like the short-sided mountain goats in that old comic, she knows she’s built for side-hilling.

Or, maybe she just likes to do it the hard way.

Either way, I’m glad to be walking behind her in the April sun, grateful I was able to get her off the couch and out the door after the rest of the group headed out on a hike I would have been on if there was someone else to hang out with my kid. And truth be told, I’m not sure I would have been able to keep up with them anyway. I’m probably better off down here where I can collect rocks, listen to the frogs, and watch the clouds roll by while Adara picks her way up this impossible slope.

***

And so, some number of millennia and branches of the tree of life later, we arrive at the human species. Like many living things before us, plant and animal alike, we had figured out that for the healthiest populations, we had to spread out to mate. Trees send their seeds on the wind. Thistles catch onto the coats of the wandering beta wolf, and so propagate new thistle fields on the other side of the mountain range. The scent of ripe berries on the breeze brings a feeding frenzy, and berry seeds are shat out in myriad piles across the watershed.

Travel to make babies. It’s a pretty foundational principle of procreation.

But humans had to complicate things. We birthed impossibly dependent babies that stayed helpless far longer than any other animals’ offspring, and we became programmed to nurture, to tend, to need each other. We created intricate social structures, interdependency, emotional attachment. How were we supposed to get far apart enough to mate safely, to ensure the mutations that would lead to increased variability and strength, rather than the dangerous effects of an insular community?

Enter the teenager, a creature designed to cast out on its own to points unknown, with a particular penchant for pushing away the very people it has depended on most for the past decade and a half.

***

We’re spending a few days at our family cabin on the Deschutes River in central Oregon. It’s on the site of an old perlite mine, where several buildings were converted to a fishing camp after the mine closed in the 1940’s. My husband’s grandparents happened across the place when the mine office building was up for sale, so we have access to a ranging two-story box in the desert that can hold more than a dozen people comfortably. It’s just the five of us this weekend, though. My husband, our two kids, and our babysitter, here off the clock to explore this place she has heard so much about in the years she’s been working for us.

On the far side of the river—you have to take a cable ferry to get here, with everything you need for however long you’re staying—with no internet or cell reception, and stone’s throw from the shriekiest mile of curving railroad track in the West, it’s a love it or hate it kind of place. It’s fiercely cold in the winter, and impossibly hot and dry in the summer. In late spring and early fall, it’s mild and lovely. In April and September, it’s all those things in the span of an afternoon.

Adara’s on the hate it end of the spectrum, but we ply her with salt and vinegar potato chips and let her smuggle her phone over the river so she has her music, and she puts up with it. And every couple days, I manage to get her out for an explore. Every teenager who has come of age here—except maybe my introverted fisherman of a husband—has had a period of hating the place, hating the spiders and bugs, hating being away from friends and stuck with family, hating, over the past decade, the prohibition on technology, which doesn’t really work here anyway. But they come, and they are forced outside, and they learn to take care of the place; eventually keys pass from the hands of one generation to the next. Corwin, my 11-year-old, loves the place still. But given her druthers, Adara would take a pass altogether.

***

A quick Google search on “evolution as risk”—looking to see if any researchers have asked whether evolutionary steps can be viewed as a species-level gamble—tells me I need to spend more time on research if I want to follow this trail any farther. I find hits on Darwin’s Dangerous Idea—the threat posed by the mere concept of evolution to the human understanding of our roots, when the theory first arose—and the evolution of risk, with lots of sub-articles on the evolutionary role of adolescence. And that’s part of what I am talking about here, of course, but my bigger question is about the gamble of mutation itself. Why evolve at all? Why not just stay the course?

A species grows from the mire, defines itself, settles into a niche. All is fine, if not terribly exceptional, to be a lizard crawling around on the ground. Everything is working, comfortable enough. But then one day a cold wind blows across your scales and on some cellular level, some strand of lizard DNA buzzes awake and—bam—scales grow into feathers, feathers grow longer, lizards spend more time on the edges of cliffs, lots of them fall off, and the once stable ground-lizard population is suddenly on the brink, life is a lot more dangerous. And then, one day, instead of falling, a lizard flies. And so we have birds, which never would have come to be if there wasn’t space for just the right mutations to build on themselves, improvising, stretching, changing.

***

“I can’t do it, Mom!” she shouts, after her third attempt at a handhold tumbles down the bank behind us. We’ve been climbing for about half an hour now and, despite frequent breaks, we’ve gotten through the hardest section. It’s grassier here, less rocky, and I notice that there’s a trail beaten by deer that traverses the slope off to our right, taking a gentler approach to vertical gain, following the contours of the hillside rather than heading straight up.

“You’re doing great, look how far we’ve come!”

She turns to look down, scares herself with the sheer drop, and turns back, crossing her arms and harrumphing again. “That scared me. I can’t do it.”

“Well, we can’t sleep here, can we?” I ask, attempting the light humor that will sometimes snap her out of recalcitrance. “And look, there’s the tree we’re heading for. We’re almost there. Look, you’re the leader, and you’re doing a great job, so I want to show you two choices. Either one is fine. We can keep going straight, up this way,” and I point to the rocky draw she’s been following, that traces a straight line between us and a budding oak tree. “Or, we can follow this sneaky deer trail that’s an easier path. I know it looks like it’s going the wrong way, but it twists back around, I promise.”

***

And what greater metaphor for this moment of improvisation, of leaving behind the cozy, safe, necessary known for some new dimension, than human adolescence? A risk-taking, precipice-walking, edge-living phase of our development carefully designed to carry us away from our community, out to points unknown, to mix with others and create new family lines. With the skills, knowledge, and strength to set forth for new spaces and places, but without the wisdom to worry so much about what’s coming; the power to plunge straight ahead to the next thing, without the discernment to think maybe there’s an easier way, around the corner, just out of sight. In order to survive babyhood, we needed to create the attached family unit. But in order to thrive as a species, we needed to find a way away from each other, a vehicle to spread the wings and sow the proverbial wild oats further afield.

***

True to form, Adara insists on heading straight up the draw, not interested in my advice about a so-called easier path. She’s tired now, and can’t make it more than a few steps at a time before she needs to stop and catch her breath, rest her shaking legs. She can see the tree, with the picnic rock next to it, and she’s confident in her knowledge of the best way to get there. Straight. Up. The. Hill. Though the pauses between pushing upward grow longer with each break, push herself she does, and we make our way slowly up the slope.

“MOM, I NEED your hand.”

“Kiddo, if I hold your hand, I’m going to pull you down the hill. Here, I’ll just hold your hi-“

“Fine, I CAN’T DO IT!” And she plunks back down, lifts up her butt to toss a sharp rock out from under her. It just misses my kneecap. “And I’m not a kiddo. I’m THIRTEEN!”

I take a deep breath and look out over the river. We’re so close to the top, where we can sit on a flat rock and eat the salt and vinegar chips and sing songs and tell stories and build fairy houses in the dust on the side of the old mine road while we wait for the rest of the crew to come down the mountain.

I just need to keep my mouth shut, and we’ll get there.

As a teenager with a developmental disability, my daughter perhaps inhabits the brink more precariously than others; she toggles in an instant between a deep dependence—still needing help to zip a zipper, tie a shoe, sneak a pee on the side of a mountain—and a fierce desire to do it her way, on her own, without interruption and condescension. But, then, the more I talk to her classmates’ parents, the parents of so-called typical children, the more I realize that it’s only really a difference of degrees. All the kids her age are doing this dance. She just does it a little more transparently. And she needs a little more help to get free of me.

As we push on up her chosen path, my thoughts continue to circle on this idea that as a species, we have banked our survival on this risk-taking phase of human development. And as we stop again, angry at a piece of sharp grass that pokes into the sock, I remember something our midwife said, back when people were still saying things to try to make us feel better about Adara’s Down syndrome diagnosis. Something about how there are people who believe that Down syndrome—a genetic mutation that causes a triplication of the 21st chromosome, rather than the typical duplication, and the most survivable trisomy, as these triplications are collectively known—is the next evolutionary phase of the human species. That the emotional intelligence that is a common trait in Down syndrome is exactly what we need to survive the challenges in front of us right now.

I never looked the theory up back then, to see if she was just blowing smoke to make us feel better. And now I suspect any discussion of the theme will be rife with stereotypes and platitudes about Down syndrome—about how “those people” are happy all the time, and are pure love, and are just perpetual children who have found some stash of joy and contentment that we should all learn from.

But watching my kid choose the hardest path with a force and determination that I could only hope to attain, I have to wonder. No, she’s not happy all the time. She bridles at her little brother just as much as any 13-year-old should. No, she’s not a forever-child. She’s determined to finish school, go to college, and live in an apartment without her boring parents and their annoying rules and chores. But her joys are deeper than just about anyone I know, and she doesn’t carry a grudge. She has a gift for finding lonely people and bringing them into the circle, and for making them laugh with bad puns and absurd knock-knock jokes. She navigates life’s most challenging moments with a resiliency we all should envy. Maybe we could all stand to move that way after all, or at least to weave a little of the ways of that bonus chromosome into our dealings with ourselves and each other. Perhaps we’ve achieved a place as a species where we can choose some of our next adaptations. Choose to weave a new way.

A new thought to ponder. Luckily, there’s plenty of time for thinking on these hikes we take together.

Abby Braithwaite lives in Ridgefield, Washington, where she writes from a converted shipping container in the woods overlooking the family farm. She enjoys the soundscape of sandhill cranes, coyotes and freight trains trundling from Portland to Seattle underneath her bedroom window. Her essays on parenting, escape, and disability have been published in the Barton Chronicle, the Washington Post, The Manifest-Station and the Hip Mama blog, as well as a handful of non-profit newsletters. In 2019 she created “Contained”, a chapbook of her collected musings. She shares her home with her husband and two children, three cats, and two dogs.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

emma

Stories of parent/child relationships can be complex, and Emma’s Laugh, The Gift of  Second Chances, is no exception.  Convinced of her inability to love her “imperfect” child and give her the best care and life she deserved, Diana gave Emma up for adoption. But as with all things that are meant to be, Emma found her way back home. As Emma grew, Diana watched her live life determinedly and unapologetically, radiating love always. Emma evolved from a survivor to a warrior, and the little girl that Diana didn’t think she could love enough rearranged her heart. In her short eighteen years of life, Emma gifted her family the indelible lesson of the healing and redemptive power of love.

Read Diana’s ManifestStation essay here

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Family, pandemic

I Could Have Run a Railroad

November 25, 2020

By Alisa Schindler

I have always loved the rain. The quiet of the sky. The soothing drone of a million hearts beating overhead. The deep grey seeps into my bones like a drug, slowly calming, and telling my brain to shhhh. There is nowhere to go; no bright and tempting sun guilting me with its happy warmth, pressing me forward to run, skip and laugh. No open, welcoming day beckoning me with possibilities. Now it is alright just to breathe and embrace that feeling where pressure simply evaporates. There is only a moody somberness, a gentle drum lulling me into peace.

When I was younger, my father used to chasten me about the bubble I surrounded myself in and accuse me of complacency. “Don’t be another boring housewife,” he’d say and gift me books by Ayn Rand hoping to inspire. “You’re a Dagny.”

I’d roll my eyes, but take the books, devouring them in private. Deep down I heard him, his message taking root in the brain I was busy ignoring, although I refused to give him the satisfaction of acknowledgment. It wasn’t like he had the right to judge, I thought. He had done nothing of substance. He was a man with huge romantic notions of the world and no follow through, all about the ‘big ideas’ and being one of the ‘beautiful people’.

To be fair, he was beautiful. Strong and masculine, with crystal green eyes that mirrored my own and thick wavy hair that had prematurely grayed. He was a legend on the ball field and the racquetball courts. With his charismatic smile, easy laugh, and love of a good party, both men and women gravitated towards him.

Even with erratic work habits, his charm, good looks and intelligence helped him survive and, at times, even thrive, in his vocation as a salesman. But that was in the 70’s and 80’s when no one looked too deeply. If they had they would have seen an addict who moved from one sad, dirty, cluttered place to another, often sleeping on a mattress on the floor. Someone who lived from paycheck to paycheck and visited his kids on the weekends at their new home with their new family out in the suburbs. Still, he always came bearing gifts and smile.

For a time.

By my twenties, his alcohol and recreational drug years were behind him, but his struggles were just beginning. I made the mistake of moving in with him after college after a failed back operation led to dependencies on pharmaceutical opiates. It didn’t take long to realize I was trapped. He needed me to shadow him as he staggered around on pain medications. He needed me as he seesawed between the lows of depression and manic bursts of energy and enthusiasm. Some days he couldn’t leave his bed, other days we played tennis. Some days I wrestled car keys from his hand; his glazed unconscious eyes in complete opposition to the strength of his anger and grasp. Other days, we sat side by side watching episodes of X-Files or Star Trek eating Tupperware bowls filled with cereal, finding moments of ridiculousness and laughing till milk came out our noses.

It was the inconsistencies of health, mental and physical, that kept me tied. The highs that reminded me of his sparkle and my childhood adoration and the lows that overwhelmed and obligated me. He had no one else. I was his sun, his moon, and his savior. But when he talked to me about stepping outside my bubble, I could see nothing but his need and my potential floating away.

Like a good first-born child, I took to my martyrdom like worker bee to queen. I dove in and let it define me; using it to separate myself, to hide, to solidify the bubble into armor, until there was only me and my struggle with his struggle.

As the years passed, I finally found a way to move out and leave him – I got married. Had babies, boy one, two and three. Created a life filled with privileges and pleasures. But through it all he was there, an umbilical rope of need and devotion connecting us.

As he aged and weakened, he softened his view of me and the world. Dagny Taggart wasn’t all that anymore. He excused my complacency and decided to extol my virtues instead. “You’re a great mom,” he’d say. “I understand why you like your bubble. The world is crazy. Your bubble is good.”    

My bubble was better than good – a wonderful husband, beautiful children, the house in the suburbs, endless books to read, writing to keep me satisfied and sane and good friends to laugh and cry – but with him attached I remained, as always, harnessed. Stuck to the ground, rooted, never taking flight. No longer sure I even wanted to.

And then, he died.

Something that was ‘a long time coming’ and should have happened decades before, took me by complete surprise. I was suddenly free from his tortuous, desperate need. I could float in the sunshine of my family, meander in and out of marshmallow clouds, drift through the lazy rainbow days of baseball, baking and boys. I could write. Or run a railroad.

Yet, the relief everyone talked about didn’t come. I missed the burden. The insanity. The ridiculousness. I missed him. The man who dreamed I could be Dagny Taggart but whose everyday life careened off the rails. The man who laughed without limits but also cried without restraint. The man who opened my eyes to the joys and horrors of the world, but also made me turn inward and away. The man who was one of the ‘beautiful ones’ who became disabled and deformed.

Maybe it was always my nature. Maybe I gravitated toward a life heavy with a responsibility that allowed me to stay shielded, my purpose small but mighty. My world limited but loved. My heart soaring in words but my feet on the ground.

I’m okay with the bubble. The smallness. The calm. The nothing.

I always loved the rain.

Alisa Schindler is a freelance writer whose essays have been featured online in the NYT, Washington Post, Brain, Child, Parents, Good Housekeeping, and The Well at Northwell Health, among others. In her spare time, she writes sexy, suburban fiction. Find out more about her at alisaschindler.com.

Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Activism, Grief, motherhood

“17”- A Poem Plus an excerpt from “Good Cop, Bad Daughter” by Karen Lynch

March 14, 2018

By Karen Lynch. 

17

When you were born, I nestled you in my arms and nursed you on demand to help build your immune system and keep you safe from disease.
933 breast feedings

When you were 18 months old, I cut your grapes in half to keep you safe from choking.
3,406 grapes sliced

When you were 2, I bought you the bicycle helmet ranked highest by Parenting Magazine.
5,327 miles peddled

When you were five, six, seven, I let you watch only PBS kids to keep you innocent of the violence in the world as long as possible.
1,273 episodes Mr. Roger’s Neighborhood watched.

When you were 12, I let you ride your bike across town and prayed for your safety as I waited for your call.
17 petitions offered up to the universe.

When you were sick and no one knew why, I took you to a faraway clinic and found a doctor to heal you.
522 miles driven, 4 doctors seen, 18 bottles supplements purchased.

When you were 16, I found the best driving instructor in the county. I told you to call me for a ride anytime, no questions asked.
2 speeding tickets, 1 fender bender, 0 calls for pickup.

When you left for school today, I gave you an organic Fuji apple with your whole wheat almond butter sandwich. I reminded you to eat fruit and veggies in college next year.
2,367 Fuji apples washed and sliced.
1 Valentine slipped into your backpack.

When the deputy called this afternoon, I was selecting your senior picture.
17 dead. 15 wounded. 152 shots fired.

Continue Reading…

Guest Posts, No Bullshit Motherhood, parenting

Love Is a Hot Glue Gun

October 13, 2016
ballet

By Nancy Slavin

Love is me snipping at light blue tulle and a thin elastic strap and then reattaching both difficult fabrics onto the front of the ballet costume. I had to get out my reading glasses to thread this needle. Even after paying fifty-five bucks for this costume, I’m doing all this reworking because the dance teacher said if I don’t, the feathery tulle will obscure the little purple pixie wings. And we cannot obscure the pixie wings.

Unlike my daughter, I was a basketball player. When my own mother took me to ballet class as a young girl, I lasted the whole of a minute before I died of boredom. The ballet teacher even told my mother “your daughter does not want to be a ballerina.” I wanted to run and pass and steal a ball and shoot a three pointer. I ran into things like a Mack Truck. As an adult, I’ve worked as a rafting guide and a loud-mouthed feminist activist. I’ve never leapt daintily or pirouetted without wiping out in my life. Continue Reading…

No Bullshit Motherhood, Girl Power: You Are Enough, Guest Posts, parenting

Sisterhood, Spirituality, & Raising a Daughter.

September 2, 2016

By Cori Howard

It all started with this ad. A pathetic inspiration really, but it got my 11-year-old daughter laughing and talking about something that is still relatively taboo and not often discussed – her period. “I want a first moon party,” she said, immediately after watching it. And suddenly, my friend and I began scheming about how we could make a vagina cake and a uterus piñata. My 15-year-old son, listening in on our wine-fuelled conversation, was horrified. But we would not be deterred.

We all knew it was coming. We saw the bodily signs – the breast buds, the pubic hair, the body odor. And although I was still coming to grips with how quickly puberty was hitting my little girl, I desperately wanted to honor this moment in her life somehow, to make it positive. Then, lost in the humor of actually planning a first moon party, my friend called and said: “Don’t just make it funny. Do it right.”

She knew me. We’d had endless discussions over the years about rite of passage ceremonies and why they were lacking in our lives and our culture. I had wanted to do something for my son. But at 13, he wasn’t into it and I didn’t realize at the time, he had turned the corner in age. He’d already become an eye-rolling teenager who scoffed at my “weird ideas.” At 11, my daughter was still young enough to be a willing guinea pig for my bohemian fantasy of a female rite of passage ceremony.

So I started reading and thinking. I knew my daughter’s first moon party couldn’t just be piñatas and cake – although it was really fun to make them. The real reason I wanted to host a first moon party was to offer my daughter, and her friends, an antidote to our consumer, hyper-sexualized culture around teenage girlhood. If I could offer her a ceremony that celebrated becoming a woman, that could show her a new way of looking not just at periods, but at sisterhood and spirituality – why not, right?

So the shaman arrived on a sunny, May afternoon and my daughter, surrounded by her 6 closest friends, asks: “Mom, is this going to be weird?”

I didn’t know what to say. Continue Reading…

Guest Posts, death, Family

Frosty Mauve

August 14, 2016
mother

By Kim Derby

The silence hits me in the face when I walk in. Free of beeping and flashing bright lights, her hospital room is nothing like what you see on TV, the monotonous drone of machines sprouting tubes, blaring alarms. Instead it’s stillness, and the creak of the door as it closes behind me. Daylight streams through a window across the room, lights up her face. I move toward the bed, cautious as if she had a virus I might catch.    

Hi Mom. It’s your daughter. I’m here.”

Her mouth is open, slightly ajar. A lip-gloss sits on the table next to her. Someone must have applied it recently because her lips glisten. I touch her cheek with the back of my hand. Ice. And I pull the blanket up around her neck. Hold her hand, I tell myself, but she’s tucked tight under the bedding. Swaddled. I hate myself for being too freaked out to reach under and take her hand. I reach for her cheek again, rub it softly with the back of my hand. Her 76-year-old face is bare, free of mascara or makeup. It glows, smooth like un-worry, free of wrinkles, contempt or scorn.

“Mom, your skin looks really good.” I think she’d like to know.

Saliva collects under my tongue and I’m glad I haven’t eaten in three hours. I step back from the bed, swallow. I think I’m going to be sick.  Continue Reading…

Guest Posts, Family, Young Voices

Moments of Silence

April 27, 2016
family

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Aimy Tien

I’m cleaning the remnants of makeup and tears off my face when my father accuses me of hating my parents. “That’s why you don’t want to live in Colorado. That’s why you don’t want to come home and study here and be a doctor.”

It’s almost one am. We are three hours into this phone call, and I am tired, not just because of the conversation, but because this was Pride weekend—my eighth Pride, my third as an out queer woman (well out to everyone but my immediate family), and my first Dyke March. Dyke March is more low-key than the parade, no floats or gigantic balloon displays, just women and allies marching through the streets chanting about social justice and celebrating. After the march, I spotted an Angry Asian Dyke sign propped against a tree in Humboldt Park. With queer women as far as the eye could see, the sense of community was overwhelming. The rest of the weekend was a blur of rainbows, undercuts, and dancing at Backlot Bash, an outdoor queer woman party. And now, it’s Sunday night, I’m exhausted and I’m on the phone responding to my parents’ third in a series of increasingly angry voicemails.

Hour three of this call and the joy of the weekend is almost gone. My shoulders slump against the wall, and I let the sound of the Red Line rushing by my apartment settle me. I’m too tired to lie. “I’m not comfortable in Denver, Dad. It doesn’t feel like I can be honest there.”

“What do you mean?”

I think of the mantra I’ve been holding on to, “You can’t lose in a fight about your own happiness. You can’t lose in a fight about your own life.” So I say it.

“Dad I date men and I date women.” The train rumbles by. “You hate men and women? I don’t understand what that has to do with—“

“No, no, I date men and I date women.” The call drops, and I remind myself of a conversation I had six months before, sitting on a couch on the 8th floor of one of Columbia College’s buildings. Instead of discussing how to integrate writing and the arts into my scientific life, I was explaining to Megan, my former professor, how to be a bad Asian daughter. Continue Reading…

Gender & Sexuality, Girl Power: You Are Enough, Guest Posts, Young Voices

In My Mother’s Bathroom

September 23, 2015

Note from Jen Pastiloff, founder of The Manifest-Station: This is a piece for my “Young Voices” series. I am looking for more young voices to publish so please submit if you have something to say. Please note, if you are under 18 you must have parental permission unless you are using a pseudonym. I am so excited to be working on the book Girl Power: You Are Enough, as well as the workshop for young women which has been a HUGE success so far. Please help me spread the word and sign up or sign your daughters/nieces/friends. I am also in the process of selecting ambassadors to represent #GirlPowerYouAreEnough. More information on this on my instagram at @jenpastiloff. Love, Jen

In My Mother’s Bathroom
By Emily Falkowski

Over the years I learned how to kiss girls without feeling like my abuser. This is one of the small ways in which my voice came knocking at my gut, demanding to be let in.

The first time I fooled around with a girl I was fourteen. I kissed Brianna up against the wall of the astronomy building at summer camp. I pushed my groin into hers and imagined Brianna pinned there against the brick, like moss.

“You’re so aggressive,” she said. “I didn’t expect this.”

“I’m sorry. I’m nervous. Should I stop?”

“No,” Brianna pushed her tits up at me when I grabbed her wrists with one hand and pinned them behind her back, “I like it. It’s like you’re a boy.”

When she said that I got intensely wet. I wanted to be a boy. I started to unzip her pants and imagined that I had a penis. How it would be hard and corporeal against her thigh, a real thing she could pull out of my pants. Then I would push Brianna onto the ground and make her fuck me with her mouth.

I pulled her left breast out off her bra and wrapped my mouth around the nipple. She said my name, and I felt my body go numb, I couldn’t feel anything below my belly button. This wasn’t surprising, I was used to this sort of thing happening when someone I was with said my name, or tried to touch me below the waist.

“Mmm, please don’t say my name right now.”

“Okay,” She giggled, “What do you want to be called?”

 

My earliest idea of womanhood is limited, defined by the sexual anatomy of a female. I’m four in my mother’s bathroom watching her dry off after a shower, wrapping her hair in a green towel and propping one leg up on the bath-tub. Continue Reading…