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Grief

Guest Posts, Grief, Young Voices

Peripheral

December 9, 2020

By J Steinman

I do not remember her. She’s gone now, in the past, in memory? I barely have her. She was a peripheral friend. Emily was a gymnast and a popular girl; she was funny and beautiful and smart. She would not talk to me, not out of distaste but there were 2,657 other people around, I was not the first on her mind. But now that she is gone, she is on my mind. Untimely ripped, they say. I wonder if maybe something was slightly different that day, the wind on the water or the tides, that maybe she would still be alive. She wasn’t significant to me until she was gone. Until her blood swam in the Sound. I would see her in the parking lot at the grocery store, a flash of blonde hair with big banana curls, and I would almost say her name- “Emily”. Before the wave would come crashing down and I would remember and retch out the saltwater that filled me to the brim. The saltwater that became one with her body as she was floating in the waves. I wasn’t here but I can hear the scream, the horrible screams they made when they saw what they had done. The boat floated easily atop the blue water, what a beautiful day, blue skies. They had been tubing, four girls, best friends. Two in the water and two on the boat. Emily fell off the tube and Jane saw and signaled to slow down and turn around. Jess lay on the tube while they brought around the boat to pick up Emily. They came in hot; boats don’t have brakes you know. The only way to slow down is to put the engine in reverse. And it must’ve been so quick. No time to fix what was done already. I can hear them scream as they saw her, what they had done. I remember, I imagine. I remember the horror. Jess swims to get Emily’s body back onto the boat. You cannot unsee what you’ve been told. She came back in two pieces. It’s amazing how the funeral home made her look so peaceful, just asleep in that casket. No bruises, no distress on her face. I even saw some family members lean in to kiss her forehead. And I still see her every now and then, in images, on her birthday, when people still post about her. She was 16, she feels like a child to me now. Immortalized in death. The photos stop and we can’t see her now, or what would’ve happened next. How she grew up, where she would go to college, who she would marry. Untimely ripped, she was. Bright blue was her favorite color. 2 Things I never would have known about her, a name no more or less important than the 600 other students in my year. But now she is imprinted, 16 in my memory.

J Steinman is a young professional living in the greater NYC area who works by day and submits their writing at night. They identify as bisexual and queer (they/them). J graduated from Hobart and William Smith Colleges in 2020 with a B.S. in Biology and minors in English and Psychology. J took a Hybrid Forms class under the direction of the incredible author Lidia Yuknavitch. J then took a poetry workshop with the professor and poet Kathryn Cowles and prepared to delve into the literary world. J’s writing does not shy away from directness and pain, they seek to write what we don’t have words for.

 

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Guest Posts, Friendship, Grief

Hogtied Heart

November 30, 2020

By Laura Zera

When I spun up a blues playlist this morning—T-Bone Walker, Albert Collins, Muddy Waters—I wondered why I’d let months go by since I’d last listened. I know better. If there’s ever a day where my feet aren’t planted or my heart is paining, which has been most days lately, the blues set me straight. Not by taking away the discomfort; by dropping me right into the middle of it.

The first time I heard blues played live I was 21 and too-soon worldly. But I was unprepared for how that particular genre of music could twist its way into soft tissue, seep into cells. I’d traveled from Vancouver, Canada to Phoenix to buy a secondhand Jeep CJ, a realistic hare-brained scheme back then. All it took was a brief meeting with a banker in his mid-20s (I think his name was Kai). “Yeah, I’m a student with a part-time job, but those jeeps are so rust-free. Can you throw in a bit extra to cover travel?”

With six-and-a-half thousand advanced for my mission, I rode Amtrak and stayed at the youth hostel. There I met Glen, an Australian goliath who had to step in for my singular 4×4 test drive when, inexperienced with manual transmissions, I couldn’t make it around the block, thanks to my shaking legs. The vehicle was a Toyota Land Cruiser because my price range turned up nary a Jeep. I switched my search to sports cars.

At the hostel, a German engineer with a beard (so weird for 1990) delighted in explaining Mazda’s rotary engine in extravagant detail and dissuaded me from buying an RX-7. Thorsten also left a note for me with the manager. I can still see myself reading it at the front desk, confused. “It says he’s fallen in love with me.” Her smirk told me that as camp counselor to the young and restless, she’d seen this trouble before.

My partiality was for Nick, a pensive Brit who later came up to Vancouver and explained he hadn’t been himself in Phoenix. In the last part of a spell in Mexico, he visited a river with two other English travelers. They wanted to swim at a waterfall, and, feeling apprehensive, he stayed further downstream. A day later, Mexican authorities called on him to identify their bodies. He got the hell out of there, and when I met him, he’d just called the boys’ parents.

I don’t remember any women from the hostel, which fits perfectly with my dear friend Jill’s one-time remark that I always noticed the men in the room. She was right, of course. It wasn’t until 2018, when I interviewed Jenny Valentish about her book Woman of Substances, that I connected this habit to earlier sexual assaults. Yes. I always notice the men in the room.

At the time, Jill, Welsh by origin, was working illegally as a caregiver to an old Iranian woman on a ranch near San Diego. She caught a Greyhound to Phoenix and together we road-tripped through America in the car I eventually bought: a hot little Datsun 280ZX. Aside from being conned out of fifty bucks in San Francisco by a hustler who promised tickets to a fictitious mega concert and then disappeared, the trip was a smash hit. I dropped Jill in Seattle because she couldn’t cross the border, for reasons different than the circumstances of today.

But back to the music. A group of us from the Phoenix hostel found ourselves at a tiny club called Char’s Has the Blues. I stood for eons in front of the stage, beer in hand, C-PTSD undiagnosed, and felt that music like it was pouring out of me, instead of into me.

I looked up Char’s online today, the first time in 30 years I’ve checked to see if it was still around. A month ago, it was put up for sale, a casualty of COVID.

Jill died from cancer in January.

A kid today with some miles to travel and living to do cannot in good conscience hang out, shopping for well-preserved Jeeps by day and finding their soul at night.

I was in Phoenix for all of five days.

Thank the Lord, we still have the blues.

Laura Zera’s essays have been published by the New York Times, the Washington Post, DAME, Full Grown People, Catapult, and others. She is a mental health advocate for The Stability Network, has completed a book titled Jump: A Memoir About Skating and Survival, and is working on a novel set in South Africa.

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Guest Posts, Forgiveness, Grief

Forgiving Mom…Finally

November 29, 2020
day

By Fredricka R. Maister

“Sorry, girls, but the car won’t start so I can’t drive you to the pool today,” Mrs. Gilbert told Joanne and me that hot summer morning. The date, forever rooted in my memory:  August 8th, 1961.

I may have been a clueless 12-year-old kid, but I instantly suspected Mrs. Gilbert was lying.  I didn’t believe for a second that her car had mechanical problems.  Besides, she could have used her husband’s car.  Dr. Gilbert was working in his home medical office, his car sitting unused in the driveway.

I don’t know why, but I could just feel that something catastrophic had happened or was about to happen, something unspeakable. Why else would Joanne and I have had to stay cooped up inside all day, cut off from the sunny outside world?

Strange as it may seem from today’s vantage point, my dread-filled focus and feelings that day centered on nuclear annihilation, World War III, the end of the world. As a baby boomer growing up during the Cold War, I could not forget the  “duck and cover” drills we regularly practiced during the school year. Crawling under my desk, my arms covering my head, I would silently wait,  contemplating what death would feel like in a nuclear blast while still hoping for the “All Clear” bell to sound.

Even though I never heard any news reports or air raid sirens warning us to seek refuge in a fallout shelter, that doomsday consciousness haunted me all day at Joanne’s.  Of course, I kept my thoughts to myself; Joanne would have laughed at me had I told her we were going to be blown to smithereens.

I had slept at Joanne’s house the night before, the latest in a succession of sleepovers at friends’ houses since my 54-year-old father had suffered his first heart attack three weeks before.  While my sister, who was four years younger than I, stayed at home with Mom, I was passed around “like a hot potato” from friend to friend.  I couldn’t remember when I last slept in my own bed; I sometimes wouldn’t see my mother and sister for days.

Physically ousted from my home, I was kept out of the loop on the latest medical updates about my dad’s condition. On the rare times I was there, I would eavesdrop on my mom talking on the phone with family and friends.  That’s how I found out my dad had suffered two heart attacks and was still in the Intensive Care Unit at the hospital.

I once cornered my mother in her bedroom, my need to know the truth about my dad trumping any upset I might cause her. “Is Daddy going to die?” I blurted to which she responded with an evasive “We hope not.”  I never asked again.

For the first time in my life, I felt utterly alone and abandoned, but no one seemed to notice or care. I found myself pretending that my home life was normal, and that my dad would soon be discharged from the hospital.  No one ever sat me down and explained just how precarious his medical condition was.

I recall Leslie, another friend I stayed with during my father’s hospitalization, telling me one night before we went to bed, “Let’s pray for your dad.” I didn’t comprehend why we needed to pray when his condition didn’t seem life-threatening.  The possibility that he might die eluded me then and during my stay at Joanne’s house.

In retrospect, I don’t think I consciously connected the dots between Mrs. Gilbert’s “lie” and my father’s health status.  I was too obsessed with being obliterated by an atom bomb.

Joanne and I passed that endless day playing board games and Solitaire.  I kept watching the clock for the hours to pass, but time stood still as my anxiety spiked.  I needed to be with my mom and sister when the bomb was going to drop, but I had to wait until Joanne’s parents could drive me home that evening.

***

An ominous quiet filled the car.  Although I looked forward to seeing my family, the anxiety and dread that had surged inside me all day only intensified.  When Dr. Gilbert didn’t turn the car into the street leading to my house but proceeded to my uncle’s home where Mrs. Gilbert said the family had gathered, I felt my heart sink into the pit of my stomach.  Why was my family gathering anywhere?  Why weren’t my mom and sister at home?  I suddenly realized that the end of the world I had anticipated had been nothing but a figment of my imagination.  All my foreboding had related to an inexplicable inner knowing that my father had died.

By the time we arrived at my uncle’s home, I could no longer deny my new “fatherless” reality. As I raced up the steps to the door where my uncle was already waiting for me, Mrs. Gilbert called out, “ Honey, be strong.”

Finally, privy to the truth, I learned that my father had died at 8 o’clock that morning.  His nurse had just turned on the television. When she turned around to say something to him, he had already succumbed to a massive heart attack that ended his life.

And, just as I suspected, Mrs. Gilbert had lied about the car.  She and my mother had spoken after Dad passed that morning and decided I should be kept away from the pool to avoid running into someone who might say something about his death.

***

That fateful August day back in 1961 has left an indelible impression on my memory and my psyche, more so than my dad’s funeral the following day, which I barely remember.  A few days after his funeral, my mother sent me away, not to mourn but to have fun at the Jersey Shore where my cousins had a bungalow. I was never asked if I wanted to go; I know I would have preferred to stay at home. For over a week as I rode the ocean waves and biked the boardwalk, I, the expert at the “pretend” game, acted as if nothing out-of-the-ordinary had happened.

Unresolved feelings of anger and abandonment associated with the weeks before and after my dad’s abrupt passing followed me into adulthood with an emotional vengeance.  Even now, more than 50 years later, my emotions often feel raw and palpable and I can’t seem to let them go.  Whenever I hark back to those feelings in sessions with my therapist, she tells me that their grip on me keeps me stuck in the past, unable to embrace the present and move forward into the future.

She reminds me that the intentions of family members and friends like Mrs. Gilbert were all well meaning.  In the 1950s and 60s, the priority, as a society, was to shield children from the trauma of a loved one’s death.  There was little recognition that children were emotionally sturdier than they appeared and could handle the truth.

***

I recently had an honest talk with my family about that turbulent time and its emotional impact on my life.  As I expected, my sister justified my mother’s decisions.  “I was in day camp then.  Mom was at the hospital with Daddy all day.  She couldn’t leave you alone at home to fend for yourself. You were only 12-years-old.  As a mother, I would have done the same thing.”

I assumed my nephew, whom I call “my soul child” because our emotional temperaments are usually in sync, would be more sympathetic to my side in our family drama.  Instead, he told me that although it might be cathartic for me to tell the story from my “angry” perspective, I should put myself in “Grandma Bea’s shoes at that time.”

The need to empathize with my mother, who bore the brunt of my anger, has not been a new concept for me. I just never felt motivated to re-visit that part of my past without the resentments and bitterness I’ve been dragging around for decades.  However, since my heart-to-heart sharing with my family, not to mention the emotionally mellowing and wising up that seems to occur as one ages, I’ve felt a shift in attitude, a possible readiness to extricate myself from all that psychological baggage.  To that end, my nephew’s words “to put myself in Grandma Bea’s shoes at that time” resonated, flashing me back in time.

I see my 45-year-old mother, grappling with the reality of sudden widowhood, alone among her friends dealing with the death of her spouse and the father of her young children.  Unlike today, there were no how-to books, self-help articles or support groups; as a woman conditioned to hiding her innermost feelings, seeking professional help was never an option.

Unsupported by the 1950s-1960s culture bent on protecting children from parental illness and death, my mother was muddling through as best she could.  In fact, when I eventually confronted her decades later about her “hurtful” behavior, she apologized, explaining  “I was just doing what I thought was best for you.” I had no doubt that her remorse was sincere, but I still held onto my grievances, unable to cut her some slack.

Despite the blame and anger I have felt towards my mother, now deceased for over a decade, I have never ceased to stand in awe of her strength and resilience in surviving the death of my father.  His sudden passing not only left her a widow but a widow without money.  Our family’s financial status took a sharp downturn to the point of bankruptcy.  My mother sold our lovely house and we moved into a cramped rental apartment she could only describe as “indescribable” in another part of town where my sister and I had no friends. Mom had to go to work immediately.  She had nursing credentials, but the pay was low and the shifts long.

In a matter of a few months, I watched my mother morph from a dependent housewife into a struggling breadwinner who would single-handedly raise two daughters—no mean feat for a single mom.  I might add that those two daughters, despite the trauma of losing a father at a young age, matured into high-functioning, responsible and independent women.  For that, I credit my mother and am most grateful.

***

I have always been a firm believer that people, places and things appear in your life, when the desire to heal is greatest. Such was the case when I came across this quote in an inspirational book I read each morning:  “Forgiving is not about forgetting, it’s letting go of the hurt.”

I’d never encountered that quote nor heard of its author, Mary McLeod Bethune (1875-1955) who, according to the National Women’s History Museum, “…became one of the most important black educators, civil and women’s rights leaders and government officials of the twentieth century.”

The timing could not have been more appropriate as the quote matched up with my growing willingness to let go of the hurtful emotions of my past. Had Mary McLeod Bethune’s inspiring words caught my attention for a reason? After more than 50 years, could it be time to finally forgive Mom?

THE END

When I finally was ready and able—emotionally and creatively–to address my dad’s death in my writing some 15 years later, that fateful day back in August 1961 became the inspiration for my poem, “To My Father.”

TO MY FATHER

Bells of doom

rang in the day.

World War 3, I thought

being a child of the 50’s.

Something was out of tune

silencing all gay songs.

Even time trudged by

like dead weight falling

each plunge—

a dirge of doom.

Why a shroud

over the sun

this day—

until,

Grown-ups’ tears

later revealed the truth to bear:

The bells had tolled for you

at 8:00 am

while my eyes were just opening

to the prospect of a new day—

your doomsday.

Fredricka R. Maister is a freelance writer, formerly of New York, now based in Philadelphia, whose personal essays have been published in a variety of print and online publications, such as The Baltimore Sun, Miami Herald, Chicago Tribune, New York Jewish Week, Jewish Journal of Greater Los Angeles, the Forward, Big Apple Parent, The Writer, OZY.  She has also appeared in the anthologies, ‘The Man, Who Ate His Book: The Best of ducts.org, Volume II and Wising Up Press’ View from the Bed/View from the Bedside.

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Guest Posts, Grief

Sleep Training

November 18, 2020
dreams

By Lindsey Abernathy

“Mommy, you disappeared in the dark,” you say, as I turn off the bedroom light. Though you are three years old, we still have not mastered the fine art of independent sleeping. Each night I curl up next to you as you tell the mole on my stomach good night with a gentle pat, the glow of the lamp fuzzy and blond like your head.

I shiver at your words. This is how I lose my own mother, in my dreams.

You do not understand, yet, that I had a mother. She has been gone more than half your life, dead 26 months this March. If my grief was a child like you, son, it would be cutting second molars, maybe experiencing fear of strange places, possibly having difficulty pronouncing “l’s” or “th’s.” “My how time flies!” the parenting websites exclaim.

When you were littler, and Daddy put you to bed, you came looking for me sometimes, wailing “mommymommymommy,” a woeful pitch so pleading that it could wake the dead.

If only.

You don’t know this important thing about me, but some days it seems you are the only person who understands. You have known the inside of me more completely than anyone ever will.

The dreams ebb and flow, coming usually around the time I start my period. You don’t know what a period is, but it is the time of month when I beg you to give me privacy in the bathroom. You don’t understand privacy just yet. Sometimes you scooter in, full speed ahead. Sometimes you sit on my lap. You are so young that you say “poop,” when you see the dark stains.

They are always bad, the dreams.

Sometimes, I am a child, older than you but still little. Vacation has ended; we are sunburned and my scalp is an itchy layer of sunscreen and sand; it is time to go home. I search between the legs of aunts and uncles for my mother, but it seems she has left without me. I scream for her, but my cry is not strong like yours. My mother, she does not come back.

Sometimes she is the child. The teenager from that palm-sized, rounded-edge photo I keep on our bookshelf near your fall daycare picture, the one of you holding the white pumpkin. In these dreams, she is scared and lost. I take her in my arms and I tell her she will die, and we cry together.

I had not called my mother “mommy,” like you call me, for more than three decades, but I called her that as she died. We were all children at her death. She wore mesh underwear, the same kind the hospital gave me after you were born, and said “tee tee” when she needed to use the bathroom. I dropped her, that last day she was alive, there in the bathroom. I worried so much about dropping you in those early months, and here I had lost grip of my mother.

I got my first mammogram this year because I will do anything so that you do not dream like me. A mammogram is where nurses take pictures of breasts, to make sure they are not sick.

Afterwards I waited, shirtless, for the doctor but the doctor didn’t come. A nurse finally opened the door. “Doctor says everything looks normal,” she said. “For a 32-year-old breast.”

I took my 32-year-old breasts and left the clinic. A clogged milk duct, it turned out, I learned that night in the shower, though you have been weaned for more than a year.  You did not want to wean, still tried to catch my nipples in your mouth months after.

In bed, tonight, you grab for me, small hands frantic in the dark. “Mommy, where did you go?” I extend an arm to you and you nestle into me. I know that later my arm will go numb from the weight of your neck, that I’ll have to roll you gently onto a pillow.

“I’m still here, baby,” I say, and you sleep.

Lindsey Abernathy is a mother, daughter and writer from the Mississippi Gulf Coast. Abernathy studied journalism at the University of Mississippi and has worked as a writer, editor, and sustainability activist in higher education. Her most recent work was published in the Bitter Southerner.

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Guest Posts, Family, Grief

Why Don’t You Talk To Your Sister?

November 4, 2020
brother
By Irene Cooper
Some months after my brother dies, my mother tells me to call my sister. “She needs you,” my mother says. And, “Do it for me.” And then, “You know, you have no sense of family.”

I see a picture of my estranged sister, perhaps three, in sleeveless undershirt and panties, Debbie Harry blonde mop, doorknob knees stacked one behind the other, leaning against our brother, Bobby, who looks like a man, but can’t be more than fourteen. She’s not looking at him, in the way that a baby opossum looks out from and not at the adult she clings to. I am not in the picture, nor is our brother Bill, though it is perhaps he that attracts her attention. Bill was a clown, though at that point, not a professional.

Nearly a decade after Bobby’s death from bone cancer Bill lay in a hospital bed in our living room, framed by Gothic carved mahogany panels and a defunct red brick fireplace. My sister sat by his side, recreating a composition of our older brother’s death bed.

My brother Bill did not have either Ewing sarcoma or osteosarcoma, and he was not then dying. He’d herniated a disc, and then another, ending a tennis career that might have at least paid for college, if not taken him pro. He’d been playing for a small college in one of the Carolinas. And, as it turned out, drinking a lot. A small college in one of the Carolinas had not been the dream. At home recovering from surgery, he entertained the crowds from his bed. Friends smuggled vodka in two-liter 7-Up bottles to supplement the Percocet.

My brother, Bill, did not die of bone cancer at fifteen. He died of liver disease and kidney failure at 53 after his body rejected a liver transplant made imperative by alcoholism. In his early twenties, after his back operations, he maintained his athletic shape but walked with the stiffness of an old man, and then, at some unbearable moment, let go the tenuous hold he’d had on his own body. As if someone pulled the emergency cord, his body blew up like a life raft, like a parade float, no edges, hard to steer.

He remained hilarious, the life of the party, particularly to the older crowd, keeping the seasoned corporate execs laughing at expense account meetings in Manhattan over steaks and martinis—hold the steaks. If my parents worried about his drinking, which was alarming by any measuring stick, they didn’t express their concern while they were in the glow of his charm, so devoted as it was to their entertainment and happiness.

Growing up, Bill loved to eat. Our family meals had something of a performance quality— somewhere between Scheherazade’s 1,001 Nights and America’s Got Talent—but the food itself was no prop. We ate widely and well. As adults, Bill and I almost never saw one another, and rarely shared a meal. When I did see him eat, he chose party foods that induced pain—six-alarm chicken wings—the kind of food where you could witness the lips of the eater bead and blister halfway through the pile, food of unambiguous sensation. Otherwise, he followed the influencers’ diet typical of his colleagues, could be taken for one of the Four Fat Bastards referenced in Anthony Bourdain’s recipe for choucroute garnie (a steaming heap of pork)—an old-school player with a constitution too arrogant for anything but protein and liquor.

My brother visited San Francisco on a business trip while I was living there, shortly after I graduated from culinary school. He invited me to dinner.

“You pick the place. Anywhere you want,” he said with the philanthropic air of a railroad baron who’s brought a box of fancy chocolates and mittens to an orphanage. He was a man of means who would treat his little sister to a splendid meal he was sure she could not by other means afford.

I told him to make a reservation at STARS, an iconic hot spot owned by one of the more flamboyant founders of California cuisine, a late century vanguard of exploding food culture, and, true to its name, a rocket for upcoming talent in the industry. I didn’t tell him I worked there.

Upon arrival, and despite a line at the host stand, I, my brother, and a couple of his cronies were whisked to a large table in an elevated seating area, coveted for its panoramic view of the glittering clientele and open kitchen, a universe away from the dark paneled caves of my brother’s East coast haunts, where the kitchen might actually be in the basement. Before we could order a round of cocktails, a kick line of waiters straight out of Hello, Dolly! swooped onto the table with platters of iced oysters on the half shell and chilled flutes of Absolut. In between the Caesar salads and grilled meats my brother & co. ordered off the menu, we were served unsolicited little plates of shaved apple dotted with foie gras, fire-roasted scallops on a bed of preserved lemon, strewn with a spray of fresh borage, fragrant as a French meadow. Wine glasses were topped up, cocktails replenished. Dessert was offered and refused and brought anyway, a miracle of layered pastry and persimmon crowned by a shard of stained-glass sugar, accompanied  by slipper glasses of Port.

My brother was accustomed to obsequious service, but the red-carpet treatment from the gate confused him. He hadn’t yet had an opportunity to slip the maître-d’ a tip or authoritatively select an obnoxiously expensive California Cab from the wine list. Shortly after the oysters, of course, the truth came out.

“So, you work here! That’s…impressive.” He understood that his position at the helm of the evening had been usurped, and his response was complex, a mix of pride and consternation. On the one hand, he could take the staff’s attention as a gesture of family taking care of its own—and so, respect.

On the other hand, my sensitive brother labored to enjoy himself at this unexpected extravaganza. I don’t believe his inability to take pleasure from the meal was because he’d lost control of it, or because he wasn’t the center of attention. He was not a narcissist; he was, in fact, the complement to the narcissist—a serial provider, now deprived of his super power, his generosity cut off at the knees.

I believe, too, that my brother sensed a second agenda of the staff, and by extension, of me—a message about something other than stellar customer service.

Unbeknownst to Bill, I worked as a prep cook (out of sight, often in the basement, as it happened), a half rung up from dish pit in a strict hierarchy that spiraled up to Executive Chef through a dizzying gauntlet of positions. I’d worked there less than two months. That night, nearly every front house staff member visited the table and greeted me by name. I hadn’t even met most of them, and could not have returned the kindness. What I think my brother intuited beneath the show was resistance. Expense account diners were the bread and butter of high-end restaurants,  and roundly despised for it. Bourdain’s Fat Bastards didn’t know borage from Borax, in the opinion of the foot soldiers in the business, and threw money around like chimpanzees flinging feces. My brother, I think, picked up on the hostility inherent in the hospitality: We take care of ours, and she’s one of ours.

Somehow, between the aperitif and the after-dinner menthe, his and my family ties came undone. In cooking, when we speak of a sauce falling out of solution, we say it breaks. If he wasn’t exactly the enemy, it was also true I wasn’t exactly an ally, and we weren’t on the same side, after all. If this place and these people were my new family, then I had abandoned the old, and him. To say no to the narcissist is to throw their love back in their face like a frosty glass of ice water—shocking, but ultimately inconsequential. To say no to the giver is to pull him out of solution, to break him.

When there was nothing left on the table but the dregs of our espresso, my brother stood up, exhausted.

“Let’s find a good bar, get a drink. I guess you know a place, yeah?”

I told him I had to get home, had to get up early for work the next day, thanked him for dinner.

The next time we talked one-on-one was nearly twenty years later, after our father died, and he came to sleep on my mother’s couch, to organize her affairs. He’d had his first liver transplant.

When my husband got sober, my mother felt the need to tell me she thought he’d been a lot funnier when he was drinking. Her model was Bill, whom no one would have accused of dulling the blade of his schtick after he was forced to forsake the booze. What’s more, after the transplant, as his cells drained themselves of decades of poison, his body returned to its late adolescent form. For some months, despite the grey at the temples, Bill was nineteen again, tall as an oak, graceful as a willow, sharp as a switch. Sobriety, unchosen and unwelcome as it was, provided a rich cache of new material, and his patter took no prisoners. As at our childhood dinner table, Bill made whatever my other brother was drinking shoot out his nose as he comically admired the innovations of vodka tampons, butt chugging, eyeballing, and other collegiate practices designed to intoxicate while bypassing the liver. Now why didn’t I think of that? he mused as he spit tobacco juice into a Solo cup, sipped at his Diet Coke.

His humor at this stage was a relief, a kindness, but he wasn’t all punchline post-transplant. He didn’t joke when he spoke about the difficulties of parenting his elementary school-aged son and two high school-aged daughters, due to his debilitating ignorance of the protocols put in place while his alcoholism and workaholism kept him AWOL. He wasn’t cutting up when he tried to talk, whispered, really, about the challenges of his complicated drug regimen, of the pain he suffered constantly, of his loss of strength, of appetite, of his concerns about being able to do his job, his fear of being replaced by a new generation who had limited appreciation for his expertise, nearly none for his sense of humor. He struggled with the post-transplant revelation that his attempt at the world’s slowest suicide had failed, that he, in fact, wanted to live, if only to imperfectly parent a little longer.

Sober, my brother dragged the empty folds of his slackened skin with him everywhere, like Marley’s ghostly chains, a mortal rattle echoing from his plastic pill box, big as a carry-on.

The body contains its deep and secret pools of shame, until the body breaks and the murky reservoirs drain, to nowhere. My mother says, “You should talk to your sister.” But I can’t be heard over the spill.

Irene Cooper’s poems, reviews, and essays appear in print and online at The Feminist Wire, Phoebe, Utterance: A Journal, VoiceCatcher, The Rumpus, What Rough Beast by Indolent Books, and elsewhere. She is a freelance copywriter and editor, facilitates creative writing workshops in Central Oregon, and co-edits The Stay Project. Committal, a spyfy thriller and her first novel, is forthcoming from Vegetarian Alcoholic Press in 2020.

Anti-racist resources, because silence is not an option.

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Upcoming events with Jen

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THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts, Grief

I’m Missing The Ritual of Funerals

October 8, 2020

By Dana Schneider

This essay is dedicated to my stunning, jewelry obsessed warrior of a woman cousin Ally.

I’ve always secretly thought that you could catch death.  I mean, not catch death, as in if it’s an actual thing you can physically grab and catch, more like, if death was a virus, if I was in the same room, I would catch it. Then mysteriously I’d be the next person that people would be coming to mourn.  I know how that must sound.  Childlike silliness. But when you have a true fear of something, it manifests itself in your brain in weird ways.  Funerals as we know them from when things were normal, popped up whenever and wherever.  No mental prep time.  When I had to go to a funeral, I would layer myself with my own protective shields of superstitious accessories, like wearing a red something to ward off evil, then pairing that with a good luck charm given to me by a friend, along with not looking directly at the casket, and sitting all the way in the back back back of the service room.  Somehow, this kept me feeling safer.  It was a layer of protection to cover my raw naked fears.

The morning of getting dressed for said funeral and making my way to the car and eventually walking into the funeral parlor, for me, is beyond draining, energy sucking and confrontational as hell. The day always ended by throwing my clothes directly into the laundry machine so as to wash off any death virus particles.  Fact. And if you really want to know the truth, I had a funeral outfit.  This was not to be worn at any other time, because, then while wearing it, I’d think of death.  I know.  Insert eye roll.

So, coming from this place of fear, I never thought I’d say this, at least say it out loud, but I’ve never wanted to go to a funeral more in my life than I do right now.

Turns out, this fear of death is real.  Can’t deny that.  I’m working on it, especially in the face of COVID-19.  But the act of attending a funeral to say goodbye to a loved one, is in fact, a ritual, that I never was able to understand, before this pandemic, as cathartic and necessary.

Dana and Ally

I lost my cousin a few weeks ago to COVID-19.  My exact age (late 40’s) with a husband, 2 children and 2 dogs.  She was a NYC school teacher for 20+ years, dedicated to the core daughter and daughter in law, collection of dear friends since elementary school, an avid community member, law abiding citizen and adored family member.   She was one of us.  There is nothing in her story that will make any sense as to why she was taken from us.  In the past, when someone died young and unexpectedly, that “out of nowhere” story, sometimes I would wonder, for my sanities sake, secretly look for a reason as to why the universe decided to take that person.  Thoughts like “I wonder if they did something to deserve this death” would cross my mind.  I used to believe that good things happened to good people and bad things happened to bad people.  It just made such clean good sense. I believe I thought this way to ward off the truth that we are all vulnerable at any given time.  Another false sense of security.  I’m working on that one too.

With this pandemic has come some of the most deeply disturbing and thought provoking times.  I find myself in deep thought about so many aspects of life from parenting, marriage, family relations, health, money and death.  What I can say for sure, through all these thoughts, is that I’m craving rituals.

I’m craving togetherness.  I’m craving hugs, tears, laughter through tears, funny stories, touching someone’s hands, heartbreaking memories, history of our family. I’m craving it all.  I’m desperately craving her funeral.

No news flash here, funerals have been cancelled.  Or at least no more than 10 people are allowed to attend the service and or burial.  In our almost 2 mos. home, we “attended” one funeral via Facetime and one was just a message sent out to let us know that the departed was comfortably laid to rest.  If you’ve been unlucky enough to lose someone during this pandemic, than you might understand what I’m feeling.

I have no proof that my cousin passed.  In my mature adult brain, I’m thinking that maybe they misidentified her body, it wasn’t her that died and she’s walking around the city with amnesia. Which means she will turn up on someone’s door step soon enough and this whole nightmare will be just that….a nightmare.   I’m sure this is one of the stages of grief?  Just not sure which one.  How many stages are there anyway?  But at the end of the day, there really is no closure without a funeral or service or something to recognize her beauty-full life.  This was taken from us.  Dying with dignity was taken from us.

The funeral allows us to say goodbye, to have that closure. To neatly wrap up death. Death hurts so damn badly, so at least let us wrap it up in a pretty bow and send the departed off with a beautiful good-bye.   She’s already gone.  We all know that.  But whether it’s religious or just ritual, saying goodbye allows us to move forward.  Not necessarily move on, just move forward.  One baby step at a time, one minute, hour, day at a time.

I want to be in a room of other people who adored her the way I did.  I want to hug them and cry on their shoulders.  They understand my ache.  They ache too.  I want to be able to share some funny stories about her that maybe she would have wanted to share with the world one day.  I want to say her name out loud.  She deserved to be loved out loud and talked about.  I want to be able to say good bye for goodness sake.  I miss her.

From my home base, in quarantine, I’m doing what I can to memorialize her.  Tears have been shed, pictures have been dug out of really loved brown-edged photo albums, jokes have been made of our teased and permed hair,  stories have been told. But I still need ritual of a funeral to say goodbye.  To know for sure she won’t be coming to knock on my door someday soon.  Until then, I can dream.

My name is Dana (rhymes with Banana)I’m a mama of three beautiful souls trying to figure out their way in this world.  As they wander and explore about, I find myself drawn to the computer to share our stories.  Turns out, walls can talk!  My hope is that you find comfort, relatability, tears and maybe some humor in my words.  I rely heavily on my friend squad to get me through the days.  If you need someone to get you through yours, I’d be happy to be that gal.  Lets connect.  Connection is everything.  When I’m not writing, parenting, wifing, daughtering and friending, you can find me decorating peoples homes.  danaschneiderdecor@gmail.com   or insta: @danaschneiderdecor. 

Anti-racist resources, because silence is not an option.

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Upcoming events with Jen

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THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts, Grief, healing

I Made Peace With My Body And Found My Soul

December 15, 2019
body

 By Lisa Poulson

The house, above the village of Saint-Saturnin-lès-Apt, is set on a hill overlooking the whole Luberon valley. Climbing roses cling to its traditional Provençal stone exterior. In California, a plant with just one or two flowers seems in ill health, but here a single blush rose on a vine by the front door feels like beautiful simplicity.

The chic and spare interior is layered with thick coats of pale plaster that curve around me as I walk up two flights of stairs to my room. It’s my first time in Provence, with six girlfriends in this wild, raw and beautiful part of France.

There are wide, cool terracotta tiles, a velvety duvet and no curtains in my bedroom, which is on the third floor of the house, facing the valley. After I settle in and unpack, my friends and I have our evening meal at a long, rough hewn dining table under a tree on the patio. It’s the first week of May. A hint of the Mistral rolls through the hills. I haven’t felt this peaceful in a long, long time.

The next morning, the barest hint of dawn through my uncovered windows wakes me. I smell the remnants of my Diptyque Pomander candle before I open my eyes. I turn my head toward the window and, drowsy and semi-conscious, am immersed in exquisite beauty.

It’s a little chilly as I sit up in bed to watch tender pink light emerge from a piercing bluish fuschia, to see the tall trees shift from shadowy black to darkest teal, to see the rows of lavender on the hill opposite our house emerge from the darkness. The mountains beyond the hills are a Pantone palette of dark to lighter slate blues. Birds are singing. The wind is soft. This dawn is as delicate and rich as Venetian velvet.

After several minutes of watching the colors change and the light bathe the whole scene, a voice, insistent and gentle at the same time, says, ‘If you didn’t have a body, you wouldn’t be able to experience any of this beauty. Not one bit.’

Sitting in my sleep-warm bed, bathed in this exquisite sunrise, I feel peaceful enough to simply accept this truth about my body without argument. As the sun’s light turns the trees green I roll this idea around in my head, thinking about what beauty means to me. Everything. Beauty means everything to me. I’m almost breathless as I absorb the blindingly simple truth that I can only experience beauty through and because of my body.

I am 56 years old. I’ve had a fraught relationship with my body since I was a tween. And yet, in this moment, seduced by the serene Provençal beauty all around me, I reorder what I feel and believe about my body, what it is for, what it has given me, why it’s a miracle.

 ***

It’s been a long and grinding road. I was 10 when I first doubled over with burning pain on both sides of my gut. It wasn’t until my twenties that I got a diagnosis of Irritable Bowel Syndrome, which gave me a name but not a solution for the boiling distress that turned my body into an incomprehensible ‘other’, a caustic alien that delighted in causing havoc on dates, before job interviews, at baseball games.

At 30, the man I loved was killed after the Coast Guard helicopter he was piloting crashed into the Atlantic. We had been engaged for two weeks. Grief came in molten waves that would growl and stretch, enveloping every part of me. I never knew when my body would start sweating and shaking, drowning me in unbearable sorrow. When grief descend my only choice was to submit to being ravaged.

About a year after my fiancé died I went on a date, thinking it was time to “move on.” But at the end of the evening when he leaned in to kiss me I panicked. Another man having access to my delicate mouth was more than I could bear. I ran up to my apartment and burst into tears.

In the midst of this emotional disarray I accepted a job offer in Silicon Valley. Just 15 months after my love died, I left New York City and all of my friends behind. In a strange place, with few friends, tons of work pressure, and carrying a mountain of grief, I turned to food, the most reliable and consistent comfort I knew, and buried myself. I gained 75 pounds in six months.

My gut tormented me, I came down with mononucleosis, my head raged with migraines. I felt trapped inside a body that hurt and humiliated me daily. With bitter self-hatred, I told myself that this body, this alien saboteur, was a billboard for my weaknesses as a person. I didn’t deserve amity with my body, I wasn’t strong enough or good enough to be free.

By the time I was 35 I was emotionally numb, physically miserable and nearly 100 lbs overweight. I was in New York on an exhausting business trip. I stumbled into my hotel room and collapsed against the side of the bed in my underwear, my short legs splayed out in front of me. I stared at my undressed body in the wall of mirrors that were the closet doors. I watched my piles of flesh undulate as I breathed in and out. I forced myself to face everything in the mirror. My legs, my belly, my double chin. My lip curled in revulsion as I stared into deadened eyes. I hated everything about my life. My job. My body. Myself.

Eventually I lost the weight, but I couldn’t love and happily inhabit my complicated and demanding body, where the alien still reigned. In my 40s my career grew and grew, but inside my body was one long repressed scream of rage and frustration. I wanted to swear, to smash things, to scream and shake, to quiver and whimper with passion, to drown in and be intoxicated by love and lust. None of those things happened. Because I am a member of the Church of Jesus Christ of Latter-day Saints, and a proper Mormon girl does not do these things.

I could have gone to the gym every day to expel that pent up desire, anxiety and anger. But a completely numb body is easier to manage than a body that is partially awake. A body that is awake and vibrant and beautiful wants things. Things a Mormon girl can’t have. So instead my weight yo-yoed. My gut burned. And then I got eczema – the skin on my palms became raw and started to peel off. My spirit was choked in a body I refused to love. I was a broken soul.

***

During the next decade I patronized several spas, worked with a cornucopia of health practitioners and healers, tried so many elimination diets. Sometimes I looked better, sometimes I felt better, sometimes I had beautiful moments of connection with my body, usually at an expensive spa after a luxurious treatment. But back in my real life, every time there was a new injury, every time my IBS flared up, every time I gained weight, I blamed the alien, the mute and malevolent force inside me who seemed determined to hurt and undermine my every effort to heal. I saw no way out.

But in late 2016 the movie Arrival hypnotized me. The heroine, a creative, accomplished linguist, was asked to interpret the language of aliens called heptapods. I drank the movie in, read Ted Chiang’s The Story of Your Life on which the movie is based. I thought and thought. What if my body is like a heptapod, a benevolent and complex organism with miraculous gifts to give? Was it possible that within my body I’d find a wisdom that would transform me if I could just learn to speak and listen to its language?

***

That late spring morning in Provence, watching that glorious sunrise, was the first time I heard and understood a sentence in heptapod. ‘It’s your body that gives you the gift of all of this beauty.’

For decades, I had only seen what was wrong and broken – I thought my body was 90% a disaster. I did not see that the things I love – color, art, music, flowers, the scent of perfume, the feel of cashmere on my neck – only come to me because I have a body. My body isn’t a crucible of humiliation and frustration, it is a miracle.

I let the slow and pure beauty of Provence work on my nervous system. Everything there taught me the simple joy of living in a body in the world – fresh goat cheese drizzled with new olive oil and tiny flowers, earthenware vases filled with hardy irises, fields of red poppies shimmering in the breeze, baby green leaves on grape vines that aren’t manicured into antiseptic perfection.

At the end of a week there, after several more ravishing sunrises and sunsets, after living among a people whose lives are bound up in the beauty of the land, I came home to California with a changed heart.

There’s a calmness between my body and me now – the anger and shame have been replaced by a patient, warm affection for the wise heptapod who is teaching me a new way to live. I am learning what it feels like to move through the world with a partner – a wise and remarkable heptapod who has always been with me, every moment of my life. I am whole.

Lisa Poulson is a voice in favor of the complex beauty of female power. She is the descendent of fiercely resilient pioneer women who crossed the American plains with their children – even after their husbands died along the way. She is a successful Silicon Valley PR veteran and a woman who survived her the death of her fiancé four months before their wedding day. Lisa lives in San Francisco, where she spends her free time absorbing and creating as much beauty as possible.

Upcoming events with Jen

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THE ALEKSANDER SCHOLARSHIP FUND

Family, Grief, Guest Posts

Grief, Unfolding

December 5, 2019
gift

By Julia Dennis Car

“Jo, you can’t kill Daddy.”

My mom and her sister stood, broken, at the bedside of their father, my Granddaddy.  The cancer that started in his bladder had taken over his other systems; he “lived” mostly unconscious, thanks to morphine.

Mom couldn’t stand to see Granddaddy in such a way, and I know in her guts she would have done anything to separate him from his pain.  My aunt isn’t fiery like Mom, and she knew Mom had what it took to hold the pillow over Granddaddy’s face. She didn’t kill him; the cancer did, days later.

Now it’s my turn. I’m standing in her corner as she nears the end of her own battle with cancer. In the end, will I will have the same impulse to smother her?

Mom’s diagnosis of Stage IV ovarian carcinosarcoma delivered a sucker punch no one saw coming.  It’s incurable, and only about 25% of women live as long as five years. I imagine her little round body up against the ropes, her healthy tissue pummeled by disease and its treatment. If left untreated, her body’s systems will gradually succumb. They’ve already started.

They took the womb, ovaries, cervix, parts of her intestines, and the surface of her liver. Sewed her up tight.  My first home is gone.

With unbridled optimism, Mom trusted her doctor’s plan of care and faced off against her next enemy.  Chemotherapy. Can you imagine a more difficult choice? Don’t take chemo, and slowly die, or take chemo, and die slowly.

With fingers crossed, I watched Mom take the beating of her life and was lifted up by her light and positivity. After the months-long regimen, a scan found the stuff was no longer “active.” She got some time off for good behavior and slowly regained some strength and vitality.  Our family vowed to embrace each day, focus on the positive.

Mom is a feisty woman, a flaming introvert, but without a demure bone in her body. She’s crass, enjoys dark and twisted humor. Once, while visiting San Francisco, she high-fived a costumed Grim Reaper in a public park then insisted the image be framed on her gravestone.

Days after her diagnosis, Mom hung a set of pink boxing gloves on her front door to prove to the world that she intended to pummel her disease as Ali did Frasier.  In the oncologist’s office, two years into the bout, she laid some wit on the nurses. When they left the room, she told me “When I stop being funny, I’m done.”

She’s still funny, but her cheerfulness is waning.  The insidious fuck is still inside her, having its way with her, never really having gone.  It’s in her liver and her guts, probably other places too. She’s at the end of her second phase of chemotherapy.  The gnarly effects of the disease and the treatment are taking their toll, and she’s so, so tired.

Albert Einstein said, “human beings, vegetables, or cosmic dust —we all dance to a mysterious tune, intoned in the distance by an invisible piper.”  As for my own part in this, I see myself dancing with grief and gratitude.  The maestro taps his baton, and I’m an accordion: bending, twisting, squeezing, breathing.  Some days the notes I play are fear, worry, sadness, regret.

I watch her struggle. And tire. Though outwardly I remain upright—strong in the face of this disease and her pain—the truth is at times there’s no air left in me, and I bend or lean into whatever will hold me up. I cry; wail the sharp notes away.

But soon enough, invisible hands unfold me, pulling and stretching me out as I fill with air.  Soon enough, I can breathe again. It’s not my cancer, but it’s changed me. It has wrung me out and left me raw. And I’m realizing that the painful stuff is a gift.

I’ve had this woman’s hand to hold for more than forty years. With unconditional love. Her illness and mortality have bitch-slapped me into understanding and appreciation.  My mother’s killer screams Wake up!  Don’t you realize the gift you’ve been given?  I do.

You see, in the midst of this pain and uncertainty and fear, beautiful things have happened.  These last two years have been the hardest, and best, of my life. I’ve been helpless, unable to affect change; therefore, I’ve had to let go.  I’ve unfolded. Aware and accepting of mortality—hers, mine—I’ve felt her love more deeply, tried to love her more deeply. I hope she’s felt it.

I’ve made two trips around the sun, and the days were full of love and light, opportunities and misfortunes, laughing and heartbreak. While holding the hand of impermanence, I’ve uncurled my fingers, loosened my grip on fear and insecurity. Wrapped myself in vulnerability.

I hiked for three days on the Appalachian Trail, confident and proud and strong. Crippled with despair, I limped into a therapist’s office, debilitated by depression. Swaddled with love of family and friends, I shaved my head and tattooed my arm and laughed till I cried and sobbed until I was at peace. I’ve said yes to more time by myself and prioritized more time with my family.  I’ve learned to say “no” to things that don’t nourish me. Except ice cream. I always say “yes” to ice cream.

I’ve asked hard questions and confessed hard truths.  Entering their adolescence, my kids broach topics Mom wasn’t comfortable delving into when I was their age:  illness and responsibility and death and sex. I answer with raw honesty. They’ve seen me in tears and I hug them to me and share my pain with them.  I think it’s wrong to pretend it’s not there.   I’m crying because I’m sad.  Yes, she’s slowly going to become sicker and sicker.  We aren’t going to the beach this year so we can spend time with her.  Yes, she’s going to be cremated. I want to be cremated, too. Regarding matters unrelated to Mom’s illness, but highly relevant to their curiosity and social understanding (and a disheartening example of the hyper-sexualized culture kids are growing up in) Yes, orgasm is “a really good feeling when you have sex,” but you can feel it by yourself too.  No, you don’t need to be watching porn.

For many years, I struggled to understand Mom.  She wasn’t blessed with physical gifts like Laila Ali and has never had a green thumb.  On the contrary; her favorite quote is “Sweating is gross and fresh air makes me sick.” She stays inside, reading; I’ve run marathons. She’s quiet; I’m loud. I deep-dive into conversations; she’s more comfortable on the surface.  I lift up furniture and tend to plants and pour my heart out on the page. She’s there, watching all of it. Though she kills all things that conduct photosynthesis, Mom grew a beautiful family; planted roots that spread deep and wide.

Before Mom’s illness jabbed me in the heart, I didn’t value her quiet; rather, I doubted its power.  Mom has shown me that there are more ways to demonstrate strength than with vigor and brawn. She’s shown me that I don’t always have to do something; hers is a quiet persistence of being.

My connection to Mom is primal, deep.  In so many ways my opposite, I feel her pull as the force that keeps me balanced.  Her spiritual tether is met only by the one I share with my own children. She’s been there, ready, even when I didn’t even know I needed her—I hope to be for my kids all she’s been for me.   And these days, when I’m rolling around on the mat in a struggle to make sense of all this, I try to use her own words of wisdom to self-soothe: “When you give birth to a baby, you grow a new heart.”

See, in a macabre way, my grief is a baby.  Mom’s disease birthed this dark pit inside me.  I like to imagine that as I trudge through the progression of her illness (and, ultimately, her death) I’m cultivating space in my heart for my grief and gratitude to live harmoniously.  Like Yin and Yang, there is literally darkness and light in my little heart, all snuggled up tightly together and swirling around.

Maybe that’s what this is all about: vulnerability and strength, terror and comfort, distortion and balance, heartbreak and growth, dying and living. The cyclical, recursive nature of it all.

Allow me my suffering, so that hers may end.  Allow the pain to break me, so that I may put myself back together.  I’ll be stronger where the cracks mend, and softer in the more stubborn places.  Allow me the lessons to be learned in her absence. Allow me to experience her in new ways—ideas, smells, sounds, gestures.  Allow me to grow bigger; big enough to hold my grief and build a life that’s richer and more beautiful. I think I can hold it all.

About a year and a half into this journey, at a concert with my brothers and some dear friends, I passed out cold. Imagine a beach ball that’s been forcefully submerged under water. The pain and worry I’d managed to shove down demanded to surface. An anxiety attack hit like a ton of bricks. As I awoke, my two brothers literally holding me up, I remember my body heaving as I sobbed: “I’m afraid of how much it’s going to hurt.”

The ancient poet Hafiz wrote that “It helps to see the Creator’s kind face / before he rolls up his sleeves, / and starts pumping the bellows / and cleans off his wire brush / and works with his other tools / he eyes you up / knowing how much this is going to hurt / to make you perfect.”

Why are we here? To be made perfect? I don’t know much, but that I was given the gift of consciousness. I believe it’s my job to do the work: to pay attention to the Universe and embrace my place within it. To learn the lessons. That means with open arms I must greet the anguish and the pleasure. I’m willing.

Mom is in the final round of this slugfest. She’s losing stamina in her bob and weave. Soon enough, she’ll receive the final blow, or choose to throw in the towel. I’ll be rocked from my foundation. But I will be ok down here; I am rooted in her. I will remember her.  I will celebrate her. I will talk about her and laugh, curse and cry. Her influence is indelible.

For now, I will sit with her and hold her hand and just be. For the rest of forever, my dust and Mom’s dust will dance; her warm, loving hands guiding me and loving me and leading me as the piper plays on.

Julie Dennis-Carroll is a family-centered West Virginia native who’s called Western North Carolina “home” since 2007. She is a writer by passion, and uses writing as therapy, though she is a speech-language pathologist by training. Julie fills her heart by reading, traveling, and playing in the dirt.

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THE ALEKSANDER SCHOLARSHIP FUND

 

Guest Posts, death, Grief

Breathwork

December 1, 2019
breathe breath

By Nicole Cooley

Now I say mom and I float to the ceiling.

Meaning “ability to breathe,” hence “life” is from c. 1300. Meaning “a single act of breathing” is from late 15c.; sense of “the duration of a breath, a moment, a short time” is from early 13c. Meaning “a breeze, a movement of free air” is from late 14c.

Five months ago in New Orleans my mother stopped breathing.

Now at yoga class in the final pose—savansana— pose I struggle with most because I must sink into stillness– I know it’s wrong but I imagine a lit cigarette between my fingers.

My mother was the first person to teach me to leave my body. She taught me well and carefully and with gifts. In high school, she bought me cigarettes so I would not eat, left cartons each week on my bed.

Breath: Old English bræð “odor, scent, stink, exhalation, vapor” Old English word for “air exhaled from the lungs,”

Now I mourn my mother through breath. Each morning I lie on a mat in a hot room and squeeze my eyes shut and breathe her in. Or breathe her out. Yes, breath is supposed to anchor me in my body but I use it to exit my body, just as my mother taught me. I rise to the celling of the yoga room, alone and untethered.

I lie on the levee in the dirt and gravel. I lie on the sticky mat miles away from the house where she died.

Drown smoke suffocate. What is the difference?

I close my eyes and in my dream my mother is drowning in the river two blocks from her house.

In the dream I shake my mother awake. I ask her, with frustration, if she will go on being dead.

I only practice hot yoga, infrared heat that spills from vents and warms the floor. I love the punishing heat. And the intense heat echoes a New Orleans levee walk, all stifling humidity. I lower my body into plank, crush my breasts to the ground. Think of my mother’s body,

Breath from Proto-Germanic *bræthaz “smell, exhalation” (source also of Old High German bradam, German Brodem “breath, steam).

As a teenager, I’d come home from school to find a carton of Benson and Hedges on my white bedspread. My mother saran-wrapped and labeled all my food with calorie counts. 25. 50. 75. I stood in the refrigerator’s wedge of light and counted. I unwrapped a pack of cigarettes. It will keep you from being hungry, my mother explained. Celery. Grapefruit. Diet bread thin as dress fabric. A silver lighter she pressed into my hands.

Breath: an act of breathing: fought to the last breath

Yoga reminds me of the geometry of the body, the shape the body makes—So then what shape did my mother’s body make on the living room floor? What shape was her mouth when my father pressed his mouth to hers to perform useless CPR? What shape was she under the sheet on the stretcher at the Veterans Highway Funeral Home– who knew a funeral home has a stretcher but if you don’t pay for a coffin you get that? — when she looked so small and thin and what shape was she—altered?—when my sister and my father and I ran back to her to kiss her for a final time?

Drown suffocate smoke.

The irony is that after my mother dies, in the days after, in New Orleans, we eat. My father, my sister and me. And we eat very good food. Friends bring platters and trays and Tupperware, and it is delicious. The kind of meals I would not normally allow myself. The kind of food my mother would have forbidden me. Red beans and rice and sausage. Baked ziti. Cheesecake. Doughnuts. A half-bottle of wine.

Now at yoga class I fill my lungs with imaginary smoke. I imagine I flick a cigarette lighter over and over on and off till my thumb scrapes with ache.

Breath: opportunity or time to breathe; respite. Also, a slight breeze

I’m lying on the mat. I am under the heat vent. I am under the spell of yoga. Or I am just under— as grief’s water closes over my head.

My teenage daughters think the stories about my mother telling me to smoke are very strange. This was the eighties—a different time, I say.

Three days after she is dead, my sister and I clean out my mother’s closet and find 72 cartons of Salem 100s hidden – in boxes labeled “Taxes 2003” and “Family Medical 2010.” And yet my mother often told me, when we were alone: “I’ll never stop smoking.” Then why did she hide her cigarettes like contraband?

Breath—

Mother’s Day yoga is — as I know it would be — the worst. Why did I go? The teacher suggests we dedicate our practice to “your mother or a mother figure in your life” and I feel tears leaking out the sides of my eyes. Later she returns to it: “Think of the mother or mother figure and focus on a happy memory.” I want to ban this language. I want to run from the room. So instead I still just work hard as I can to no imagine it: the crematorium, my mother’s body on a shelf, flames, body who once housed my body, turning to nothing.

For so long I longed for another body—is this my mother’s fault? What could I tell you about my relationship to my body and my mother? What could she tell me now?

A different time, I tell my daughters.

Missing my mother is pain that though it can’t possibly be feels bone deep. My wrists are splintering. My hips lock shut. My jawbone burns.

My mother’s legacy: how I don’t want my daughters to long for another body.

After my mother dies, predictably, all I want is to smoke. Though I have not had a cigarette in more than twenty years. In my mother’s room, I suck on one of her old cigarette butts in the ashtray, set my mouth where hers imprinted, while my sister watches, alarmed.

I want to ban this language.

Putting my mouth where her mouth once was—

Do you want to go in and say goodbye to her feel free to take all the time you need to say goodbye to her—

What could my mother tell me now?

What can I tell my daughters?

Once, I remember my mother taking a photograph of me after a bad break up when I stopped eating, a photo at the edge of a pool while I posed in a blue striped bikini. As my sister and I finish cleaning out our mother’s study, I think about this bikini photo, and my sister and I toss the cigarette cartons in the trash, aware of the waste of money yet not wanting others to have them.

Breath: a spoken sound: utterance. Also, spirit, animation.

Nicole Cooly is the author of six books of poems, most recently Of Marriage (Alice James Books 2018) and Girl after Girl after Girl (Louisiana State University Press 2017). Her essays have appeared in The Paris Review Daily, The Atlantic, Feminist Wire and the Rumpus.

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Compassion, Family, Grief, Guest Posts

I Didn’t Love Her Until The Day She Died

November 24, 2019

By Marie Prichard

Maura Anton, age 90, died September 6, 2009. Survivors include six children, 18 grandchildren, and 24 great-grandchildren. Maura Anton was my grandma for over thirty years, but I wasn’t her granddaughter until the day she died.

I was eight years old when my father took my sister and me to meet his newest girlfriend, Rita. There had been so many girlfriends since my parents had divorced. But this one was different. She didn’t have any children; she was younger than him––fifteen years younger––and she was still in college.

I remember spending weekends with my dad and Rita in her tiny, college apartment. It felt like a dollhouse to me, and I pretended like everyone was playing house. Looking back, it was just like a teenager’s room, complete with stuffed animals, pink frilly things, and posters of her favorite bands.

I assumed Rita wouldn’t be around for very long, so I didn’t think much about their relationship, or about the fact that we hadn’t yet met her family. Girlfriends coming and going were a common theme with my dad. However, things changed, and I can still picture the specific visit when they sat my sister and me down and told us they were going to get married right after she graduated from college.

Our first introduction to the Anton family was at Rita’s college graduation. My sister and I stood there shyly in our––too small––Christmas dresses, and our tennis shoes because my dad hadn’t thought ahead about what we were going to wear. He never bothered to think about those kinds of things, and I believe that Rita was too young and self-absorbed to take our clothing into consideration. My mom didn’t have the money to buy us new dresses, nor was it her responsibility, so we wore those same outfits when they got married.

I can only imagine what they thought. My father, a Mexican man almost fifteen years older than their daughter, was standing there with his two young children, introduced as her fiancé and her soon-to-be daughters. Let’s just say; it wasn’t the warmest of welcomes to the family.

Rita came from a strict Catholic family. She was the youngest of 6 siblings who were all raised in the church. They had all graduated from Catholic schools, gone on to marry their high school sweethearts, and were doing what good Catholic families do: get married and quickly start a family. No one in Rita’s family had ever married a person outside their race or religion, and divorce? Well, that was a sin and was unacceptable. Rita had broken the unwritten rules, and they weren’t happy, especially her mother.

I remember many tears and angry voices before the actual wedding. Rita was not allowed to have a white wedding dress or a large church wedding. Her wedding was a quick, hushed affair in the retirement park in which her parents lived. I didn’t understand that marrying someone who had been divorced and had children from a previous marriage would be the cause of so much upset. I was just excited that I got to be a flower girl. It wasn’t until later that I realized Rita’s mother did not approve of her marrying my dad, nor did she want to add two little dark-skinned Mexican girls to their family. We were an embarrassment to her.

After my dad married Rita, we didn’t spend much time with his family because we were always at her parents’ house. When we were with them, we were expected to go to church and have Sunday dinner with her parents, siblings, and their children. In my eight-year-old mind, I thought once my dad and Rita were married, that meant I had a new grandma, grandpa, aunts, uncles, and cousins.

I was wrong. During family dinners, my sister and I were always seated away from the rest of the family with our backs to the dinner table. Our newly acquired grandma would always make “tskking” noises when we referred to her as grandma, and she never––not once––said, “I love you.”

She didn’t want to introduce us to her friends, and when pressed, she would say, “Oh, these are my step-grandchildren. You know Rita married that man who was divorced. These are his children.”

Christmas was the worst. All the “real” grandchildren would be there, and there were so many presents for them. As we sat and watched them unwrapping all the gifts, my sister and I would each receive just one neatly wrapped gift. When we were younger, it was usually a knock-off Barbie doll. When we got older, the Barbie doll was replaced with a card signed, “Merry Christmas, the Antons” and enclosed would be a ten dollar bill.

As I got older, it became apparent that Maura Anton was incapable of loving us. I still called her grandma, and she still referred to me as her step-granddaughter, but I had stopped trying to love her. When I was made to go to their house, I would stay in the bedroom and read. I was tired of always feeling unloved by someone I desperately wanted to be loved by, so when I was old enough to have a say, I stopped going altogether.

The marriage between my dad and Rita ended when I was an adult. By this time, divorce wasn’t quite as taboo in Rita’s family. The Antons had already experienced other family members’ divorces, remarriages, and blended families. My sister and I still kept in contact with Rita and her family, but I always felt like I was still that little girl who was sat with her back to the family dinner table and introduced as “the step-granddaughter.”

Rita’s father passed away, and her mom moved in with her. She had suffered several small strokes and became mostly bed-ridden. I would stop by periodically to see how she was doing. She loved to have her fingernails painted, so I would always paint them her favorite color––light pink.

She had softened with age, but she still never referred to me as her granddaughter or said I love you. It was so hard to love this woman I called grandma, and I often wondered why I even bothered to try.

One day I received a call from Rita. She said, “Please come; my mom had another stroke and isn’t expected to make it.” So I went.

Most of the family was there: aunts, uncles, spouses, and grandchildren. She was lying in a hospital bed in the living room surrounded by her “real” family, yet no one was sitting next to her, holding her hand. They were all seated or standing along the walls or in the kitchen. She looked so alone in that bed in a roomful of people, so I sat next to her and picked up her hand.

Her breathing was labored, and she looked like she was in pain. I’m not sure if she was cognizant, but the moment I took her hand into mine, she appeared to relax. So I just sat there, holding her hand, speaking quietly to her. I don’t remember exactly what I said, but my voice kept her calm.

I sat there for hours; I kept asking if anyone wanted to sit next to her, but everyone said no. They knew she was dying, and they didn’t know how to handle it. I didn’t sit there because I loved her. I sat there because I didn’t want to watch her die alone in a room full of people who should have been there holding her hand.

I thought back on all those years of feeling unloved by this woman. I was just a little girl who wanted to be loved. How hard would it have been for her to have given me the same love she had given her grandchildren? All the pain I felt over the years came rushing through me: the hurt, confusion, sadness, and anger. I sat there with this woman, who was dying and felt nothing but an overwhelming sadness.

Her breathing began to become shallow and slow. The hospice nurse listened to her heart and said it wouldn’t be much longer. The sun had gone down, and almost everyone had gone home, and yet, I stayed. I couldn’t leave without someone else sitting next to her to help guide her from this life to the next.

I looked into the face of this woman who did not love me, and I realized it was the face of a woman who only knew how to live one kind of life; A life that did not include two little, Mexican girls calling her grandma. It was beyond her ability to move past the vision she held for herself and her family.

In…out…in…out. Her breath came slower and slower. With each exhalation, my anger dissipated. With each inhalation, the pain receded. I gained comfort knowing when she died so, too would my pain.

As she took her last breath in the wee hours of the morning, I felt an intense surge of vertigo and a vibrating upward pull; I had to close my eyes to keep from falling over. It was as though a part of me had joined with her spirit as she passed, and just as quickly as it happened, it ended. I opened my eyes, and a quiet calm came over me.

I sat there for a moment looking at her light pink polished fingernails trying to digest what had happened. I sensed that I had traveled a short distance with her spirit as she departed from this world. It was a surreal experience, and a rush of love coursed through my body. I had received a gift.

I gazed down at Maura Anton, this woman I had called grandma for over thirty years and whispered the words, “She’s gone,” but no one heard me. So I repeated it louder as I slowly stood up to walk away. But before I did, I leaned in and whispered in her ear, “Grandma, I love you.”

I like to think that maybe––this time––she would have said, “I love you too.”

 

Marie Prichard is a longtime writer and educator. She lives on an island in the Pacific Northwest with her wife, their two wiener dogs, and a Munchkin cat. She loves reading, writing, walking the beach, and filling her wife’s pockets with heart rocks.

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