As a red-blooded American girl I grew up with a, pardon the pun, bone deep fear of cemeteries. My cousin Marcia, six years older than I, told me there were skeletons under the beds in the big old two-story house where I lived with my parents, my grandparents and my aunt Vivian. It was a decidedly spooky house to begin with, with old unused rooms and dusty beds never slept in, wearing the same sheets they had for decades. There were shelves full of books, unread in my lifetime and deep, dark closets that went to who knows where under stairways and slanted eaves. Remnants of the years my family spent as ranchers were present throughout this house: kitchen towels made from feed sacks and tack for horses, tools for marking and castrating cattle, which looked like torture devices to me.
It was twilight, always, there. Electric lights were used mostly at night. They hung on chains as small, pear-shaped pendants, or under one-bulb glass shades. Wood frame windows, with layer upon layer of peeling paint let the sun in, but just barely. The pomegranate bushes and apricot trees, untrimmed and old, bounced back most of the light before it entered those windows, so the sunlight happily found another direction to shine, rather than into this old, dusty house.
Inside the dark, foreboding closets there were wood-bound metal trunks and dusty coats hanging, and who knew what lay behind them. My father, a kind man by nature, once disappeared into one of those dark, untraveled closets under a stair with a two by four, and came out with a dead rat and a bloody plank.