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Guest Posts, Home, memories

Memory and Loss Where a House Once Stood

July 20, 2021
house

By Gina Coplon-Newfield

My mother texted me a photo of an unfamiliar house. When I recognized the slope of the hill, I gasped with realization. My modest childhood home was gone, replaced by a McMansion.

I haven’t lived in that house for 27 years. I wish I could better trust the reliability of my memories from inside it, but I know which memories are from before and after grief moved in.

I can picture my father at our dining room table pouring over maps, trying to determine the perfect driving routes for our national park vacations. There too, he paid the bills and created my soccer team line-up. He grew up in rural Georgia in the 1950s where soccer was an unfamiliar sport, so coaching girls’ soccer in suburban Boston in the 1980s was something he studied like a new language.

I recall one dinner when my sister and I, at ages two and five, were laughing at the silly names we were brainstorming for our new puppy. My mother exclaimed with her pointer finger skyward, “That’s it, Feathers! Golden retrievers have hair like feathers.” But it’s possible I remember it that way because my mom often makes exuberant exclamations, or I’ve seen a photo of us in the kitchen that morphed into that memory.

I can summon a scene –like a movie- of Feathers sneaking into the living room, taking my dad’s wallet from the table, chewing it to bits, and looking sheepishly at my dad when he entered the room. My dad started yelling at her, but then he stopped, having realized she was just a puppy, and took her for a walk. Or at least, years later, that’s the way I told my children that story over and over when they were little. They loved hearing it. Had it really happened that way?

Memory is a curious thing.

I can picture myself at 14, struggling through a math assignment at the kitchen table. My dad urged me to approach it one section at a time rather than get overwhelmed by the entirety. I interpreted this as not just a logistical way to think, but also a calming way to feel about what I needed to accomplish. One step at a time, I tell myself regularly even now in my 40s when I’m facing a difficult work project or just staring down a mountain of dirty dishes. My dad was a psychiatrist. He likely often repeated this kind of guidance, but for some reason, I only remember him sharing it this one time.

My dad died of a sudden heart attack at age 47. My sister, age 12, and I at 15 were at sleep-away camp. Our mom shared the grim news with us in the camp owner’s living room. We screamed in horror.

When we returned home, the house felt completely different. On my dad’s bedside table, I saw Night, Elie Wiesel’s Holocaust memoir. I wondered if he had read it on my recommendation and what he thought of it. I realized I’d never get to discuss the book -or anything- with him again.

I can picture my paternal grandmother lumbering up our steps that day. I thought this is what a broken person looks like.

After the funeral, I was sitting in my bedroom with an older cousin on my dad’s side who said, “Your dad was the glue that held our family together.” I remember thinking this was the new kind of grown-up conversation I’d need to get used to having.

That week when family and friends poured into our house with food, and our rabbi led nightly services in our living room, I learned that the Hebrew mourner’s kaddish prayer actually doesn’t mention death. Rather, it describes our belief in an awesome God that makes life possible. Learning this made me feel like life was more powerful than death. Reciting the prayer felt like a small act of resistance, like I wasn’t going to let death win.

In the years that followed, the absence of my father felt like a presence just as formidable as a living person. There my dad was not at our dinner table making corny jokes. There he was not sharing the gratification of me making the varsity soccer team after his years of coaching. There he was not sitting with my mom at the edge of my bed looking at college brochures. There he was at bedtime not saying “love ya” in his southern twang. This absence of him made our house feel heavy.

The walls of my childhood home did go on to contain some joyful memories during this after period. Close friends often slept over, and we talked into the night. On my 18th birthday, my mom made me a cake topped with icing in the shape of a ballot box. At 19, I brought home my college boyfriend –now husband of 21 years. My mom likes to recount how I was trying to leave, but he said, “No, let’s have a cup of tea with your mom.” Kiss-ass.

There are countless experiences that occurred inside that house –wonderful, terrible, and mundane– that I will never remember.

In my twenties, my mom sold the house and moved to Boston with Bob, the kind man who would become her new husband.

In my thirties, I became a mom. We named our first daughter Farah, choosing the “F” in honor of my dad Fredric. When Farah’s younger sister Dori was a toddler, I was once telling her a light-hearted story about my father –perhaps the one about Feathers eating his wallet– and Dori burst out crying. She sobbed it wasn’t fair that I got to know my dad, but she never did. I was amazed that my daughter felt so strongly the loss of a relationship she never had.

When I turned 40, my high school friend Abbie flew in from Michigan to surprise me. We drove the twenty-five minutes from Cambridge, where I live now, to Lexington where we knocked on the door of my childhood home. Farah, then nine, came along. No one answered the door when we knocked, but I felt comfort knowing the house was there, the vessel of my fortunate childhood and the painful intensity of my late adolescence.

Perhaps this is why I was so affected by the photo my mom texted me after she learned from friends of our demolished house. My memories felt more vulnerable because the house was gone.

Soon before Covid-19 prevented in-person gatherings, Dori stood next to me at a friend’s Bat Mitzvah. At the end of the service, we recited kaddish in honor of those who had passed. Dori looked up at me and said, “don’t die.” “OK,” I said, tearing up because we both knew this was an impossible agreement.

With some disbelief, I realize that my daughters are now the same ages my sister and I were when our home became a house of mourning.

My husband and I, too, are about the same age my parents were when my dad died and my mom became a widow. I am nearly the age my mom was when she successfully, quickly fought off uterine cancer, avoiding the early death my dad could not escape at so-called middle age.

I worry my kids might experience loss like I did, aware that life can be taken or not taken at any time –by the likes of a heart attack, cancer, or a pandemic. All we can do, of course, is treat life as a gift, though sometimes that’s hard to keep top of mind.

I wonder which memories of joy and pain my children will keep from our house as they get older. I am realizing each memory is not a solid thing, but rather something re-shaped, lost, or cherished over time.

house

Gina Coplon-Newfield is an environmental and social justice advocate. She has published a case study about environmental advocacy with Harvard Law School, written many recent blog articles about clean transportation issues, and is quoted regularly in the media in such outlets as the New York Times, Bloomberg News, and Politico. This is her first venture into writing a personal narrative for a public audience (since a few overly serious poems in college). She lives in Cambridge, Massachusetts with her husband and two daughters. She can be found on Twitter @GinaDrivingEV.

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Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, Fatherhood, Fiction, Fiction Fridays

Father’s Day

June 18, 2021
poppa

By Shirley Dees

We’re going to visit James’ dad again. Before we leave I manage to squeeze a few moments alone in the bathroom of the duplex James and I rent and hang my head over the cheap, cushioned toilet seat, the kind that keeps your ass from hurting while you’re doing your business, and try not to puke while James stands outside the door. The timing of this year’s trip is a real bitch. He’s been dead for ten years, and every Father’s Day, James and I drive out to the cemetery to stand next to his headstone with James’ Poppa and talk about nothing. I never met him, but since I started dating James six years ago, I tag along.

“Leah, you about ready?” James is in a hurry. That’s what all of this is, really. A dreadful hurry.

“Can you give me a skinny minute?” I am surprised to find I can open my mouth without vomiting. Things are looking up.

“A small one. I hate to make Poppa wait.”

I stand up and move over to the sink. I study my face for obvious hints of morning sickness and add a touch of makeup. I don’t want his grandfather to be put out, either, so I try to hurry. “Is your Poppa feeling good enough to drive today?”

“Larry is taking him,” James says. His voice comes through the bathroom door like it’s worn down by hammers. I give myself one last scan, one last breath to steady this awkward and hurried day, and open the door.

“Okay, let’s go.” I walk by quickly without giving James the chance to get a real look at me. I am running out of time to tell him about the baby. I love him, which only makes all of this more complicated. He pulls the car keys off the hook hanging by the backdoor as I throw my purse over my shoulder. I feel him behind me, staring at the door, doing his yearly hesitation.

“James,” I begin, “we don’t have to go if you don’t want to.” He grabs the door handle to pull it open.

“It’s Father’s Day, Leah. You know I have to go.” Before I can ask again, he’s outside, feet crunching the gravel as he walks to his Ford Ranger. “Come on,” he says.

Every year, I try to cruise through this day with a level of indifference to make it all sort of just disappear, but every time I see the scars on the back of James’ head, that indifference melts into protective anger. I want him to know he is the one in control now. But I’ve learned not to push the issue. I offer to stay home in his seconds of hesitation by the backdoor, just to remind him the option is always on the table, but he always declines, stating it’s his duty to go. After all this time, I don’t really expect anything different anymore.

I climb into the steamy, black truck we share to get to and from work, each of us alternating with co-workers and carpooling when we can. We never drive it more than fifteen miles in a day so this is the truck’s longest journey every year at 60 miles, and I wonder how much longer it will last. James always says we’ll drive it until the wheels fall off, but I don’t think we can make it until then. This truck is twenty years old and suddenly too small. I crank the window and let the air hit my face, praying to God I don’t have to throw up on the way there.

Pretty soon we’re pulling out of town and the annual tour of my boyfriend’s childhood horrors begins. When he first told me about the abuse, it rolled off him the same way it does now. Ritualized. The Dairy Queen they met at for his dad’s public visits. The house where his dad used to live with Larry, an old friend and now Poppa’s neighbor, and the place James went when his dad was finally allowed overnight custody. This house was the one with the stairs whose pointy edges lead down to a wooden floor. The stairs and floor that birthed the scars on the back of my boyfriend’s head. He points them all out, every time. I’ve come to see them as his demons, evilness that must be excised regularly to keep them away, the reason for all this hurried dreadfulness. There must be a better way to heal, for everyone.

The heat-scorched Texas earth zips by as we cruise down the highway at the fastest speed the Ranger allows: sixty-three miles per hour, which means it will takes us an hour to make the trip. This is easy math that I keep in my mind to help make this day seem simpler, but one look out my window at the speeding ground and my head spins.

“We’ll stop in McKinney and get a bite to eat, that okay?” he asks like this isn’t what we always do. Normally, the stop in McKinney is the highlight of the day. They have this burger joint where the burgers are so juicy, they soak through the paper that lines those red, plastic baskets. The French fries are cooked in oil and bubbled until they’re perfectly golden and crispy, the ketchup salty and tangy on the lips. Food so good it makes you want to slap your granny. But today, just the thought of those greasy burgers makes me want to dry-heave, so I push it away and curl my legs underneath my hind-end.

James glances at me from the side. “What’s up?”

“I don’t know, maybe we can try some place else this time.”  I look straight ahead, keeping my sour face out of view. A car screams by us on the left, a red convertible of some type. I’ve never bothered much with learning car brands and models, but sometimes I’ll take a guess at what it is to impress James. He whistles as the car switches back into the right lane, ahead of us.

“Damn, must be nice,” he sighs. I give a little silent shout of praise to the owner of the sport car for pulling James’s attention off my lack of an appetite. I know we’ll probably stop there and eat anyway, because there is nothing else in McKinney. Maybe I can get away with scarfing a small quarter-pounder and puking in the restaurant’s commode before we get back on the road.

“Your Poppa still going out to the cemetery every day?” I ask.

“He doesn’t like driving much anymore so he only gets out there when Larry can take him.”

“I didn’t realize he wasn’t driving anymore,” I say, pausing a moment to let a passing thought linger. “What’s he going to do with that truck of his?”

“The man’s got to get to the grocery store and what not. He’s just not driving anywhere long distance.”

“I wouldn’t call fifteen miles to the cemetery long distance.” Immediately I recoil, guilt pinching at my insides.

“Yeah, but to get there he’s got to get on the highway.”   

“Oh, I didn’t think about that.” I realize I’m coming off like I’ve been waiting for Poppa to slide his big toe inside the old folks’ home to transfer the title to his vehicle into James’ name.

“You want to take his truck?”

“Well, no I just . . . I don’t know.”

“That’s Poppa’s vehicle, Leah.” James’ voice takes on that condescending tone that sends tethers of defensive coils up the back of my neck.

“I know.”

“Man ain’t quit driving more than a month and you’re already thinking him some kind of invalid.”

“No, James.”

“Claiming his property.” James shakes his head and disappointment spreads over him along with the crinkles that set into the corners of his eyes when his temper has run out of fuse.

“That’s not it at all.” I keep my voice calm in hopes to steer him back towards sanity.

“We have a truck, Leah.”

“I know.”

“We ain’t ever had a problem with it. But my Poppa gets old and you start seeing money bags.”

“I wasn’t thinking about taking your Poppa’s truck, James.” His knuckles tighten on the steering wheel and I know I need to get control. “You know me better than that. I just don’t want him giving it away without talking to you about it first. You know how some people will take advantage of Poppa.”

“Hmm,” he keeps his eyes on the road but I both hear and see his suspicion. He is trying to keep his temper in check and keep his demons tightly roped inside. “Okay, just sounded like you had other intentions.”

“Please don’t put words in my mouth.” Another car zooms past and there goes his focus, just like that. A little flame of frustration still flickers away in my mind but I swallow again to try and put it out. My temper is on a shortened leash today, too. I can’t handle the accusing tone he gives me all the time when stuff like this comes up. We fight about the most stupid things like any normal couple, but mostly we argue about the future. He believes he’s doomed to repeat the mistakes of his father. James ain’t ever hurt me. Not physically, anyway. We’ve had our bickering, and he’s gotten in my face a time or two, but it never goes any farther than that. It’s like a spark, something goes wrong and he snaps into anger, a few harsh words come flying out of his mouth without thinking and then his face fills with remorse. It’s what I point out to him all the time the minute I know he recognizes it.

“You see,” I say, never backing away. “That’s why you ain’t like your daddy, James. You have awareness.”

I think that’s why I haven’t left yet, because I can see past those crinkles of anger and deeper than the illness that’s cursed his genetic line. Awareness. It’s been like this since we first got together and I’ve just put up with it because I love him deeply. I’ve never asked for a ring, but I’m pregnant now and it ain’t just our future anymore.

The miles speed by in silence. Pretty soon, we’re pulling into McKinney and I see the burger joint up the road. My stomach is feeling okay, so this may not be so bad after all. In fact, as we walk in, I’m ravenous. I scarf my burger and inhale the fries. I want all the Coke that’s in the soda machine and then I order a chocolate milkshake to go. James wants to share, and I oblige, even though I don’t see why he can’t just order his own damn ice cream.

“You know, Dad used to buy us ice cream from here,” James says as we walk back to the truck.

I perk up. “Oh really?” James has never mentioned this before.

“It tastes the same now as it did then.” He reaches over and grabs the cup from my hands and pulls a mouthful of shake from the straw. “Then I got sick one time and threw up in his car and he beat me so bad I couldn’t sit down for a week.” He semi-slams the paper cup in the holder on the dash and angrily turns the key. Gravel shoots off from the Ranger’s tires as we pull out of the parking lot and are back on the highway again, heading towards complications. Maybe it’s my shortened temper, but for the first time in the six years of this annual trip, I get upset with James for this outburst and let out an irritated sigh.

“Oh, Jesus Christ, James.”

“What’s wrong with you?” he says, turning his entire head towards me.

“Nothing,” I say, crossing my arms.

“Don’t pull that.”

“I’m tired of this damn stuff every year,” I spit out. “We drive these terrible sixty miles and the entire time you talk about all the bullshit he pulled when you were growing up, and then by the time we get there, you’re all angry and pissy with me and Poppa and the whole thing just sucks.”

“Well, Christ, what do you want me to do about it? Not go? Poppa’d kill me if I didn’t come out here every year,” he keeps his eyes on the road and I can tell he’s trying to control his temper again.

“No, all I’m saying is, well, don’t you think you can at least try and think of something good? I know it couldn’t have been rainbows and peaches with the man, but there had to be something. Maybe if you think of something good instead of all the awful, you won’t be in such a foul mood by the time we get out to the cemetery, and then Poppa won’t get on you about being a grump, and I don’t know, we can finally spend Father’s Day in some peace.”

James doesn’t say anything for a hot minute. He passes a car on the left and then switches back over to the right lane.

“You’re not being fair,” he says.

“Ain’t I?”

“There ain’t nothing good I can talk about.”

“Bullshit.” I try to dig for a specific moment, but nothing is coming to mind under pressure, and I start to panic.

“I said there’s nothing,” his grip tightens on the wheel again. I cross my arms and start to run through holidays and moments that could spark a memory, any memory that was positive, but it was pointless. James hates Christmas for reasons I know stem from his dad. His family was poorer than mine so trips anywhere as a kid were a pipe dream, but I’m desperate. I have to keep the stack from wobbling too far off course into a dangerous area.

“James,” I start to say, my voice soft and flat. “Come on, tell me something good.” He says nothing, his eyes with that tempered glaze. I ignore the feeling in the pit of my stomach. “Come on.”

“No!” His wrist hits the steering wheel and the truck swerves, the car next to us honks, but I don’t think James hears him, or cares. “There isn’t any good stuff. There never was!” His voice bounces off the windshield and the passenger window. I pushed too far, but it was too late to try and reverse course. I might as well keep steering this messed-up ride on my own course.

“I don’t believe that,” I say.

James groans. “You’re being damn difficult.”

“You can’t blame me for wanting my boyfriend to remember decent things about his father.”

“I just don’t see why it’s so important to you.”

“I think it’s important for you, James.”

“I don’t.”

“So we disagree, but I still want you to try.”

“I have tried.” James says this with a touch less anger, and it saddens me because I know it’s true. But I push on.

“Try harder,” I say.

“You don’t understand.” He shakes his head.

“James, I can’t believe your father didn’t love you.”

He doesn’t say anything for a while, but I keep my eyes on him, studying the muscles in his face. I take his silence as him going to those depths, to find something he’d kept shoved at the bottom of his soul, buried in the darkness.

“He didn’t love me,” he says.

“How are you so sure?”

“Because. . . I didn’t love him.”

“James. . . .”

“You wanted the truth, Leah, so there it is. Though, I don’t know why you haven’t figured out any of this before. My dad broke something in me long ago. Love like that, it ain’t possible, alright? Not for me. There ain’t no good left.”

“But how can you say that when I’m sitting here right next to you? I mean, you love me, don’t’ you?”

“That’s different.”

“No it ain’t. Love is love, James.”

“Like shit it is.”

“You know what I mean.”

“Yeah, well…” he breaks off into a silence.

“What’re you trying to say?” My stomach rumbles. A wave of nausea hits me and the road swerves, but James’ hands are tight on the wheel. I grab the dashboard to keep the earth from flipping upside down. “You can’t love anyone else?”

No answer. His silence is like a scythe. Heat pulses across my body, a salty sickness creeping its way into my mouth. The Ranger jumps a slab of buckled asphalt and suddenly I have to vomit. No time to ask him to pull over, I slam my hand on the window crank and lower the glass just enough to poke my head through and unleash the juicy burger and fries on the side of the highway at 58 miles per hour.

“Leah!”

I pull my head back inside and roll the window up. I pop open the glove box and pull out one of the hundreds of restaurant napkins we keep stashed in there. “Sorry, must have gotten car sick.”

“Car sick? You ain’t ever gotten car sick before.”

I wipe my mouth and lean my head back against the seat, closing my eyes. My stomach feels lighter, calmer, but my heart is beating too hard, sadness spilling from its chambers and spreading through the inside of the Ranger. “Well, I guess there’s a first time for everything.”

I consider a couple of options. I could cry and tell him I’m pregnant and everything else that is on my mind. Or I could ask him to pull over and let me out, find a way back home and pack up my stuff and leave. Problem is, neither of those options really solve the problem. There’s still a life growing inside me.

Fatigue falls on me like rain so I close my eyes, the sun on my face and shoulders failing to comfort me the way a blanket would a tired baby. I want to sleep and figure I can because James clearly isn’t in the mood to talk anymore, and to be honest, neither am I.

***

I didn’t notice when the truck stopped. I didn’t even realize I had fallen into such a deep sleep. James shakes me and I see his face as I open my eyes, close to mine, holding a cup of Sprite to my lips.

“You feeling alright?” He actually looks concerned, all of the glaze and crinkles gone from his eyes. Fatigue melts into affection as I stare into those honey irises and feel their devotion. I don’t know why he thinks he isn’t capable of love.

“I’m okay. We here already?”

“Yeah, but Poppa ain’t yet. Come on, take a sip of the soda.”

I grab the cup from him and place the straw between my teeth. I sit up and look out. The cemetery is empty, the grass a light brown, thin and withering into dust. There isn’t a single cloud in the sky and I feel the heat radiating off the marble and concrete headstones from inside the Ranger. I pull a sip of soda from the straw.

“You want to wait here for Poppa?” I ask.

“No, let’s just go on over. He should be here in a minute.” James pops open his door and steps out, so I follow. Caliche rocks poke the thin bottoms of my flip flops and I regret the decision to wear them. The sticker burrs in this dead grass are going to tear my feet to hell. We start walking to the gravesite, one of my hands firmly on the soda as I suck in more of the cold liquid. A pathetic excuse for a breeze tries to blow over the cemetery but it really only feels like God just opened a giant oven door. My brain is beating on the sides of my skull and I try to swallow the rest of the Sprite to get it to quit. I wonder if it’s disrespectful to puke on hallowed ground.

“I didn’t bring anything,” I say, realizing we don’t even have a single flower to place on the headstone. James just shrugs. I guess it doesn’t bother him that we’re the first ones to arrive and are walking up to his dad’s grave empty handed. Doesn’t seem right. Poppa’s usually the one who gets here first and typically has something to lay on the grave. Typically, we all stand around, James shuffling his feet in the dirt while Poppa talks, saying nothing more than “yeah,” and “uh huh,” which usually pisses Poppa off. Then we all get quiet for a while. Poppa takes out a folded piece of paper from his pocket and stares at it for a few minutes, then folds it back up and stuffs it into his wallet, never reading it aloud, never leaving it by the headstone. James has never asked what that was all about, and because he hasn’t, neither have I.

We pass a few more rows of grave markers before we arrive at his dad’s. It is so hot I consider hiding out in one of the freshly opened plots, just so I can run my hands through the cold soil that’s been shielded from the heat by layers of earth. We stop a few feet from the stone, and both of us stare at the ground. I start picturing the memories James brought up in the truck and a feeling of anger ripples across my chest. I know it’s not the time or place but I can’t help it. Love spurns a protective desire, but what could I do? The son of a bitch was already in the dirt.

“Well. . .” the rest of my words die away. They all seem so pointless, even more so now. I want all of this to be over and I feel the hurried dreadfulness creep between the graves and lie at our feet. James puts his hands in his pockets and lets out a breath, but he doesn’t say anything, either.

Tires moving through the caliche make us turn our heads. “That’s Larry and Poppa,” James says as the truck parks a few rows back, but only Larry gets out of the vehicle. He’s wearing starched jeans and snakeskin boots with a collared shirt. He is dressed for another occasion separate from this disaster of a day.

“Poppa driving himself?” James asks.

Larry shook his head, his white hair bouncing. “Sorry, James. Your Grandfather wasn’t feeling well and couldn’t make it out, but he does want you to come by before you head back home.”

“Well, he could have called.”

“He figured if he called you this morning and said he wasn’t coming you wouldn’t show,” Larry says.

“Well, that’s not a lie.” James wiped the sweat from his brow.

“But he wanted you to have this and he asked if I could bring it to you.” Larry reaches in his pocket and pulls out the familiar, aging folded piece of paper and hands it to James.

“You serious?”

“Well, your grandfather sure was.”

“What am I supposed to do with it?”

“Keep it, I think.”

“Poppa don’t want it back?” I ask.

Larry looks back and forth between us, then opens only the corners of his mouth to answer like he’s trying to protect us from something. “I don’t think your Poppa’s going to come back out here much anymore.”

This isn’t a hard truth. Poppa is getting mighty old, and Larry is only in his late fifties and has a business to run and new grandkids of his own to visit on Sundays. He doesn’t have a whole lot of time to bring Poppa out here, though I’m sure he would keep doing it if Poppa didn’t step in and say something. I suspect it was all Poppa’s decision, seeing the stuff Larry had piling up on his plate. He didn’t want him missing out and knew he would keep coming unless he told him to get lost, so that’s what he must have done this morning. Very quickly I saw the Father’s Days in the years ahead and tried to imagine what it looked like at this graveside, and who was all standing here if one of them wasn’t Poppa.

“If you don’t mind, I think I’ll leave you two to your affairs. I’ve got a barbecue to get to. Just, go see your grandfather. I think he’d like to see you, James,” Larry says.

“Sure, thanks.” James sticks out his hand and shakes Larry’s before he turns and walks away.

“Have a happy Father’s Day!” I shout after him. He waves a backwards hand and gets in his vehicle and drives off. I turn back to James and eye the paper in his hand. “Well?”

“Well, what?”

“The paper! Aren’t you wondering what it says?”

“It can’t be the same one, can it?”

“I’d recognize that folded paper anywhere. Your Poppa always brings it every year.”

James looks down at it, then at his dad’s grave, then shakes his head. “No, let’s just go.”

“James.” I try to let him know this decision is more ridiculous than this whole affair combined. “You stubborn asshole. Just read the thing.”

“Fine, but then we’re going straight home. We ain’t going to Poppa’s. I can’t stand this heat no more.” He unfolds the paper and takes a step closer to the grave and starts to read, rotating his back towards me.

I wait, reading his body language as I imagine his eyes running across the lines of writing and try to think what the paper has to say. Another boiling breeze moves across the air and a sickness stirs in my stomach again. That would be something, to throw up on this man’s grave. I look over at where we parked the Ranger and wonder if I’d even make it back, giving the cup in my hand a shake and almost weeping at its empty silence. After about another minute, James picks his head up and turns around, staring straight through me like hail cutting through trees. A hot redness creeps onto his cheeks, and I expect the glazed, crinkling look of his eyes to follow, but instead he allows the muscles in his face to fall flat. His shoulders droop and his lips curl south. His knees shake and bend, and then all at once, he falls to the ground.

“James!” I drop the cup and kneel down next to him, sticker burrs poking through the soft layers of the skin on my legs. I put my hands on his arms, his neck, and then his face, and pull it into mine, a river of tears streaming down and off his chin. The tremble of something buried deep in him rises to the surface. It is complicated. It is confusion. It is truth. He doesn’t say anything. He doesn’t have to. I pull him into my shoulder and let him cry, the paper in the dirt half folded, only a few lines visible on the bottoms of the page. I hold James in my arms, and everything unspoken pours out of him and into the ground below us. Suddenly, the heat doesn’t seem to be such a bother anymore and if he needs me to, I’ll sit here for the rest of my life with him.

The cicadas pick up and that stirs James enough to lift his head. “Okay,” he says.

“Okay,” I reply. He stands up and shakes the dirt from his legs and then helps me to my feet.

“Let’s go see Poppa,” he says.

“Okay.” I fold the paper and place it in my pocket. I’ll ask James what he wants to do with it later.

He grabs my hand and stares at the grave. I don’t pull him along.

“I wanted to love him,” he says.

“I know.” I give his hand a little squeeze, and then we move back to the Ranger, opposite of how we arrived, hand-in-hand, neither of us wanting to let go.

We keep our hands together for the fifteen-mile drive to Poppa’s, and I turn the radio on, music filling the cab for the first time on this trip. As we pull into Poppa’s driveway, James turns off the engine and turns to me, still holding my hand.

“I know about the baby,” he says.

My heart leaps into my throat and tightens every muscle around my voice box. Something like a roar fills my ears. “James—”

He shakes his head. “It’s okay.” His voice is like cotton. The burn of tears builds in the corner of my eyes and in my heart.

“Are you sure?”

“Yes,” and a smile so big lands on him with such assurance, I let everything inside of me go and weep like a child.

Shirley Dees received an MFA from Spalding University’s School of Creative and Professional writing in Spring 2021. When not writing, Shirley is busy parenting, seeking sunshine rays, and sampling local craft brews. She lives in Southeast Alabama with her husband, daughter, and geriatric pet turtle.

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You know it’s an amazing year to be a reader when Emily Rapp Black has another book coming. Frida Kahlo and My Left Leg is remarkable. In this book, Emily gives us a look into how Frida Kahlo influenced her own understanding of what it means to be creative and to be disabled. Like much of her writing, this book also gives us a look into moving on (or passed or through) when it feels like everything is gone.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Are you ready to take your writing to the next level?

Two of our favorite writing resources are launching new opportunities for working on your craft. Circe Consulting was formed when Emily Rapp Black and Gina Frangello decided to collaborate on a writing space. Corporeal Writing is under the direction of Lidia Yuknavitch. Both believe in the importance of listening to the stories your body tells. If you sign up for a course, tell them The ManifestStation sent you!

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Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

Guest Posts, Adoption, Books

The Lonely Doll Made Me Feel Seen

May 26, 2021
megan galbraith doll

By Megan Culhane Galbraith

As a little girl I’d lie flat on my back and pour over The Lonely Doll. It was an oversized picture book with a pink gingham cover that featured a black and white photo of a doll sitting on the floor holding an open book. The author, Dare Wright, posed her Lenci doll, “Edith,” in various scenes inside her own glamorous New York City apartment, the park, the Brooklyn Bridge and beyond. Like Dare, the doll was pretty, blonde, with bangs and a high ponytail. She seemed a charmed life, but there was one problem. Edith was terribly lonely.

Wright was an amateur photographer and The Lonely Doll was her first book. The Lenci doll that represented Edith was the doll she’d played with as a child. Edith was Dare’s doppelgänger. In the book Edith’s parents are never home and she is essentially orphaned, wandering the huge apartment, staring out the window, hoping for friends to play with when suddenly two friends show up at her door, Mr. Bear and Little Bear.

I loved Edith, but what saddened me was her expression. Her eyes seemed searching and vacant. Her mouth was pursed in a way that implied a smile she wasn’t capable of giving. It’s no wonder Wright’s book influenced my work in deep ways. We were both searching for how to belong.

In my memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Baby Book, I recreate and photograph scenes from my baby book in my dollhouse similar to the way Wright did. My visual art project, The Dollhouse, became a lens through which I could safely question my personal history and interrogate the myths of adoption and identity. As an adopted child, I’d felt like a thing to be played with––a doll––instead of a person with her own identity. I’d felt looked at, but not seen. Playing in the dollhouse helped me reconstruct my identity after feeling invisible for many years. It helped me build a safe home within myself because for a long time I’d never felt truly at home anywhere, not even in my own body.

Children play to control the world. When I was a child, I wanted to control my world because as an adoptee I felt I had no control. I created small universes in shoebox dioramas in grade school, and built tiny natural habitats for the mice that lived in the field behind my house. I loved to create and explore new miniature realms. It was empowering to make all the decisions, so I imagined myself into another life. It didn’t matter that the stage was tiny. These were worlds into which I could disappear.

Dolls have no agency; they are objects to be acted upon. I didn’t play much with dolls as a child. I hadn’t been given dolls as a girl––no Barbie, or Baby Alive. My parents gave me Legos, a rock tumbler, and a frog hatchery, all of which dazzled me. Each Christmas, Mom gave me one Madame Alexander doll, which I was urged to keep pristine in its box. The one doll I remember playing with was Holly Hobbie. Holly had flat feet and a flat chest like me, and her dress was reminiscent of what Laura Ingalls wore in “Little House on The Prairie,” a show I watched religiously every Sunday. Holly’s tagline was “Start Each Day In a Happy Way.” She had a huge head, oversized eyes, chipmunk cheeks . . . and no mouth. She couldn’t have spoken if she’d wanted to.

I hated her.

One day, after cutting her hair so short it stuck straight up from her head, I tried to decapitate her. I held her flat feet and banged her giant head against the corner of my desk. When that didn’t work, I grabbed her head and tore it off with my hands. I realize now how angry I was that I couldn’t express my fear, or loneliness. It was there, living inside me all along but I didn’t have the words. I felt sad, emotionally fragile, and invisible when all I needed was to be held and comforted.

Years later, I began playing with a tin dollhouse I’d found at a local antique shop; A ’60s-era Louis Marx “Marxie Mansion” of the same time period in which my birth mother had been sent away to have me. That set the stage for what would become the basis for a visual art project called “The Dollhouse.” I staged the dolls and babies in household situations and photographed them from the outside looking in, just like Dare Wright did in The Lonely Doll. It was a voyeuristic way of seeing a situation from an angle of removal. It gave me the space I needed to examine my adopted life through a different lens. Thanks to those dolls I began to reconstruct and reclaim my identity.

“No one gets a dollhouse to play at reality,” said the child psychologist Erik Erickson, “but reality seeps in everywhere when we play.”

The New Yorker deemed The Lonely DollThe Creepiest Children’s Book,” and it has a cult following, but I don’t find it creepy at all. There’s a controversial scene in the book. Edith is thrown over Mr. Bear’s knee and spanked for being “naughty” for trying on her mother’s lipstick. Keep in mind it was Little Bear who provoked her to wear the lipstick and who wrote, “Mr. Bear is a silly old thing” on the boudoir mirror in that same lipstick.

Adults project eroticism on to that spanking scene (because adults ruin everything), but it was more about punishing a girl for showing her feelings than it was about kink. Why was Edith being disciplined for expressing a feeling and trying to connect with her absent mother? It was Little Bear who deserved that spanking. In my child brain I thought, “If a doll could get spanked for doing something “naughty” like expressing her feelings, then surely I’d better be a good girl and not make anyone angry.”

Writing this essay sparked a memory of my Dad coming into my room one night. He sat on the side of my bed and without introduction said, “Your mother and I have discussed it and we’ve decided you’re too old to spank anymore.” I don’t remember what prompted him to make that announcement, or what he said afterward. I just remember feeling mute and wanting to pull the covers over my head.

It wasn’t until years later, trying to write about my own numb loneliness as an adopted child that I returned to The Lonely Doll and realized its vast influence on my work. The cover of my book is also a doll—she’s my doppelgänger, Little Megan. She was given to me by my friend Elizabeth and had been part of her mother’s collection when she’d been hospitalized for a year with polio. The dolls kept her company.

As I considered the structure of my memoir-in-essays, I needed to tell my story in a fractured way, which is the way we adoptees get our information, either filtered through the fog of someone else’s memory, or obfuscated by secrets and lies. Dare Wright was telling her story through her doll Edith too. She was asking to be seen, truly seen, beyond her beauty and beyond what looked outwardly like a glamorous life.

D.W. Winnicott, a British psychologist, called the dolls, blankets, and stuffed animals children often have as “comfort objects.” These objects helped a child manage the stress of the mother not being there and allowed them build the confidence needed to become independent.

In The Dollhouse I created a world where women rule on a 1:12-scale. It became a portal to imagine myself into my birth mother’s life and her into mine. Playing with these dolls was also a way of managing a thorny relationship with my birth mother while grieving for my long-dead Mom. Comfort objects, indeed.

“Children are innocent before they are corrupted by adults,” said the child psychologist Eric Erickson, “although we know some of them are not and those children––the ones capable of arranging and re-arranging the furniture and dolls in any dollhouse––are the most dangerous of all. Power and innocence together are explosive.”

The Lonely Doll helped me feel seen. It was an influential book that gave me a window into the loneliness brought on by my adoption, and the feelings of numbness and invisibility. I realize now that I don’t need to apologize for my existence.

My greatest desire is to be fully seen.

Megan Culhane Galbraith is a writer, visual artist, and an adoptee. She is the author of The Guild of the Infant Saviour: An Adopted Child’s Memory Book, a hybrid memoir-in-essays published by Mad Creek Books. Her work was Notable in Best American Essays 2017 and her writing, interviews, and art have been published in HYPERALLERGIC! Severance Magazine, ZZYZZVA, Tupelo Quarterly, Parhelion, Hobart, Longreads, Hotel Amerika, Catapult, and Redivider, among others. She is a graduate and the Associate Director of the Bennington Writing Seminars, and the founding director of the Governor’s Institutes of Vermont Young Writers Institute. Follow Megan on her website or facebookShe can also be found on Twitter as @megangalbraith and on Instagram as @m.galbraith and @the_d0llh0use.

Buy The Guild of the Infant Savior: An Adopted Child’s Memory Book at Bookshop.org or Amazon.

Check out the Lonely Doll book here

 

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Megan Galbraith is a writer we keep our eye on, in part because she does amazing work with found objects, and in part because she is fearless in her writing. Her debut memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Memory Book , is everything we hoped from this creative artist. Born in a charity hospital in Hell’s Kitchen four years before Governor Rockefeller legalized abortion in New York. Galbraith’s birth mother was sent away to The Guild of the Infant Saviour––a Catholic home for unwed mothers in Manhattan––to give birth in secret. On the eve of becoming a mother herself, Galbraith began a search for the truth about her past, which led to a realization of her two identities and three mothers.

This is a remarkable book. The writing is steller, the visual art is effective, and the story itself is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Gratitude, memories

Take The R Train

April 2, 2020
choice

By Laraine Herring

My mother could have remained in Bay Ridge, taking the R train into Lower Manhattan to work at the Stock Exchange. She could have not met my father, who could have passed Spanish at Wake Forest and graduated there instead of transferring to the University of North Carolina at Chapel Hill where they did not require two years of Spanish for a History major, where he did meet my mother, who was the first female accepted into the graduate school of mathematics at Chapel Hill, at an uncharacteristic football game where she’d gone with her roommate as an out for her blind date. But if she had remained working at the Stock Exchange riding the R train this would not have happened.

My father would have married a woman named Betty, not Elinor. I’m reasonably confident of this because when he died we found drawings Betty had made for him of his face, his golf swing, his eyes, and she called the house a lot and tried to make friends with my mother. She stopped calling once we moved from North Carolina to Arizona, but I still have one of the pictures she drew in a box in my closet. She could have been my mother, but there’s a reasonable chance she is dead now, or at the very least married to someone who never quite measured up to my father, but who nonetheless was a decent man. Betty could be writing this piece too. She would start with: I might have married Glenn…and I don’t know what she would have written next because I don’t know her. But I have her picture.

My father could have died with the polio in 1949 like he was supposed to. Like everyone did. Like the boy who was in the iron lung next to his who died in the night, my father talking to him in the dark, not realizing he had gone. The boy’s name was Charlie, and the two times my father spoke of him, he trailed off into ellipses.

Charlie could have lived like my father lived. He could have broken out of the iron lung and not imprinted my father with his death in the night. It is hard for a boy of eight to carry the death of a boy of seven in the dark. That’s a weight that lingers, like the bitter of chocolate.

My father could have died in 1976 after his heart attack like he was supposed to. Like the doctors said he would. Like maybe he would have, except one round of doctors had already told him in 1949 he should have died and he told them he was not going to die and so he had a script for what to do the next time he heard that.

I could have died in 2017 of colon cancer, but I didn’t. I knew how to tell the doctors no because my father told them no twice. Even when he died, he told them no. He pulled out his tubes in unconscious urgency. He clawed at his oxygen. It was his time for dying, and he was telling them no to the saving.

If my father hadn’t died in 1987, I would have gone to Oregon. I had a scholarship to William and Mary and I was desperate to get out of the desert and into the green. But I graduated from high school in 1986 and I knew I couldn’t go because my father was dying and so I didn’t go, but every time I visit the Northwest I see my shadow in the train and I see a possible life where I wouldn’t have met my husband, who is a born and bred Northern Arizona man, a man who becomes sad in the rain. Too much sun makes me sad, but not my husband, and somewhere between 1986 and now I realized that every choice I make may not give me everything I want. Every choice is many choices. I can visit the trees and the water and the damp, but I slept with many wrong people before I met my husband and I know what right feels like now, even if it’s in the desert.

If I hadn’t lived with the abuser in 1988 after my father died, I wouldn’t have had my heart smashed open to an empathy I didn’t know was possible. Or I might have died there. Other women do. I walked out of their graveyard.

If my father’s family had not been Southern Baptist we might have remained in the will and could be living in North Carolina by the Atlantic in the family home. We could have an altar of sand dollars on the dining table, gathered over years of morning walks at low tide. I might wear navy and forgo white after Labor Day and know how to can peaches. But probably not.

If I had stayed in Phoenix in 2003 instead of moving to Prescott—I had to get out of the haunting heat-sun—I wouldn’t have met my husband. I left Phoenix because a tree fell on my house and then I had a dream that echoed the dream I had when we first moved to Phoenix in 1981—I will die in this place if I don’t leave—and so I was gone in a month. This is the only time in my life I made a decision of that magnitude so quickly.

That’s not true. I told the oncologist I would not do chemotherapy and radiation even quicker. They pushed it like a desperate realtor hawking swampland in Florida but I said no. I come from a long line of people who told the doctors no. They were exasperated and fired me as a patient. This was OK because I am not patient.

If I hadn’t told my doctors no, I wouldn’t have met the psychic in Encinitas the year after my surgery who handed me a rose quartz and looked me straight like only the real psychics can do and said, “It must have been so hard for you to fight for your body’s intuition.” And I cried in the middle of the psychic fair, watching the Pacific breeze blowing her psychedelic psychic skirt around her legs. She was the first person to recognize that—the first person to let me recognize that—yes, yes, I had to fight to say no. I had to fight. The wrong choice was easier. The wrong choice was covered by insurance. My wrong choices—every single one of them—were the easier decisions. The ones that cost me my voice.

“I didn’t know how hard it would be,” I told her. Harder than cancer. Harder than surgery. The refusal to walk the pre-written cancer-journey-story filleted me. “If I did chemo, I would die,” I said. And she held my hands and let me cry and the ocean carried my salt away like she always does.

If my mother had stayed in Bay Ridge riding the R train, I wouldn’t be with her today, riding the R train, returning to Bay Ridge to eat pizza at Lucas, which is now the Brooklyn Firefly, because it was where they went for pizza when she was a girl, back when she wasn’t allowed in the special math and science high school because it was only for boys, back when my father was learning how to walk again and Betty was drawing his picture and I was waiting somewhere velvet-dark until I found the woman who was strong enough to bear all of me.

Laraine Herring holds an MFA in creative writing and an MA in counseling psychology. Her short stories, poems, and essays have appeared in national and local publications. Her fiction has won the Barbara Deming Award for Women and her nonfiction work has been nominated for a Pushcart Prize. Her work has appeared in K’in, Tiferet Journal, The Manifest-Station, Quiet Storm, Vice-Versa, and others. She currently directs the creative writing program at Yavapai College in Prescott, Arizona. She can be found online at www.laraineherring.com.

 

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Guest Posts, memories, Sexual Assault/Rape

Freshman Orientation

July 26, 2017
memory

CW: This essay discusses sexual assault. If you or someone you know has been assaulted, find help and the resources you need by calling the National Sexual Assault Hotline at 1-800-656-4673, or visit www.RAINN.org.

By Shannon Brazil

All those parenting cliches you hear, it goes by in the blink of an eye and its over before you know it. I hate to tell you, but they’re all true. Five minutes ago our firstborn stood between my husband and me holding our hands and we swung her into the air. One, two, three, wee. Now, the oldest of four, fourteen years old, she walked in front of us wearing my old Doc Martins. From the actual 90s. Her hair, long bleached blonde. Day-glo blue at the tips. The three of us pushed through the double doors of her high school and the sign that read, Freshman Orientation Night.

Inside the building there were glossy linoleum floors. Florescent lights overhead. And the bright, boundless energy of teen volunteers. We handed maps. Maps that were highlighted in pink to mark popular sites like the caf and the gym. My stomach pulled into tight twisted knots. Knots that made sense. The grief of babyhood to childhood to adulthood. All wrapped up in my daughter. Except not.

Except a hard something clogged the back of my throat somewhere near the cafeteria. I fished a cough drop out of the bottom of my bag. Told myself to get a grip. On the down-low I joked with my husband about how much I hated high school. My husband was an A student. Me, I barely made it through. Head in the clouds, my grade school teachers said. Doesnt apply herself, they said in high school. Late-bloomer, the guidance counselor had hoped. But she wasn’t making any promises. Lucky for my kids, I was a mom who defended the dreamy late bloomers of the world. I would help teach each one of them how to apply themselves in their own good time. Continue Reading…

Guest Posts, Inspiration, Travels

Degree of Latitude

February 5, 2017
map

By Josephine Ensign

This is a test of your mental state.1

  1. Where are you right now? (But first: Who are you? What’s the story of your true name?)
  2. What’s the date—day, month, year? (Where did you come from and where are you headed?)
  3. Repeat these three words after me: whale, map, stone. (Don’t question them; they’re important words.)
  4. Spell world backwards. (Now spell world spinning.)
  5. Repeat the phrase: ‘A rolling stone gathers no moss.’ What do you suppose it means? (Be careful of your answer. It can indicate instability.)
  6. Take these stones in your right hand. Roll them slowly in your hand like dice. Drop them on the floor. (Repeat. Gently, rhythmically. Imagine ocean waves lapping the shores of a pebbled beach.)
  7. Write a sentence. (Now write another sentence connected with the first. Repeat.)
  8. Tell me the names of the three items I gave you earlier. (Remember them? Whale, map, stone….)

 _________________________________________

Whale.

August 11, 1980. Time: 1720/ Position: 49.39 degrees N, 60.29 degrees W. Sea level. Banc Beauge, Gulf of Saint Lawrence, Canada.

Call me Josephine, although at the time I went by my childhood nickname: BJ. I’ve just turned nineteen and I’m at the helm of the Westward, a 125-foot topsail schooner oceanographic research vessel out of Woods Hole, Cape Cod, Massachusetts. We’re under full sail. I’m steering a course SE toward Lark Harbour, Bay of Islands, Newfoundland. I glance down at the glass globe crystal ball of the compass binnacle in front of me. We’ve been blown off-course by a Force Nine gale lasting two days and nights. Today it’s passed by to the north, leaving us in sight of the desolate flat-lined coast of Labrador. The heavy grey clouds undulate above us, breaking in places to lapis sky. The breeze is stiff and steady, whipping small white-frothed waves against our hull. Continue Reading…

Guest Posts, Abuse

Of Mice and Memory

June 6, 2016
abuse

By Avery M. Guess

Dealing with the consequences of abuse looks a lot like this:

You go into your kitchen one morning and pull the small frying pan out of the bottom cupboard—the one to the right of the stove, one of the two or three in this rented house’s kitchen you have to close just right if you want the latch to catch—because you are determined to eat better and save money and because you love egg sandwiches with cheese for breakfast.

You see what looks like a mouse turd. You wonder how it got there—how there could be a mouse in your kitchen that had previously only harbored black ants and four (maybe more, but definitely four) termites prior to your landlady spraying for them while you were out of town at a writing conference in Tennessee.

You step on the garbage lid opener and dump the offending turd, clean the pan, cook your egg. Sooner than later that day you are pretty sure it wasn’t the poop of a rogue rodent you saw, but your imagination playing tricks on you. You see something in everything. Patterns that aren’t there. This was nothing. Never mind the now half-remembered odd sounds coming from the same cupboard over the last couple of weeks. Sounds you also dismissed because they came like memories—only every so often and gone before you could recognize them as something real, something tangible. Continue Reading…

Binders, Guest Posts

Indelible

September 3, 2015

By Claire Handscombe

On the road we sang Jean-Jacques Goldman. We sang about love. We sang about dark grey and light grey. We sang about the lure of communism and anarchy and the dream of flying away from responsibilities. We sang about Jewish children in the war. We sang about a woman who leaves breadcrumbs on her balcony for the pigeons, who lives her life vicariously, though we had no idea what vicariously meant. We sang, improbably, about women having babies without men. We sang about the indelible footprints that people leave on our lives when they go.

We sang though we should have been sleeping. At four a.m. we had been up, the countdown over at last, school out for two glorious months, all the maths and the Latin and the Dutch lessons done until September, which was an eternity away, so far away that there was no point thinking about it, because it did not exist. At four thirty we had picked up our heavy duffle bags, tried again to squeeze our sleeping bags into their covers, failed, and told ourselves it didn’t matter, that we would just fold them up and sit on them all the way down to the South of France. And at five there we had been, in a pre-ordained car park on the outskirts of an ugly Belgian industrial city which we loved because it had come to symbolise tea towel fights and midnight snacks, whispered secrets and campfires.

On the road it was dark and cold. On the road it was warmer and lighter and then almost unbearably hot as we drove south through France into the heat of the day. On the road it was mostly monotonous motorways until it was windy and nauseating, but we didn’t care about any of that because we had landed a space in the Mahieu family van, and that was the only place in the world we wanted to be. Singing to the same 80s pop cassette. Sharing out sweets and biscuits. Unwrapping sandwiches that had been lovingly wrapped in tin foil by our mothers. Poking small cartons of orange juice with straws and spilling the sticky drink onto our laps. Laughing with Marianne, who sat in the front rubbing her belly, pregnant for the fifth time, dispensing instructions on driving and life to her long-suffering husband.

The first night we slept in beds in the stone house. It was late and we had earned it with all that sitting, and no one had the energy to pitch tents. We wriggled into our sleeping bags and whispered about who would be in which team for the week’s competitions. We thought about the boys we had crushes on. We wondered who would be new this year and hoped they would fit in and not mess with the well-established order of long-held friendships. And in the morning, we waited.

We waited for the others to arrive, cars and vans full of Belgian adolescents. We waited, feeling as though we were the owners of this paradise, preparing to welcome guests to our home. We waited, slightly smug that we knew already who was going to be on washing up duty tomorrow.

We put on suncream. We put on shorts. We put on t-shirts, and the boys took theirs off again by lunchtime. We put on the blue and red scarves that said we belonged together. We put up the big blue tent and chose our sleeping spots, rolling out our sleeping bags over our airbeds and saving a space for Hélène next to us. And we waited.

The vans arrived and tired families tumbled out, families whose parents were leading the camp and had all of their children in tow, from the eldest who was one of us to the baby in a carseat. The cars arrived and holdalls and rucksacks were lugged to the tent. The cars arrived and we kissed  everybody’s cheeks three times, Belgian-style, introduced new people, and the sounds of anticipation and welcome echoed throughout the grounds, from the stone house to the back of the field where the next day we would play handball and chase each other with water pistols.

In the girls’ tent, all was order. In the girls’ tent, we put our bags at the foot of our airbeds and took out our torches and maybe our Bibles for the morning. In the girls’ tent, we lay facing each other in two rows of eight. In the girls’ tent we inwardly cheered that we had made it this time, that at last we were in the inner sanctum, right by the people we most wanted to be close to, the people everyone wanted to be close to, not like the last year’s camp when we had been put in a room with all the other misfits and new girls. This time we were next to Hélène and across from Anne-Laure and this was the way life should be. In the girls’ tent, we giggled until we saw the flashlight against the canvas in the darkness, and knew that it was time to be quiet because we did not want to be told off on the very first morning. We did not want to be told off ever, because we were good girls who wanted everyone to like us.

In the mornings, we listened to the crickets from our airbeds, our airbeds which made us all smell faintly of rubber. In the mornings, we ate bread and chocolate spread for breakfast. In the mornings, we lined up, waiting for our turn to have our hair French plaited. In the mornings, we sat in the chapel and sang again, not Jean-Jacques Goldman this time but our favourite church songs about days of joy and days of victory and about God being love and listening to us when we called. In the mornings, we sat under the shade of the tree across form the tent and talked. We played volleyball. We were called in for potato peeling duty. We were told to chop vegetables and were too scared to say that we never did it at home and didn’t know which way to cut an onion.

We sang in the mornings. We sang in the afternoons. We sang in the evenings, in the chapel again, but different songs this time. We sang about the story of a sock with holes weeping on the edge of a bin. We sang about spending the night walking around the Champs-Elysées. We sang campfire songs that made no sense but whose sole purpose was to get louder and louder until we almost lost our voices.

We didn’t have mobile phones. There was no phone at all, or maybe one, but long-distance calls were expensive and unnecessary unless someone was dying, which of course no one was, because we were young and invincible. There was no post, even, because our parents would have had to write to us two weeks before we left so that we got the letters on time. There was no Facebook. There was no Twitter. Some of us had cameras but not a lot of pocket money for films or to have our films developed, and so we took twenty, maybe thirty, photos in total over ten days and we hoped for the best and later we were excited when the photo of our favourite family came put well enough to be blown up and framed and hung on a bedroom wall in memory of the perfect summer. We lived in the moment and years later we marvelled that our memory had taken its own photographs. This, too, Jean-Jacques Goldman had sung about, so we should have known. Continue Reading…

Abuse, Guest Posts

Forever Me and You, In My Memory, Not Yours

June 16, 2015
Book Girl Power: You Are Enough now! Space is limited. Sep 19 Princeton! Sep 20th NYC. The book is also forthcoming from Jen Pastiloff.

Book Girl Power: You Are Enough now! Space is limited. Sep 19 Princeton! Sep 20th NYC. The book is also forthcoming from Jen Pastiloff.

Sensitive material in this essay: Mention of rape/sexual assault.

By Stephanie Santore

I can’t be in public places because of you. I can’t tolerate large crowds. I can’t tolerate loud noises. This is after almost ten years. You still linger with me. I carry you with me wherever I go. I can’t tolerate strange people asking for a beer and the simple transaction between two humans that requires getting you, that stranger, the beer you need. I’m afraid of the dark. I’m afraid of strange noises, I’m afraid that the headlights behind me having a person behind the wheel that wants to follow me home, knowing I am alone. They all know I am vulnerable. You know I am vulnerable. I carry weapons of various degrees. I never use them. They make me feel safer, just in case. But it doesn’t stop the mistrust. It doesn’t stop the fear. It’s in case you come back for me, in another form, another shape. Or even if you ever decide to come back for me just as you are. Knowing I did nothing. Knowing I am afraid. The girl you knew I was, hence why you chose me in the first place. FUCK YOU. Because you were right.

I never used to be this way until I met you. Yet it’s funny to say that, because I barely know you. I know that I am only a passing moment of supposed pleasure that happened in your life. But to me, you’ve been the bane of my existence. Everything I am. Everything I feel. Everything I do or everything I feel, or everything I have not been able to do or feel, has been because of you.

I like to feel that I am in control my life. But I’m not.  I act like I am. People think I am. Sometimes, I think I am. Sometimes, I really am. But they don’t know you. They don’t know the stranger that took over my life. They don’t know what you’ve done. In the darkness. Hidden within my secrets. In the years of anything other than the truth. I don’t want to admit that you’ve won, because you haven’t. I have faced many battles and still, I have won. You were there for every single one, in the back of my mind. The many silent “fuck you’s” my conscience has voiced, to no one other than me, no one other than you, hoping you get them, somehow, some way, wherever you are.

In a fucked up way, I have you to thank for some of my accomplishments. I have done them out of overcoming you, I have done them to spite you, I have done them to prove to you that I can. I have battled you and won. I have succeeded for many things beyond you. But still, you are always here. You are always with me. Deep down, you are there. You never go away. I suppose you have long forgotten me. But I will never forget you. I think that’s how it’s supposed to go. How you always imagined it to be. You move on. But I get to live with your ghost until I breathe my last breath of this life that is supposedly mine.

Continue Reading…

Binders, Family, Guest Posts

Forget Memory

March 30, 2015

beauty-hunting-jen-logo-black1-300x88By Marcelle Soviero.

The door buzzer goes off on my way in, I’ve forgotten again to key in the passcode, but the patients are not rattled, only the nurses notice the piercing sound as loud and long as a siren.

The unit is locked so patients don’t get out, don’t get lost. My mother has a bracelet around her ankle now, prisoner style, just in case. She wanders, my mother. Wandering is what got us here. The time just nine months ago when she left her condo unit to check the mail and instead walked to the post office, lost. That was the day we knew. We just knew.

Dirty carpets line the hallway, chipped radiators hiss with heat, but it is always cold here. And every one is old, so much older than Mom who is turning 74 next month. She’d been diagnosed with early onset dementia on her birthday two years ago.

The woman I know as Gladys, wears her usual knit hat and scarf with her striped pajamas; she startles me as I walk down the hallway. “My baby!” she says, “My baby!” speaking to the doll cradled in her arms.

“Looking for Mary Blue Eyes?” Nurse Kelly says, “She’s in her room.” This is what all the aides and nurses call my mother. When I peek in Mom is in her bed, sleeping. She is always in bed now, her long days distilled to a haiku.

Her usually chestnut hair is flat and dyed too black, I reach out for her hand that is thin as crepe paper, and her eyes open.

“Marci,” she says, and I tear up, because she remembers me on this particular morning.

“I brought you raspberry yogurt,” I say in a sing-song voice, ever upbeat when I am with her. I sit on her twin bed, I always sit on the bed, never on the upholstered chair next to her. I want to look into her eyes and see what memories are there today, maybe a short sentence, or a lyric from her life, or nothing. Continue Reading…