Browsing Tag

childhood trauma

Guest Posts, Home, memories

Memory and Loss Where a House Once Stood

July 20, 2021
house

By Gina Coplon-Newfield

My mother texted me a photo of an unfamiliar house. When I recognized the slope of the hill, I gasped with realization. My modest childhood home was gone, replaced by a McMansion.

I haven’t lived in that house for 27 years. I wish I could better trust the reliability of my memories from inside it, but I know which memories are from before and after grief moved in.

I can picture my father at our dining room table pouring over maps, trying to determine the perfect driving routes for our national park vacations. There too, he paid the bills and created my soccer team line-up. He grew up in rural Georgia in the 1950s where soccer was an unfamiliar sport, so coaching girls’ soccer in suburban Boston in the 1980s was something he studied like a new language.

I recall one dinner when my sister and I, at ages two and five, were laughing at the silly names we were brainstorming for our new puppy. My mother exclaimed with her pointer finger skyward, “That’s it, Feathers! Golden retrievers have hair like feathers.” But it’s possible I remember it that way because my mom often makes exuberant exclamations, or I’ve seen a photo of us in the kitchen that morphed into that memory.

I can summon a scene –like a movie- of Feathers sneaking into the living room, taking my dad’s wallet from the table, chewing it to bits, and looking sheepishly at my dad when he entered the room. My dad started yelling at her, but then he stopped, having realized she was just a puppy, and took her for a walk. Or at least, years later, that’s the way I told my children that story over and over when they were little. They loved hearing it. Had it really happened that way?

Memory is a curious thing.

I can picture myself at 14, struggling through a math assignment at the kitchen table. My dad urged me to approach it one section at a time rather than get overwhelmed by the entirety. I interpreted this as not just a logistical way to think, but also a calming way to feel about what I needed to accomplish. One step at a time, I tell myself regularly even now in my 40s when I’m facing a difficult work project or just staring down a mountain of dirty dishes. My dad was a psychiatrist. He likely often repeated this kind of guidance, but for some reason, I only remember him sharing it this one time.

My dad died of a sudden heart attack at age 47. My sister, age 12, and I at 15 were at sleep-away camp. Our mom shared the grim news with us in the camp owner’s living room. We screamed in horror.

When we returned home, the house felt completely different. On my dad’s bedside table, I saw Night, Elie Wiesel’s Holocaust memoir. I wondered if he had read it on my recommendation and what he thought of it. I realized I’d never get to discuss the book -or anything- with him again.

I can picture my paternal grandmother lumbering up our steps that day. I thought this is what a broken person looks like.

After the funeral, I was sitting in my bedroom with an older cousin on my dad’s side who said, “Your dad was the glue that held our family together.” I remember thinking this was the new kind of grown-up conversation I’d need to get used to having.

That week when family and friends poured into our house with food, and our rabbi led nightly services in our living room, I learned that the Hebrew mourner’s kaddish prayer actually doesn’t mention death. Rather, it describes our belief in an awesome God that makes life possible. Learning this made me feel like life was more powerful than death. Reciting the prayer felt like a small act of resistance, like I wasn’t going to let death win.

In the years that followed, the absence of my father felt like a presence just as formidable as a living person. There my dad was not at our dinner table making corny jokes. There he was not sharing the gratification of me making the varsity soccer team after his years of coaching. There he was not sitting with my mom at the edge of my bed looking at college brochures. There he was at bedtime not saying “love ya” in his southern twang. This absence of him made our house feel heavy.

The walls of my childhood home did go on to contain some joyful memories during this after period. Close friends often slept over, and we talked into the night. On my 18th birthday, my mom made me a cake topped with icing in the shape of a ballot box. At 19, I brought home my college boyfriend –now husband of 21 years. My mom likes to recount how I was trying to leave, but he said, “No, let’s have a cup of tea with your mom.” Kiss-ass.

There are countless experiences that occurred inside that house –wonderful, terrible, and mundane– that I will never remember.

In my twenties, my mom sold the house and moved to Boston with Bob, the kind man who would become her new husband.

In my thirties, I became a mom. We named our first daughter Farah, choosing the “F” in honor of my dad Fredric. When Farah’s younger sister Dori was a toddler, I was once telling her a light-hearted story about my father –perhaps the one about Feathers eating his wallet– and Dori burst out crying. She sobbed it wasn’t fair that I got to know my dad, but she never did. I was amazed that my daughter felt so strongly the loss of a relationship she never had.

When I turned 40, my high school friend Abbie flew in from Michigan to surprise me. We drove the twenty-five minutes from Cambridge, where I live now, to Lexington where we knocked on the door of my childhood home. Farah, then nine, came along. No one answered the door when we knocked, but I felt comfort knowing the house was there, the vessel of my fortunate childhood and the painful intensity of my late adolescence.

Perhaps this is why I was so affected by the photo my mom texted me after she learned from friends of our demolished house. My memories felt more vulnerable because the house was gone.

Soon before Covid-19 prevented in-person gatherings, Dori stood next to me at a friend’s Bat Mitzvah. At the end of the service, we recited kaddish in honor of those who had passed. Dori looked up at me and said, “don’t die.” “OK,” I said, tearing up because we both knew this was an impossible agreement.

With some disbelief, I realize that my daughters are now the same ages my sister and I were when our home became a house of mourning.

My husband and I, too, are about the same age my parents were when my dad died and my mom became a widow. I am nearly the age my mom was when she successfully, quickly fought off uterine cancer, avoiding the early death my dad could not escape at so-called middle age.

I worry my kids might experience loss like I did, aware that life can be taken or not taken at any time –by the likes of a heart attack, cancer, or a pandemic. All we can do, of course, is treat life as a gift, though sometimes that’s hard to keep top of mind.

I wonder which memories of joy and pain my children will keep from our house as they get older. I am realizing each memory is not a solid thing, but rather something re-shaped, lost, or cherished over time.

house

Gina Coplon-Newfield is an environmental and social justice advocate. She has published a case study about environmental advocacy with Harvard Law School, written many recent blog articles about clean transportation issues, and is quoted regularly in the media in such outlets as the New York Times, Bloomberg News, and Politico. This is her first venture into writing a personal narrative for a public audience (since a few overly serious poems in college). She lives in Cambridge, Massachusetts with her husband and two daughters. She can be found on Twitter @GinaDrivingEV.

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Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Guest Posts, Trauma

I Remember My Dad As Brutal, But It Was Far Worse

August 14, 2020
father

CW: This essay discusses sexual abuse and/or assault.

By Caroline Leavitt

There it is, the photo I have saved to remind myself of the feelings I had tamped down. I’m at my Aunt Gertrude’s sedar table, standing for the obligatory family shot. I’m ten years old, in a starchy blue sailor dress my mother made me wear and though I am smiling, I am terrified, desperate to get away. I can’t, though, because my father is holding my elbow in a vise grip even as I lean away toward my older sister on the other side of me. She’s smiling, not coming to my rescue. My mom, who I love, is outside the frame, her face turned away.

Here are the facts: My dad is a bully who often uses a strap and literally screams so loudly that it sounds like his voice is tearing from his throat. When he talks, he belittles. He never says I love you, never hugs or kisses anyone, and the one time he takes me to a movie, he leaves me alone in the cavernously empty theater to watch the film by myself while he stays at the refreshment stand wolfing down candy. My mom endures him because she doesn’t know what else to do, my sister inexplicably loves him, and his rageful behavior is never spoken about in my house. No, that’s quarantined, a room full of secrets roped off by silence.

Family, I’m told, is everything.

Instead, I learn to bury my feelings, and in many ways, myself. I make myself small—as small as the last line on a vision chart. The one nobody can see.

I grow quieter and quieter because any sort of speaking up can get me hit. I’m not allowed to close the door to my room (and if I do, it will be yanked open and I will be yelled at or struck), but I learn to simulate privacy by getting lost in the world of books, and then writing. I do this for hours and hours because who can yell at me when I am so silent, so invisible? And in books, my writing, I’m lost in a whole other world which seemed much safer than the real one.

I grow up around my father’s rules. Don’t dress like a hippie and embarrass him. Don’t dare get up earlier than he does because I’d wake him with my noise and be punished. And, of course, the rules include what to think. I soon know that my thoughts are not respected, that any opinions have to match his. The government’s always right. Any war going on that the United States was raging is the right one. Women are lesser than men. We are to respect his mother and agree with whatever she does when we visit her every week, and if we don’t say good morning in the right way, he will give us the silent treatment for week, making us beg over and over, “What did I do?” until he would deign to tell us.

But if my thoughts are not my own, then either is my body. We are little girls, my sister and I, but my father never tells us we were darling or smart or beloved. Instead, my father keeps piles of Playboys around the house, the glossy centerfolds of women who look nothing like us, nothing like our mom or any woman we have ever seen, out in plain view and my sister and I stare at them amazed and uncomfortable. One day, my father catches me looking and snatches the magazine away. I go to sit on the couch, and turn on TV, and then my father strides over to me and takes my little hand and shoves it into his wet mouth. Horrified, I jerk my hand free and run to the bathroom, washing my hands over and over, and when I come back, he motions me to him, and he does it again, only this time he’s laughing.

And that’s when I begin to have nightmares. I sleep with the covers bunched over my head and only my nose poking out, terrified. Sometimes I call for my mother and ask her to lay beside me until I fall asleep and then gradually I can and it becomes a habit.

But my father doesn’t like that.

One night, my mother cautiously tells me, “Your father wants you to sleep beside him tonight.”

I look at her panicked. “I don’t want to,” I say. “Why do I have to?”

My mother sighes.  “Please do it. His feelings are hurt. He asked me to ask you.”

“Can I say no?”

I am five. I have no power. That night, I curl into my father’s twin bed, separated from my mom’s bed by a night table, my whole body turns away from my father, facing my mother, whose eyes are closed. All of us have pajamas on, and I’m careful not to let any part of him touch me. I move to the edge of the bed, reaching across to try and touch my mom. I whisper, “Mom,” but she doesn’t hear me. Her eyes stay shut. Mom. Mom. Mommy. In the morning, I wake as my father is getting out of bed, but he doesn’t have pajamas on now, and he is naked and hairy, and I stare at his penis, his balls, the first I have ever seen. He sees my eyes locked on his genitals and he shouts, “What the hell are you doing? Aren’t you ashamed of yourself? What’s the matter with you?” My mother, rising, says nothing except his name, trying to calm him down. All that day I live in terror that he will ask for me to do this again, but he stays silent, and my mom and I never talk about any of it. But it roils inside of me.

Three weeks later, my mother is called in by the kindergarten teacher because we have been asked to draw paper dolls of our family and I have drawn mine all naked. My father’s penis is so large, it dwarfs him, reaching down to his ankles. His balls are like balloons. The teacher’s concerned but my mother shrugs it off. “She’s precocious and imaginative,” she tells my teacher.

When my mother comes home, she holds me and tells me about the meeting. “Maybe keep things in the family in the family,” she says gently. My sister, listening, looks appalled. “You’re disgusting,” my sister tells me. “You lie and lie and lie. You made Mom feel bad,” she says, and I feel a flash of guilt. I never think to ask my sister, does he ever make her sleep in the bed with him, too?

We grow, and I turn ten and then my sister tells me the facts of life. “It’s revolting,” she says. “No one wants to do it, except for guys.” She bangs two rocks together to show me, a violent coupling that scares me. I grow afraid when I think I’d have to do this with boys. “You just do it,” my sister says, and then she asks me if I want to touch tongues with her, if I want us to touch each other’s butts. I recoil. “Why would I want to do that?” I ask and she laughs at me. But it makes me wonder. Did something happen with my sister and my dad? Or did she escape it all? And if she had, how? What does she know that I did not?

And then I turn sixteen, and then seventeen, and while my sister, the good girl, never rebels, I begin to tentatively speak out and this time, for the first time, my mom yells at me. “Don’t be so independent!” she shouts. She doesn’t like my fresh mouth, my wildly curly hair, the way I dress in skirts so short I’m always being sent home. My dad yells in chorus with her. My sister begins to date and I listen to my mom talking to her about “playing her cards right,” getting married as soon as she can, but not letting any boy get fast with her. “Men need sex. Women don’t,” my mother says, and I listen, bewildered. Was that true?

My sister, newly gorgeous, suddenly has all this male attention, boyfriends who came to the door with flowers and smiles, Is it any wonder I look for my own male attention? That I fall in love so hard and fast with any boy who pays me attention in a kind of madness? I’m skinny and unpopular, and when a known “bad boy” boy in school asks me out, my mother tells me I can go, but we never tell my dad.

That date is magic. The boy likes me. He really likes me. He holds my hands and talks quietly and by the time we arrive back to my house and I have my first tender kiss in our doorway, I am insane with love.  But just as we are about to kiss again, my father barges out in his boxers, his fly wide open, screaming at me that I’m late, and who told me I could date? My father sends him home and then shoves me. He tells me I’m never to see that boy again, and if I do, he will keep me prisoner in the house.

Go ahead and try it, I think, feeling a flush of power. And that whole summer, I lie to my parents about having a job as a camp counselor, about going on overnights, so I can sleep with my boyfriend at an abandoned ski slope by his house, because by then I know for sure that it isn’t just boys who need sex. We are together off and on for a year, and my family never knows it.

I keep dating. My father has no idea about all the boys I sleep with. I keep score in a notebook, as if the amount proves my worth. 70 guys. Then 100. Then more. Every one I sleep with feels like I am ripping away the seam that still connects me to my family.

I go to college halfway across the country to Ann Arbor, as far away as I can get. Every week I speak to my mom on the phone, and when my father gets on, all he says is that I should work hard. “Don’t think I won’t cut you off if you don’t,” my father threatens. He shouts so loudly I have to hold the phone away from my ear. Good, I think. Cut me off. Good.

Why don’t  I ever confront anyone? Because I’m told my memories are wrong, that I must have exaggerated, “the way I always do.” I’m told this  so often, that I begin to believe it. And so I replace those memories with something else: My father loves me. In his own way. I visit home once a year, for two days at the most, and nothing important is ever said. I sleep in my old childhood room, the door locked, the covers around my head.

I am 25 when my father dies. He’s 57 years old, obese, with skyrocketing blood pressure and high cholesterol, a man whose only exercise is walking from the car to our house. I feel nothing about his death. I come back home and my sister is sobbing, my mother wailing, “I want him back.” She is so upset, I didn’t have the heart to ask her why. Later my sister tells me that she thinks she sees him watching over her, his profile in a nearby tree. “He protects me.”

“How?” I ask. She shows me the tree and I stare at it blankly.

“What was so great about him?” I ask.

“Lots,” she says. She tells me when she was in high school and she went to a party, some of the kids were dropping acid, snorting coke, and afraid, she called him to come and get her. “You did the right thing,” he told her. He would always take care of her, she says. “Shame on you for saying those bad things about our wonderful father,” she said.

My father leaves my mother nothing, no insurance money, no savings, but she has the house, and a teaching job, and friends, and without him, she blooms. But for me and my sister, he leaves a legacy. How are either of us to know what a good male partner looks like when our dad was our only model?

Doesn’t it make sense that my sister marries young, a man like our father, someone silent with a temper, a sexist who likes to cup his hands in the air like he was weighing boobs when a buxom woman walks by. I cry at her wedding, begging her to change her mind. “Don’t be silly,” she says. She has kids, one after another, the way our mother had, focusing on them for happiness. When I ask my sister why she stands for his behavior, she says, “because I have to.” When I ask her why she doesn’t shout back at him, she says, “because he can scream louder.”

I’m afraid of marrying a man like my father, like my sister’s husband, so I go for the opposite, the fast talkers who never shut up, who fill the silence so I never have to feel uncomfortable in its danger. It takes me time to realize they keep talking only about themselves, what they want, who they want me to be.  But with all those motor mouths, no one really notices how quiet I am. How quarantined.

And then, in my 40s, I meet Jeff, a smart, funny journalist who’s kind and sometimes quiet and I can’t believe he might really love me, so I test him, yelling sometimes, and instead of leaving, he comes closer, wanting to solve issues, to make things right. He actually sees me—all of me. He wants me to be happy. And that makes me want to revise my childhood, to try to think about it in a happier way, too.

I try to talk to my mother about my upbringing, my voice quiet, composed, even sympathetic to what she must have gone through. “I don’t want to talk about this because I have nothing to feel guilty about,” she says, and then her whole face changes, and she looks a thousand years old, and because I love her, I can’t hurt her, so I stop talking.

I never find out the things I’m so desperate to know, not then, and by the time I’m ready to try to ask again, my mom has dementia, and then she dies. I try to talk with my sister, but she now feels angry with me. She says I’ve stolen her life, grabbing the happy marriage, the writing career, that she was meant to have. The more I try to help her, to talk, the worse I make things. Her rage grows until she estranges herself from me. I haven’t seen her or spoken to her in two years.

So who can I find answers from? How can I put this to rest? I ask my friends, my cousins what they remember about that time, they said only that my father was oddly quiet, that they just felt he had a blah personality. When I tell them what I remember, they see my father through the lens of my reality. “Oh my God, I never knew,” they tell me. “I never imagined. If I had known, I would have done something”.

One day, just before the pandemic begins, I’m sitting with my friend Leora, and she’s asking me about my past, and I start to talk, and as I do, I see her face changing. I talk and talk and when I’m done, she is so still that I worry. “I’m not making this up,” I insist, and she shakes her head and reaches over and takes my hand. She says quietly, “Caroline, you were abused. You have to look at this trauma.” It’s the first time anyone’s ever used that word: abused.

 CLICK.

There it was, the lens of clarity as my friend reflects this truth back to me. And now it’s my turn to look. How could I not have known from the start who my father really was?

And so I go to talk to strangers, therapists who might help me decode what had happened.  When I tell my first therapist that I feel nothing about my father, that my memories are all jumbled up, he insists I am not telling the truth. “You have to feel something,” he says. Then he asks me to consider my father as a man who had had dreams and yearnings, that I consider his feelings, what he might have been going through. And that’s when I get up and leave the room, wired with rage.

And then I find a therapist I love, a woman who tells me that the brain neurons fire and rewire when we’re young, that a lot of what I’m feeling is leftover responses and if I talk about them enough, the firing will get weaker—I will be able to safely bury the past. “And,” she says. “You need to write about it. Writing about it will help you remember what was really going on underneath it all. The brain won’t know the difference.”

And so I do. Here. Now. The old feelings come back in a rage blizzard. I write about my love for a mother who took me to the movies, and was funny and bought me books, but who couldn’t stand up to her husband to protect her daughter. I write about hurt for a sister who seems to follow my mother’s past path unseeing, one choice after another. And I write out my outrage for a little girl who never got to be the adored daughter, who went through terrible things that she knew were terrible but she never once thought: this is wrong. You need to stop.

 And then I hear it again. CLICK. Like when you’re at the optometrist and you’re doing the vision test and you put your chin in the cup and stare at the chart, eyes wide, unblinking, and the doctor clicks different lenses in front of you as the random configuration of numbers and letters grow clearer and blurrier with each one. You see the first row, the second, the third—things seem clear. Then they don’t. CLICK. But the chart itself has not moved. Neither have you. And as you age, your vision changes, your clarity about your life changes, too. But the facts never change. The truth. You just may need different lenses to see it.

Now, I want to go back in time, first to my father to stand up to him and ask him why he did what he did, how dare he not treasure his little girl, how dare he not love her or want to know her? Why did he yell and abuse? Your loss, I want to tell him. You were wrong about everything, I want to say, especially me. Look at me, I want to tell him. I broke the pattern. I have a loving husband, a wonderful beauty of a son. No one yells. No one rages. No one hits or abuses emotionally or physically.

But you did. And it is your loss.

Then I want to go back to that other me, that quiet little girl in the starchy sailor dress and tell her, it’s going to be okay, honey. Because you are absolutely and completely okay. Right now. And later, too. You will be able to leave all of this behind. You will be able to be loved by someone who deserves you, whom you deserve—and you deserve happiness. You will have wonderful friends and work you love. You will continue to talk and talk and talk and write about all of this, telling the story of your family, the truth, until all that pain loses its power and all of your quarantine will be over.

You will remember. You will see.

Caroline Leavitt is the New York times Bestselling author of Pictures of You, Is This Tomorrow, Cruel Beautiful World and 9 other novels. Her new novel With or Without You was published August 4 by Algonquin Books.

 

 

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Trauma, Guest Posts, World Events

Fallout

February 12, 2018
trauma

By Carin Enovijas

It’s been almost a month since the State of Hawaii’s Emergency Management Agency grossly mismanaged a routine drill and sent out a text message to millions of my neighbors informing us that we were about to die by nuclear annihilation. It took another 38 minutes to issue a “just kidding” response to the FUBAR fiasco, during which many folks waited to either be instantly immolated or survive long enough to fight to the death in the apocalyptic aftermath.

I won’t bother rehashing all the incredulous details because unless you’ve been cut off from the world, possibly holed up in a bomb shelter, you’ve likely heard all about the incompetence that led to the now historic Panic in Paradise.

In the aftermath of the incident I gave myself permission to take the rest of the day off. My family seems to be a bit more prepared than a lot of folks. We had worked together calmly and quickly to gather our supplies and prepared to shelter in place for at least 14 days. Our successful teamwork helped to offset some of the immediate emotional fallout. Although I’m still not sure why I decided to put away all the fresh fruit into the freezer. After some discussion and making of notes on how to round out the details of our emergency plan, my family went about their business as usual. Like so many of our neighbors and friends, we have shared our “I love yous” with much more frequency and sincerity throughout the past week. Continue Reading…

Guest Posts, The Body

Wild Thing

December 15, 2017
bear

By Gerri Ravyn Stanfield

I had to kneel and stand, kneel and stand and plant my sore butt on an unforgiving wooden bench. I turned the thin white hymnal pages, to reveal the Christmas music I couldn’t read. My belly felt hollow and electric when they sang to the blue and gold stained glass, the vaulted ceiling. Jesus was my crush. I liked to move the characters around in the small nativity scene in our living room. I hooked up Mary and the tallest wise man, introduced the shepherds to the angels. I prayed that Mary would stop my mom from yelling and my father from taking off his belt. That morning, my brother stole the chapter book I was reading and wouldn’t give it back. I grabbed his worn out teddy bear and positioned my left hand like a claw over the bear’s head to rip it off. It was a hostage situation and we negotiated it like the villains we were. We never voluntarily involved our parents but my father burst in and unbuckled his belt. My child body shrieked flee, fly, run, swim. You can’t win a fight. You have teeth and claws and red fur but you are outmatched. You have to be smarter than they are, you have to find the exits or contort yourself into the most bendable postures to escape. He made me drop my underpants and expose my pale butt. Through some secret formula, he knew how many times to hit us per offense, but I never saw a law book. Now, we all sang in church for the birthday of my buddy, Jesus. I shifted in my seat from one cheek to the other every few minutes and prayed for it to be done. Continue Reading…

Converse-Station, Guest Posts, Interview, writing

The Converse-Station: Elissa Wald Interviews Author Rene Denfeld.

December 9, 2014

beauty-hunting-jen-logo-black

Welcome to The Converse-Station: A dialogue between writers. With the site getting so much traffic (my Facebook page is reaching over 18 million people) I can think of no better way to utilize that traffic than to introduce the readers to writers I love. The dialogues created within this series have stayed with me long after I’ve read them on the page. Enjoy. xo Jen Pastiloff

The Convere-Station: Elissa Wald Interviews Author Rene Denfeld.

He talks about the confused mess inside of him. He says everyone thinks sociopaths are super-smart criminals, but he is just a messed-up guy who doesn’t know why he does what he does. Except there is like a switch in him, and when the switch flips on, he cannot stop.

“If it made sense, I would tell you,” he says. “When you kill people, it is supposed to make sense. But it doesn’t. It never does.”

The lady nods. She understands.

With each secret he tells her, her eyes get darker and more satisfied. York can see from the precious slot of window that the rain clouds have lifted and the sky itself is dark. He has been speaking forever; he has told her secrets he has been afraid to tell anyone, secrets he suspects she knew all the time.

The look in her eyes is of a person who drank from the end of a gun barrel and found it delicious. Her eyes are filled with a strange sort of wondrous sadness, as if marveling at all the beauty and pain in the world. Continue Reading…