fathers Archives

I Say Goodbye and You Say Hello

June 19, 2022

“When it comes time for you to leave, try to just slip away without him noticing. Do not make a big deal out of saying goodbye which could confuse him, especially in the beginning.”

That was the advice the nurse manager gave to my family when we moved my dad into a memory unit once his Alzheimer’s became too much for my mom to manage at home. The thought of leaving without saying goodbye made my heart break, but I wanted to do the right thing for my dad so I would visit and then wordlessly walk away, wondering how soon or if he ever noticed I was no longer holding his hand and walking the hallways alongside him. Soon I missed the bear hugs that were always a part of our farewell ritual, so I would begin our visits with them instead. “Dad, I’m going to leave in a little while,” I would say, hugging him when I first arrived. “This is me saying goodbye now in case I don’t have the chance to later.”

One time, about six months into my dad’s stay, I tried to slip away, but he kept following me. I could not make myself leave while he was standing there watching me. A member of staff noticed and tried to redirect my dad, but my dad, who by now rarely spoke out loud, stood his ground and said to her, “leave me alone, I just want to say goodbye to my daughter”. That was all the permission I needed to rush into his arms for that familiar hug, look into his eyes and say “goodbye for now, dad,” which I did at the end of every visit after that.

I said my final goodbye to him as he was taking his last breaths, grateful to be able to be with him in spite of the pandemic. Or at least I thought I said my final goodbye. Minutes after my dad passed away I had to call the funeral director. Saying out loud, for the first time that my dad died felt like I was saying goodbye all over again.

The conversation with the funeral director was just the beginning. The next morning I had to call the rabbi and the cemetery to make burial arrangements. There were uncles, aunts and cousins to be notified. Each call, each time I had to repeat the words ‘my dad died’, was like re-opening a goodbye wound that was barely beginning to heal. I began to wonder if it ever would.

Once I came home from the funeral I had to tie up my dad’s affairs, calling his bank, insurance, credit card and several other companies to tell them my dad died. Over and over again I found myself saying goodbye to my father for what I thought was the last time and each time was as painful as those early days in the assisted-living memory unit and the day he died.

For the first few weeks after my dad passed, I experienced pop-up grief that would come as I was driving to the grocery store or gassing up my car or making dinner. A flash memory of my dad – teaching me to check the oil in my first car or standing by the stove chopping onions for his famous home fries – would hit me and instantly tears would flow. And with each time, I felt another painful goodbye. Desperate for help, I finally asked my dad to send me a sign to let me know that he was okay and that I would be okay, and maybe my pop-up grief and ‘goodbye’ pain would stop.

In early January a friend sent me a calendar she made to celebrate the new year. As soon as it arrived I looked through and noticed she added a little saying to one day of each month. On January 1^st she put ‘Happier New Year’. On February 23^rd, ‘It’s a glorious day’. I skipped to June to see the message for my birth month, and saw ‘Someone is missing you’ on the 17^th, which happens to be my dad’s birthday. And there he was, popping up to say…hello.

Devra Lee Fishman is a writer and long-time hospice and hospital volunteer, in awe of and fascinated by death, life and all the experiences in between. Her essays have been published in The Saturday Evening Post, The Manifest-Station and Laura Munson’s summer guest blog series. She lives in Falls Church, Virginia.

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Guest Posts, memories, storytelling

The Ever-Expanding Story

April 24, 2022

I don’t discover the broken tree limbs until weeks after the ice storm. By then, my family has weathered not only the most snow and ice Louisville, Kentucky has seen since the 90s – we’ve also gotten through Achilles surgery, a child’s fractured pinky finger, and a $9,000 bill for a roof coming apart at the seams. I’m not even surprised when my husband returns from taking the boys to school one day and says, “Did you notice we lost some branches?”

I follow him into the backyard shaded by the abundance of trees planted on our small plot. I love our home like it’s another member of the family, our permanent address a respite after years of ever-rotating rentals. It’s where we have movie nights on a couch the size of a city bus, where I’m making my way through Wendell Berry’s collected poems in the living room we converted into a library, where I write, where I feed the blue jays and chase off the squirrels.

I clutch my coffee tighter against the chill still in the air. It’s the first official break in the February gray and sun streams across everything like someone threw the curtains open on the world. The rays of light dance across our one remaining pine – another ice storm our first winter took down its twin – now missing two enormous limbs. My heart aches for the damaged tree at the same time my brain starts running the numbers on calling someone to clean it up versus buying a chainsaw, like a self-respecting Kentuckian. Everything costs money.

It’s a few days before it occurs to me that my dad heats the rural home he shares with my stepmom and niece with firewood. Every fall, right around my birthday, he hooks the carryall to the tractor, rides down the big hill into the woods, and gathers firewood for the winter. I don’t have to close my eyes to imagine the wood pile that sits near the house. It stands so tall we could climb it when we were kids. If anyone has a chainsaw up for the job, it’s him. But I’m not in the habit of asking my father for things. Outside the refuge of my home, words don’t come easy in my familial relationships. There’s nothing noble about my silent suffering, the way I swallow everything because it’s easier to avoid someone I love than it is to tell them complicated truths.

A year ago, I probably would have made the drive to the hardware store for the chainsaw and tried not to break any bones getting down the massive limbs, one still attached ten feet up the trunk. But a lot can change in a year. I text my dad a picture of the tree and ask if he has time to help.

I prepare myself for it to be days before he texts me back, like when I sent the rare vulnerable text around the one-year anniversary of my brother’s death and asked him not to drink his way through grief. But this time his response comes back quickly. He fires off questions about the tree, but also the roof, my husband’s physical therapy, my youngest’s pinky finger. He tells me we can get this done, no problem, do not hire a tree service, he wants to help in any way he can.

Survivor’s guilt goes from concept to experience as the thought darts through my head: He has time to help me because my brother’s dead. Even if it’s true that my brother’s addiction and the resulting costs to my father’s time, money, and resources impacted his ability to help me, it’s not as if I would have agreed to pay that price to have his help now. Not even for the way something blooms in my chest when I ask my dad for help and get an immediate yes in response.

The words dad and father have such different connotations. My dad cuts down the wood that heats his house. My dad and I take my niece on hikes and tell her stories about her daddy. My dad has a chainsaw I might borrow. A father, on the other hand, is mostly an explanation. I’m estranged from my father – that’s the formal line I used to tell people to explain his absence. Writers care about diction and connotation because the right words help us tell our stories. The reader feels different things if I use the word deadbeat or mysterious or long-lost to describe my father. They feel the frost in father and the warmth in dad. There is no alternate word for daughter; only the one.

The story I’ve long told myself about my father uses straightforward words: my father stopped seeing me when I was in middle school and my mom and stepdad raised me through the hardest years on their own. A chapter in the story might read like this: The last time I asked my father to come to Louisville and help me with something it was 2010 and he said no.

Long before the Veterans Administration and an unprecedented streak of stable employment allowed me and my husband to buy our home, we rented an 1,100 square foot bungalow five miles west. It was 2010 and we were still feeling the effects of the post-2008 fallout. It turned out our landlords were, too. They were forced to sell their home and we (the colicky newborn, the toddler, and two over-degreed and underemployed adults) were forced to accept the grim reality that we could not afford a new place. Instead, we would move into my mom and stepdad’s small brick ranch.

The day we moved out of the rental house, when it came time to hoist the washer up the basement stairs, the tight fit took some of the original 1920’s doorframe with it. The white-painted frame splintered and exposed raw wood, like flesh tearing to reveal bone. We will never save up enough for a new place if we don’t get our deposit back was my only thought as I stared at the wounded doorframe. Neither my husband nor I are what you would call handy, especially then (this was before you could look up anything on YouTube). I was desperate. I flipped up my Blackberry Pearl, composed a text asking for help, and used the new camera feature to send a grainy picture to my father. We hadn’t spoken since my second son was born. I don’t remember exactly what he said back, but I know it could be summed up as no. I called my mom in tears. She brought over putty and paint and we fixed it enough to make it unnoticeable.

I never asked him for anything else. At least that’s the story I told myself.

My dad arrives to help me take down the broken branches on a sunny spring day. He brings his chainsaw, my stepmom, my niece, and donuts. He’s dressed in the working clothes I associate with cutting up wood – jeans, denim long sleeve shirt, work boots, and a hat to block the sun. If not for the lack of hair under the hat and the lines that now run across his face like creeks through earth it would be like no time has passed since I was a child trailing him around the farm.

My husband is working, the once colicky newborn and toddler are now older and away at (middle) school, and my stepmom’s attention is on my six-year-old niece, so it’s me and my dad left to tackle the tree. In another life my brother might have come down too, like we helped with the firewood when we were kids. Sometimes I think about how my whole adult life we poured our love into my brother but not each other, and how these moments, just the two of us, are like a consolation prize, when you get something nice but you still lost.

We get to work, breaking only for pizza or to admire my niece’s theatrics and occasional demands for attention. We fall into an easy pattern – he cuts, I carry. We work like that for hours. We don’t talk a lot beyond the job. We couldn’t hear each other over the buzz of the chainsaw anyways. But even in the quiet lulls there are no serious discussions about the past, or my brother, or the conversation we have both tucked into our pocket like a buckeye you save to worry with your thumb: the what happened when I was a kid? talk and the what’s your side of the story? conversation.

They’re conversations he says he’s eager to have. When I sent the text on the anniversary of my brother’s death and he finally responded a few days later, he casually mentioned he read an essay I published about him under a pen name back in 2017. At the time we barely spoke unless there were updates about my brother’s various legal troubles and addiction relapses, or the dutiful invite to one of the boys’ birthday parties. In the essay I wrote about how my father was a stranger, a ghost. Four years later, as we texted about that very essay, he said wanted us to know each other, wanted to fill in the gaps. I didn’t text back all the things I have learned about him since I wrote that essay: that he likes the way walnut casings smell, that he has buddies who play bluegrass with my favorite musicians, that he found his youngest child dead from an overdose and survived it.

Today we are both content to keep those conversations tucked away awhile longer and do something we haven’t done in almost thirty years: work together. I wonder if other people realize the small miracles found inside the basic act of doing a task with their dad. Painting a room. Doing the dishes. Moving a dresser. We’ve never done these things together. In the past year we’ve spent more time with each other than in the previous thirty, but mostly on hikes or sitting around a table talking. This act – this doing – feels different. Like my whole adult life, we’ve been strangers visiting but today, today we are a dad and his daughter cleaning up a mess.

The truth is growing up I was a daddy’s girl and I basked in his attention like a seedling in spring weather. Dad, read the poem I wrote. Dad, look at the snake I caught, caught him right behind the head so he can’t bite me, like you showed me. Dad, can we play baseball after dinner? Dad, watch this.

What is it about our parents that makes us revert back to our youngest selves? My friends describe this phenomenon, too. How after five minutes with their mothers they go from self-assured middle-aged woman to the irresponsible child flushed with shame, or how the presence of their father can take them from easy going adult to willfully obstinate adolescent for no understandable reason. It’s as if our bodies remember the time when our parents were our whole universe, and what it took to break away and make a universe of our own. Maybe that’s why almost every essayist and memoirist writes about our parents. Maybe it’s muscle memory.

Like the sun makes its arc over the yard as we work, casting us first in silver and later in golden light, the passage of time also casts things in a different hue. Before the ice storm took down the tree limbs, I was working on another essay, this one revisiting my brother’s eulogy. I reread every one of my brother’s letters in preparation. I found new details for the essay, but the two letters that stayed on my mind long after I’d put the box back on the shelf had little to do with my brother.

One was the first letter my brother ever sent me from prison, dated August 2009. I saw the date and did the math. My brother was locked up off and on for ten years, a tidy decade, age twenty-two to thirty-two. Holding the letter, I realized our dad spent a decade with an incarcerated son. The new beginnings and relapses, lawyers’ fees and court costs, commissary deposits and phone cards fell on him. When I was asking him to come to Louisville and repair a piece of splintered wood, he was fresh in the early days of trying to figure out how to fix a splintered son.

The second was a letter from my father, written in 2012 (two years after the infamous no). I flushed with shame when I realized I held his response to a letter I wrote asking (begging) for money. We’re more of a generational trauma than generational wealth kind of a white family, so no one had anything to spare. Except my dad. He sent a check for $75 (more than I got for hocking my vintage dress collection) with the letter I now held in shaky hands: Glad to help, keep us informed and we will help when possible. I enjoyed seeing everyone at the birthday party. I am very proud of you and your family. We love you and hope to spend more time with you.

I forgot about the letter and the money, my memory cutting out what didn’t fit the narrative. I forgot my dad has never expressed anything but pride in me. When he found the essay I wrote about him the first thing he did was compliment the writing. When I wanted to write about the things that killed my brother, he gave me his unconditional blessing. A year of quarantine and grief had already made me question the story I told myself about my childhood, especially the one-dimensional main characters: mother – hero; father – villain; daughter – victim. And now I held in my hands tangible proof of a glaring plot hole.

Sometimes it feels like the narrative of my life is crashing down like the big limbs in our backyard, unable to hold under all the weight of something new.

We writers (and readers) want tidy endings, or at least emotionally satisfying ones. When I wrote about my dad before, I said There is no word that explains how girls love absent fathers. Maybe I got that right; sometimes there is no word. There’s only an ever-expanding story.

It’s fitting that something as ordinary as wood split in two could expand ours. I only have to close my eyes and I’m eight years old, riding the carryall down into the woods to get the firewood for the winter. I’m scrambling onto the back with my brother and lining up on the L-shaped lift, as good as any ride at the county fair. My belly flips as we rise in the air. There are no helmets or belts. We whoop, we holler, we hold on tighter for the descent and hope the worn wood doesn’t give us splinters. The air is thick with the contrasting smells of decaying leaves and fresh sniffs of split wood. The sun shoots through what’s left of the canopy in perfectly defined beams; they warm the crown of my head as we work. Our annual tradition falling right before my birthday makes it feel special even though it’s simply preparing for the next season before the current one slips away. When my brother dies eight days after my thirty-seventh birthday, I will think of the way I’ve always felt autumn in my body, deep in my chest, like something I love that I’m going to lose, and I’ll wonder if I always knew.

Once the branches are cut into pieces and stacked in tidy piles my dad loads the chainsaw back into their car. My stepmom and I bump elbows and my niece jumps into her booster seat with an unceremonious wave. The normalcy of the afternoon leaves disbelief in their wake as they drive away. This, then, is what it can be like. This is what can happen when the branch breaks and you use what remains to start a fire, to warm something new.

We finally got a clear view of the damage once we’d cut our way to the last of the second branch. The biggest of the two, it was still attached to the trunk. With most of the mess cleared we could now see the deep wound three feet tall, shiny and thick with sap congealed like a scab where the branches broke and took big pieces of the trunk with them.

As we stared up at the injured pine, I asked my dad if the tree was going to make it.

“Maybe,” he said. “The wound is pretty bad. But even if you lose it eventually it’s still got some time left.”

Lucie Brooks is a writer from Louisville, Kentucky. You can read her work in Catapult and Taunt.

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Guest Posts, memories

Charm School

February 22, 2022

In an early memory I’m six years old playing quietly in our family room in Kentucky when I overhear my parents talking in the kitchen. My dad suggests to Mom that I go to charm school for guidance on manners. It’s a vague memory; the context blurred and the topic faded as quickly as it was introduced. I don’t know how or when I learned, even, that a charm school was a place to better one’s etiquette, and it all seems entirely out of place given our middle class standing.

I was not by any standards a messy or impolite kid, but I often disappointed my mother, who was a compulsive neat freak. Play-Doh, scissor crafts, and nail polish were among an extensive list of forbidden items and activities in our house, and she likened me to Ramona Quimby, the messy and mischievous character in my favorite Beverly Cleary novels—though I never felt like I had nearly as much fun. My mom collected figurines that reminded her of each of us. My brothers’ were an infant (my baby brother Chris) and a monkey reaching out to be picked up (my colicky little brother Andrew who always wanted to be held). Mine was a smiling pig feasting on corn on the cob. I was a skinny kid, but I had a skill, that persists today, for hastily devouring buttered corn.

Rather than for my etiquette refinement, the suggestion of “finishing” school was more likely inspired by the constantly shifting expectations of my father. We reflected him, and our goal was to be polished, shiny, smooth on the outside, secrets on the inside. He ruled our house with a permanent scowl and mercurial temper.

“When you answer the phone, say ‘Vititoe residence’ instead of ‘hello’,” he began requiring when I was in my early teens. The idea of such public obedience was mortifying. I could imagine friends calling me and giggling after hearing me recite a formal greeting, and I was only on the verge of achieving high school status mediocre enough that classmates might forget their serial bullying of me in middle school. So, I avoided the phone ring, pretending not to hear, turning up my stereo louder. I think I only got stuck having to execute that order once, answering a phone call in the presence of my dad, and I don’t think he acknowledged my social sacrifice.

“When you come to the breakfast table on weekends, you kids should get dressed and brush your hair first, instead of rolling out of bed looking like animals,” Dad said. So, I’d sleep in on weekends until I heard him busy with activities outside of the kitchen. I became a master in active avoidance and finding rule loopholes. I navigated teenage independence with a tenuous balance of dodging conflict and defining the boundaries of my integrity.

***

When I was five, my dad pointed out tiny pieces of skin peeling from my cuticles, which I’d never noticed. He plucked them and told me to do the same as they appeared. I overachieved. I picked and picked, trying to smooth out everything. My fingers were bloody sometimes from too much skin peeled off in an effort to make everything smooth. Never smooth enough. Never polished enough. Eventually I got in trouble for picking too much, but by then I was addicted to trying to smooth, smooth, smooth and could not stop.

In my memory the entire decade of the 1980s is a panicked string of news warnings about kidnappings and stranger danger. How much of that fear was substantiated, I’m unsure. In second grade we were fingerprinted at school, so the prints would go on record with the Kentucky Task Force for Missing and Exploited Children. I had picked at my fingers so much, going far beyond cuticle terrain and now extending to the tips and sides of each digit, that the people taking prints had to work hard to ink good fingerprints for me. Certain fingerprints were taken further down the finger, as the tips were too smooth. I blushed and held back tears as I registered the concern on their faces. I’d tried to polish myself so much I’d erased parts of me.

***

Before I started sixth grade we moved to a St. Louis suburb, after a brief three years in a small Illinois town. Things weren’t going well at school, I was made fun of relentlessly for different reasons, and I felt incredibly ugly for the first time. When Mom was grumpy and shivering with the flu the night my dad had his company Christmas party at a Doubletree Hotel, my dad asked me if I wanted to go. The party theme was one of those murder mystery dinners with outside actors. I knew I couldn’t refuse my dad’s invitation without repercussion, but I also was intrigued and eager to leave the house.

I wore a dress and some blush. I felt pretty and happy to be included, to feel like an adult, even if it was sort of weird to be my dad’s “date.” There were no other kids in attendance. After the murder mystery act and dinner, of which I remember nothing, I was seated with my dad in a circle of adults. The buffet chairs were pulled from various tables to create a table-less conversation. Were there too many people to fit at a table? I recall a feeling of naked vulnerability, sitting around a ghost table in a cavernous conference room.

The adults in conversation were gracious to me, making small talk as they sipped their cocktails.

What grade was I in? Did I like school?

No, I did not.

My distaste for small talk must have preceded sixth grade, or…maybe its origin was right in this moment. The adults in suits and dresses and sparkly jewelry moved on to their adult conversations about work and…whatever.

A TV news anchor for the St. Louis evening PBS News Hour was present at the ghost table. Slender and glamorous in a suburban way, she had short dark curly hair done well–a hair goal for me. My own short curls were often the topic of ridicule at school because I had no clue how to control them. I think she might have also played a character in the murder mystery. She smiled a lot. My dad instantly liked her and his (nerdy! embarrassing!) love for PBS was an entrée to conversation. My dad inexplicably loved any documentary and subjected us to them on the regular.

I sat, ankles crossed, politely in my tights and dress in the circle. I watched everyone talk and accepted that I was not invited to their conversation. I was a good reflection of my dad. I let him brag about me. I did not pick at my fingers despite fiending to do so. I tried to pretend I was not dying of boredom. I wondered how Mom was feeling at home, sick and caring for my six- and four-year-old brothers. It was getting late. She would’ve put them to bed by now.

Adults began to bid their leave while my dad and Ms. PBS drank and laughed. At some point I began to feel that even though I was being the Perfect Version of Myself, I was a burden just for being there. My eleven-year-old brain detected something that made me uncomfortable, though my dad and Ms. PBS never touched, maybe other than a handshake. In fact, they were seated fairly far apart. But it was beginning to feel like they were the only people really there. The rest of us were fading away like that phantom table. Or extras in a rom-com.

Was she married? How come I don’t remember that—did I not look for a ring? In present-day review I interrogate and pressure my past self for clues. When you felt uncomfortable, can you explain why? Such a missed opportunity, being a fly on the wall at a moment in which I could have dissected how my dad started potential affairs. But all I felt was unease, something in the air I didn’t like and couldn’t label. Can a pre-teen smell pheromones? I would come to have the same sense again, a few years later, when a parent dropped me off after a babysitting job and got her first-generation minivan stuck in our snake-long sloping driveway. My dad offered to turn it around for her, asking her to move to the passenger seat I’d just exited. She seemed rattled when she left after he rescued her, unlike Ms. PBS at the Doubletree. Was this the last time I babysat for her? I ask my past self again and again. Did my dad scare off a coveted employer with his sleazy vibes? I do remember she was very pretty.

What struck me, more than a growing feeling of wanting to disappear or go home, was that whatever my dad was doing—laughing? Telling his dumb dad jokes? Fawning? Complimenting?—was working. He was charming Ms. PBS. This portly man with terribly fitting slacks, you actually like him? You, an attractive newscaster on TV, are falling for my dad? You should see him at home. I’ll give you two days. Count his smiles now, they are scarce when he gets comfortable, and he would find fault soon enough with you, too.

Finally, finally, finally we left. What if we hadn’t? What if they’d gotten a room and he’d made me wait in the car? Like he made my brothers wait when he visited a girlfriend after my parents divorced years later? On the way home my beaming dad asked, “Isn’t she pretty? Look how well she takes care of herself. Isn’t it impressive that she works? Wasn’t she so nice?” I nodded, “Yes!” to all things, in naive agreement. That curly hair she rocked! That alone was talent. And a newscaster! Mom didn’t even have a college degree.

“Would you like to have a mom more like Ms. PBS?” he asked.

My enthusiasm crashed. Unfair question.

He kept talking, comparing this stranger to Mom, home sick in bed, who chose not to work outside the home because he traveled all week, and if she did, she never would have left him alone sick to go flirt at a company Christmas event. And in fairness, my mom could clean up well too, when circumstances prescribed. She’d play up her doe eyes, gloss her lips in Clinique’s Black Honey shade of plum, and put on fashionable boots when my parents had to make an appearance somewhere, and I would be in awe. And she could light up a room with her smile and tell a self-deprecating story that would make you roll with laughter.

I stared out the dark window the rest of the ride home, a nauseous traitor occasionally offering a random chipper acknowledgement to please him.

“Do you want to listen to some music?” I asked at last.

***

Mom was a soap opera fanatic, and never watched PBS. But when my dad was home watching documentaries, I’d exit around 9 o’clock when Ms. PBS might show up on the air. I’d seen her on News Hour before the murder mystery dinner, but now I couldn’t see her the same way. And I didn’t want to be tempted to watch my dad’s reaction to her. I was an accomplice now, with shared guilt.

Decades later I finally admitted the event to Mom. She was neither upset with my “secret” nor surprised.

***

Within four years of the company Christmas party, my father lost his sales job that had forced us to move to St. Louis. We would be moving to Indiana for his new job. He claimed he’d been mistreated, that he said “one thing” to a female employee and she “took it the wrong way and blew it up.” He’d simply suggested that she consider wearing more make-up and “dressing more professionally.”

Mom discovered he was fired for sexual harassment. It was Missouri, early 1990s; not exactly the epicenter of female empowerment. In my adult life I’ve wondered often what he really did. How did my dad affect others’ lives, beyond that which I witnessed firsthand as a child?

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Growing up, uprooting often and relocating around the Midwest (how many other times was this his fault?), the world outside our family often new, foreign, temporary, and our extended family fractured and geographically distant, the limited role models for living as an adult were my parents. I could be small, submissive and hidden like my mother mostly was, or charming, careless, and harmful like my father. I never fit well into either mold, but something-close-to-hiding seemed like the lesser risk to others.

Emily Schleiger is a writer in the Chicago area. She has studied writing at The Second City, Catapult and elsewhere, and improv and sketch at The Second City and Westside Improv. Her work has been published on McSweeney’s Internet Tendency, Reductress, The Second City Network, and more. She’s also performed at a few storytelling shows and readings. She is a survivor of a short career in human resources, and a mom of two. She is currently working toward her MFA at UCR-Palm Desert’s low residency program in Creative Writing and Writing for the Performing Arts. Follow Emily online here. If she has gone missing, please check anywhere hot buttered popcorn is sold.

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Statement on Black Lives Matter and support for social change.

Fiction Fridays, Guest Posts

Wildfire

July 30, 2021

by Holly Easton

Shortly before he left my mother, my brother, and me, Daddy gave me a copy of Heidi for my eighth birthday. He wrapped it in glossy red paper and left it on my bed. Before the year was out, he was gone.

I see him again the summer I turn 12 and Lukas turns 16. My mother screams into the phone, then click, and she tells us we’ll be spending three months with him in the Rockies. I kiss her even though I know she’s mad about it. Daddy’s been bouncing around these last few years, but whenever I asked, he said when he had a place of his own, we’d get to visit. Now it’s finally happening.

I got my braces wire tightened just before we left. I spend the flight placing balls of wax over the metal brackets in my mouth. I ask Lukas if he thinks Daddy will have goats, like the grandfather in Heidi, but he’s writing out guitar chords to whatever’s blaring on his headphones. He lets me rest my head on his shoulder though, which is progress since he swore off talking to me when I snipped all the strings on his guitar a few weeks ago.

My mother wants to buy me a training bra but I keep refusing. My chest is throbbing though and when we land, I hold the new triangular growths in my hands while we wait for Daddy, but then I see him and I drop my arms.

This Daddy has rough fur, instead of the prickly pear face he had when I was little, but otherwise, he’s the same. I run to him but then I see Regan, like The Exorcist, next to him. Regan’s his “life model.” She gives both me and Lukas tight hugs, leaving Lukas breathless.

“My chauffeur,” Daddy says, patting her scapula and we load into the car. I had forgotten that my mother used to drive him everywhere.

***

Regan wears her hair in a black braid that goes down to her hips and arrives a little before dinner almost every night. Lukas hangs onto her every word, although she is parsimonious with her speech. After dinner, she and my father lock themselves away as Daddy works on what he’s calling his “experimental phase.”

Lukas tells Daddy the altitude gives him headaches, so he spends most of his time in town drinking slushies and chatting with tourist girls. I’m too pimpled and my chest is too sore to be seen, so I stay on the cliffside with my Dad and his cans of turpentine.

I have no memories of him painting before he left, but remember having the notion that he was ‘known’. Parent-teacher conferences with his uneven stubble and my mother’s polished suit; his exhibits rather than my comportment, teachers ignorant to the brandy on his breath. I didn’t mind then. I misbehaved a lot.

“Stevie at the diner says he’ll teach me how to cook if I help him serve the lunch crowd on the weekends,” Lukas tells us over dinner. He gets loud whenever he talks about his new job at the diner.

“That’s good, a man should know how to cook,” Dad says, pointing the prongs of his fork at my brother.

“Stevie says,” gulp from Lukas, “he says the ladies love it.” Dad looks over at Regan, who meets his eyes and pours him some more wine. I keep staring at him in case he decides to share the secret exchange with me too. He doesn’t. I start to clear the dishes.

“Stevie’s probably right, but it’s still a bit early to think about that, son.” I pile them in the sink and reach out for the dish soap, but Regan’s hands stop me. I flinch because they’re cold, but her eyebrows soar up and her head shoots back like a concerned chicken.

Lukas shrugs his right shoulder and stares into his root beer, “yeah, but still, cooking’s better than just wiping tables and stuff.” I plonk down in my chair and Dad knocks my elbows off the table and flips through the day-old newspaper.

After dinner, Lukas locks me out of our loft. I can hear the twanging of his guitar through the door.

***

Because Dad is nocturnal in his work and he often retires for the day around eleven in the morning, leaving me alone on the mountain with no older boys to flirt with, and no younger girls to chase. It’s too quiet when Dad’s asleep, so I carry around the small radio I find in the loft. We only get the CBC on the mountain and even then, it’s fuzzy. Still, it’s better than silence.

I catch Lukas before he heads out one morning. “Can I come with you today?” I ask, even though I don’t really want to, I’m just bored.

“I’m working all day,” his thumb and forefinger stroke the fluff above his lip as he gives himself a final look in the mirror.

“I could come watch. Read, or something.” He spits in his hand and flattens his hair.

“You can’t sit in a diner re-reading Heidi all summer, Daisy.” I hear Dad send him off and I roll over and go back to sleep.

***

CBC starts its hour of classical music just as I hear my father crawl into bed. I turn it off because I can’t stomach another concerto. I want to run and scream, but the peaks of snow in the distance scare me off, I’m afraid my voice will boom and start an avalanche. Instead, I find myself in Daddy’s studio.

The door creaks only slightly, but it’s so quiet that I’m immediately on edge. His studios, his gallery openings, his work has always been off-limits. I was too young, it was too dangerous, the work was too precious. Standing there, for the first time, I see the brilliance that has driven a stake through my family. The colours of his passion refracting against itself and rolling over.

Regan puts her hand on my shoulder and leads me out.

She stays late to make me lunch. I tell her it’s too hot for soup, but she puts some on anyway. “He’s teaching me to draw,” she says, drying the mug he uses for his brandy. My face is dewy with sweat as I eat. She stares at me and I flush tomato, like the soup. I feel the bumps on my forehead or the new wires on my chin more pronouncedly. I think, maybe if I focus hard enough, they’ll retreat back into my face. She leans closer towards me, our noses level and almost touching. She traces my features with her eyes. She reaches for her sketchbook but pulls her hands back. Instead, she grabs her purse. “Do you want me to show you how to pluck your eyebrows?”

Leaning away from her, I smash my elbow into my bowl of cold soup. The clatter echoes out because there’s so little noise, so little else, on the hill. “You have a beautiful natural arch,” she says, reaching out to stroke my brows.

“Does it hurt?” I ask

She smiles, tucking my hair behind my ears. “You get used to it.” Her fingers brush my skin so gently, they smell like cocoa butter. “Besides, I think Jack– your Dad– would like it if we had some Big-Girl bonding time.” She smiles and then collapses her lips into a pout as she searches through her purse.

I hold my breath as she brings the tweezers to the first hair. “Ow!”

“Did that hurt?” Regan pulls back.

“Of course it did, you ripped my hair out!” I snap. She gets up and I think she’s about to leave, but she just goes to the fridge. The crack of the ice tray and she wraps ice cubes in a paper towel to numb the skin.

She shapes in silence, pulling back to look at me or tilt my chin as she sculpts and paints my face with the contents of her purse. I wonder if this is what my father does to her in his studio and suddenly I remember I hate her. “My daughter would be a little older than you,” she says.

I don’t ask what she means. My neck starts to ache from supporting her canvas and I straighten out. I hate her for staring at me. I hate her for making me untimely soup. I hate her for taking my father’s time. And I hate her most, in that moment, for acting like a friend, or maybe a mother.

Regan moves the ice over my pimples. “The cold will help them heal,” she says. My parents had to evacuate their home the day after I was born due to a forest fire. When they returned, the fields were already germinating with flowers, daisies, and trees that had been scarified into growth. The surface of Regan’s face was smooth like pulled toffee. I imagine the ice putting out the little fires burning under my skin. I lean into her hands.

My father shatters his coffee cup when he sees what she has done to my face. She’s traced my eyes like an Egyptian queen. I’m done-up like a, he struggles for a word, choking before he spits up “an inappropriate” and storms off into his studio. Regan tries to follow him.

“We’re just having fun,” she says, but he slams the door in her face. I ask if I can keep the lipstick she put on me.

***

Wearing Pomegranate Persuasion, I return to the studio every morning after that. Regan doesn’t linger after her sessions with my father anymore, so there’s no one to stop me. With the door shut, the studio air is damp in my throat. Every step is muffled by globs of oil streaked across countless canvasses. Every day I push in a little further until the colours don’t make me dizzy anymore. Then it’s the texture I absorb.

I run my finger pads over the peaks and ridges, feeling how they expand after every sleep. The landscapes are vast and uninhabited. The newer works scattered around the easel have been hybridized with Regan’s form. Her guitar-shaped body as mountains; her black hair as waterfalls, her eyes as valley basins. Oil takes a long time to dry. I push in from tip to first knuckle, squishing Regan’s curves. The paint parts around my finger, tarnishing my glitter nail polish.

I’m not allowed in the studio anymore after that.

Instead, I’m sent down the mountain with Lukas. Dad waits at the kitchen table with his mug in the morning to ensure we leave. He doesn’t say anything to me when we do. On our way down, Lukas splits the slushie money with me, waving at everyone we pass. “I’m going down to the quarry with the boys. If I’m not back here for 5, just head up without me, okay?” He says, sticking his too-long thumbnail between his front teeth to get out a fleck of toast. I pull out Heidi from my back pocket and spend the day reading at the bus stop.

“What the hell are you wearing?” It’s after 5. Lukas is still at the quarry and I’ve come home on my own. We go through this every day. My summer clothes from the year before hadn’t quite fit when I packed them, but it’s been getting worse as the days go on and grow hotter. My shorts ride up the back or bunch in a V at the front. My shirts are too short as I’ve grown a good few inches since my eleventh. My mother’s promised a shopping spree for my twelfth, but that’s just before school starts. And, of course, I’m with my father until then.

“They’re just shorts, Dad.”

“They’re inappropriate.” There’s something else “inappropriate” every day. His concerns are more than just fit. The colours, the patterns. When I dress, I make-believe a theme for the day. The light-up sneakers with my cupcake dress (celebration). These butterfly shorts and the inappropriate unicorn top (things that can fly). Dungarees and Dragons (that one’s self-explanatory). It all bothers him. He still hasn’t forgiven me for defacing his work.

“What’s on your mouth?” Pomegranate Persuasion. I stay quiet. He shakes his head so slowly.

“Everyone wears it– ” but I’m wiping my lips into my palm.

“My child will not.” He sniffles with a summer cold and wipes his nose with the back of his hand. I edge towards the loft. I’ve got my hand on the stair railing, “and you’re wearing those clips again.”

My daisy clips. He hates them most of all. The daisies come in every colour with smiling faces in the pistil. “Take them out.”

“They’re my favourite.” I reach up to touch one of the smiling pistils with a finger.

“Why do you never listen?” The mug pounds onto the table.

“I can just stop wearing them, Daddy.” He’s looking away from me. I climb a few stairs.

“You need to learn how to dress your age.” If he means I looked too young, or too old, I never know.

Regan brings shepherd’s pie for dinner, but Lukas still hasn’t returned and she and my father don’t eat with me, so I listen to the CBC. It’s been a dry summer and fires are burning along the west coast. After dinner that night, I find the clips, the plastic cracked through the pistil, in the bathroom garbage.

***

Marvin, who sells the slushies in the village, calls one afternoon. My father yells at everyone that night. Regan leaves in tears before their session. He tells me he doesn’t need to be woken up by concerned citizens telling him his daughter is “whoring about with boys on motorcycles.” I tell him they were mountain bikes. He’s not consoled. I don’t tell him they only asked me for directions.

The next day, he piles up his old painting clothes and Lukas’s hand-me-downs on my bed. But after a night of bridge at the cottage with Marvin and a few of his pub buddies, he bans me from going into the village altogether.

The village is unsuitable, but I’m still not allowed in the house. Instead, I throw a pack of Oreos in my backpack and walk halfway down the mountain, to the pasture, with Lukas. My beaten-up copy of Heidi was growing more insipid with every read. So I bring the radio too, but the reception is even worse in the pasture.

The radio tracks the fires as they move across Alberta. It’s all anyone seems to talk about. The sun beats down on my back and I lie in the grass staring into that speaker like it’s a face. They interview people who’ve lost homes, people looking for their pets, firefighters, and climate scientists. Sometimes they’d ask people to call in with their stories.

“We’ve got Daisy on the line,” I imagine.

“Hello,” I say, “No fires here yet, but my brother Lukas says the village is booming with tourists.”

“Really?” Roger’s voice is like dark chocolate and whole milk.

“Oh yes, Roger, they’ve been pushed out of Jasper and Banff by the flames.”

“So that must mean there are lots of kids around for you to play with Daisy.”

“So many, Roger! You wouldn’t believe. I might even get a boyfriend before the summer’s out.”

“Aren’t you too young for that, Daisy?”

“I wouldn’t kiss him or anything, he’d just be mine.” And then Roger would laugh, or invite me to be his co-host, or send me undercover on special assignments. But sometimes we didn’t talk about the news or the fires at all. And sometimes they’d just play music, and then I’d lie on my back with Heidi as a pillow, counting clouds and wondering if like Clara and her wheelchair, I could push Regan down the mountain.

***

The fires leave a grey cloud on the horizon that’s visible even at night. It’s hot and I can’t sleep, so I go outside to watch the smoke. Being outside at night feels against the rules, although it was never strictly mentioned, and I get that bubble of fearlessness in my stomach at the thought of being free and in charge. “Trouble tummy” my mum had called it after she caught me stealing chocolate bars from the Mac’s Milk. I crawl underneath the open window to my dad’s studio.

“You don’t know what she’s like,” he says, his voice startling me by how close it is to the open window.

“She’s just a little girl, Jack.” It’s Regan, but she’s using her other voice, the one she only used with him. It’s higher, smoother. “She’s curious. She didn’t– ”

“She knows what she’s doing.” There’s a pause. The sounds of Regan shifting on the stool, and the lick of a brush on a palette waft from the window.

“I think she misses you.” I hear as I lie down and close my eyes, warm from the summer air wrapping around me. My father’s snoring when I come back inside to brush my teeth.

***

“I like it here,” Lukas says after meeting me in the pasture so we could march home together. “It’s a simpler way of life.” We stop near some bushes out of eyesight from the cottage so I can put on the windbreaker and jeans my father has deemed more weather and age-appropriate than my tee-shirt and shorts. I rub Pomegranate Persuasion off on the sleeve of the jacket.

My father’s in a good mood when we get home. He slings his arm around Lukas’s neck and ruffles my hair. “My babies!” He yells, but not an angry yell like I’m used to. We eat dinner as a family because Regan isn’t coming tonight. My father even puts off his work for a few hours to hear all of Lukas’s exploits. I gather and start to wash the dishes and watch as my father leads Lukas into his studio. They don’t come out before I’m in bed.

Their snoring wakes me up. They’ve passed out cold on the couches and there’s an empty bottle of wine between them.

“Celebrating,” says Regan’s voice from behind me. We haven’t been alone together since the afternoon she plucked my eyebrows, the regrowth of my messy brows as evidence of the month that’s passed. “Jack called me last night, so I came up this morning to congratulate him. I guess I should have known he’d be asleep.” She turns to the sink and starts re-washing the dishes I did the night before. “It’s exciting, isn’t it?”

I don’t know what’s exciting, so I don’t answer. Locking myself into the loft, I block the door with the wicker chair so Lukas can’t stumble into bed. The loft is so sparse and dark and the only evidence of home is Lukas’s guitar in the corner. I flick on the CBC, but the radio sputters and the batteries die, leaving only the muffled sound of water running over already clean dishes.

When Lukas finds his guitar, the neck is tucked into bed, and the body has been launched from the tiny loft window, smashed against a weathervane. He spends a week with Stevie from the diner. My dad even goes down to the village to be with him. When Lukas agrees to come home, he doesn’t look at me anymore, which I can handle. But he packs up the rest of his stuff only a day later and moves it to Stevie’s. Dad starts having dinner with him in town every night. Being alone in the loft is like being trapped in the brain of a zombie. Everything is muffled, grey, dead. If the house burned down, no one would know I had ever been alive.

***

As the days grow shorter, Regan’s nights with my father get longer. The day of my birthday, she hikes a rainbow sprinkle cake up the mountain for me with my father’s bridge buddies. I blow out my twelve candles and my father uses real wine glasses, not just a paint-stained mug for his booze. I don’t get any presents because I’ve been bad, but they teach me to play bridge and for one night, forgive me. I pour their drinks and laugh at their loud jokes, even if I don’t understand them. My father lets me have a small glass of wine.

As Regan brings me to bed, my head is foggy from the early hour and the cigarette smoke flooding the house. I hear Marvin downstairs. “She’ll be a heartbreaker one day, Jack,” He’s got a heavy wheeze caused by his belly or maybe his smoking. Regan shuts the door behind us before I hear my father’s response.

“Happy birthday, Daisy,” Regan says, handing me a little box. I don’t take it at first, because I don’t really understand. “Don’t tell your father.” Inside is a bracelet with tiny beads of jade and a small silver flower charm. “The green brings out your eyes.” She takes the bracelet from my hand and slips it over my wrist. “Oh, and I made you this.” Regan reaches into her pocket and pulls out a piece of heavy sketch paper.

It’s a charcoal portrait. My eyebrows mid regrowth, with the smiling faces of my daisies in my hair. She doesn’t have my father’s skill, but her hand is practised. I touch a finger to the pistil of the daisy. She lifts my duvet for me to slip into bed. Her touch is gentle as she pulls the blanket up to my armpits.

“Regan?” I ask, and she looks at me straight in the eyes. “Thank you.”

“You’re almost a young lady now.” Her eyes are on mine until I break away. “Good night.”

They’re all still there when I wake up, asleep on the couches and kitchen chairs. My father’s bedroom door is open. He and Regan are naked, covers kicked off in the heat. The mountains, the valley basins, the waterfalls of Regan’s body, encircled inappropriately in my father’s arms, his face discoloured from alcohol, buried in bunched, patterned sheets.

I walk past them into the studio. It feels tighter. The colours have melted with the heat and the oil is spiking off the canvasses, reaching out to press into my skin. I dry heave from the stale air, the bottom of my lungs filling up the way they had when I blew out my cake the night before. I think about my birthday candles.

***

The crack of the fire wakes my father when I’m only halfway through the masterpiece. The ash from the pasture has darkened the clear mountain air. I’m sure he’s yelling, but his paintings burn so loudly, air pockets trapped under oily prisons exploding from the heat, that I can’t hear him.

My mother arrives later that day, but Lukas stays through the school year. We have our shopping spree, as promised. She lets me buy whatever I want.

Holly Easton has a degree in archaeology that has proven to be just as useful as her parents said it would be. She is currently pursuing a Master’s in science history. Holly is a volunteer science communicator at a local museum where she teaches guests about evolution and ecology. She enjoys meeting and chatting with neighbourhood cats.

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Margaret Attwood swooned over The Child Finder and The Butterfly Girl, but Enchanted is the novel that we keep going back to. The world of Enchanted is magical, mysterious, and perilous. The place itself is an old stone prison and the story is raw and beautiful. We are big fans of Rene Denfeld. Her advocacy and her creativity are inspiring. Check out our Rene Denfeld Archive.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, memories, Relationships

Camping Under the Influence

July 14, 2021

By Carrie Friedman

I squint as I read the fine print of the disclaimer that says the campsite is NOT responsible for any coyote, snake, or bear bites or maulings. As I sign our lives away, I say, “This was a mistake,” loud enough for my husband to hear. Our daughters are already running free, up and down the meadow, like they’ve never seen so much open space, possibly because they never have in our crowded Los Angeles suburb. We have arrived at this southern California campsite for a whole weekend of “unstructured fun!” as the parent-email boasted, with other families from our daughters’ school. Our daughters begged us to go this year, so here we all are. “It could just be that you’re not in the right mindset,” my husband, who is one important notch more outdoorsy than I am, says.

He’s not wrong. Only hours earlier, I boarded a plane back to California, from my native Wisconsin. I was visiting my dad, who is in the late stages of dementia and Parkinson’s. Every time I leave him, I know that this could be the last time I see him. This slow-motion loss feels unscalable.

“I’ll be fine,” I say. I want our girls to have this camp experience.

I go to the campsite store and buy a bottle of wine and a bottle of pre-made, pre-mixed margaritas. I start drinking as soon as I find a cup. I drink to blur the edges.

I’ve never been the type of person who drinks in the wilderness, gulping the air like it’s a delicious treat, then says (and means) things like, “I love nature,” or talks about a higher being “creating this masterpiece for us.” But when I inhale the air at the campsite today, I feel a familiar ache. I’m reminded of why I hate camping: it makes me homesick. If the smells of evergreen, mildew, loneliness, and campfire were blended in a bottle, they’d be called Eau de homesickness.

I down a margarita as if I’m a marathoner at a pitstop.

When I was a gawky and overly sensitive 10 year old at summer camp in Wisconsin, my escape was red Kool-Aid that the camp rebranded “Bug Juice.” It was so sweet and concentrated you could chew the sugar granules. I was addicted to the sugar high it gave me: it helped me forget how much I missed my family back home, 90 miles from camp. It helped me feel less awkward around kids I didn’t know. The inevitable crash left me lower than before, sobbing all night in bed while my cabinmates slept. It was a gutting cry, a cry that physically hurt – replaying every fight I’d ever had with my parents or siblings, wishing I were back with them.

My dad, sensing my homesickness, would send funny letters, mailed to arrive by every day’s rest time. I’d read them as I scratched mosquito bites into scabs. His words always made things better.

I drink my way through the first half of the weekend – buzzed, friendly, seemingly carefree – having a drink anytime the ache, or a thought or memory about my dad tries to creep in, like a sad version of a drinking game.

People call this “Glamping” because we are in cabins with indoor bathrooms, not tents and outhouses, but there is nothing “glam” about it. Directly above our bed is what appears to be a hastily made loft with about 20 inches of crawl space and some crib-sized mattresses for our six and seven year old. A rickety metal ladder is propped precariously against a wooden railing that feels like it is as sturdy and well-put together as a shelf I constructed in shop class in third grade. My kids and husband sleep well. I stare at the cedar walls and ceiling all night, trying not to think but thinking nonetheless. If that was the last time I’ll ever see my father, did I say everything I needed to say?

The next morning, I admit to my husband that perhaps the pivot from emotional wilderness into actual wilderness was too much for me. He offers to pack us up and leave early. But the kids are having so much fun, we decide. They have already strapped on their bike helmets and taken off on their scooters with their friends for the morning.

The days are packed and noisy. There’s a hike and a talent show. And smores and drinks with other parents, as our kids don glowstick necklaces and bracelets and chase each other through the woods – streaks of neon as they run past and between the trees.

I buy and drink more wine. In the middle of the final night, dizzy from alcohol, I leap out of bed and vomit in our cabin toilet. As I’m about to flush, I spot a giant brown spider on the handle. I nearly vomit again, but instead scream into a towel, so as not to wake my family.

“I just killed a brown recluse spider in our bathroom,” I tell my husband. He rolls over in bed. I’m not expecting a parade but at least a little gratitude for saving his and our daughters’ lives would be nice.

“Really, Carrie?” he asks, dubious. “A brown recluse, with the violin shape on its back and everything?”

“Yes,” I whisper, a chill running down my spine. “Except it was so big it was more like a cello. This guy could have carried our suitcases. I’m done with camping,” I say.

“Glamping,” my husband corrects.

“I’m going to sleep out in the van.”

I wake up on the third row of seats in the back of the minivan to a blinding sunrise. It’s a new day. My pounding hangover headache feels like a nuisance, a distraction, from the real pain I’ve been trying to avoid. How quickly in the two years since my father’s diagnosis and rapid decline, had my drinking gone from a glass of wine after the kids went to bed to “take the edge off” to “mommy juice at a late afternoon playdate,” to a nightly necessity to numb or push out sadness, which I defended as “self-care.” If this is self-care, it’s not working.

Again, the smells of homesickness fill the air, and I remember things I don’t want to remember.

The letters my dad sent me when I was at camp were a funny serialized mystery he had written, in installments. Each chapter ended on a cliffhanger, and he timed when he mailed them perfectly: I always had a new letter, a new chapter, waiting for me in my cubby every afternoon for resting time. But my camp experience began to improve. I enjoyed horseback riding and canoeing and making lanyard bracelets. When I returned home after camp, my dad discovered his last three envelopes unopened in my suitcase. I tried to explain that I was too tired to read each day. My dad pretended not to care, but I could tell he was hurt.

With this memory, my gulping sobs shake the van.

Suddenly, I am starving. The campsite seems deserted at 7am. I walk to the restaurant/general store. Campfire ashes from the night before float in the air like feathers. My eye makeup presumably everywhere, I imagine I look like a raccoon walking on its hind legs.

I wander through the empty store/restaurant, looking at foods and offerings but not really seeing them. For awhile, I stare without realizing it at a woman making eggs in the kitchen. She has long press-on nails that wrap around the spatula and flip fried eggs and scrape scrambled eggs on the griddle. She has velvety Disney princess eye lashes that must take forever to glue to her eyelids.

I can tell by the way she’s looking at me that my eyes are swollen and red.

“Rough night?” she asks.

“Rough week,” I say. “Rough year.”

“What can I get for you, Hon?” she asks.

Her term of endearment makes me cry again. “Could you make cheesy eggs? They’re just scrambled eggs with cheese on top.”

“Of course, Hon,” she says.

She unwraps and slaps an orange Kraft single on top of the scrambled eggs. It becomes shiny with sweat as it starts to melt.

Cheesy eggs taste like what he used to make on Sundays when we were kids and teens. His variations on the classics, like applesauce pancakes, fried matzo, spaghetti pie, never tasted very good, but now, just thinking of them makes me crave them. The gooey applesauce, somehow still cold, oozed out from the otherwise cooked pancake. The nutty, charred edges of the matzo.

The cook hands me a Styrofoam plate with the eggs covered in cheese, then says, “I’ll ring you up. They’re a dollar fifty.”

Maybe she feels sorry for me and is giving me a discount, I think as I swipe my debit card. Nothing costs so little anymore, let alone a protein.

I sit at a picnic table in the woods, with the yellow scramble. The eggs taste like cheese flavored plastic, just like when my dad made them, and go down easy. Comfort food indeed.

Before I left the last time, he said two things that made sense. I was shocked by the clarity with which he said each, considering he barely speaks anymore and when he does, it’s usually gibberish. He said, “You never give up,” more as a command than a fact, and “I love you so much.” When I was a teenager, I had felt overwhelmed by his belief in me. At that time, I think he loved me more than I loved myself. I felt that way again, but stronger in the thought of losing him.

I can’t swallow anymore because of the lump in my throat. I’m remembering all the things I wanted to say to him, but didn’t, two days ago while I sat with him and held his hand: I’m sorry I didn’t open those last chapters of your story, I’m sorry we made fun of your creative Sunday meals. Thank you for writing those letters, thank you for your food and time and love.

I sit in the pain and really let myself feel it. Sober. At first it feels like I might suffocate, so I take slow, deep breaths while I cry. I cry because I miss my father, and I cry for the moments I have missed with my own children this weekend, blurry from alcohol when they could be sharper, more vibrant in the light of reality: my older daughter singing in the talent show, my younger daughter blowing dandelion fuzz every chance she could, strands of roasted marshmallows sticky on their cheeks.

I decide it’s time to stop multiplying my depressants, so I vow to quit drinking and camping, at least for a while.

“Well,” my husband says as we pack the car, “at least we weren’t mauled by any bears.” I laugh. I breathe in the last of the evergreen, mildew, and campfire smells. I’m relieved to be leaving, but to my surprise the wilderness and the loneliness follow me home.

Carrie Friedman lives and writes in southern California. She has been published in the New York Times, the Washington Post, and the Los Angeles Times, among other places. Her website is: www.carriefriedman.com

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Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Family, Fiction, Guest Posts

Lizard Brain

July 2, 2021

by Samantha Ley

Thud.

Feeling a dull throb where his forehead had hit the wall, Jeffrey wished he had cut out wider eyeholes. Then again, a lizard’s eyes are not that large, so bigger holes would ruin the authenticity of the costume. No, not costume; “costume” was what his mom called it. His suit. He had started making it with his dad. Jeffrey couldn’t wait to show off the finished version when Dad got home from his business trip.

He thought of it as his green self. His new self.

Two felt feet with long, clawed toes approached the stairs. Jeffrey could tell that his plan to scurry down headfirst was going to be noisy and probably not that safe. He decided, after swaying and testing his weight over the first step, that some lizards must crawl backwards. It would certainly confuse their predators. Holding on to his tail to avoid squishing or breaking it—and having to grow a new one, which would be tedious—Jeffrey slowly turned around and started to slide down the stairs, lizard belly to carpet.

The steady murmur of his mom’s dinner party. An underlying hum of voices. A shrill laugh. The deeper boom of a voice. Agreement. Fork against plate. Glasses clinking. Grown-up things.

Ker-thunk. Ker-thunk.

More padding, thought Jeffrey, as he slid onto the landing. The next iteration of his being would come with way more padding. He couldn’t wait to show Dad the lizard suit once he got back from his business trip.

Jeffrey’s class was studying reptiles: where they lived, what they ate, what types of them existed, and how they acted. Jeffrey had concluded that you could figure out how anyone lived once you knew those details. So, this seemed like the next logical step.

Ker-thunk. Ker-thunk.

His two front feet gripped the new carpet on each stair as he drew closer to the sounds downstairs. And suction cups, he thought. Suction cups could make or break his life as a lizard.

He peeked around the corner of the wall dividing the foyer from the dining room. A quick scan: four grown-ups, two empty chairs. Crumpled napkins, empty plates, lots of empty wine bottles. There was a large man with a long white beard who looked a lot like the picture of Charles Darwin in Jeffrey’s science textbook. He was telling a very loud story to the other guests and using his wine glass, nearly empty, for emphasis. Did one of the seated women see Jeffrey?

Jeffrey darted backwards, thinking of the lizards he had seen out by the town pond with his dad. When they felt threatened, they ran and hid, bodies twisting wildly from side to side.

Scurry, scurry, with a light, accidental brush of his tail against an ornate vase in the corner. Then into the adjoining living room, dark. But Jeffrey knew the layout in here, and his senses turned on with a sort of click. The eye holes were too small, yes, but he could sense he was not alone. He imagined a hawk hunting for his little green self. Circling silently, gauging his prey, waiting for just the right nanosecond for a swift attack. If Jeffrey was lucky, he would be able to scuttle under the glass top coffee table for protection. If he were less than lucky, the hawk would snatch his tail, which would take two to three weeks to regrow. And if he were truly unlucky…

He heard his mother’s voice, right near him but as though it were far away.

“Did you hear something?” she whispered.

A man’s voice, and not Jeffrey’s father’s: “Stop worrying so much.”

Jeffrey froze, feeling his heart in his head. He could see from the corner of his eyehole his mother’s leg, her discarded stiletto heel on its side by the couch. A man’s hand gripped her calf and then ran smoothly up her leg, to where he could no longer see it without turning his head. He didn’t want to. His heart choked him, filling his throat. Thump. Thump. Thump.

Rather than acknowledging the cacophony of his heartbeat, they simply resumed whatever they were doing, with noises that Jeffrey did not wish to acknowledge. Sounds that must have been part of a huge misunderstanding.

Maybe, thought Jeffrey, his dad was not really in San Francisco on business. Maybe this was him, just different. Maybe this was what people were like when they came back from California. Or maybe his dad had died, and his mother didn’t want to tell him just yet. But even if he was dead, it made little sense for her to be kissing another man, a stranger, on the newly upholstered couch in the living room. Jeffrey wasn’t even allowed to eat on there.

This had to be a mistake.

His mother’s foot arched out towards him, nearly grazing the tip of his lizard nose. He burst out from under the glass top table and kept going, through the half-lit kitchen and back into the dining room. He faintly heard a crash and an exclamation from the living room, but the guests in the dining room heard nothing. They were all laughing, all drinking. The man with the puffy beard was red-faced and hideous. All Jeffrey could see through tears and his eye holes was gaping mouths with red lipstick, razor sharp nails. He heard shrieks and a yelp as he half-ran and half-crawled through the dining room, into the mudroom, and through the doggie door out into the night’s world.

Gasping, heaving, he ran into the neighbor’s yard. It had elaborate manicured gardens and an ornamental pond. Jeffrey was never, ever to go over there without an invitation.

He tripped over his tail, fell to the ground, and crawled, soaking his costume with the beginnings of the evening’s dew. Swallowing a wave of nausea, he imagined the hawk, swooping over him with night vision and an empty stomach. He quickly scuttled under the neighbor’s giant prize rhododendron bush.

Shoving himself through sharp branches, Jeffrey burrowed into the mulch. He pulled his tail around himself and clutched at it, fingernails clawing the fabric as he curled into a ball. Inhaling the scent of leaves and wet earth, he steadied his breathing. He pictured the lizard videos he had watched over and over. Lizards hiding from prey made themselves completely still, but the ones who were truly asleep had a tell-tale tic in their throats. In, out. In, out.

Jeffrey closed his mouth and breathed through his nose. He concentrated on not moving a muscle, on becoming a stone that a hawk wouldn’t look twice at. In just a few minutes, his breathing slowed. A light rain began to patter on the bushes as Jeffrey’s fingers loosened on his tail. His chest slowly rose and fell under the cover of glossy green leaves and delicate pink flowers.

Samantha Ley holds degrees from Kenyon College and the University of Virginia. Her fiction has been published in a number of online journals and has been nominated for Best of the Net. Most recently, her work has appeared in Fairfield Scribes and Albany Poets. She is a freelance writer and editor who lives outside of Albany, NY.

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Stories of parent/child relationships can be complex, and Emma’s Laugh, The Gift of Second Chances, is no exception. Convinced of her inability to love her “imperfect” child and give her the best care and life she deserved, Diana gave Emma up for adoption. But as with all things that are meant to be, Emma found her way back home. As Emma grew, Diana watched her live life determinedly and unapologetically, radiating love always. Emma evolved from a survivor to a warrior, and the little girl that Diana didn’t think she could love enough rearranged her heart. In her short eighteen years of life, Emma gifted her family the indelible lesson of the healing and redemptive power of love.

Read Diana’s ManifestStation essay here

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, parents

Just a Moment

March 8, 2021

A photograph of the author’s parents.

By Allison Amy Wedell

Here’s what you need to know for this photo to make sense: I love my dad. I say “love,” in present tense, even though he’s been dead for almost four years. I would raid heaven to have him back, even if just for a moment—a snapshot, if you will.

Here’s how it happened: Dad and I went on a six-day, 360-mile bike ride in Wyoming in mid-July, my brother got married at the end of July, then Mom and Dad left for a month-long trip to England and Scotland in early August. Two weeks into the trip, he checked himself into an ER in London, where they confirmed what my dad, a retired doctor, had already suspected.

He had acute myeloid leukemia.

So Dad spent four weeks in a London ICU, fighting to put together enough white blood cells that they would let him fly home to Cheyenne. After a night in the local hospital and a frank talk with his doctor there, he realized he wasn’t going to bounce back from this, and opted for hospice instead. He spent six wonderful, heartbreaking weeks in hospice, saying goodbye to everyone he loved.

He died on October 29, 2016.

If you’re doing the math, you’ve already realized that he went from biking up mountains with his daughter and dancing at his son’s wedding to his deathbed in a scant three months. The speed of it still takes my breath away, like that instant after a car crash when you’re just sitting there blinking while you try to figure out what just happened.

Anyway. Back to the photo. My mom sent it to me about six weeks after Dad died. She received it from her friend Shel, who had been on the England/Scotland tour with my parents. Shel had been sorting through his photos from their trip, and he sent her a few. This one is my favorite.

It’s so casual, isn’t it? Just a couple of tourists, surrounded by a few other tourists, taking a break in Oxford’s Ashmolean Museum in August of 2016. They could be any retirees, caught in a moment of rest, planning their next foray among the antiquities. But I see so much more. So many tiny details of this captured moment reveal to me, in heartbreaking clarity, all that I am missing.

For example, the man has a camera slung over his shoulder. It evidences his passion for both photography and technology, and makes me wonder how many beautiful photos he has already snapped on this day alone. Some of them have his wife in them; some are landscapes; some are closeups of flowers in gardens. All of them delight in the world around him.

You can’t quite tell, but those pant legs zip off. This man is nothing if not practical. If it gets too hot in Oxford on this summer day, he’ll convert his pants to shorts and stow the legs in a backpack (that same backpack that contains a windbreaker and hat, should the weather turn in the opposite direction) or on the tour bus. He was a Boy Scout, and their motto has served him well all his life: Be prepared.

Despite the fact that he is thousands of miles and an entire ocean from home, he manages to look neat and tidy, right down to that crease in his shirtsleeve. His wife ironed that shirt before they left, but he packed it carefully and hung it up as soon as they arrived at the hotel. He wears a plain white undershirt so it doesn’t get sweaty, and any excess sweat on his face will get mopped up by the clean white handkerchief he carries in his pocket. Tomorrow’s shirt will be similarly plaid and similarly crisp.

That lovely salt-and-pepper hair (that same hair he will lose to chemo in less than a month, but we don’t know that yet, do we, viewer?) sticks up a bit in front. Several times today, he will unconsciously run the fingers of his left hand through it, smoothing it down and to the side. When it gets particularly unruly, next time he’s in the men’s room, he’ll take a little black plastic comb out of one of his pockets and tidy it more thoroughly.

The guidebook he reads is probably not dog-eared or wrinkled or creased in any way; if it has a binding, said binding remains intact. If he has found it necessary to make notes in it, he has done so lightly in pencil. The man and his wife have a large library at home, love books, and have instilled a deep respect for them in both their children.

You cannot see his right ankle, but if you could, you’d realize that his left ankle is swollen by comparison. This is due to an issue he has with the lymph glands in that leg; complications from a condition he developed when he and his wife lived in Haiti 45 years before, where he gave inoculations and saved babies from tetanus seizures using Valium they had smuggled in for that very purpose.

And speaking of his wife, that’s her head (with the curly hair inherited by both their children) just beyond his, bent over a map. They sit in the companionable silence borne of decades of marriage. She is the love of his life; he knew it the moment he met her, and they were married less than a year later.

They have already begun to make plans for their 50th wedding anniversary, but he will miss it by just over three months.

So yes, it is just a snapshot. It is just a moment—and not even a moment I witnessed. But oh, if I could have it back, what I wouldn’t give.

What I wouldn’t give.

Allison Amy Wedell is a blogger and speechwriter for the state of Minnesota. She is the author of Shaking Hands with Shakespeare: A Teenager’s Guide to Reading and Performing the Bard (Simon & Schuster, 2004) and The #TeamEric Chronicles, a blog about her dad’s illness and death from leukemia. Her work has been published by MomsRising, Committee for Children, and Free Spirit Publishing. She is the single mom of one amazing daughter and one rather ill-behaved cat in St. Paul.

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A book about tears? Sign us up! Some have called this the Bluets of crying and we tend to agree. This book is unexpected and as much a cultural survey of tears as a lyrical meditation on why we cry.

Pick up a copy at Bookshop.org or Amazon.

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Guest Posts, Trauma

I Remember My Dad As Brutal, But It Was Far Worse

August 14, 2020

CW: This essay discusses sexual abuse and/or assault.

By Caroline Leavitt

There it is, the photo I have saved to remind myself of the feelings I had tamped down. I’m at my Aunt Gertrude’s sedar table, standing for the obligatory family shot. I’m ten years old, in a starchy blue sailor dress my mother made me wear and though I am smiling, I am terrified, desperate to get away. I can’t, though, because my father is holding my elbow in a vise grip even as I lean away toward my older sister on the other side of me. She’s smiling, not coming to my rescue. My mom, who I love, is outside the frame, her face turned away.

Here are the facts: My dad is a bully who often uses a strap and literally screams so loudly that it sounds like his voice is tearing from his throat. When he talks, he belittles. He never says I love you, never hugs or kisses anyone, and the one time he takes me to a movie, he leaves me alone in the cavernously empty theater to watch the film by myself while he stays at the refreshment stand wolfing down candy. My mom endures him because she doesn’t know what else to do, my sister inexplicably loves him, and his rageful behavior is never spoken about in my house. No, that’s quarantined, a room full of secrets roped off by silence.

Family, I’m told, is everything.

Instead, I learn to bury my feelings, and in many ways, myself. I make myself small—as small as the last line on a vision chart. The one nobody can see.

I grow quieter and quieter because any sort of speaking up can get me hit. I’m not allowed to close the door to my room (and if I do, it will be yanked open and I will be yelled at or struck), but I learn to simulate privacy by getting lost in the world of books, and then writing. I do this for hours and hours because who can yell at me when I am so silent, so invisible? And in books, my writing, I’m lost in a whole other world which seemed much safer than the real one.

I grow up around my father’s rules. Don’t dress like a hippie and embarrass him. Don’t dare get up earlier than he does because I’d wake him with my noise and be punished. And, of course, the rules include what to think. I soon know that my thoughts are not respected, that any opinions have to match his. The government’s always right. Any war going on that the United States was raging is the right one. Women are lesser than men. We are to respect his mother and agree with whatever she does when we visit her every week, and if we don’t say good morning in the right way, he will give us the silent treatment for week, making us beg over and over, “What did I do?” until he would deign to tell us.

But if my thoughts are not my own, then either is my body. We are little girls, my sister and I, but my father never tells us we were darling or smart or beloved. Instead, my father keeps piles of Playboys around the house, the glossy centerfolds of women who look nothing like us, nothing like our mom or any woman we have ever seen, out in plain view and my sister and I stare at them amazed and uncomfortable. One day, my father catches me looking and snatches the magazine away. I go to sit on the couch, and turn on TV, and then my father strides over to me and takes my little hand and shoves it into his wet mouth. Horrified, I jerk my hand free and run to the bathroom, washing my hands over and over, and when I come back, he motions me to him, and he does it again, only this time he’s laughing.

And that’s when I begin to have nightmares. I sleep with the covers bunched over my head and only my nose poking out, terrified. Sometimes I call for my mother and ask her to lay beside me until I fall asleep and then gradually I can and it becomes a habit.

But my father doesn’t like that.

One night, my mother cautiously tells me, “Your father wants you to sleep beside him tonight.”

I look at her panicked. “I don’t want to,” I say. “Why do I have to?”

My mother sighes. “Please do it. His feelings are hurt. He asked me to ask you.”

“Can I say no?”

I am five. I have no power. That night, I curl into my father’s twin bed, separated from my mom’s bed by a night table, my whole body turns away from my father, facing my mother, whose eyes are closed. All of us have pajamas on, and I’m careful not to let any part of him touch me. I move to the edge of the bed, reaching across to try and touch my mom. I whisper, “Mom,” but she doesn’t hear me. Her eyes stay shut. Mom. Mom. Mommy. In the morning, I wake as my father is getting out of bed, but he doesn’t have pajamas on now, and he is naked and hairy, and I stare at his penis, his balls, the first I have ever seen. He sees my eyes locked on his genitals and he shouts, “What the hell are you doing? Aren’t you ashamed of yourself? What’s the matter with you?” My mother, rising, says nothing except his name, trying to calm him down. All that day I live in terror that he will ask for me to do this again, but he stays silent, and my mom and I never talk about any of it. But it roils inside of me.

Three weeks later, my mother is called in by the kindergarten teacher because we have been asked to draw paper dolls of our family and I have drawn mine all naked. My father’s penis is so large, it dwarfs him, reaching down to his ankles. His balls are like balloons. The teacher’s concerned but my mother shrugs it off. “She’s precocious and imaginative,” she tells my teacher.

When my mother comes home, she holds me and tells me about the meeting. “Maybe keep things in the family in the family,” she says gently. My sister, listening, looks appalled. “You’re disgusting,” my sister tells me. “You lie and lie and lie. You made Mom feel bad,” she says, and I feel a flash of guilt. I never think to ask my sister, does he ever make her sleep in the bed with him, too?

We grow, and I turn ten and then my sister tells me the facts of life. “It’s revolting,” she says. “No one wants to do it, except for guys.” She bangs two rocks together to show me, a violent coupling that scares me. I grow afraid when I think I’d have to do this with boys. “You just do it,” my sister says, and then she asks me if I want to touch tongues with her, if I want us to touch each other’s butts. I recoil. “Why would I want to do that?” I ask and she laughs at me. But it makes me wonder. Did something happen with my sister and my dad? Or did she escape it all? And if she had, how? What does she know that I did not?

And then I turn sixteen, and then seventeen, and while my sister, the good girl, never rebels, I begin to tentatively speak out and this time, for the first time, my mom yells at me. “Don’t be so independent!” she shouts. She doesn’t like my fresh mouth, my wildly curly hair, the way I dress in skirts so short I’m always being sent home. My dad yells in chorus with her. My sister begins to date and I listen to my mom talking to her about “playing her cards right,” getting married as soon as she can, but not letting any boy get fast with her. “Men need sex. Women don’t,” my mother says, and I listen, bewildered. Was that true?

My sister, newly gorgeous, suddenly has all this male attention, boyfriends who came to the door with flowers and smiles, Is it any wonder I look for my own male attention? That I fall in love so hard and fast with any boy who pays me attention in a kind of madness? I’m skinny and unpopular, and when a known “bad boy” boy in school asks me out, my mother tells me I can go, but we never tell my dad.

That date is magic. The boy likes me. He really likes me. He holds my hands and talks quietly and by the time we arrive back to my house and I have my first tender kiss in our doorway, I am insane with love. But just as we are about to kiss again, my father barges out in his boxers, his fly wide open, screaming at me that I’m late, and who told me I could date? My father sends him home and then shoves me. He tells me I’m never to see that boy again, and if I do, he will keep me prisoner in the house.

Go ahead and try it, I think, feeling a flush of power. And that whole summer, I lie to my parents about having a job as a camp counselor, about going on overnights, so I can sleep with my boyfriend at an abandoned ski slope by his house, because by then I know for sure that it isn’t just boys who need sex. We are together off and on for a year, and my family never knows it.

I keep dating. My father has no idea about all the boys I sleep with. I keep score in a notebook, as if the amount proves my worth. 70 guys. Then 100. Then more. Every one I sleep with feels like I am ripping away the seam that still connects me to my family.

I go to college halfway across the country to Ann Arbor, as far away as I can get. Every week I speak to my mom on the phone, and when my father gets on, all he says is that I should work hard. “Don’t think I won’t cut you off if you don’t,” my father threatens. He shouts so loudly I have to hold the phone away from my ear. Good, I think. Cut me off. Good.

Why don’t I ever confront anyone? Because I’m told my memories are wrong, that I must have exaggerated, “the way I always do.” I’m told this so often, that I begin to believe it. And so I replace those memories with something else: My father loves me. In his own way. I visit home once a year, for two days at the most, and nothing important is ever said. I sleep in my old childhood room, the door locked, the covers around my head.

I am 25 when my father dies. He’s 57 years old, obese, with skyrocketing blood pressure and high cholesterol, a man whose only exercise is walking from the car to our house. I feel nothing about his death. I come back home and my sister is sobbing, my mother wailing, “I want him back.” She is so upset, I didn’t have the heart to ask her why. Later my sister tells me that she thinks she sees him watching over her, his profile in a nearby tree. “He protects me.”

“How?” I ask. She shows me the tree and I stare at it blankly.

“What was so great about him?” I ask.

“Lots,” she says. She tells me when she was in high school and she went to a party, some of the kids were dropping acid, snorting coke, and afraid, she called him to come and get her. “You did the right thing,” he told her. He would always take care of her, she says. “Shame on you for saying those bad things about our wonderful father,” she said.

My father leaves my mother nothing, no insurance money, no savings, but she has the house, and a teaching job, and friends, and without him, she blooms. But for me and my sister, he leaves a legacy. How are either of us to know what a good male partner looks like when our dad was our only model?

Doesn’t it make sense that my sister marries young, a man like our father, someone silent with a temper, a sexist who likes to cup his hands in the air like he was weighing boobs when a buxom woman walks by. I cry at her wedding, begging her to change her mind. “Don’t be silly,” she says. She has kids, one after another, the way our mother had, focusing on them for happiness. When I ask my sister why she stands for his behavior, she says, “because I have to.” When I ask her why she doesn’t shout back at him, she says, “because he can scream louder.”

I’m afraid of marrying a man like my father, like my sister’s husband, so I go for the opposite, the fast talkers who never shut up, who fill the silence so I never have to feel uncomfortable in its danger. It takes me time to realize they keep talking only about themselves, what they want, who they want me to be. But with all those motor mouths, no one really notices how quiet I am. How quarantined.

And then, in my 40s, I meet Jeff, a smart, funny journalist who’s kind and sometimes quiet and I can’t believe he might really love me, so I test him, yelling sometimes, and instead of leaving, he comes closer, wanting to solve issues, to make things right. He actually sees me—all of me. He wants me to be happy. And that makes me want to revise my childhood, to try to think about it in a happier way, too.

I try to talk to my mother about my upbringing, my voice quiet, composed, even sympathetic to what she must have gone through. “I don’t want to talk about this because I have nothing to feel guilty about,” she says, and then her whole face changes, and she looks a thousand years old, and because I love her, I can’t hurt her, so I stop talking.

I never find out the things I’m so desperate to know, not then, and by the time I’m ready to try to ask again, my mom has dementia, and then she dies. I try to talk with my sister, but she now feels angry with me. She says I’ve stolen her life, grabbing the happy marriage, the writing career, that she was meant to have. The more I try to help her, to talk, the worse I make things. Her rage grows until she estranges herself from me. I haven’t seen her or spoken to her in two years.

So who can I find answers from? How can I put this to rest? I ask my friends, my cousins what they remember about that time, they said only that my father was oddly quiet, that they just felt he had a blah personality. When I tell them what I remember, they see my father through the lens of my reality. “Oh my God, I never knew,” they tell me. “I never imagined. If I had known, I would have done something”.

One day, just before the pandemic begins, I’m sitting with my friend Leora, and she’s asking me about my past, and I start to talk, and as I do, I see her face changing. I talk and talk and when I’m done, she is so still that I worry. “I’m not making this up,” I insist, and she shakes her head and reaches over and takes my hand. She says quietly, “Caroline, you were abused. You have to look at this trauma.” It’s the first time anyone’s ever used that word: abused.

CLICK.

There it was, the lens of clarity as my friend reflects this truth back to me. And now it’s my turn to look. How could I not have known from the start who my father really was?

And so I go to talk to strangers, therapists who might help me decode what had happened. When I tell my first therapist that I feel nothing about my father, that my memories are all jumbled up, he insists I am not telling the truth. “You have to feel something,” he says. Then he asks me to consider my father as a man who had had dreams and yearnings, that I consider his feelings, what he might have been going through. And that’s when I get up and leave the room, wired with rage.

And then I find a therapist I love, a woman who tells me that the brain neurons fire and rewire when we’re young, that a lot of what I’m feeling is leftover responses and if I talk about them enough, the firing will get weaker—I will be able to safely bury the past. “And,” she says. “You need to write about it. Writing about it will help you remember what was really going on underneath it all. The brain won’t know the difference.”

And so I do. Here. Now. The old feelings come back in a rage blizzard. I write about my love for a mother who took me to the movies, and was funny and bought me books, but who couldn’t stand up to her husband to protect her daughter. I write about hurt for a sister who seems to follow my mother’s past path unseeing, one choice after another. And I write out my outrage for a little girl who never got to be the adored daughter, who went through terrible things that she knew were terrible but she never once thought: this is wrong. You need to stop.

And then I hear it again. CLICK. Like when you’re at the optometrist and you’re doing the vision test and you put your chin in the cup and stare at the chart, eyes wide, unblinking, and the doctor clicks different lenses in front of you as the random configuration of numbers and letters grow clearer and blurrier with each one. You see the first row, the second, the third—things seem clear. Then they don’t. CLICK. But the chart itself has not moved. Neither have you. And as you age, your vision changes, your clarity about your life changes, too. But the facts never change. The truth. You just may need different lenses to see it.

Now, I want to go back in time, first to my father to stand up to him and ask him why he did what he did, how dare he not treasure his little girl, how dare he not love her or want to know her? Why did he yell and abuse? Your loss, I want to tell him. You were wrong about everything, I want to say, especially me. Look at me, I want to tell him. I broke the pattern. I have a loving husband, a wonderful beauty of a son. No one yells. No one rages. No one hits or abuses emotionally or physically.

But you did. And it is your loss.

Then I want to go back to that other me, that quiet little girl in the starchy sailor dress and tell her, it’s going to be okay, honey. Because you are absolutely and completely okay. Right now. And later, too. You will be able to leave all of this behind. You will be able to be loved by someone who deserves you, whom you deserve—and you deserve happiness. You will have wonderful friends and work you love. You will continue to talk and talk and talk and write about all of this, telling the story of your family, the truth, until all that pain loses its power and all of your quarantine will be over.

You will remember. You will see.

Caroline Leavitt is the New York times Bestselling author of Pictures of You, Is This Tomorrow, Cruel Beautiful World and 9 other novels. Her new novel With or Without You was published August 4 by Algonquin Books.

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Guest Posts, Mental Health

The Universe in the Kitchen

April 13, 2020

By Adrienne LaValley

I didn’t know that everyone doesn’t spend their lives waiting for the other shoe to drop until I was well into my thirties. I think it was the look on my friend’s face when I said “I’m so nervous things are going well right now. When’s it all gonna end?” She couldn’t quite understand the palpable, stomach twisting fear I had about the inevitable future. I thought everyone had that certainty. That no matter how long things had been good for, the shit was coming to hit that proverbial fan. Hard. You could bet money on it. Because it was fact. Not speculation. Not paranoia. Fact. The better things were, the longer they stayed that way, the more terrified I’d become about the looming fall out. These fallouts that were slowly shaping who I’d become as an adult. Not that I could see it at the time. Or until five years ago really. Enlightenment by therapy. The fallout was dark and moved with the momentum of a freight train barreling around the bend. An unstoppable blackhole that sucked the life out of everything around it. Just writing this I can feel my face fall. It’s visceral. The fallout is far enough away to stop causing damage, but close enough to still make my skin crawl. Not my fallout though. My dad’s.

Living with a bipolar parent is like living with the sun. Forever orbiting someone who wields both the power to nourish and love you and the spontaneous drive to destroy who you are at your core. Like termites eating away at your foundation until there’s nothing left but anxiety and self doubt. Then they die and you’re bestowed the gift of reconstruction. Who will you finally be now that the sun has gone down?

One morning in the nineties I came barreling down the stairs like a kid leaving for Disney World. The house was treading on the thinnest ice sheet of normalcy for a moment and I was cautiously hopeful. Again. A sort of middle ground that only came around when my dad was well medicated. But as I bounced into the kitchen, arms wide and ready to vomit love on anyone I came across, I saw him hunched over in such a way that I knew it was all gone. The air changed. It was thick with tension and smelled of evil enjoying itself just a little too much for 7 am. “Morning dad!!! Sleep ok?” My heart dropped like a ton of bricks at the deafening silence that followed. “Morning…” he said, with the heaviness of someone who’d lost everything and didn’t even know it. Fuck, it’s gone. It’s all gone again. Here we go. Man your stations, war is imminent. Shields up. Head down. Get ready.

…“Did you take my braided belt?”

“Your what?”

“My braided belt. The brown leather one. Did you take it?”

“Nope, didn’t take your belt.”

“Someone god damn took it.”

“No dad, Jesus I didn’t take your belt. Why would I do that?”

“Did one of your friends? They did, didn’t they? Was it Colleen? It was, wasn’t it? Selfish little asshole. You get that back from her. Someone took my god damn belt. Where is it?”

My brain usually fails me when digging through these particular memories. The ones where I meet my other dad. The evil one. “Hello there. You suck so bad. Gotta jet.”

I’m sure I said something for the record books, I just can’t remember exactly what. I have gaping holes in my childhood memories. They come in waves of bad dreams, flashes of screaming a lot and crying until my face was blue, apologizing for something I didn’t do then slamming a door somewhere. Sounds right.

That was only if the sun was pointed at me though. Which I preferred. I knew how to handle it and if for some reason I just couldn’t on that particular occasion, I knew how to live with the constant stomach churning and heartbreak. It was just a regular Tuesday. But to watch the sun shoot flares at my family was like watching our house burn down, helpless to stop it and paralyzed with fear. That barreling train crashed into everyone who loved and supported it and to the untrained eye, it relished in taking as many people down with it as it could.

The sun didn’t always rage and spew flares though. It could be warm. Warm and shiny and really excited about everything in life. And if that warmth was pointed my way, I basked in its glow and relished how lucky I was to know and be loved by someone like that. Someone so bright. So full of life. Someone who convinced me I was incomparable to virtually every other person alive. I was special. To be separated from the pack and nurtured to perfection. Days were full of snowball fights and inappropriate jokes at someone else’s expense, spontaneous road trips, manic fun, 5am tennis practices, and overly eager encouragement to be the best no matter what. At this. At that. And definitely at that. I could always be better. It was an endless merry go round of love and pressure and hurt and betrayal and love and pressure and hurt and betrayal. As the planets circled the sun.

I know all of this because I am one. I’m a planet. And my brother and sister and mom are too. We orbited the sun of our home for half our lives, then from a close distance for the other half. All of us. We orbited and constructed our lives around the unsettling, unpredictable love of my father. Until we ran away. Or he died. Or both.

I’ve heard that children of a mentally ill parent tend to be more empathetic, sensitive, intuitive, malleable, loyal and compassionate. Of course we are. We’ve danced with the sun. Fine tuned the art of tip toeing. We know the delicate ballet of appeasement like we know how to breathe. We can intuit someone’s mood like our lives depend on it. Because it did. For however many years we spent reassuring the sun that someone loved it. We do all of this simply by loving an impossible person. Someone who everyone else gives up on or shakes their head in confounding exhaustion at. And we don’t often let go of our impossible person. Because everyone else already did. Somewhere in the recesses of our hearts we believe impossible people deserve love too, in spite of not being able to reciprocate it very reliably. Even deeper in our recesses we believe that if we do let go, we’ll lose our sun forever. And that’s the scariest thing of all. To be abandoned by someone you abandoned first. After all, saving ourselves was never the first priority. It wasn’t even the second or the third. Frankly, it never crossed our minds until someone mentioned our well-being one day. We stared at them with a genuinely perplexed look. And they stared back just long enough for something to spark in our chest. A whisper of self preservation. Something niggling in the back of our heads that we deserved a better life than this. Our souls carefully tapping from below, just in case we were listening this time. Just leave, it says. Just leave.

But we’ve been well trained to know that the sun can’t survive without us. It can’t survive without its planets and its moon. We’re the only ones who understand how it operates. And without us it would be all alone in the inky blackness of its own celestial abyss. And so the dance of codependency forges on, stronger than ever. I’ve heard that children of a mentally ill parent tend to be more untrusting, desperate for structure, constantly self effacing, full of anxiety and always in search of something more perfect. Of course we are. We’ve danced with the sun.

Last year I rode out to Fort Tilden to catch the solar eclipse. I was in awe of how many people were in awe of it. Millions of gazers all over the country gathering to watch the sun god be rendered powerless by our little planet and its little moon. Our pale blue dot. Even more astounding was that in the looming countdown to artificial nighttime, the life around us adjusted accordingly. Crickets started chirping, a few bats started flying around disoriented from lack of sleep on a long summer day, the fresh scent of early evening wafting through the breeze. A powerful entity going dark, the life around it adjusting. Surviving. When the sun and the earth and the moon are all perfectly in line.

When we lined up in the kitchen to watch our personal eclipse we also adjusted accordingly. We’d hunker down for dark mode, which could last for weeks depending on the season. We spoke quietly and avoided the sun at all costs, careful not to disturb it. Never complaining if it tucked itself away in it’s room for days on end. We were safe if it stayed behind closed doors, doing whatever it needed to do to survive the grip. During these times my walk home from school slowed to a crawl. Surely there was a friends house I should be visiting right now. Maybe Nicole’s mom bought fruit roll ups again. I’d drag my feet and trudge home every day, mentally preparing myself to find my dad hanging from the garage rafters. “Would I get there in time? Why am I walking so slow? Feet, fucking move faster. Would I even be able to get him down though? Is there a ladder nearby? Do we even have rafters? I don’t think we have rafters.” But I could picture it so clearly. Like it had already happened and the universe was trying to warn me. It knew that’s how he’d do it. And that he’d make sure I was the one who found him. I was the one he opened up to, after all. I was the one he’d sit down in front of to explain why my mom was so horrible and why he was unfaithful to her for all those years. Why my friend’s mom was something he just needed. I knew how the sun operated. I’d surely be the one he’d bestow his suicide on. But I’d never find him hanging in the garage. He was always alive. Hunched over, now keenly aware that he’d surely lost everything. But alive. A sad calm would hang in the room as long as it was silent. Sarcasm and utter despair if we engaged. Spinning around and around, getting lost in the orbit of the sun never knowing which dad we’d land on but always knowing the truly evil one would be back. He always came back. Like a heavy shoe forever hovering above.

I can’t help but think about what could have stopped the cycle? What could slow the orbit? Something that could have made our universe even marginally more tolerable. Like ketchup on dry eggs. Sometimes I think naming it would have. Just calling it out helps it lose some power. That’s what they say, right? The enlighteners? We knew who and what our sun was, but we didn’t really talk about it. We blamed the sun over and over and then when that got old we blamed ourselves until the rage came clawing from below. Then we blamed the sun again.

Had my dad really sat us down and named the things he did maybe we’d be better off. Therapy was long and painful and arduous and obnoxiously expensive. And I’m still talking about it, for Christ’s sake. He’s still a star in my fucking galaxy. I still struggle to understand healthy relationships and have a distorted ideas of authority. I always gravitate towards people I think need to be fixed. However irritatingly subconscious that is. Because it’s what I’m uncomfortably comfortable with. Feels like home. Maybe if he’d been able to admit to the things he did I’d be a better version of myself. I don’t know the answer to that and I never will. He took his guilt and shame and apologies to the grave with him. If they were ever there in the first place. That’s still up for debate amongst my family members. Did he even know what he did? Did he clock the damage he caused? Probably not.

At one Thanksgiving dinner where we all know family recovery starts and ends, I reminded him of the time my rabbit Poster Nutmeg was found missing his entire body. I found a small pile of him in the neighbor’s dilapidated garage where we knew this one evil cat liked to hang out. George, the orange striped serial killer. My dad joined me in the garage to stare down at what used to be my fluffy pet. He stuck his hands in his pockets rocked back on his heels and said ‘Hey, at least someone got a good meal.’ Then walked back inside. Even as I was recounting the story to him over mashed potatoes and too much wine I could see on his face that nothing was registering. He was incredulous, even. If that wasn’t enough to satisfy my curiosity, the roaring belly laughter and: ‘I’d never say something like that’ that followed certainly drove the point home. Even if he did know what he’d done at one point, he lied to himself until he believed it never happened. Is there really a difference?

My question for fellow lovers of impossible people is… would you change it? If you were the child of a mentally ill parent would you go back and be a different formula blended in a different bowl if you could? Have a different set of genes? My genes terrify me. Bipolar disorder can be incredibly genetic sometimes ripping through generations of family, as it has mine. Its companions are addiction and eating disorders and anxiety. Who’s kid will have it? Do I have the gene just hiding away in there somewhere waiting to rear it’s ugly head? My own anxiety fuels that fire. But would I be someone else in order to erase all that?

I have family members who suffer on a daily basis. They can be utterly debilitated by the pain their own brain inflicts on them. Would they change that if they could? Would my dad? If he knew what he did to us, would he go back and never get married or have kids? To spare them? I don’t have the answer. But sometimes I think about who I’d be if I never lived this life. If I was born with different parents in a different house with stability and safety and normal mornings. Who would I be now?

I can’t help but wonder if I wouldn’t change it. The more I look into it, the more I look back at the ugly, the more I like myself just exactly this way. If I changed everything, I’d have to change well… everything. I might be less loyal, less empathetic and less intuitive. I might love people less, or want to have conversations about the Kardashians instead of mental health. And then someone who really needed to hear this might never know that someone else grew up orbiting their own personal sun too. And that it all really happened. That someone believes them. I believe them. If the formula changes, so does the product. And if I start to accept that, who knows what road I might find myself on. Learning to love who I am just exactly as I was made? Preposterous. Right?

Sometimes I wonder if living with an impossible person wasn’t the greatest worst thing I’ve ever done. This is only after years of dissecting the facts of course, or what I remember of them anyway. I know I’ll never fix all the things. I don’t even think I want to. All the digging around and ripping apart and examining has just made me think… if hurt people hurt people… what do you think healed people can do? And when will the planets finally be healed from years of orbiting the sun so close? Maybe never. Some burns just leave a scar that way. So they heal the best they can and then they look for shade. Hoping to find another planet cooling off under a tree somewhere so they can finally talk about just how bright that sun used to be.

Adrienne LaValley is an actor, writer and creator of the podcast ‘The Old Man and the Me’. She writes and records in an attempt to expel shame and stigma surrounding mental health issues while also never tiptoeing around the frequent crapstorm they can cause. She tells stories about life, mental health and lack of both in the hopes that people will feel a little less alone out there. Her full length play ‘The Good Father’ recently had a reading at The Paramount Theatre with the Dramatist’s Guild and will start workshopping in the new year. She lives with her husband and superdog Junebug in the Hudson Valley and wishes everyone would pay it forward just a little more often.

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Guest Posts, Self Image

Don’t be a Baby – Lessons in a Roy DeCarava Photo

April 8, 2020

By Trish Cantillon

Labor Day Weekend 1979 before we started ninth grade, my best friend Mery and I went to my family’s vacation home in Newport Beach. Since my parents’ separation it was where my dad spent most of his time, and by extension, my time with him. I assumed that since I was fourteen, I would be afforded some independence. I believed I’d outgrown the obligation to keep him company while he sunbathed on the front patio glistening with cocoa butter, a vodka cocktail always at arm’s reach. My plan was to spend those days laying out at lifeguard station fifteen, with afternoon bike rides down the boardwalk to the Fun Zone for Balboa Bars. We’d endure dinner with my dad, and whatever drunk personality he embodied, because his barbecued chicken was delicious. After dinner, we’d disappear upstairs to talk about boys and how great high school was going to be. This was my expectation.

Late Saturday morning, as we finished up bowls of cereal, Mery and I made our plans. My dad sat on a barstool at the counter: newspaper, coffee and vodka screwdriver in front of him. “I’m out of vodka. I’m going to need to go to the store before you head out,” he said, without looking up. His arm was in a sling from a shoulder injury and he wasn’t supposed to drive, though he seemed to pick and choose when he followed that rule. I was unsure what this had to do with us until he stood up, slipped his wallet into the pocket of his trunks and plucked the car keys from the dish next to the phone. “Come on, you’re going to drive me to Balboa Market,” he said.

“What? I can’t drive! I don’t even have my permit,” I replied, certain that once he realized that he’d back off.

“Oh, it’s fine. It’s just a few blocks. Come on,” he insisted. His tone got sharper. I was not in the habit of talking back, especially when he had been drinking, but this felt like a legitimate place to speak up.

“I’m not driving you to the store,” my voice quaked.

“Don’t be a baby,” he said. Me being a ‘baby” was an idea often directed at me, either in a lighthearted way, like when he’d sing, Yes, sir, that’s my baby on our bike rides, or, in this case, with anger and disappointment. It always made me feel small.

“No. Please don’t make me. I don’t want to.” He was silent, then looked at Mery.

“You wanna drive?” he asked. Mery looked at me and shrugged, as if to say, if you’re not going to, I will.

“Sure,” she answered.

“Atta girl,” my dad replied. I was dumbfounded. My grand gesture undermined in an instant. Mery didn’t see him as a bully trying to get his way. She hadn’t lived with that behavior her whole life. For her it was something cool; an opportunity to break the rules and have fun. I felt the heat rise inside me with nowhere to go but smiled as he handed her the keys. I followed them out the open front door.

Mery looked confident as she climbed into my dad’s loaner, a red Ford Granada. The jealous part of me was glad she wasn’t getting to drive his Mercedes 450SL. In abbreviated stops and starts, she backed the car out and pointed it in the direction of Balboa Market. From the sidewalk, I watched the surreal sight unfold slowly, like the final scene in a movie. Everything about it unrecognizable. My best friend behind the wheel of a strange car with my dad riding shotgun on an errand to buy vodka. I felt empty and deserted. I wandered into the house, unsure of what to do with myself. As the minutes ticked by, I began to question why I was so worked up about this in the first place. What’s your problem? It’s no big deal! You’re being a baby! I grabbed my beach bag, tossed in the Bain de Soleil, two cans of Tab, Seventeen Magazine and waited for them to return. Eager to pretend the whole thing never happened.

***

The tears came suddenly and completely. Before I was even aware, they were running down the sides of my cheeks. My husband Quinton and I drifted through the Museum of Modern Art that spring afternoon in the mid-nineties and happened upon the Roy DeCarava exhibit. I shuffled, along with the other patrons from one image to the next and came upon Graduation 1949. When I saw it, I was overcome with a sadness that’s hard to articulate. In Hyperallergic, Colony Little describes DeCarava’s work this way, “He transforms otherwise mundane moments into intriguing narratives with beguiling characters, extracting drama like no other.” The sadness I felt was familiar; an echo and I could instantly envision the life of this girl at this moment.

On a day she thought would be free from disappointment, she put on a happy face when things didn’t turn out as she hoped. She walked alone to her own graduation, through a decaying Harlem neighborhood and an empty lot strewn with trash. She gathered the sides of her beautiful white dress into her hands and lifted the hem so it wouldn’t drag. Everything she reasonably expected for the day had disappeared; except her fancy clothes and accoutrements. She would look the part, even if she didn’t feel it.

Graduation, 1949 exposed an interior life I had long kept at bay with a smiling face and cheerful demeanor. The physical representation of the young girl alone spoke to a deep abiding loneliness. I grew up in a large family and found myself most comfortable amidst the attendant noise and chaos that accompanied that life. I loved falling asleep listening to my brother’s music down the hall and my sister’s hairdryer in the bathroom. However, because I am the youngest by seven years, I often found myself alone. In those moments when life was quiet, I was consumed with a melancholy I could not name and didn’t understand. Distracting myself with elaborate imaginative play, TV and food, I felt a little less blue.

When I was ten new neighbors moved in next door. It was a Friday afternoon and a last-minute change in plans meant I would not have the standard-issue divorced kid weekend with my dad. My mom had a date so I would stay home with the housekeeper who spoke little English. I had the house, and, most importantly, the kitchen to myself. A few days earlier I had talked my mom into letting me buy a fancy Bundt cake mix I’d seen advertised on TV. Because we weren’t the type of family that baked cakes and had them around our own house, I had to have a reason to bake it and a somewhere for it to go. I told her I thought it would be nice to take to the new family next door.

With the family room TV on in the background, I put all my baking supplies on the counter: cake mix, egg, oil and water. I put an apron on over my t-shirt and shorts and when I was ready to begin preparing the cake, I silently called “action” on the imaginary TV show I was starring in. I carefully walked through each step of the recipe explaining the process and offering my valuable tips for the make-believe audience at home. When the cake was finished, I drizzled the packaged icing over the top (the whole reason to buy this cake mix), saved some for myself for later, and proudly displayed the finished product, with great personality and flair, to an invisible camera. I then walked it to the neighbor’s house and rang the bell. A petite brunette woman opened the door looking surprised to see a chubby blonde ten-year-old stranger holding a cake.

“I wanted to give you this to welcome you to the neighborhood,” I offered the plate to her.

“Oh, well, that’s very nice,” she replied, taking it from my hands, ‘Thank you.”

“You’re welcome. It’s kind of a neighborhood tradition,” I said, puzzled by how quickly the lie flew out of my mouth.

“Hope you like it. Bye.” I turned and stepped off her porch.

Back at home, I polished off the leftover batter that clung to the sides of the bowl and the beaters. I fixed myself a boiled hot dog and large bowl of buttered popcorn for dinner, then settled in for a night of television, interrupted only by a move from the den to my room upstairs. Tucked in bed with the portable black and white TV perched on the end of my desk so I could still see it while lying down, I watched The Rockford Files and waited for sleep to take over. Sometime in the middle of the night the white noise, or the National Anthem that preceded it, woke me up. The TV station’s final sign off for their broadcast day brought with it a profound sense of dread and flickers of panic. I was all alone. No one or no thing left to keep me company.

***

Aside from what was obvious in the light, the darkness and shadows in Graduation, 1949 said plenty to me about a literal childhood fear of the dark and an adult fear of the unknown. In Reading the Shadows-The Photography of Roy DeCarava, Ruth Wallen maintains, “The shadows house the riches as well as the dangers. DeCarava’s persistent focus on life in the shadows demands that they be read in a new way, as fertile ground full of possibilities.”

My mom was thirty-nine when I was born in 1965, which, then, was considered late. I was the fifth child who came seven years after the fourth. Growing up I was conscious of the fact that she was older and quickly attached myself to a fear of her death. In its early state, it was born from panic that if something happened to her, I’d have to live with my dad. After he died when I was fifteen it was simply the prospect of losing her that was devastating. Then, as I got older, it became more acute. I’d fret if she didn’t answer the phone or if I got a busy signal for more than an hour. I monitored every sniffle or cough that lingered. I read obituaries to check the average age of the old people that were dying. I didn’t want to think about life without her, or what it would feel like, so I tried to manage what I could not control.

She was a life-long smoker of unfiltered Pall Mall reds. She had a glass of wine and a cocktail every night and considered her vanilla ice cream a good source of calcium. She did not look after her health but managed to appear healthy. From 1978 to 2003 her only visits to a doctor were via the emergency room for a twisted ankle, a broken wrist and finally a broken pelvis. The extended gap in her health care was precipitated in 1978 by an irregular brain scan that doctors incorrectly presumed was a tumor. From that point she adopted the philosophy that doctors make you sick. By 2003 and the fractured pelvis, some legitimate, long-ignored, health issues were unmasked. She spent eight weeks in the hospital and rehab with a few touch and go all-nighters in the emergency room. In the darkest moments, I tried to talk myself into being okay with the fact it might be her time, but quietly sobbed at the thought. On top of knowing I would grieve losing her, I wasn’t sure how I would get through it.

Mother-daughter relationships are complicated by nature and ours was no different. Its complexities, however, were not typical. I never sassed her, talked back, or crossed her. Her emotional support was the only thing I felt I could trust and rely on as a young overweight girl with an alcoholic dad, who just wanted to feel good about herself and fit in. And she relied on me as a companion and ally, her number one booster and cheerleader. For her, my being “the baby” made her believe she appeared young to her peers, even after she had a handful of grandchildren. When she lied about my age to an old friend we ran into, she told me “They don’t want to know how old you are, it will make them feel old.” But an identity of “the baby” made me believe, by its definition, that I was not capable as an adult. This idea seeped into my fear of her death. Could I handle it? Or would I be an inconsolable mess?

In 2012, after several years of declining health, and several remarkable rebounds, my mom let us know that she was ready to not be here anymore.

“I want to be knocked out,” she said. Sitting up in her bed at the assisted living home she’d been in for a couple years, sipping the Bloody Mary my sister had fixed for her.

“You mean, like go to sleep and not wake up?” I asked.

“Yes,” she answered. Her mind was sharp, but her body was frail and, quite literally, shutting down. Less than twenty-four hours later, after the first dose of morphine had calmed her breathing and her nerves, my brothers and sisters and I gathered in her room. We’d been told she’d get a dose of morphine every four hours. The hospice nurse would be back in a day to check on her. I stood near the doorway and observed the scene for a moment and then felt compelled to go sit on the bed next to her. I rubbed her hand, remembering how much I loved the liver spots I thought were freckles as a kid. I could see and feel that she was slipping away, life draining from her body. It was not terrifying. It was not beautiful. It was a somber experience punctuated with inexplicable odd, humorous moments and a peacefulness that’s hard to describe. I felt no fear.

I realized, not long after, I had been present with her when she found out my dad died, when she broke her pelvis in 2003, when she fractured her back in 2010 and finally on the day she died. I had been moving from light to shadow and back to light endlessly but needed to fully experience the thing I feared most to appreciate what was possible in those shadows.

It’s been over twenty years since I first experienced Graduation 1949, it still evokes the same deep melancholy from the first time, when I may have believed I conjured an imaginary life for this young girl on her graduation day, but I what I really did was ascribe my own to her.

Los Angeles based writer and native Angeleno, Trish Cantillon has published personal essays on The Fix, Refinery 29’s “Take Back the Beach,” The Refresh, Storgy, Brain Child Magazine Blog and Ravishly. Her fiction has appeared in Gold Man Review and Berkeley Fiction Review. She works for Dream Foundation, the first and only national organization providing end-of-life dreams to terminally ill adults.

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