by Holly Easton
Shortly before he left my mother, my brother, and me, Daddy gave me a copy of Heidi for my eighth birthday. He wrapped it in glossy red paper and left it on my bed. Before the year was out, he was gone.
I see him again the summer I turn 12 and Lukas turns 16. My mother screams into the phone, then click, and she tells us we’ll be spending three months with him in the Rockies. I kiss her even though I know she’s mad about it. Daddy’s been bouncing around these last few years, but whenever I asked, he said when he had a place of his own, we’d get to visit. Now it’s finally happening.
I got my braces wire tightened just before we left. I spend the flight placing balls of wax over the metal brackets in my mouth. I ask Lukas if he thinks Daddy will have goats, like the grandfather in Heidi, but he’s writing out guitar chords to whatever’s blaring on his headphones. He lets me rest my head on his shoulder though, which is progress since he swore off talking to me when I snipped all the strings on his guitar a few weeks ago.
My mother wants to buy me a training bra but I keep refusing. My chest is throbbing though and when we land, I hold the new triangular growths in my hands while we wait for Daddy, but then I see him and I drop my arms.
This Daddy has rough fur, instead of the prickly pear face he had when I was little, but otherwise, he’s the same. I run to him but then I see Regan, like The Exorcist, next to him. Regan’s his “life model.” She gives both me and Lukas tight hugs, leaving Lukas breathless.
“My chauffeur,” Daddy says, patting her scapula and we load into the car. I had forgotten that my mother used to drive him everywhere.
Regan wears her hair in a black braid that goes down to her hips and arrives a little before dinner almost every night. Lukas hangs onto her every word, although she is parsimonious with her speech. After dinner, she and my father lock themselves away as Daddy works on what he’s calling his “experimental phase.”
Lukas tells Daddy the altitude gives him headaches, so he spends most of his time in town drinking slushies and chatting with tourist girls. I’m too pimpled and my chest is too sore to be seen, so I stay on the cliffside with my Dad and his cans of turpentine.
I have no memories of him painting before he left, but remember having the notion that he was ‘known’. Parent-teacher conferences with his uneven stubble and my mother’s polished suit; his exhibits rather than my comportment, teachers ignorant to the brandy on his breath. I didn’t mind then. I misbehaved a lot.
“Stevie at the diner says he’ll teach me how to cook if I help him serve the lunch crowd on the weekends,” Lukas tells us over dinner. He gets loud whenever he talks about his new job at the diner.
“That’s good, a man should know how to cook,” Dad says, pointing the prongs of his fork at my brother.
“Stevie says,” gulp from Lukas, “he says the ladies love it.” Dad looks over at Regan, who meets his eyes and pours him some more wine. I keep staring at him in case he decides to share the secret exchange with me too. He doesn’t. I start to clear the dishes.
“Stevie’s probably right, but it’s still a bit early to think about that, son.” I pile them in the sink and reach out for the dish soap, but Regan’s hands stop me. I flinch because they’re cold, but her eyebrows soar up and her head shoots back like a concerned chicken.
Lukas shrugs his right shoulder and stares into his root beer, “yeah, but still, cooking’s better than just wiping tables and stuff.” I plonk down in my chair and Dad knocks my elbows off the table and flips through the day-old newspaper.
After dinner, Lukas locks me out of our loft. I can hear the twanging of his guitar through the door.
Because Dad is nocturnal in his work and he often retires for the day around eleven in the morning, leaving me alone on the mountain with no older boys to flirt with, and no younger girls to chase. It’s too quiet when Dad’s asleep, so I carry around the small radio I find in the loft. We only get the CBC on the mountain and even then, it’s fuzzy. Still, it’s better than silence.
I catch Lukas before he heads out one morning. “Can I come with you today?” I ask, even though I don’t really want to, I’m just bored.
“I’m working all day,” his thumb and forefinger stroke the fluff above his lip as he gives himself a final look in the mirror.
“I could come watch. Read, or something.” He spits in his hand and flattens his hair.
“You can’t sit in a diner re-reading Heidi all summer, Daisy.” I hear Dad send him off and I roll over and go back to sleep.
CBC starts its hour of classical music just as I hear my father crawl into bed. I turn it off because I can’t stomach another concerto. I want to run and scream, but the peaks of snow in the distance scare me off, I’m afraid my voice will boom and start an avalanche. Instead, I find myself in Daddy’s studio.
The door creaks only slightly, but it’s so quiet that I’m immediately on edge. His studios, his gallery openings, his work has always been off-limits. I was too young, it was too dangerous, the work was too precious. Standing there, for the first time, I see the brilliance that has driven a stake through my family. The colours of his passion refracting against itself and rolling over.
Regan puts her hand on my shoulder and leads me out.
She stays late to make me lunch. I tell her it’s too hot for soup, but she puts some on anyway. “He’s teaching me to draw,” she says, drying the mug he uses for his brandy. My face is dewy with sweat as I eat. She stares at me and I flush tomato, like the soup. I feel the bumps on my forehead or the new wires on my chin more pronouncedly. I think, maybe if I focus hard enough, they’ll retreat back into my face. She leans closer towards me, our noses level and almost touching. She traces my features with her eyes. She reaches for her sketchbook but pulls her hands back. Instead, she grabs her purse. “Do you want me to show you how to pluck your eyebrows?”
Leaning away from her, I smash my elbow into my bowl of cold soup. The clatter echoes out because there’s so little noise, so little else, on the hill. “You have a beautiful natural arch,” she says, reaching out to stroke my brows.
“Does it hurt?” I ask
She smiles, tucking my hair behind my ears. “You get used to it.” Her fingers brush my skin so gently, they smell like cocoa butter. “Besides, I think Jack– your Dad– would like it if we had some Big-Girl bonding time.” She smiles and then collapses her lips into a pout as she searches through her purse.
I hold my breath as she brings the tweezers to the first hair. “Ow!”
“Did that hurt?” Regan pulls back.
“Of course it did, you ripped my hair out!” I snap. She gets up and I think she’s about to leave, but she just goes to the fridge. The crack of the ice tray and she wraps ice cubes in a paper towel to numb the skin.
She shapes in silence, pulling back to look at me or tilt my chin as she sculpts and paints my face with the contents of her purse. I wonder if this is what my father does to her in his studio and suddenly I remember I hate her. “My daughter would be a little older than you,” she says.
I don’t ask what she means. My neck starts to ache from supporting her canvas and I straighten out. I hate her for staring at me. I hate her for making me untimely soup. I hate her for taking my father’s time. And I hate her most, in that moment, for acting like a friend, or maybe a mother.
Regan moves the ice over my pimples. “The cold will help them heal,” she says. My parents had to evacuate their home the day after I was born due to a forest fire. When they returned, the fields were already germinating with flowers, daisies, and trees that had been scarified into growth. The surface of Regan’s face was smooth like pulled toffee. I imagine the ice putting out the little fires burning under my skin. I lean into her hands.
My father shatters his coffee cup when he sees what she has done to my face. She’s traced my eyes like an Egyptian queen. I’m done-up like a, he struggles for a word, choking before he spits up “an inappropriate” and storms off into his studio. Regan tries to follow him.
“We’re just having fun,” she says, but he slams the door in her face. I ask if I can keep the lipstick she put on me.
Wearing Pomegranate Persuasion, I return to the studio every morning after that. Regan doesn’t linger after her sessions with my father anymore, so there’s no one to stop me. With the door shut, the studio air is damp in my throat. Every step is muffled by globs of oil streaked across countless canvasses. Every day I push in a little further until the colours don’t make me dizzy anymore. Then it’s the texture I absorb.
I run my finger pads over the peaks and ridges, feeling how they expand after every sleep. The landscapes are vast and uninhabited. The newer works scattered around the easel have been hybridized with Regan’s form. Her guitar-shaped body as mountains; her black hair as waterfalls, her eyes as valley basins. Oil takes a long time to dry. I push in from tip to first knuckle, squishing Regan’s curves. The paint parts around my finger, tarnishing my glitter nail polish.
I’m not allowed in the studio anymore after that.
Instead, I’m sent down the mountain with Lukas. Dad waits at the kitchen table with his mug in the morning to ensure we leave. He doesn’t say anything to me when we do. On our way down, Lukas splits the slushie money with me, waving at everyone we pass. “I’m going down to the quarry with the boys. If I’m not back here for 5, just head up without me, okay?” He says, sticking his too-long thumbnail between his front teeth to get out a fleck of toast. I pull out Heidi from my back pocket and spend the day reading at the bus stop.
“What the hell are you wearing?” It’s after 5. Lukas is still at the quarry and I’ve come home on my own. We go through this every day. My summer clothes from the year before hadn’t quite fit when I packed them, but it’s been getting worse as the days go on and grow hotter. My shorts ride up the back or bunch in a V at the front. My shirts are too short as I’ve grown a good few inches since my eleventh. My mother’s promised a shopping spree for my twelfth, but that’s just before school starts. And, of course, I’m with my father until then.
“They’re just shorts, Dad.”
“They’re inappropriate.” There’s something else “inappropriate” every day. His concerns are more than just fit. The colours, the patterns. When I dress, I make-believe a theme for the day. The light-up sneakers with my cupcake dress (celebration). These butterfly shorts and the inappropriate unicorn top (things that can fly). Dungarees and Dragons (that one’s self-explanatory). It all bothers him. He still hasn’t forgiven me for defacing his work.
“What’s on your mouth?” Pomegranate Persuasion. I stay quiet. He shakes his head so slowly.
“Everyone wears it– ” but I’m wiping my lips into my palm.
“My child will not.” He sniffles with a summer cold and wipes his nose with the back of his hand. I edge towards the loft. I’ve got my hand on the stair railing, “and you’re wearing those clips again.”
My daisy clips. He hates them most of all. The daisies come in every colour with smiling faces in the pistil. “Take them out.”
“They’re my favourite.” I reach up to touch one of the smiling pistils with a finger.
“Why do you never listen?” The mug pounds onto the table.
“I can just stop wearing them, Daddy.” He’s looking away from me. I climb a few stairs.
“You need to learn how to dress your age.” If he means I looked too young, or too old, I never know.
Regan brings shepherd’s pie for dinner, but Lukas still hasn’t returned and she and my father don’t eat with me, so I listen to the CBC. It’s been a dry summer and fires are burning along the west coast. After dinner that night, I find the clips, the plastic cracked through the pistil, in the bathroom garbage.
Marvin, who sells the slushies in the village, calls one afternoon. My father yells at everyone that night. Regan leaves in tears before their session. He tells me he doesn’t need to be woken up by concerned citizens telling him his daughter is “whoring about with boys on motorcycles.” I tell him they were mountain bikes. He’s not consoled. I don’t tell him they only asked me for directions.
The next day, he piles up his old painting clothes and Lukas’s hand-me-downs on my bed. But after a night of bridge at the cottage with Marvin and a few of his pub buddies, he bans me from going into the village altogether.
The village is unsuitable, but I’m still not allowed in the house. Instead, I throw a pack of Oreos in my backpack and walk halfway down the mountain, to the pasture, with Lukas. My beaten-up copy of Heidi was growing more insipid with every read. So I bring the radio too, but the reception is even worse in the pasture.
The radio tracks the fires as they move across Alberta. It’s all anyone seems to talk about. The sun beats down on my back and I lie in the grass staring into that speaker like it’s a face. They interview people who’ve lost homes, people looking for their pets, firefighters, and climate scientists. Sometimes they’d ask people to call in with their stories.
“We’ve got Daisy on the line,” I imagine.
“Hello,” I say, “No fires here yet, but my brother Lukas says the village is booming with tourists.”
“Really?” Roger’s voice is like dark chocolate and whole milk.
“Oh yes, Roger, they’ve been pushed out of Jasper and Banff by the flames.”
“So that must mean there are lots of kids around for you to play with Daisy.”
“So many, Roger! You wouldn’t believe. I might even get a boyfriend before the summer’s out.”
“Aren’t you too young for that, Daisy?”
“I wouldn’t kiss him or anything, he’d just be mine.” And then Roger would laugh, or invite me to be his co-host, or send me undercover on special assignments. But sometimes we didn’t talk about the news or the fires at all. And sometimes they’d just play music, and then I’d lie on my back with Heidi as a pillow, counting clouds and wondering if like Clara and her wheelchair, I could push Regan down the mountain.
The fires leave a grey cloud on the horizon that’s visible even at night. It’s hot and I can’t sleep, so I go outside to watch the smoke. Being outside at night feels against the rules, although it was never strictly mentioned, and I get that bubble of fearlessness in my stomach at the thought of being free and in charge. “Trouble tummy” my mum had called it after she caught me stealing chocolate bars from the Mac’s Milk. I crawl underneath the open window to my dad’s studio.
“You don’t know what she’s like,” he says, his voice startling me by how close it is to the open window.
“She’s just a little girl, Jack.” It’s Regan, but she’s using her other voice, the one she only used with him. It’s higher, smoother. “She’s curious. She didn’t– ”
“She knows what she’s doing.” There’s a pause. The sounds of Regan shifting on the stool, and the lick of a brush on a palette waft from the window.
“I think she misses you.” I hear as I lie down and close my eyes, warm from the summer air wrapping around me. My father’s snoring when I come back inside to brush my teeth.
“I like it here,” Lukas says after meeting me in the pasture so we could march home together. “It’s a simpler way of life.” We stop near some bushes out of eyesight from the cottage so I can put on the windbreaker and jeans my father has deemed more weather and age-appropriate than my tee-shirt and shorts. I rub Pomegranate Persuasion off on the sleeve of the jacket.
My father’s in a good mood when we get home. He slings his arm around Lukas’s neck and ruffles my hair. “My babies!” He yells, but not an angry yell like I’m used to. We eat dinner as a family because Regan isn’t coming tonight. My father even puts off his work for a few hours to hear all of Lukas’s exploits. I gather and start to wash the dishes and watch as my father leads Lukas into his studio. They don’t come out before I’m in bed.
Their snoring wakes me up. They’ve passed out cold on the couches and there’s an empty bottle of wine between them.
“Celebrating,” says Regan’s voice from behind me. We haven’t been alone together since the afternoon she plucked my eyebrows, the regrowth of my messy brows as evidence of the month that’s passed. “Jack called me last night, so I came up this morning to congratulate him. I guess I should have known he’d be asleep.” She turns to the sink and starts re-washing the dishes I did the night before. “It’s exciting, isn’t it?”
I don’t know what’s exciting, so I don’t answer. Locking myself into the loft, I block the door with the wicker chair so Lukas can’t stumble into bed. The loft is so sparse and dark and the only evidence of home is Lukas’s guitar in the corner. I flick on the CBC, but the radio sputters and the batteries die, leaving only the muffled sound of water running over already clean dishes.
When Lukas finds his guitar, the neck is tucked into bed, and the body has been launched from the tiny loft window, smashed against a weathervane. He spends a week with Stevie from the diner. My dad even goes down to the village to be with him. When Lukas agrees to come home, he doesn’t look at me anymore, which I can handle. But he packs up the rest of his stuff only a day later and moves it to Stevie’s. Dad starts having dinner with him in town every night. Being alone in the loft is like being trapped in the brain of a zombie. Everything is muffled, grey, dead. If the house burned down, no one would know I had ever been alive.
As the days grow shorter, Regan’s nights with my father get longer. The day of my birthday, she hikes a rainbow sprinkle cake up the mountain for me with my father’s bridge buddies. I blow out my twelve candles and my father uses real wine glasses, not just a paint-stained mug for his booze. I don’t get any presents because I’ve been bad, but they teach me to play bridge and for one night, forgive me. I pour their drinks and laugh at their loud jokes, even if I don’t understand them. My father lets me have a small glass of wine.
As Regan brings me to bed, my head is foggy from the early hour and the cigarette smoke flooding the house. I hear Marvin downstairs. “She’ll be a heartbreaker one day, Jack,” He’s got a heavy wheeze caused by his belly or maybe his smoking. Regan shuts the door behind us before I hear my father’s response.
“Happy birthday, Daisy,” Regan says, handing me a little box. I don’t take it at first, because I don’t really understand. “Don’t tell your father.” Inside is a bracelet with tiny beads of jade and a small silver flower charm. “The green brings out your eyes.” She takes the bracelet from my hand and slips it over my wrist. “Oh, and I made you this.” Regan reaches into her pocket and pulls out a piece of heavy sketch paper.
It’s a charcoal portrait. My eyebrows mid regrowth, with the smiling faces of my daisies in my hair. She doesn’t have my father’s skill, but her hand is practised. I touch a finger to the pistil of the daisy. She lifts my duvet for me to slip into bed. Her touch is gentle as she pulls the blanket up to my armpits.
“Regan?” I ask, and she looks at me straight in the eyes. “Thank you.”
“You’re almost a young lady now.” Her eyes are on mine until I break away. “Good night.”
They’re all still there when I wake up, asleep on the couches and kitchen chairs. My father’s bedroom door is open. He and Regan are naked, covers kicked off in the heat. The mountains, the valley basins, the waterfalls of Regan’s body, encircled inappropriately in my father’s arms, his face discoloured from alcohol, buried in bunched, patterned sheets.
I walk past them into the studio. It feels tighter. The colours have melted with the heat and the oil is spiking off the canvasses, reaching out to press into my skin. I dry heave from the stale air, the bottom of my lungs filling up the way they had when I blew out my cake the night before. I think about my birthday candles.
The crack of the fire wakes my father when I’m only halfway through the masterpiece. The ash from the pasture has darkened the clear mountain air. I’m sure he’s yelling, but his paintings burn so loudly, air pockets trapped under oily prisons exploding from the heat, that I can’t hear him.
My mother arrives later that day, but Lukas stays through the school year. We have our shopping spree, as promised. She lets me buy whatever I want.
Holly Easton has a degree in archaeology that has proven to be just as useful as her parents said it would be. She is currently pursuing a Master’s in science history. Holly is a volunteer science communicator at a local museum where she teaches guests about evolution and ecology. She enjoys meeting and chatting with neighbourhood cats.
Margaret Attwood swooned over The Child Finder and The Butterfly Girl, but Enchanted is the novel that we keep going back to. The world of Enchanted is magical, mysterious, and perilous. The place itself is an old stone prison and the story is raw and beautiful. We are big fans of Rene Denfeld. Her advocacy and her creativity are inspiring. Check out our Rene Denfeld Archive.