When I finish a book, I do one of three things with it: donate it to a local book drive, pass it along to a friend, or keep it on my bookshelf to reference and read again. This space is filled with the books I keep. I hope you like this feature, and I hope you like Gina’s book. -Angela
by Angela M Giles
The first time I met Gina Frangello in person, she was on the book tour for A Life in Men. The setting was the Brookline Booksmith, and I was captivated. How could I not be, the book is fantastic. I had known of Gina for some time, she was always popping up on one “writer to watch” list or another, and I followed her online work as well as her Sunday editor work at The Rumpus. But that evening in Coolidge Corner, hearing her talk about her process and actually meeting her (ack!) and then taking a photo with her (ack! ack!) was beyond magical.
I have been waiting for her most recent book for a long time, even before she knew she would write it. Gina is a fiction writer, a very good fiction writer and I have read her books, but I secretly hoped she would write a memoir because I wanted to see what a “Gina Frangello non-fiction book” would be like. I suspect I wasn’t alone in that that secret hope. This week that very book was published.
The title of Gina’s latest book is Blow Your House Down: A Story of Family, Feminism, and Treason, and every time I see it, I am surprised by the impact of the word “treason.” Likewise, when I see the teeth-baring wolf on the pink cover, I feel a little shiver. This visual of the book makes no secret of the fact that what is tucked between the covers is likely unsettling, uncomfortable, painful even. And it is. But it ends well, as we know. Her pandemic zoom wedding, featured in Psychology Today, was a welcome respite mid-quarantine.
What Gina offers the reader is an unsanitized and unfiltered, look at a woman’s life in middle age. There are parts that are glorious and parts that are devastating. Parts that are messy and parts worth doing over and over again. There are the parts that are painful, that are the result of questionable choices. In this book everything is fair game, and no one receives harsher examination than the author herself.
Gina doesn’t flinch when she tells us of the affair that reawakened her sexually while sounding the death knell for two marriages, the regrets she has as a parent, as a daughter. She can describe physical abuse or fucking with the same intensity and she doesn’t give us much room to flinch either. The writing is lyrical and charged. The book opens with a list of words starting with the letter “a,” then proceeds through each section looping time back on itself, interjecting misunderstood words, switching points of view, and ending with fifty meditations. If nothing else the book is a masterclass on form.
But of course, it is something else. It is a book about female desire and female rage. It is a book about making choices and taking responsibility for those choices. It is a book about resilience and reckoning. It is a book about being in the midst of your life when your marriage, body, and parents fall apart. But most importantly, it is a book about what a life looks like when a woman tells her story.
The final sentences of the book are these:
“This much I know: that eventually, we all have to start screaming well before we hit the ground, so the women below us will understand when to scatter, when to take cover, when it is safe to come back outside and try again to change the world. So that future generations will know, from the echo of our voices, never to stop watching the sky.”
This conclusion to her memoir, this feminist directive, is why Gina’s book will continue to stay with me. In telling one story of a woman’s messy midlife, she paves the way and encourages the voices of others to do the same. She has cleared a path, now it’s our turn.
Gina Frangello is the author of Every Kind of Wanting, A Life in Men, Slut Lullabies, and My Sister’s Continent. Her short fiction, essays, book reviews, and journalism have been published in Ploughshares, The Boston Globe, Chicago Tribune, HuffPost, Fence, Five Chapters, Prairie Schooner, Chicago Reader, and many other publications. She lives with her family in the Chicago area.
Angela M Giles has been published at The Coachella Review, The Nervous Breakdown, Medium: Human Parts, as well as other journals. She has been featured in print at The Healing Muse and is a contributor to Shades of Blue, An Anthology On Depression And Suicide from Seal Press. She is a curator and editor at The Manifest-Station. Angela lives in Massachusetts where she conquers the world, one day at a time.
Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.