remembering Archives | The ManifestStation

Beyond The Haunting

August 17, 2021

by Micah Stover

My favorite auntie told me when I was little to be careful. She said it with a wink, but I knew it was a warning. She told me not to be scared of boys. That really the girls are the powerful ones because we know things. But knowing things can be dangerous.

Trauma spreads through my bloodlines like bamboo, strong and supple. Sometimes dressed as madness. Sometimes addiction. Sometimes violence. It wears many faces and has many names, but mostly it lies hidden with everything evocative of shame.

It took me years and much work to understand that inside everything labeled as trauma rests a jewel – a seeing, a knowing, a power. Intuition is the key that unlocks that house of divinity. Inside that house, there is no battle for control. There is only truth and clarity. Inside that house, I sleep like a baby and walk like a warrior in tune with the earth. Inside that house, my life is my own and I understood it to be a gift, not a curse.

This was the truth as it was revealed to me under the elixir of the great mycelium and her perfect, little flowering body. How little I understood about this vast, robust network under the soil, communicating, connecting, severing, mending, ending and beginning. Everything. All of life held clearly here in the womb of nature where she spreads and pulses her rhythms out into the world, like a woman in labor contracting with life and possibilities. My aunties were midwives. They knew all these things and whispered them in my ears.

When the psilocybin carried me down into the dirt, into the center of all that is living, she showed me the intricate weave of my ancestors. In a voice familiar, loving and firm, she insisted my self-concept deconstruct. She repeated this over and over again, until it was all I knew. Until my ego completely dissolved returning me to the earth from which I’d come. Then it became clear how subservience and humility rendered so little space for agency. How rage filled in the spaces where potential might otherwise have been.

I saw myself inside the construct of time and generations, chasing the truth like an elusive thread. I was the canary in the coal mine of my lineage, my karmic inheritance clear. I’d come to sing a song, to seek and speak the truth where all the other women before me had been silenced. I grabbed this thread woven into the essence of me, and I started to work.

Deep down in the belly of the earth it was apparent how much had been hidden and buried in the small cemetery with dilapidated fence and hand carved tombstones, sitting just behind Grandma’s old farmhouse. The garden, fertile and ripe, with succulent tomatoes popping off the vine, tasting more like a fruit than a vegetable as they toppled like offerings onto the graves. Death and life juxtaposed, swirling together in the soil, side by side. The lush and loss represented in equal measure. My cousin commanded the four-wheeler like a master at age eleven while I clung to his waist, pink frock and blonde curls trailing in the wind. A small shiver on my spine as we whizzed past the stretch of cemetery where all the spirits moaned and grasped at my ankles.

Etched in the family code was reverence to a severe god who required we reject our desires and curiosities. Feeling sorry was inherent to being conscious. I was raised in this context to speak earnestly but in code, to tell half-truths and leave the rest behind. I was taught to live my life as an apology and required to subvert my power in attempt to find a place in a world that was not ever mine.

I never met Cecil, my paternal grandfather, though he visits sometimes in my sleep. He was dead before I came along, buried in that cemetery out back. My grandmother visited him daily, loyal beyond time to a man she loved almost as deeply as she despised. His stories linger large even after all this time. Charismatic and unhinged, he was prone to episodic drunken outbursts before the war. His body returned, but not his spirit. His spirit was a casualty into the wasteland of unresolved PTSD. He returned taunting death, begging for an escape that would stick. When he was almost fifty, the doctor came to unplug the machines keeping his barely breathing body alive. The black cancer had spread to his lungs from his heart leaving the entire chest cavity a shadow. He left behind lots of babies and a teenage wife who couldn’t drive or read.

He is the dark man I see sometimes in my dreams, appearing like a hunter, seeking me out. Initially his shadow evoked a shiver, but these days, he wanes and turns to walk before running away. My body in this dream is also black, more iridescent than dark or opaque. I move lithe, strong and equally foreboding, approaching him dead on. I am a large, sensual cat in the twilight. I am not here to hunt. I have come to protect and preserve myself, my cubs, the lineage that is now mine. I’ve come to retrieve something sacred and pure from a black hole of ancestral pain.

For a moment, Cecil and my eyes meet, and an inexplicable recalibration transpires with our gaze locked. We remain transfixed until his black shadow shrinks to the size of a small boy far more frightened of me than I of him. His spirit begins to pulse little specks of red blood from a heart that used to beat. Cecil had come all this way for salvation, not conquest. Salvation was not mine to give, but there was something universal I could offer him. I could tell him he’s forgiven. As a mother, learning to soothe a scared little boy, out of control, I said simply: “You’re safe now. The struggle is done.”

It turns out my canary song was more a lullaby than a cry for help. All I needed to do was let love loom larger than fear and replace caution with courage.

Cecil raised Richard, my father, third of eight kids born into poverty and chaos. In the back hills of Tennessee where my father was raised, his pedigree was well known. Because there were so many of them and because their charisma and epic feuds ricocheted through the corn fields, nothing was really secret. The shotgun rang out like a sheet of music to accompany the family score. Richard was raised by ghosts, damaged spirits above and below the earth.

He made his way out of the wreckage by identifying two goals – stay sober and make money. His money created a different life for me than he had known. Though his sobriety did not. He still lived from the haunted place that devoured love and left another kind of scarcity in its wake.

Richard’s goals were well set before he met my mother. My mother was equally smart in different ways – an intellectual, not a survivalist. No trauma swirled inside her. By contrast, her idyllic childhood left her with no sense of all that could possibly go wrong.

They bore me not from rage, but neither from clear intent. Love can also lend accidental objects. This was my predicament, nestled between a mother who wanted a baby and father who was terrified of passing on his pain. His rejection of me was also a matter of his love, a deep desire not to hurt me as he’d been hurt. I understand this knee jerk response better now as a mother myself. Though as a girl what I felt most was loneliness, stuck in the landmine between them, their squabbles and projections. Their unconsciousness, almost my inheritance.

The child me needed a bad guy and a good guy. Someone to be angry at and someone to save. The adult me understands what the child could not. A woman without voice and boundaries will always believe she needs someone other than herself. And a little boy longing to be loved will raise a little girl in search of the same. The adult me now knows I was always enough, and they did the best they could. There are no binaries.

Trauma does many things. It cultivates your intuition, your ability to read people and the environment. It leaves you lonely, but never bored. It makes you resourceful and creative, albeit potentially and periodically manic. It gives you stories to tell, if you can find the courage to tell them. My sons gave me cause to bury the ghosts, to find a way to turn tragedy to triumph, to work with the pain rather than resist it.

I’m not the same kind of midwife my aunties were. But I’ve learned how to birth certain things. How to take hurt and transmute it into something different. How to take bitter and make it sweet. How to find the little overlap where shame and blame give way to empathy and forgiveness.

The tiniest voice buried deep inside me had much to say and was not so tiny after all. A tickle in the way back of my throat, followed by something that felt like choking. Ancestral hands constricting the airways, begging not to be shamed. Then something that was half cough, half growl, barreled forward from the depths and what came out was my life. A story about moving from pious to righteous. A story being rewritten in real time.

Raised by evangelicals on a farm in rural Tennessee, Micah Stover is now far from home in Mexico where she resides with her family and works as an integrative support therapist with trauma survivors. Micah is currently writing and revising a memoir, chronicling the path to heal intergenerational trauma and PTSD with MDMA, psilocybin and guided psychotherapy.

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Leigh Stein is amazing, no really she is. Leigh was cofounder and executive director of Out of the Binders/BinderCon, a feminist literary nonprofit organization dedicated to advancing the careers of women and gender variant writers. The Land of Enchantment was our first introduction to Leigh, and her memoir of a broken love and lost dreams placed this writer firmly on our radar. Leigh’s recent novel, Self Care, received rave (and starred) reviews and is a highbrow yet satirical look at influencer culture. This month, though, she released a book of poetry that is everything. What to Miss When: Poems is a look at the internet, the pandemic, and the life lived in between. Leigh is an amazing talent, pick up one of her books and let us know what you think!

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, memories

How To Feel Iranian

February 7, 2021

By Maryam Keramaty

In 1978, I left 4 Padidar Street and boarded an airplane to the United States. When the wheels left the runway in Tehran, it seemed like the end of one chapter, and as an eight-year-old I didn’t look back. Now, at fifty, I do. I retrieve memories and feel longing for home. Longing to speak fluent Farsi, savor homemade rosewater ice cream, and eat plump, fresh-picked mulberries with my father. But there was a revolution and Iran vanished. I cannot seem to bring that richness, that life, back.

I want to be that eight-year-old again. The girl who has friends in a bilingual school, picnics on the river rocks with my parents, sister, and family friends, and day trips on winding roads through Alborz Mountain. I want to be the four-year-old who curiously watches tadpoles in the mucky backyard pool, plays with many cousins at large family gatherings, and sleeps under mosquito netting on the back porch. I want to be the young girl who is still Iranian.

Life in Medford, Massachusetts, is different now, but I still remember, remember enough to ache. The school bus driver who adored me, the majestic weeping willow tree in the front yard, and kesh, a schoolyard game I played with friends. The richness of the life I left is palpable. I want to see noon e sangak, stone bread, come out of the oven at the neighborhood bakery, smell sumac on my beef kebob and basmati rice, and taste the soft, sweet figs picked in our backyard. These memories come only in drips, as if to quench my thirst for only a moment. Can I ever quench this thirst? Can I retrieve Iran?

***

Seated at the kitchen table I share with a roommate, I open a gold wooden box, one that holds treasures from another time. I reach into the box and pick up my small perfume bottle from a “make your own perfume” kit. The bottle is no more than two inches high with a flowery round sticker: “Persian Spice.” I take a sniff, with hopes the scent will evoke memories, but there is nothing. It has been over four decades, after all.

I jingle the tarnished tribal Iranian necklace passed down to me from Grama, my American grandmother who visited Iran when my sister and I were born. Small spear-shaped trinkets dangle, and red and blue stones are embedded in silver shapes. I put the necklace on, half hoping I will be transported to a place, and the feeling of home. Nothing.

I stand to spread a small square cloth on the kitchen table and run my hands over the tan and beige paisley pattern and the hundreds of white tassels that hang from the edges. The texture is worn, with coarse, thick cotton threads. It doesn’t take me back. It feels like just a tablecloth to me. No memories, again nothing. My hopes for Iran to come to me are dashed.

These objects don’t bring my Iranian identity back to me, but now I remember spontaneous encounters with Iranians do. The interactions bring a feeling of surprise and generate warmth in my whole being. My heart opens; emotions swell up in me.

One sunny spring day on the community bike path, I notice a perplexed man who seems to be looking for something. It is Seezdebedar, the thirteenth day after Noruz, the Iranian New Year. The green clump of wheatgrass in his hand is the giveaway that he is Iranian. He is looking for a body of water to throw the wheatgrass in for good luck. Salam, Ayde shoma mobarak. Hello, and Happy New Year, I say. His name is Balash. I feel Iranian.

Babak owns the Iranian grocery in Watertown. I introduce myself, hesitate with my words, and tell him my dilemma with the language. When his customers come in, they choose from the tea, rice, dates, halvah, and chickpea cookies, and I hear Farsi here and there. I purchase lavooshak, dried fruit leather, dried mulberries, and dried squash seeds for my father. Ghodafez. Goodbye. I promise Babak that I will come back to practice my Farsi. I feel Iranian.

I crave to feel Iranian again for more than a few moments. I want to feel a grand reawakening, to feel fully alive, to feel Iran coursing through my blood. When I try to bring back this culture, my place of belonging, a culture that was mine, that was me, I’m not sure if it is retrievable. It may be futile; I may not be able to completely reclaim that part of myself.

***

The day my father returned from a trip to Iran, I sat in anticipation, kneeling in front of his suitcase on the rug in the living room. My father brought gifts, gave updates on family property there, how his siblings were, and when he could bring our Persian rugs back to the States. With relatives speaking in Farsi and my mother passing golden-colored tea around the room, I felt Iranian. But when I flipped open the top of the suitcase, the smell of my childhood home completely overwhelmed me. I was transported to Iran. I was there. I wept visceral tears that went unnoticed. Ache. Longing.

This experience stayed with me. The smells from the suitcase brought me closer to Iran. Now I decide a journey through my sense of smell in the kitchen might be a place to feel Iranian. I gather pomegranate sauce, walnuts, chicken, and rice. Tea, rosewater, and saffron. Sumac. Yogurt, seltzer, and mint. I have chosen a five-part menu: polo, rice; fesenjoon, a pomegranate and walnut dish; doogh, a beverage; sohan asali, saffron and honey candy; and chaee, tea.

I cook what I know and have seen family members cook. But, unlike my relatives, I rely on recipes. I regret not paying attention to my father and my grandmother, Maman, as a young adult when they cooked. Both have passed. My experience cooking Persian food is close to none. For these dishes I rely on an Iranian woman’s blog, a New York Times clipping from my mother, and things my father has told me.

1. Polo

I check on the basmati rice still soaking from yesterday. I empty it into a colander and rinse one more time. I measure eight cups of water in my big pot, turn the heat up to high, and set the basmati rice next to it on the countertop.

Basmati rice and tadik are staples of the Iranian diet, eaten at lunch and dinner. Tadik is the crust of cooked rice on the bottom of the pot, up to half an inch thick, made with vegetable oil and often with thinly sliced potatoes. When it’s cooked right, the bottom becomes crispy and golden orange. Perfect tadik has not come easily to me. I remember Maman’s secret was to use a lot of oil.

As children, the most sought after item at family dinners was tadik. My younger sister, cousins, and I scrambled to it, drawn to its color, crunch, and flavorful oils we would lick off our fingers. Going back for seconds was allowed, but then my mother insisted we get a plate and eat some of the main dishes. My father, my aunts, and Maman perfected tadik. I regret not paying more attention when they cooked.

The rice goes in the pot. Next, I add two tablespoons each of olive oil and butter. I pile the rice in a pyramid, away from the edges of the pot, and poke some holes in the rice with the handle of a wooden spoon. Then, I wrap a dishtowel on the lid and knot it on top to trap the condensation. I allow to steam for thirty-five minutes, then remove the lid, face down into the steam, and feel the droplets on my face. In the steam from basmati rice, I feel Iranian in whiffs, in wafts, in ephemeral swirls.

The warm house, the steamy kitchen, and the fragrance of basmati rice cooking on the stove transport me. The smell is breathtaking and brings me to Maman. Her great care and love in preparing meals for her family is memorable. For example, to make sheereen polo, or sweet rice, she carefully laid slivered orange peels on paper towels, and with short fingers, and much patience, rolled the ground beef into tiny meatballs. Little did I know the smells in her kitchen were planting memories for me.

2. Fesenjoon

This, a favorite dish in my family, is made with pomegranate molasses, walnuts, and chicken. My mother found the recipe in the New York Times, and I pasted it in my recipe binder. I realize the need for a good Iranian cookbook.

As I toast the walnuts in a pan over medium heat, I imagine my grandmother patiently chopping walnuts with a knife; I feel unauthentic but use a food processor anyway. Then I add two cups of water and a cup of pomegranate syrup, and simmer with the lid ajar for forty minutes. The pomegranate syrup is the sourest thing I’ve ever tasted and is strangely sweet as well.

Next, I saute an onion in a heavy pot, add a quarter teaspoon of turmeric and four chicken breasts until cooked on all sides. In go the pomegranate sauce and walnuts, and I cover the chicken, adding water if necessary; add sugar to taste; leave out the dash of cinnamon because it sounds strange. I put my nose in the pot: steamy, warm, sweet, and nutty. I inhale and exhale. Inhale again and feel transported to Maman’s small apartment in the States, cozy and Iranian. Iran smells like a blend of saffron, sumac, and rosewater. Saffron to color the rice, tart sumac to spice the beef kebobs, and rosewater to flavor baked goods and ice cream.

3. Doogh

Next, I make doogh, a concoction that perfectly complements Persian cuisine. It is one of those Farsi words Americans can’t master; it is nearly impossible for them to make the rolling “gh” sound in the back of their throats. When I do it, I feel Iranian. Doogh is found bottled in Iran and here at the Iranian grocer. It is a healthy drink with a sour flavor, a tickly bubble, and a salty zing. I pour a glass of club soda, spoon a few tablespoons of whole milk yogurt into the glass, and stir vigorously. Then, salt to taste. I crush mint leaves between my fingers and sniff in the refreshing and bright scent. Add to the doogh and taste. Authentic and pure Iran.

I imagine my father pouring me a glass on our table by the patio in Iran. It doesn’t seem like a drink a child would enjoy, but my memory wants to tell me I did. I imagine my father teaching my mother how to prepare the drink in her adopted home. I imagine my younger sister tasting it and not liking it. These speculations are one way I stay connected to my Iranian identity. I am playing with memories, using imagination to fill the empty spaces. For as long as it takes to drink the doogh, I feel Iranian.

4. Sohan Asali

Next, I make sohan asali, saffron and honey candy. I put sugar, honey, saffron, and slivered almonds in a small pot over medium heat. The recipe says to stir often until the sugar is melted. My grandmother’s sohan was a smooth, dark orange and very hard candy with crushed pistachios on top. Sohan reminds me of family parties, where there were more desserts than my eyes could see: chickpea cookies, fried dough filled with honey, and delicate fried hexagon cookies sprinkled with powdered sugar.

I turn up the heat and stir; then I turn down the heat. As I really have no idea what I am doing, I just keep stirring. The sugar remains granular and white. Maman could tell me what to do; my father would know what I’m doing wrong, probably not being patient enough. I resign myself to the state of the sugar mixture and drop it by tablespoons onto a cooking sheet lined with parchment paper, knowing it is wrong, all wrong. I sprinkle crushed pistachios on top and allow to cool. This sohan is white, granular, and soft. I deem it an excellent effort though I feel like a fool. I missed the chance for my father to show me how it’s done properly.

5. Chaee

I prepare authentic Persian black chaee tea. My father used premium Ceylon tea, which is similar to English Breakfast. Today I use tea in a maroon and gold box. I take in the familiar earthy smell of the tea leaves. Then, I add two tablespoons to a small white teapot on the stove, pour in the hot water, and allow to steep for five to seven minutes.

You could not visit someone in Iran without being offered a cup of tea and then a second cup, and a third. In fact, visits get quite long because of lengthy goodbyes, because of the chaee and tarof. It is a ritual where a host insists you stay in their home, and you say you must leave. And the host will insist you stay. You could be offered more fruit, dessert, and tea. Even if the host has run out of time, or is tired, or really wants you to leave, tarof reigns. It applies to everyday negotiations as well, like paying for a taxi, or buying a meal, for example. This can go on for three rounds, the hostess insisting and the guest resisting. The rituals of chaee and tarof my relatives continue to use today make me feel Iranian.

I pour the tea over a tiny sieve into a mug, because I am ill-equipped; Iranians use an estakan, a glass about three inches high and an inch and a half in diameter. The estakans in my memory are rimmed with gold and come with a small white saucer. The color of the tea matters. Depending on how long it steeps, I may need to add hot water to make it lighter.

I put a sugar cube in my cheek, sip the tea as the granules melt and coat my mouth. Today, I don’t have any gaz, a sticky white candy with pistachios and powdered sugar that pairs perfectly with chaee.

Next, I cue up the Iranian music, press play, and turn up the volume. The crisp and vibrant strums of the setar transport me to my late aunt Mehry’s living room. The finger picking energetic and alive. A small drum provides a steady beat. I felt Iranian when the setar, my relatives, and a spirit of celebration filled an entire room. Now I do too, if only for the length of the song. I sway my hips, raise my arms in the air, and rotate my wrists in that seductive Iranian way. I become one with the strings and feel the movement in my belly. My breath quickens. I regret I can’t understand the words in the song, Chaharmezrab, Mahur. Not understanding touches an emptiness inside of me, of not quite belonging. I feel Iranian for the length of the song.

The music continues and I sit in my chair. I gaze at the patterns of the tablecloth and drink my tea. The meal was a half success, just like me, half Iranian. If my father were still alive, he would surely say the fesenjoon was watery. I say it is very tasty and authentic, the big triumph of the day. The sohan asali, unfortunately, was a complete failure. My future as a successful cook rests on learning from my relatives, finding the best Iranian cookbooks, and following the recipes my father told me from his memory. The items on the to-do list were to get estekans from my father’s house, ask my aunt for a good cookbook, and though I lost my chance to make sohan asali with my father, maybe my aunt Nahid will show me. I will need to buy more chaee, sugar cubes, and gaz.

The cooking is done, and those trickles of Iran, well, they’ll have to be enough for now.

With many relatives passed, I wonder, will I carry Iran for the rest of us? My intention is to retrieve Farsi, the Iranian language. I promise myself to do more than just celebrating Noruz once a year. I intend to share Iran with my teenage nephews so they know their rich heritage.

Will I carry Iran for all of us? Will I return to the country one day and stay with my second cousin, Fereshte? I imagine sightseeing in Tehran; would I weep at the sight of the architecture, the sound of the language, and the taste of the food? It has the potential to be an emotionally challenging experience, or would it be comforting to be home? Furthermore would it feel like home?

Would I feel Iranian?

Is Iran—and feeling Iranian—something that always needs to be chased? Seeking or crafting an experience is not the same as feeling Iranian naturally. That chapter has closed.

This is the way for now: sometimes feeling Iranian.

Maryam Keramaty received her bachelor’s degree in communications and journalism from Simmons University and a graduate certificate in public relations from Emerson College. Currently, she is a student at Grub Street in Boston, where she is studying the craft of writing the memoir and personal essay.

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We love this book for so many reasons! The writing is incredible, the story is important, and seeing what life looks like when you survive the unthinkable is transformative. If you haven’t already, pick up a copy of Sanctuary, by Emily Rapp Black. Purchase at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Friendship, motherhood, No Bullshit Motherhood

What We Remember: Epistolaries To Our Daughters

September 15, 2019

By Jill Talbot and Marcia Aldrich

Water

You know that photograph, the one I’ve kept on the refrigerator of every Somewhere we’ve lived? The one of you—at maybe two or three—standing on the edge of a pool? You’re wearing a tiny blue bikini, the bulk of a yellow life vest snapped tight, one of your hands held to it. Are you checking it before you jump? Or are you gesturing, the way you still do when you speak, your arms floating up and down, almost flapping at times (like a bird). The water shimmers in the sun, and your short, blonde hair is wet, and there’s a puddle on the pool deck, so this must be jump two or three or ten. Your sweet knees bent, your tiny feet. There’s the dark blue tile at the water’s edge and three bushes line the flower bed behind you. Do you remember how Gramma would stand in her black swimsuit, moving the hose back and forth, back and forth over the bushes? Here, in this moment, she’s behind the camera, catching your joy. You’re all glee, giddy, but it’s the certainty that gets me every time, a pinch of tears in the back of my throat. Because I’m the one in the water, the one you’re watching. I haven’t always been something you can be so certain of, someone steady. I’ve told you this, but you claim not to remember. Your memory of those years an empty pool. Everywhere we’ve been, everywhere I go, I tack this photo on the fridge to remind myself—it’s my job to catch you.

Possession

When we moved back to Seattle, you had just turned two. I wouldn’t say the terrible two’s in the sense you didn’t throw regular tantrums, but you did have moments of supreme willfulness, and I couldn’t predict them for they came out of nowhere and caught me off guard. I remember one such fit staged in a public space to devastating effect. Continue Reading…

Guest Posts, memories

Enlightenment at Cross Town

May 14, 2019

By Brian Michael Barbeito

All the orange crates are scattered, at the Safeway Supermarket in the rain.
–Van Morrison, St. Dominic’s Preview, It’s too Late to Stop Now.

I didn’t have a mind then. I should have perhaps had a mind by then. I was in kindergarten. I went to a school called Our Lady of Fatima, which as I think about it, is nice enough, because later I became on my own terms a sort of Marian devotee. There was a church adjacent to or very close to the school. At midnight mass I would look up and there was for some reason I can’t discern, a ceiling painted with noodle designs, like macaroni and cheese before the cheese is added. I just stared at the noodles. For more than an hour. Midnight mass, which means Christmas Mass for the uninitiated, is longer than an hour. Or at least there is it ran longer. A feeling of depth or spirit was around, but it didn’t have so much to do with the church. Or maybe it did. I didn’t call it ‘A feeling of depth or spirit,’ because I didn’t know what those words meant, and I hardly, if ever, really spoke. They thought a bit earlier on than that, that I was deaf, or partly deaf, and that maybe that was why I didn’t speak. But I was tested by the doctor, and came out all right. So it wasn’t a physical thing. Before that, I had an apgar rating of 9, which is not bad. And a slight heart murmur, not unheard of either. So I checked out. Who is to know? Who can see the whole of any of us, cosmically speaking? One time they took me to a daycare or after school place, and I remember someone saying, He doesn’t talk, and the lady that ran it said in a kind but confident response. He will learn to talk here, as he will have to, because there are other kids and he just will.

I never said a word while I was there.

But the school and the playground and Cross-town. There isn’t much I remember, but there are some things. There was at the playground races to the fence and back, and there was a kid named Johnny who used to run it pretty well. I did okay, but was in the middle of the pack. He was always first or second. I said in my mind, If Johnny can do it, I can. And I kind of trained myself to get better and better. It worked you know. Man. I really got up there through the time. I could lie and say I beat Johnny, and I was a hero or something, but that didn’t happen. I do know I tied him once, and it wasn’t that anyone really noticed, but I showed myself some inner and outer stamina.

I always remembered that.

Somewhere, anyhow.

Years later I changed high schools, from a wealthy area, all the way back to that area, which was not affluent but not poor, but a kind of middle-regular place. That as they say is another story. But when I was there this guy called me over to a table a little time in, and he was with this pretty girl, but the girl was not to become a good friend of mine, but an acquaintance. And the guy a sort of friend, just a bit on past an acquaintance, but not a friend-friend-friend. So I say, What? And the guy comes with this,

I and my friend are having a bet. She seems to think that she remembers you from Kindergarten class, and I say maybe, but aren’t sure. I know this sounds funny but she brought in our class picture and we were discussing it. She says yes, that this person here is you, and I say maybe. Could you tell us if you went to school with us?

So I looked at the picture and saw myself. I said that it was me. And the thing was that he was Johnny, and I told him so, and he remembered that. I had no recollection of the girl, who would be considered gorgeous. It turned out that she spotted me in the picture, but also spotted me for a Big Mac combo at McDonalds one day, and I promised to pay her back. But days went on, though four out of five days I had money in my pocket, it seemed like the days she reminded me to pay her, were weirdly on the exact days I had no money. She became angry, but contained, and thought I was a kind of player or something. Since she didn’t really know me, there was no way to have her know me. So she just began to see me as a liar, which I was technically. But I am not like that. A few years ago I ran a writing group and this poor guy kept coming and so I bought him, (you can’t write this as they say, I know I can’t), a Big Mac Combo each time afterwards, and the other person that ran the group never ever offered to pay. Technically the bill could be split. Gurdjieff has a saying; Nothing shows people up more than money. But yes, the friendship didn’t work out with the girl. She was more mature though the same age, but it also affected her, as in if someone says, She is pretty, and the other person says, Yes, but she knows it.

Going back to kindergarten. I waited after for my grandfather to pick me up. It always seemed a bit overcast, with opaque clouds making up the firmament, and the world seemed grey also. It couldn’t have been like that every single day. But the days I remember were. There was kid with dark hair, and he was singing the lyrics to We Will Rock You, by Queen, and not the chorus, but the beginning lyrics. I remember this. I would much later become a fan of Queen, but at that time I had no idea what the hell he was saying, and he was so intense about it. He was clear and enthralled and intent, sitting on a swing swaying back and forth just a bit while he sang,

Buddy you’re a boy make a big noise
Playin’ in the street gonna be a big man some day
You got mud on yo’ face
You big disgrace
Kickin’ your can all over the place

I think that song must have just come out and he had an older brother or father that had to have played it over and over. The other kid I remember was blonde, and I can picture him perfectly, but don’t know why. He wore a jean jacket with something yellow on the shoulders, like an intentional patch, and he said it was a disco jacket. He was very proud of this. I for certain didn’t know what disco was. Already the very few people I came into contact with knew much more than I, if even about anything at all.

I just stared into space and waited.

For something.

Then.

I guess for my grandfather.

And in high school.

For what I don’t know.

And even now.

For what I certainly absolutely don’t know.

Because my grandfather is long dead.

But I am still trying to get to Cross Town as it were. At least here. See…sometimes my grandfather when he would arrive (I think he was a little bit late sometimes because he moved slowly), would take me before going home to his house, to a set of little stores at the intersection just down from the school and the church. From what I can remember, I have to bet these were places where they had cheap wares, but good things still. Plates, forks, knives, spoons, cloths, cups, saucers, blankets (not a high thread count but not terribly low either), a set of napkins, a holder for a hardboiled egg, some old pictures of pastoral scenes and a blue sky and a white whimsical cloud and a red barn and maybe a stream and a big boulder there, of course little key chains and maybe there was a guy that cut keys in the back and maybe not.

But I didn’t then see these things like some great or even good observer. I couldn’t register them. I was just there looking at dust motes in the air, or maybe the reflection of light on a counter. And many people are like this, especially in childhood. It is nothing so special. It’s just that that is where we were, in Scarborough, instead of say, Illinois, or St. Petersburg, China, Bahamas, The Yukon Territories, Switzerland, Morocco, South Asia (where the DNA science says I am really from), Key West, Africa, or anywhere else the universe could have placed us.

Quietness inside the door and the store, inside of me, even though the soft sound of winter traffic passes by on Victoria Park, or from St. Clair, the intersecting street.

Windows somehow more on the side of dirty, run-down, but not disgusting or dangerous.

I want to think of cloth, fabrics, and utilitarian items and artifacts.

A worldly person knows what things are for and what they do.

To me, they are then if anything, just worlds of metal, copper, some colors, ceramics, frames, maybe plastics, – yes plastics, there are plastics there somewhere,- red, green, maybe they are parts of cheap umbrellas or rain jackets.

All this under a vague light yellow and a dull light that comes in from the windows.

It’s always like late dusk sad there in a sense, no matter what hour a clock would say.

The world is before night, about to blink off, but it never quite does.

I sense now I think also that something tragic is about to happen,- as if we are on the edge of a car accident, or receiving bad news, witnessing or being in a fire, a flood, a war, even a death of some kind.

But nothing really happens like that and one step is taken then the next and the world goes on.

Nobody ever bought me anything then, like a toy car, a key chain, – something, anything, – but I never wanted anything or thought of it. I was a simpleton, a visitor that didn’t really appreciate the wares one way or the other.

The street soon, – and the signs, and so many cars by the dirty, dirty snow with bits of mud and old leaves. Newspaper boxes, people. The world is so normal to everyone it feels like an alien planet to the young boy.

He doesn’t know lyrics, disco, exactly where he is or what he is.

I looked and looked then back at the stores at Cross-town. I was, not because I was special, but because I was not interfered with or talked to that much, in touch with something. It wasn’t a vision of an angel. I wasn’t a message. It was just Source. There is something when there is no mind yet, and that is what the search for full blown enlightenment is after, that nothingness and everything-ness that is there, always there, that we are, but that is obscured by the mind, even though the mind is by definition part of it because it is all One-Thing never begun and never ending. I smelt it, but not with my nose. Maybe it’s like touching the toe nail of God.

How would I explain that to the pretty girl, who bought me McDonalds and thinks I am simple moocher?

I can’t even remember her name anyways.

I wonder if her Grandfather ever took her to Cross-Town.

Brian Michael Barbeito is a Canadian writer, poet and photographer. His recent work appears at Fiction International from San Diego State University, CV2 The Canadian Journal of Poetry and Critical Writing, and at Catch and Release-The Columbia Journal of Arts and Literature. Nominated for two Pushcart Prizes and one Best of the Net Award, Brian is the author of Chalk Lines (Fowl Pox Press, 2013, cover art by Virgil Kay). He is currently at work on the written and visual nature narrative titled Pastoral Mosaics, Journeys through Landscapes Rural.

Jen’s book ON BEING HUMAN is available for pre-order here.

Guest Posts, Grief

Letting Her Go

April 30, 2019

By Jaz Taihreen

As I write this, I am watching my mother shrink.

I am in her hospital room, watching this mountain of a woman reduce to a pebble. The cancer is metastatic. Her brain is saturated in it. They say has 5-7 days left. Somewhere in my head, a clock has started. I cannot remember my thoughts for more than a few moments. I am trying to actively listen to my father as he tells stories about their past year after they received the initial diagnosis. Stage 4. Small C cell. Most aggressive.

She is 58.

I am sitting here watch a flurry of nurses come in and out. She is unresponsive until they wake her to do another test. Another vial of blood. Another blood pressure scan. Today I toured hospices because…5 to 7 days. That’s it. Her life reduced to days. Her moments can be counted like my fingers. I am watching her fade away, like the end of a song. I am scared of the silence.

Watching someone you love die is…for lack of a better term…fucked up. When my son died, it was sudden. I found him and it was already over. With my mother I am watching her slowly turn the corner to whatever is next. She is dreaming but she purses her lips the way she does when she doesn’t want to cry and it bring tears to mine, stinging the backs of them. I can’t bring myself to eat because she can’t. I’m sitting here trying to remember the good things like everyone is telling me to. To soak in any moments I can – but I don’t want to remember this. I don’t want to remember bearing witness to my mother’s disappearance from this world. Continue Reading…

Guest Posts, Grief, loss

Dear Benjamin

May 13, 2018

By Jennifer Roberts

My sweet boy,

I am sorry it took me so long to write to you. There’s so much I’ve wanted to say, but didn’t know where to start. How does a mommy write a letter to her baby that died? Mommies should never have to think about that at all. This is going to be full of words that are so different than what I would be saying to you if you were still here. I’m sure if you were here I wouldn’t feel the need to write you a letter at all, I would just tell you to your sweet little face how loved you are.

Next week you would be turning 20 months old. I can’t believe it’s been that long since I became your mom and since I last saw you. I could have told you already that I’m sorry my body failed you and you had to be born 8 weeks early, but most likely I wouldn’t even be worried about that anymore. I might have told you that I am sorry for complaining about the heartburn and hip pain while you were growing inside me, but possibly I wouldn’t even feel bad about it now.

Since things turned out the way they did and you are not here, I have felt the need to let you know that I am sorry that I complained. I am sorry my body didn’t do what it was supposed to. I am sorry you were robbed of your life so early and never got to come home. I am sorry I needed a C-Section and you never got to be held until you were gone. I’m sorry that all you ever felt was the NICU bed and needles and stuff stuck to your skin. Continue Reading…

Guest Posts, Grief, healing

Boys of Winter & Prairie Things

April 25, 2018

By Shannon Haywood

I was sitting in Dairy Queen on Saturday, grabbing a quick bite before heading to my friend’s husband’s memorial service, when I was suddenly, and without any control at all, overcome with tears. I sat there for a few moments, trying to stop the flow, and kept my head down, in order to hide my face from those at tables surrounding mine.

People that were with their children, no doubt fueling up prior to spending a Saturday running errands, taking the kids to indoor leisure centers or movies or even the pool. Endless possibilities and even more activities that every Canadian family has spent Saturdays doing.

Maybe even headed to play hockey. Continue Reading…

Guest Posts, Family

Hallmark

January 28, 2018

By Sheila Grace Stuewe

I darted into my neighborhood Hallmark store and held my breath. To my left stood an endcap stacked with plastic potpourri bags. Who’d buy that? Someone with a sewer back up? Homes should smell of pancakes on Sunday morning as mine once did, not like chemically altered flowers.

Past the dust-catching collectibles—statues, candles, and ornaments—to the rack of Father’s Day cards, I sped. I didn’t know why I had an urge to send Dad a card. In September, he’d reached the three-quarters of a century mark. He wasn’t going to live forever even with his Prussian peasant genes—stocky, sturdy, stubborn, and seemingly impervious to the effects of decades-long alcohol abuse. And I needed to stop exhuming what may or may not have happened forty years ago.

Standing in the middle of the dad-of-the-year aisle, I felt my throat close—an allergic reaction to that artificial scent? I coughed. I tried to swallow. I rifled through my purse for a bubble gum ball (the only kind I’ll chew—no mint for me). I popped it into my mouth. As my teeth bit through its hard surface, a burst of cherry—red, tart, yet much sweeter than the real thing—my childhood favorite. If only I were on a swing in Marquette Park, Dad pushing me higher, me leaning all the way back, my legs soaring in the air. Instead, surrounded by doodads and sentimentality, I wondered if I’d find a card I could send my father. Continue Reading…

Guest Posts, Grief

Cake and The Sweet Sadness of Death Anniversaries

January 31, 2017

By Carina Ost

My teenage self loved cake so much that, in the middle of 8th grade, when the opportunity arose to teach a Core class on any skill, Christina, my friend and neighbor, and I chose cake decorating. We had no experience beyond the one from a can applied with a rubber spatula, but that world of pastry tips and bags seemed so glamorous.

On this particular day, the last day of the first month of the new millennium, January 31st, 2000, my mom stayed home from work. She kept saying that she just felt off. After school, Christina and I worked on our cake project that was to be presented the following day. I was used to having the house to myself but now my mom was there and so were a handful of her friends, so we retreated to my room to work. Lying on the carpeted floor, we glued pictures of cake with printed out instructions onto a giant tri-fold poster board with fragrant markers spelling out Cake Decorating on top in pink bubble letters. Continue Reading…

Guest Posts, Letting Go, Surviving

California

August 8, 2016

*Image courtesy of Tiffany Lucero

By Wendy Wisner

Sometimes California goes drifting through my mind as I’m falling asleep. It looks like it’s detaching itself from the rest of the continent, as I’d always heard it would, the sea levels rising, the land sinking.

Or I see it suspended in air, tilting back and forth, the way it did during the ’89 earthquake, my mother and sister in the living room, me standing in the doorway, the chandelier slowly swaying.

I think I want it to erode, break up and get washed away.

Or I want it never to have existed.

Mostly, I want it to come back to me. I want it to fill the odd-shaped hole in my gut that started opening all those years ago when my father left us—when he left us for California. Continue Reading…

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