Fiction Fridays Archives

The Attorney – Fiction

March 4, 2022

Some Fourth of July, huh? I’m glad you called when you did. My timeshare is only a few houses down…get a towel, man. You’re still dripping.

So, to confirm, you have no recollection of what happened after you took the boat out with your niece?

I know, I know, slow down. Let me think. I need to work this out in my head so we—everyone—has their story straight. You told me over the phone that your wife doesn’t know anything. Not the whole thing, at least. That’s good. We don’t need anything else from her, so long as she doesn’t slip outside your alibi—if you need one, of course. Sorry, I’m getting ahead of myself.

Did you say you often lend your boat out to family? Like your brother-in-law? Was he in town last night? Ah—I forgot—he’s in Bristol for the holiday. What about the others, do they sail too?

Hey, it’s not like we’re implicating anyone. That’s not what I do. I work with plausible deniability. We’re just seeding reasonable doubt, that’s all. It’s my job. Do you want to come out on the other end of this? If you do, you’ll listen to me.

Right now, if they suspected anything of you, all the evidence would be circumstantial. Anyone in your family could’ve taken that boat out last night. Son, cousin, sister. Your niece might have gone out there all by herself, came back, and took a bus to wherever she came from. She used to be so into sailing back in high school if I remember correctly. How many sets of keys do you have…four? Well, I only see three. Someone must’ve taken them, understand? You see where I’m going now?

When they ask about the boat, don’t even relinquish to the possibility of you going out on the lake. I mean, you were so drunk how could you know?

What was that? Fingerprints aren’t an issue, so put that out of your mind. Our real challenge is keeping it straight and keeping it quiet. We have no reason to be worried about anything yet. No body, no evidence of a struggle, no motive anyone’s aware of. Well, besides you and me. So, when the police arrive, don’t give them an inkling about what might have happened between you and her.

You don’t remember telling me, huh? You told me what went on between you two. That your niece seemed to forget all about it when she showed up for dinner out of the blue. That, before last night, you hadn’t seen her since she left for college. You seriously don’t remember telling me this? You need to watch your drinking from here on out. You told me enough about it anyway. Not like I wanted to hear it.

The sun is about to come up, and everyone will start wondering where she is, which even you don’t know. They’ll look around while you’re sleeping. When you finally come downstairs, be calm. Don’t be too sobby or too worried, alright? Call the police after you make your rounds. Check the shed, the guest house, pool house. Does she have any friends still in the area? Call your neighbors, even the bus depot. No one knows where she is. That’s the truth. That’s our truth. Last night could’ve been a dream, for all you know.

Back to the subject of the police—hey. Hey! I need you to focus. Look in the mirror. Look at yourself. You got this glassed-over look. It means you’re thinking about something and any two-bit cop, even around here, is going to figure out that you’re hiding something. I can tell you’re thinking about her right now. You’re replaying the situation—wait—is that her right there? The one with the little fish on the line. Huh, pretty. Hopefully, the press won’t catch wind, but if they do make sure they get this photo.

Okay, let me recap what you said over the phone. After dinner, you believe you two stayed up after everyone went to bed. She’d just turned 21, so there’s nothing wrong with having a nightcap with your niece. You all get to talking about everything. About what happened a few summers ago, how it wasn’t so bad. You two get to reminiscing, but then, all of a sudden, it was just like before: both of you, up later than everyone else, moon on the water, summer breeze. It wasn’t that bad, right? She was just a little younger, huh? I don’t care what you do behind closed doors, man, but you certainly had to think this would come back. I’m sure when she walked in, now in her twenties—a woman—it must’ve really sent you back. Having dinner, laughing, that rushing excitement of a shared secret with everyone around the table clueless to the truth. And then you two took the boat out—at least you think you did. Then it’s just…what? Black? Fuzzy? Well, that’s good. You don’t even know if you two had an argument. She was just gone. She just wasn’t on the boat anymore. But all you need to say is that you don’t definitively remember anything after your…let’s say second drink at the house.

Have you told your wife that those business trips were lies? That you’d come around here instead? Might be best if you did. I’m sure she’s wise to it anyway. I can imagine what she thought when she saw your face as your niece walked in to surprise you all. Like a shadow crawled into you. After your wife talks with the police, she should stay in her room, you know, bad lobster from last night. Keep her alone to keep her story together. The same goes for you too. Drill it into each other.

The sun’s coming up and I should go. Knowing your family, one of them is bound to be up for an early morning jog, and they shouldn’t see me yet. Get yourself together. Take a shower and snap yourself into the present. Got me?

When the police arrive, I’ll pop in like a concerned neighbor wondering about all the commotion. Stay calm. I’ll see you soon.

Matt Gillick is from Northern Virginia. He went to Providence College. He received his MFA from Emerson College in 2021. Find his other work in New Square, Sincerely Magazine, BOMBfire, and Newfound. He’s working on a novel about homelessness, domesticity, and September 11th.

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Antiracist resources, because silence is not an option

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Fiction Fridays, Guest Posts

Lena’s Lessons

February 25, 2022

Lena’s early years were dominated by minimal parental supervision and her weekly violin lessons. Because of that, her performance on the temperamental and difficult instrument far surpassed her performance on the stage of daily human interaction with teachers and classmates or casual encounters as she walked between her high-rise apartment and the world at large. She had always been willful, stubborn, if she was being honest, believing from a very early age that the world was on standby, if not created solely, to provide her with everything she wanted and felt she deserved. Her parents, both successful professionals, had wanted children and had chosen her name to reflect what they hoped their child would become: generous and kind. They’d had a name for a potential second child picked out but once Lena had arrived and they came to fully understand what parenthood meant, experiencing the demands on their time that raising a child required, they decided that an only child was all they could manage. Even then, their busy schedules left Lena to her own devices more often than not. They rationalized this to themselves and their friends by saying their parenting style fostered Lena’s independence. Lena accepted the lack of structure because she knew no other reality. As a younger child, she’d see her parents in the morning before school and at dinner, occasionally, if their work schedules permitted, and a half hour or more after her homework had been completed right before her bedtime. Weekends were filled with day trips and educational as well as “just for fun” activities, leaving her parents satisfied that they were doing a good job in raising her.

Her violin lessons had been a part of her life from the time she was six years old until now, as a sixteen year old, when she was beginning to feel the music in a different way. She felt it more vividly, more intensely and more emotionally than she had in prior years, as if blossoming into the early stages of adulthood had opened an unsuspected portal of endless musical possibilities.

As her musical accomplishments grew and made her parents beam in pride at her skill, her behavior in social situations brought knitted brows and frowns, frustrated shaking heads and, on more than one occasion, bewildered tears from her mother. Lena had developed a sharp, hurtful tongue and a nose for vulnerabilities. She never hesitated to unleash her venom on anyone unlucky enough to stand in the way of what she wanted. Her strikes were lightning swift and left the victim deeply wounded and reluctant to confront the innocent looking young woman again.

Lena took pride in this less than admirable quality, enjoying the power her reputation as the queen of biting sarcasm and insults, marking her as a person to be feared rather than liked or respected. Nevertheless, fear was such a strong motivator that she usually got what she wanted and ruled unchallenged over her classmates and acquaintances, not really able to consider any of them friends.

That was the pattern until “New Girl” arrived during the summer after Lena had turned sixteen. Lena always referred to her as “New Girl,” never deigning to call her by her name, disparaging her by asking her loyal coterie “Did you get a look at what New Girl was wearing yesterday? Good Lord! You’d think her mother would at least buy her a copy of Elle or Cosmo so she’d stop looking like the before picture of a makeover.” Of course, they all laughed and agreed, nervously wondering if their wardrobe choices measured up or if they, too, could be mocked, grateful they were safe, for the moment, from Lena’s scorn.

“New Girl’s” name was Eileen, a fact that Lena hated because she felt, irrationally, that it infringed on her own name in some way and therefore cast an unwelcome shadow on her identity. Eileen was quietly attractive, polite, studious and introverted, spending her after school hours in a corner of the library, content in her solitude. During lunch hour, she sat alone, her books open as she ate an apple or a pear or an occasional orange, napkin in hand, not to mar the page she was reading or the assignment she was working on.

Lena wasn’t sure what bothered her more about Eileen, whether it was her serene complacency or the fact that she made no effort to seek inclusion in Lena’s circle, thereby depriving Lena of the pleasure of rejecting her and crushing her hopes of acceptance into the social hierarchy over which Lena reigned supreme. That Eileen seemed not to care a whit about Lena and her entourage was puzzling. Why wouldn’t a new girl be interested in making friends, even if Lena would insure that friendships would never form and Eileen would be forced to seek friends among the other girls Lena had already banished to the purgatory of the rejected.

Because Eileen was the new girl and such a solitary figure, no one knew very much about her. Where did she come from? Where did she live? Who were her parents? Was she an only child? No one had any answers to those questions, so, inevitably, speculation gave rise to outrageous stories, chronicling Eileen’s history, tales lacking only a fairy godmother and a wicked witch. She was the daughter of a Mafia informant and was in the witness protection program. She was the sole heiress to a massive family fortune and was being educated in their small town to escape fortune hunters and kidnappers. She was the sole survivor of a horrible fire in which she lost everything and was heroically struggling to make it on her own. None of it was true but if Eileen had heard any of these theories, she chose not to address or correct them. Instead, she continued to go quietly about the business of getting an education.

Lena’s frustration grew with every day that Eileen remained aloof, not reacting to Lena’s taunting label of “New Girl” that she couldn’t help overhearing. The final straw seemed to come when Lena walked into the orchestra room and discovered Eileen, violin tucked under her chin, drawing her bow across the strings to create a hauntingly beautiful sound. The notes were so true and effortless that they stopped Lena in her tracks, finding the place in her heart that recognized beauty and, against her will, she found herself closing her eyes and letting the music carry her to a place of joyful surrender. She recognized the piece immediately as one of her favorites. It was the aching beauty of “Meditation” from the opera Thaïs, a piece that never failed to move her. It was a demanding piece, written for a demanding instrument that had been the bane of many who tried to tame it, whose frustration grew when they were unable to coax the notes from the vibrating strings. Some few, however, like Lena herself and Eileen, could elicit the most beautiful clarity. Lena watched as Eileen positioned her fingers across the frets and angled the bow against the strings, moving her upper body in an elegant, intimate duet with the instrument nestled under her chin. When Eileen had let the last note fade and dropped her bow arm and removed the violin from under her chin, she noticed Lena. She gave Lena a timid smile and said, “Hi. I was just practicing. Do you play in the orchestra?”

“I do,” said Lena, “Violin, like you.”

Eileen’s smile brightened. “That’s great! Most people are intimidated by it but if you play, it means you’re fearless.” Extending her bow d violin toward Lena, she said “I’d love to hear you play. Would you?”

Lena was momentarily caught off balance, flattered by the invitation, but then she reverted to Lena vs New Girl mode. “Not today. I just came by to pick up the music for my solo and then I’m meeting some friends.”

Eileen’s smile dimmed as she nodded her understanding and opened her case to carefully lay the violin inside. “Maybe another time,” she said, without looking up as Lena scooped up the pages of her sheet music and turned to go. “Maybe,” she tossed over her shoulder as she left, although her tone made it clear that finding another time would be as likely as finding Leprechaun gold after the next storm. Still, as she left, she could hear the music that Eileen had created echo in her head and wondered which of the two emotions she was feeling was stronger: envy or admiration.

Normally, Lena would seek to crush any rival in any corner of her world; yet, the simple, pure openness of the girl who produced such a glorious sound from the violin left Lena at war with herself, not a position she had ever encountered before. Because of that, her mood was sour when she met up with her friends and she took little interest in their conversation, the haunting melody of Eileen’s violin swirling in her mind, a musical backdrop at odds with the insipid chattering of high pitched female voices. The result was a cacophonous dissonance that gave her a headache. And it didn’t stop there. As the weeks unfolded, she found herself less and less interested in spending time with the girls as more and more of her time was in the orchestra practice rooms, working on the Sibelius violin concerto. In fact, the only refuge from her emotional crisis was the time she spent with her violin. Her teacher noticed her more serious approach to her lessons. Whereas before she had demonstrated skill, almost a natural affinity for the violin, now she was more focused and more disciplined, listening to corrections with earnestness instead of eye rolling, eager to replay a section with better phrasing and actually smiled when she knew she’d captured an elusive note perfectly.

“I’m really impressed by Lena’s attitude and progress,” her teacher told her mother after one of their sessions. “She’s taking her lessons much more seriously and she must be practicing more, no?”

“Oh, yes,” agreed Lena’s mother. “Instead of watching TV or talking on her phone, she takes out her violin and fills the house with music. I couldn’t be happier. Not only for the music, which is really beautiful, but because it seems to make her happy and when she’s happy, she’s less, oh, you know.” Her mother gave what was recognizable as an embarrassing admission of Lena’s sharp edges.

“She’s definitely making a place in her life for her violin. It’s becoming part of her and I hear it in the notes and see it in the way she moves her body as she plays. She’s making her violin an extension of herself rather than a separate or foreign thing. That’s an encouraging sign.”

Over dinner that evening, Lena’s mother related the conversation to Lena’s father and Lena found herself happy to bask in her teacher’s praise and her parents’ approval as her father winked at her and said, “So we didn’t waste our money after all,” before raising his wine glass in a toast.

“Daddy,” she said “I’ve been thinking…about next year…and I know I said I wanted a gap year before making any life plans but…now…I’ve been thinking that I might want to do something now…with my music.”

Her parents exchanged a look that suggested that they weren’t quite sure what they were hearing since Lena had scowled and rolled her eyes and sighed with boredom every time they tried to bring up the subject of Lena making plans for the future. Her father nodded his head. “Sure. That’s something we can look into. Were you thinking a summer music camp or a music school for next year or”

Lena interrupted, suddenly afraid that if she didn’t say what was on her mind immediately, she might never say it.

“Juilliard. I’m thinking Juilliard.”

And there it was, suddenly taking on shape as more than a random thought that was a possibility, but now a pathway, devoid of petty adolescent concerns and paved with soaring notes in major and minor keys joining together to lead her to the place she realized she belonged. Her father smiled. “Then let’s make it happen.”

That was the first of a series of surprises Lena’s family and friends experienced. At school, instead of the Sibelius solo, the orchestra director told Lena he had something else planned. He’d decided to have Lena and Eileen, his two most talented students, perform a duet for NYSMA, he told them. He handed them the sheet music for Sonata in G minor, Opus 2, Number 8, First and Second Movements. “You’ve got the talent to pull this off, but you’re going to have to work really hard because,” he said peering at them over his glasses, “a duet is much harder than a solo. You have to be completely in tune with one another and that will mean lots and lots of practice. Are you up to it?” He ll looked from one girl to the other but they were looking only at one another. Eileen’s face held a hopeful question and Lena’s was a firm yes. Lena answered for both of them. “You bet we are. We can do it, right Eileen?”

Smiling in gratitude, Eileen turned to the director. “We sure can. When do we start?”

From that day on, Lena’s entire focus was on the duet. She and Eileen practiced as often as they could and spent whatever free time they had without their violins going over the sheet music or listening to other performers interpreting the piece. The more time they spent together, the more Lena came to appreciate the depth of the person she no longer thought of as New Girl but began to think of her as kindred spirit and friend. Eileen understood, as none of her previous friends had, the world that music opened for her. Eventually, Lena felt comfortable enough to finally share her plans to audition for Juilliard. Eileen clapped her hands excitedly, telling Lena she’d “most definitely” be accepted and asked which pieces she would play for her audition. “Definitely the Sibelius. I’ve been working on that for a while. Then I’m trying to decide between the Mozart Violin Sonata 18 in G Major and the Bach Sonata #2 in A Minor.”

Eileen’s judgment was swift. “You’ve got to play the Bach. It’s sophisticated enough to showcase your talent. Yes. I like the Bach.”

“Then Bach it is.”

The night of the Winter Concert was fast approaching and the pair would perform their NYSMA duet as a dry run for spring. Lena had sent off her audition tape and was waiting for a decision, maybe an invitation to perform in person. She asked Eileen what her plans for the following year were and whether she’d consider applying to Juilliard, too. Eileen managed a weak smile. “Oh, I don’t know about that. It would be wonderful but…I guess I’ll go wherever my family takes me. And wherever that turns out to be, I’m sure they’ll be opportunities but it’s just too soon to know. I’m just going to have to go with the flow, as they say.” Eileen tried to sound nonchalant but Lena could hear the sadness in her voice. As Lena began to speak, wanting to ask questions, Eileen said “Please don’t ask. Let’s just live in the moment, enjoy performing and our chance to make the audience experience the beauty the music creates, okay?”

Realizing that Eileen was trusting her to act like a real friend would, respecting her desire for privacy, Lena nodded. “Sure. We can do that.” Years later, Lena would remember this conversation as a turning point in her life. She had put someone else’s wishes above her own.

The night of the Winter Concert was crisp and cold with the small town gilded with a layer of snow. Backstage was abuzz with excitement and then it was time for the orchestra to file on and take their seats. After each piece, the audience rewarded them with applause. Then it was time. Eileen and Lena stood and walked to the front of the stage as the orchestra director described the piece they would play. The director raised his baton, the friends looked at one another and drew their bows across the strings, unleashing the notes that soared in perfect unity.

When the last note left their instruments, climbing and lingering in the auditorium, Eileen and Lena smiled at one another, while the audience rewarded them with thunderous applause. The conductor beamed. They took their bows, then briefly hugged before resuming their seats to perform the final piece. Lena had never before felt so elated. Her world had shifted. She’d embraced the power of the music and the new girl with whom she had found friendship.

Kathleen Chamberlin is a retired educator living in Albany, New York with my husband and two rescue dogs. Her poetry has appeared in Lothlorien Poetry Journal, Open Door Magazine and The World of Myth magazine.

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Statement on Black Lives Matter and support for social change.

Fiction Fridays, Guest Posts

(P)ink

February 18, 2022

How much he liked separating the animal’s skin from its pink flesh! Neat work. In one pull, he needed to do it—in one pull and should not break the skin.

Kemal was skilled in his art.

This calf’s meat would be delicious, he knew. It was from his uncle Salim’s herd. Salim Amca made his herd graze on the vast green of their small town Topaz in Kastamonu. The family in whose backyard he was performing, knew this too, and he felt they trusted the calf and him, though which one more it was questionable. One of the family members, however, showed a bigger interest in his work, the little daughter of the house, Cemre. Her light blue eyes were taking in every second his skillful hands were dancing on the pink flesh. She was nine. A girl of her age would normally be unable to look at the scene, but thought Kemal, this girl was different.

Twenty four was Kemal. Since his thirteenth birthday, he was in this job. How many of those calves he cut into pieces he could not even remember. Dark brown hair he had—hair falling onto his forehead which was half-covered with a cap the color brown. He was wearing a blue striped shirt, mintan, as called in his town, with sleeves rolled up. And under it, dark blue jeans and dark brown shoes. He had the habit of stepping on the soles of his shoes. On occasion of work, he would complete this look with usually a cream-colored apron which, at the moment, was covered with blood.

Today he was particularly enjoying his work, both thanks to and despite the little girl’s admiration and curiosity. The girl scared him a bit.

When Cemre was finished with scaring the butcher, she asked for a leave from her parents to go and play with Seda. After giving a fond stroke on her daughter’s auburn hair—hair that she had braided with utmost care in the morning and now was in a complete mess with unruly strands escaping through here and there, mother said, “Sure, you may, but don’t you dare to come back having oozed with sweat, all right? For dinner, we are expecting Nazife Teyzes, remember?”

“Nazife Teyze…” Cemre thought. Nazife Teyze, who always joked about making Cemre get married to his son Sinan. Sinan was the fattest boy Cemre would ever know of. His greasy body was covered with sweat all the time, and all the time he spoke as if he was choking on something. Looking at him disgusted Cemre. Sinan was five years older, and yet he didn’t excel in anything except for backgammon in which no one could compete with him. No one even dared to play against him. “Sure, he’s cheating,” Cemre often thought, and though Cemre insisted to learn his notorious tricks, he refused to admit even the existence of them and accused Cemre of not thinking accordingly.

“No, Cemre,” he said each time, “no! You just can’t think properly. Each time you are making the wrong move. You should always plan ahead. Always. You live in the moment, but backgammon—backgammon is about the future, not the present. Always remember, tamam mı?”

“Stinking liar! Dirty cheater!” Cemre would call him, her face red, “one day, one day I promise… I’ll prove it.”

“Ha-ha,” Sinan would laugh. “I’ll be looking forward to it, darling. And I hope you will turn out to be right.”

Hasanoğlu family’s door was knocked twice, at dusk, when starlings left their chores of bringing lovely tunes to the warm and lovely evening of that August day. Cemre was the one to answer the door. Inside, Cemre’s mother Kerime was busy stirring the kavurma on the cooker. Cemre’s father Hüseyin was forgotten in front of the TV, taking a nap with his reading glasses on his nose. But his glasses were not doing their jobs of reading the newspaper with the headline “637 terrorists neutralized in Operation Peace Spring,” which he was holding in his hands half an hour ago but now was on the carpet next to Hüseyin’s slippers. On TV, the 7 O’clock news was on. A rascal of noise was coming from it—sounds of a delirium. Last week, during one of Hüseyin’s such sleeping moments, Turkish forces had crossed into Syria, aiming to clear the region of Kurdish People’s Protection Units (YPG). On the screen, battle tanks were moving; rifles were fired. And behind what was shown, everywhere there were bare feet—in mud or blood. A little girl was crying in silence, only with her gestures, a woman was wailing into her scarf, a man with a grey beard and a dusty face was sobbing, having knelt down on dirt.

Cemre ran to the door.

And opened it.

Nazife Teyze, Sait Amca, and their son Sinan were lined in their habitual order, side by side, at the door, standing in their best clothes as the day was Kurban Bayramı. Sinan wore a yellow jacket that fit too tight for him anyway. “No one so fat should wear anything like this,” Cemre thought the moment she saw him. And as if this had not been enough, he had situated a purple bowtie on his fat neck which was almost spilling onto the collar of his white ironed shirt. By looking at the two taller faces who were standing before her, she put on her studied cordial smile and said in a cheerfully, “Hoş geldiniz!”

Turning her head down and looking at Sinan’s face, she glared at him. This little gesture didn’t go unnoticed by Nazife Teyze and Sait Amca, and the two exchanged looks of amusement, which made it clear that they were enjoying this playful tension between their son and Cemre. Cemre had become very dear to Nazife over the years. Kerime and Nazife were friends since high school, and they were always together since the day they met. So Nazife was like an aunt—much of a real one—to Cemre.

After she was done with glaring at Sinan, Cemre let in the warm and delicious August evening weather, and though she was not much interested in them, the guests too. The three found their ways into the living room, at whose door, a bell awakened Hüseyin was standing. He was in one of those days of him, when he could easily go to sleep and be awakened by the tiniest glimmer of human voice. With the still touchable remains of sleep on his face, he made an awkward gesture of rushing forward to welcome his guests. He cheered out his hoş geldiniz too and hugged Sait in the warmest way. Over the years, though they had not known each other before, thanks to their wives’ friendship, they became the pair who did every sort of activity together—such as watching football matches and playing cards with one or two of their common friends. After their hugging ceremony was finished, Hüseyin turned to Nazife, making a small kind nod, took her right hand into his, cupped it over with his other hand, and shook it longer than necessary. Then it was the turn to greet the little boy that came along their favorite couple. He patted the top of Sinan’s head and said, “Aslan parçası, maşallah!”

But a half-embarrassed, half inattentive Sinan freed his head from the patting hands and led his parents to the sofa. When all were sat in the exact order they had rung the doorbell, and after an uncomfortable minute of silence had passed, Hüseyin broke it, “Well, how goes it with you? Is everything all right?”

After heaving a sigh, the couple sang, “The same, işte!”

Then Nazife Teyze took the lead and added, “Just the same. You know… The boy is going to start high school this year, so we went shopping to buy the school uniform, but you know… You know our son. He is not the size of a normal. We went through the whole marketplace today to find a jacket that would fit him. Finally… Finally, thank god, we found one, but this time it was bigger than his size. So we had to take it to the tailor’s.”

Nazife seemed to want to continue her report on Sinan’s unfitting uniform when she was interrupted by Kerime who oriented through the door with a half soaked apron on which she was struggling to wipe her wet hands frantically. At that moment one could tell that she had this air to herself, which told of an assured embarrassment caused by her being late to welcome the guests. With each demeanor of her arms’ movements, her three golden bracelets jingled in the stiff air stuffed within the living room. She wore a silk, soft pink shirt with sleeves rolled up, and underneath, a cream-colored pencil skirt covering her knees. After she was assured her hands were dried enough, Kerime ran to Nazife and hugged her friend who had stood up immediately when she heard Kerime’s jingling presence at the door. The women’s hug was even more ceremonious than the men’s: while hugging, Nazife and Kerime rolled from one side to the other and repeated their action till eternity. At least this was how it seemed to the eyes watching them—the eyes that did not know of the secrets those two women must have had shared at high school. After they finished their hugging ritual, Nazife sat down again, leaving an anxious Sinan on foot, waiting to be greeted by his elderly host in vain—in vain because Kerime moved directly to her next target Sait and shook his hand with a visibly forced smile and yet managing not to reveal any of her teeth. Though their eyes met for the shortest one second, their discomfort was tangible like a dead snake lying right at the center of the room. Only then and there Kerime seemed to remember, at the last minute, the boy down there, in front of the couch. She first cupped his cheeks and then her hands moved down to Sinan’s shoulder blades. Her hands did not stay there, though. She patted two times and then said, “Look at you! You have grown up to be a real gentleman. Maşallah kuzuma!”

She pulled a chair from the dinner table and sat at a nearly far and a closely distant place from her guests, though there was already one empty seat adjoined to the TV set. It was her way of self-assurance—of her role as the host and also of her separation—from them.

The room in which the group was sitting in a silent agony had one sofa, two winged chairs, a dining table, and a TV set. Except for the TV itself, everything touchable had that essence of a soft pink, with here and there hints of purple shades. The carpet was the one to blame, all three guests were thinking, the carpet under their feet, with its shining aura and gleam of a million cut threads in soft pink. The chairs smirking from underneath the dining table and the little lilacs on them bred a creamy comfort. The table’s auburn feet were the only things that distrpted the room’s pink dreamy weather. After nestling her butt cheeks into the chair, Kerime repeated her husband’s earlier question, “Well… How goes it with you, then?”

The only difference in Kerime’s question was the addresser and the addressee. Hüseyin’s question had been asked right onto Sait’s face; this time, however, Kerime’s danced first in her eyes in glittering vigor, then in a muted shyness, faded into her best friend’s eyes.

Cemre was the last one to attend the crowd in the room. She immediately ran to the back of her mother’s chair and started caressing her mother’s neck, her one favorite place on her mother’s body since she was a baby. At this, Kerime seemed to be annoyed, as she complained, “Don’t, kızım!”

After the warning she got, she let go of Kerime’s neck. But this time she started to play with the edges of the chair and started to shake it as if in an attempt to dethrone her mother. A displeased Kerime turned back but managed, in her calmest and most sensible voice, played in slow motion, to utter, “I told you—to behave—didn’t I?”

Deprived of her toys to play with, Cemre ran to the window and wanted to stare outside, into the darkness that stood in the shape of a stranger man—a man of shadow, with corners and a flat cap, perhaps. She felt this stranger’s darkness was leaning each second, more and more, onto the realms of her parent’s house. “His hat would drop in a second,” she thought silently. And yelped. The crowd ignored her shriek, and she continued to ignore them too. Kerime got up two seconds later and put on the light right above the dining table, which illuminated the whole room and made Cemre see only her own reflection instead of the dark man through the window. Not much changed for Cemre, though, as she could still and again ignore the rest resting behind her. But if she had not seen stupid Sinan’s stupid eyes catching her own blue eyes on the reflection, everything would be better. She caught herself and caught that Sinan’s reflection behind hers drove her attention to the edges of his eyes, wondering what those edges might actually be wanting to tell her. She felt the two pairs of eyes were somehow merging into each other—slowly, silently. She then decided they were telling of more—more than she could decipher—at that age, but she knew that a time would come and would make her understand the real blue behind the blue—the blue of the days and the nights that the blue hid behind.

***

When she saw him, he was on foot, talking to one of his former school friends, in front of one of the three grocery stores in their town, which was run by a sixty-eight-year-old semi deaf Mustafa Amca. Cemre was there for the only reason she could be there: to buy some groceries—groceries ordered by Kerime. The two pair of eyes met or rather clashed when Sinan parted his eyes from his old friend’s young face and saw her, in the middle of the road, standing and looking directly at him.

This was Sinan’s first summer in his hometown in five years after he went off to college in İstanbul, the big city, to be a lawyer. Cemre was exactly where Sinan left her to be. She was continuing to a local high school.

“The same air to herself she still has,” he thought, “the same eyes, unafraid—to look and to see.”

His eyes traveled from her head to her toes and then way back up, under his frameless glasses situated perfectly on his perfectly shaped nose. A red t-shirt was on him and dark blue jeans on his long legs.

“Look at that groaning body,” thought Cemre. But unfortunately, Sinan was quick enough to end his line of thought about Cemre’s eyes and to turn, completely uninterested in Cemre, to his friend.

“How dare him, how dare!” Cemre frowned.

Cemre walked towards Sinan and touched his right shoulder. At her touch, Sinan turned and found a giggling Cemre who said, “Hey, it’s been long. I mean… Since you ceased to be a fatty. You know what? I think you’re still that same dull, fat boy underneath this smug look. Who do you think you are? Everybody knows who you really are, except you!”

Both young men were looking at Cemre in a daze. When the daze disappeared or moved from his ears to his heart, Sinan grabbed Cemre’s arm and dragged her to the other side of the building—the side with no doors or windows. He said, in his simmering anger, “Who the hell do you think you are? Who? Huh? Who? Did you think you could humiliate me just like that in front of my friend? You need to remember— You— Little princess— Of the little town? No more darling… No more! I am that boy no more— You see? You see what I mean?”

His black eyes were penetrating Cemre’s, and Cemre thought, at that very moment, that she was left no room for her eyes to see on their own from then on. Cemre did not know what to say, but Sinan insisted. Shaking Cemre’s—now even more—tender shoulder roughly, he asked once more, “Do you?”

Cemre could only nod her head. She was shaking when Sinan turned away and disappeared from the corner. She wanted to cry but could not. She felt too angry to cry. Then she began running—running from that corner, from the grocery store, from the groceries she was expected to buy, from herself, from her life. Running away from any of these would not be possible or true, she knew—she knew it even before she found herself in front of her parents’ house. She felt she could breathe only if she kept running. She had run as if she had been running away from a lion—a lion with a groaning stomach. Unable to stop, she dived into the house from the main entrance and inside, ran till she could, till the farthest spot, till she threw herself onto the kitchen counter, right next to her mother whose hands were lost in the bubbles of the dish wash. While Cemre tried to catch her breath, Kerime, first with her ears, attended her daughter’s heavy breathing, then with her eyes that had been questioning, over the sink, of the ivy’s never-ending persistence to move up the neighbors’ sidewall and to cover all the rest around it.

“Cemre, don’t leave the groceries out. Put them right in the fridge,” ordered she.

When no hint of impulse came from her daughter, she repeated, “Cemre!”

And once more, “Cemre! Shh, do you hear me?”

“I’m sorry… Mom! I could not… I could not get… What you wanted.”

“What—but why?”

She then dried her hands on her beige apron, placed the back of her hand on Cemre’s forehead and checked Cemre’s fever.

“Kızım?”

Cemre blushed then—from her fingertips to her toes, brushed her mother’s hand, and rushed out of the kitchen.

***

All summers were stale for Cemre after she got a disappointing score from the university entrance exam. Cemre was sure her broken heart would not handle another defeat, so she did not even consider retaking the exam. Her heart was already shattered into millions of pieces—pieces she saw no use in bothering to collect.

On a dense April evening, a confident knock was heard on Hasanoğlu family’s door. This time Cemre was not the one who answered the door. It was Kerime who did. She welcomed the guests with a broad smile, trying to look as happy as she could manage to be. “Welcome, welcome!” she greeted each guest with the same big, heavy smile and the same big, heavy nod while her left arm was opened wide, down into the corridor, pointing the direction her guests should follow. Kerime was dressed in a two-piece black suit under which she wore a pale pink silk shirt. Hüseyin was standing right behind Kerime. The four guests Salim, his brother Sadık, Sadık’s wife Saniye, and Sadık’s and Saniye’s son Kemal got seated in the living room. Kemal was wearing a navy blue suit, a white shirt, and a grey tie with black and grey stripes on. He sat right between his parents on the couch while his uncle Salim found a spot for himself on the winged chair next to the TV set. After making sure everybody found a seat, Kerime pulled a chair for herself from the dining table. While sitting down, she asked the room, “Welcome, again. How are you all?”

With this, a blast of undecipherable noise started within the room, caused by the confidence one finds in small talk—till Cemre entered. Cemre entered the room, carrying a tray in her hands and on it six cups of Turkish coffee. Everyone had stopped talking and started to watch the ritual Cemre was serving. Cemre’s hair was done up in a neat bun, and she was wearing a long pale pink chiffon dress. Whether the dress was flattering her feminine figures or it was hiding them, one could not decide. She served the first cup to Salim and then to Sadık, then Saniye, then Hüseyin, then Kerime, and lastly to Kemal. Though while during the rest of her performed ceremony, she tried to keep her head bowed and to lock her eyes on the cups, when Kemal took the last cup on the tray, she lifted her head and looked Kemal in the eye. In that instance, Kemal thought how little she changed over the years. Her eyes, he meant. The same eyes that now paralyzed Kemal to utter a proper thank you but only a hum of a single syllable—a syllable that was never heard and that never needed to be, as his uncle Salim was the one who did the necessary talking—to ask for Cemre’s hand from her father as was the tradition.

That night, Cemre and Kemal got engaged—to be married for the rest of their lives.

Ayşe Tekşen is a research assistant at the Department of Foreign Language Education, Middle East Technical University, Turkey. Her poetry has been published widely, including in Ohio Edit, The Paragon Journal, Arcturus, Constellations, the Same, The Mystic Blue Review, and others. Ayşe lives and writes in Ankara, Turkey.

***

Antiracist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Fiction, Fiction Fridays, Friendship, Guest Posts

Yoga Pants

August 13, 2021

By Tamar Gribetz

They thought they could make their daughters’ best friends with each other. They lived in yoga pants – Athleta or LuLuLemon, of course—and they kept the pants on all day. Sometimes they worked out and, and sometimes they just didn’t get the chance. They didn’t work but were highly educated – Ivys or small fancy northeast liberal arts colleges. The few who did work before they had kids had been nursery schoolteachers, social workers, or “in fashion.” A couple of them had even been lawyers, but never really planned on practicing law. It was just a good thing to do, a “good experience” that gave you “credibility.”

Now they had a higher calling: motherhood. Thankless and endless. But they all had nannies and wouldn’t have made this noble decision without the nannies. They tried to plan to meet for dinner Saturday night with their husbands who were mainly “in finance.”

Sometimes I would look at them all cliquey like they had undoubtedly been with others in middle and high school, and I wondered what each would be without the others. Each wouldn’t thrive on their own, but together, they each shone like dominoes. If one piece fell, they’d all tumble. I was the outsider, and I convinced myself I didn’t care. I was smarter than them, and I was my own person and more authentic. Independent. But a part of myself wanted to be included. To be part of them. I had my two best friends, Ally and Michelle, who worked full time. But that didn’t get me very far; I was standing here alone.

I remember a girl from middle school who seemed so ordinary – looks, brains, personality – but she was in the clique for some reason. Did they need a listener, someone not threatening, or was it because her mother was best friends with the queen bee’s mother? I was so envious. It all seemed so easy. None of that aloneness, that angst, that insecurity. She was so lucky. Maybe it was her ordinariness that they liked. I never really got it. I tortured myself over if it was better to just be like her: an ordinary, not very smart, not very interesting girl who never had to worry socially or me, arguably more interesting, stronger, smarter. But so alone.

The moms in the clique were into vacationing in the same places. Not necessarily together, but they chose the same places. I overheard them talk about this at pickup. Barcelona was hot for a couple of years. Now it’s Lisbon. The same restaurants too. There’s a new place in Portchester that they’re all trying now. I’ve seen others insert themselves in the group simply by inserting themselves in the group.

I suppose one could say that I’m standoffish because I stand by myself. But why don’t they come up to me? They have strength in numbers. Besides, I’m welcome if I want. I look forward to the day when their daughters no longer want to be friends with each other. When they outgrow the nursery school set ups. Won’t that be delicious? “Fuck you, Mom. I can choose my own friends, thank you very much. And I can’t stand Meghan.” And just like that, their whole world would crumble. What if.

Sometimes these moms gathered outside of preschool and hugged each other when they dispersed. Watching them, I could feel my skin touching the inside of my jacket, craving warmer contact.

The other day, when I got home from pick up, I had to eat. I craved chocolate chip cookies and milk, but we were out. I had a mix lying around. I wanted to sink my teeth into the butter and let it sit on my tongue, its gooeyness and its crystals of sugar that hadn’t fully settled. I wanted to just have it all to myself, all my pleasure with nobody watching. I had to put Sophie down for a nap so she wouldn’t see, and so I wouldn’t have to share. I had to eat until I was stuffed. And, thankfully, I had plenty of space, having skipped breakfast. And I also had to masturbate at some point after the fulness wore off. I had to be full and spent.

***

I stood in the hallway outside the Fours classroom and busied myself on my phone, assuming a serious face. Two of the moms from the group, Jodi and Lauren, were talking, trying to be quiet. But I was close enough to hear.

“Should we tell her?” Lauren asked.

“Tell her what? We don’t even know for sure,” Jodi said.

“But we — something is up. You could just look at them and feel it.”

“Maybe they’re just flirting.”

Lauren shood her head. “So that’s bad too.”

“Come on.”

Lauren chewed on her nail. “But it could be close to happening, and if she knows, maybe — maybe she could say something in time.”

“It’s not our place. Not with no proof. Besides, you don’t think she senses it? Sees them together at the club and at least feels a little jealous? Or something?”

“Maybe she’s in denial. She doesn’t want to see. But we’re her friends,” Lauren said.

Jodi nodded. “Exactly, she doesn’t want to know. Remember last week when we were driving to the city and she was talking about her friend from the Hamptons who found out about her husband, and she said she wouldn’t want to know If it were her because then what? Would she want to disrupt her comfortable life? Her endless money, travel, and active social life? She herself made it clear she wouldn’t want to know.”

Who were they talking about? It must be Meryl. Her husband was too good looking, tall, with a thick head of hair and lots of money. Or maybe it was Rachel? She always looked somewhat sad. They all had money, so it was hard to tell. I didn’t dare look up, kept tapping and scrolling.

“Hey ladies!” One of the others approached them. She was out of breath. “I’m so glad I’m not late. I rushed like a lunatic to make it on time.”

“You could have called me. I would have picked up Chloe.”

There. That’s what I needed. That type of support. A sisterhood.

***

When we got home, Sophie laid down in front of the T.V., and I put Jonah down for his nap. I was friends with most of them on Facebook, if not in real life. But nothing gave it away. Just loads of happy, thin, tan, made-up women with their husbands on vacation or out for dinner. All living their perfect lives. They were blessed for each other’s friendship. Sisters for Life. Please.

Maybe it was time for me to go back to work. For real. Ally and Michelle didn’t waste their time worrying about making friends with the cool girls like a bunch of middle schoolers. What the fuck was I doing? I had been the head of my Marketing team at work before I decided to stay home with my kids. This was absurd! And sad.

So I scooped up the kids and drove to Wegmans to pick up dinner and just to feel productive, busy. To buy things we were out of but that could really wait: vanilla extract, granola, frozen broccoli, another new strange-flavor tea. Still, an activity and a way out of my head, the endless ruminating.

I squeezed pears for ripeness and spoke out loud to the kids, telling them what I was doing, to involve them, as the parenting experts recommended. I felt I was performing for others when out with my kids, and I had to seem like the happy mom. Should we buy apples, sweetie? Would you try a green apple if I bought it? When really, who gave a fuck? This is who I’ve come to.

“Hi, Julie.”

“Oh, hi Meryl.”

“I guess we’re on the same schedule.” She wasn’t with her kids.

“Yeah, this is my life. Drop off, pick up, supermarket, gym, repeat,” I said.

She laughed. “Yes, we are on the same schedule. So how’s Sophie doing? Does she like the teachers? They seem like a cohesive group.”

“Yes, they do.”

“Ben is happy, so I’m happy.”

“Yeah, that’s how it goes.”

“Are you working these days?”

“No, I’m home with the kids.”

“Oh, I thought you were working. I feel like I never see you at school. You should come join us for coffee. A bunch of us often go after drop off.”

She wore lip-gloss that was just the right color for her skin tone. Nude with a little ruby-red grapefruit tint. I never knew what was the right color for me. Her eyes were kind and forthright. She really had no idea I noticed their coffee dates all year. There was a softness about her features. Her face wasn’t round, but wasn’t angular either. Her blue eyes were a soft, pale blue. Nothing harsh about her. Her hair, a light brown with subtle highlights around her face.

“That sounds great. Thanks.”

“Tomorrow. Are you free tomorrow?”

“Sure. Yes.”

“Great! If I miss you at drop off, meet us at Michael’s on Main Street. There’s a big table at the back where we sit.”

Something inside me stirred when she looked into my eyes. I was being seen. I was there with her. Something in her eyes recognized my loneliness, my need for connection.

***

“I have plans for coffee with some of the cool moms tomorrow,” I told my husband Joe in my sarcastic tone.

“Wow! You have made it.”

He opened his eyes wide in mock amazement and smiled. But when he turned his back to me to hang his pants on a hanger, I couldn’t help but notice – to my disappointment — that he seemed very happy to hear this news.

***

The next morning, I planned to get out of the house early so I could run into Meryl at drop off and not have to walk into the coffee shop alone. But Sophie had a meltdown and wouldn’t eat her cereal, insisted on a toasted waffle, which delayed me just enough to have missed Meryl.

As I walked from the coffee shop’s parking lot to the entrance, I felt nauseous like I used to before a sweet sixteen party or a first date. My heart raced as I walked to the back of the coffee shop and saw the group.

“Hey, Julie. Right here.” Meryl called and waved.

I tried to act casual and strutted over with a forced smile.

“Everyone, you know Julie . . . Sophie’s mom.”

“Hey,” they all called out.

Meryl sat at the end of the bench and had everyone move over to squeeze me in.

“We’re all complaining about how tired we are,” Meryl said. “We don’t sleep like we used to, lots of anxiety apparently.” She winked at everyone.

“Or Mommy bladders,” said Monica.

“I think it’s a combination of both. You wake up to pee, and then your mind starts racing,” Suzie said.

“Yeah, suddenly the need to pack a healthy, nut-free snack is terrifying. But my 3:00 a.m brain is convinced it is,” Jodi said.

“My therapist told me to never trust my 3:00 a.m. brain,” Lauren warned.

Jodi said, “That’s another thing: Therapy. Mike thinks I don’t need it anymore, that it’s enough. But I think it’s the best spent money.”

“If only the good therapists took insurance,” Monica said.

“Mine does. But Mike says I shouldn’t submit in case I want to be a judge someday. Please! I haven’t practiced law in ten years. It aint happening. He thinks there’s still a stigma to see a therapist because when he was a kid everyone spoke about a boy who went to therapy when he flipped out over his parents’ divorce.”

“We’re all in therapy. You could tell him that,” Monica said

Jodi rolled her eyes. “He’s old fashioned. Anyway, it’s not negotiable. He has no idea how bitchy I’d be without therapy.”

“What about couples counseling? Does that count as therapy?” Meryl asked.

“Are you and Brad – ,” Jodi asked.

“Maybe. I’m sure he doesn’t want me to talk about it.”

“Everyone should be in couples therapy. Even prophylactically. Marriage is tough,” Jodi said.

“Anyway, I insisted on it because I feel like we’re not good. Like things have shifted. Like maybe he’s cheating.”

“But would you even want to know?” I blurted out.

I felt everyone’s eyes on me.

“I don’t know. Probably not.”

I raised my eyes and Jodi glared at me.

“Why, Julie? Would you want to know?” she asked

I shook my head. “I haven’t really thought about it.”

“Sounds like you have.”

“Jodi!” Meryl said.

“It’s something we have all thought about, I’m sure. I’ve thought about it. I don’t think I’d want to know,” Jodi said.

“Why not?” I asked.

“Because what good would it do? I’d upend my life and then what? If Mike is cheating, it would stop eventually. He’d get bored and maybe tired of all the work.”

“Jesus, Jodi!” Suzie said.

“No really. I see how my divorced friends struggle to meet someone. It’s shit out there. We’re older and there are so many losers out there. We’re not in our 20s anymore.”

“Wow.” Suzie said

“Complete honesty is over-rated and painful.” She looked directly at me.

As we walked to the parking lot, Jodi ran up to me.

“Did you hear my conversation with Lauren the other day?” Jodi asked.

“What?”
“You were nearby.”

“I don’t know what you’re talking about.”

“Just the way you asked Meryl if she’d want to know. It’s interesting. That’s all. The timing.”

“What?”
“I got to go,” she said.

I felt sick. My stomach churned. I fucked this up before it even began.

Meryl walked up to me as I was getting in my car.

“Hey.”

“Hey. I don’t think Jodi likes me,” I said.

“Oh. She’s always a bitch. A lovable bitch, but a bitch. You can’t take what she says personally.”

“I really have thought about what we discussed. I don’t think I’d want to know if Joe was cheating on me.”

“Yeah, I don’t think I’d want to know either.”

“Have you ever discussed it – with the others?”

“What?”

“Nothing. I don’t know. It’s just that I do think about it. As I get older . . . that’s all. I think it would make things worse.”

“But it might suck to have to wonder all the time,” Meryl said and shrugged. “I gotta do some errands before pick up.” She smiled, “I’m glad you came.”

“Yeah, me too. Thanks.”

***

I decided to put the whole exchange with Jodi out of my mind. It was none of my business. I became friendly with the coffee group. The women included me at pickup and drop off. I knew it was only because I was cool enough for Meryl, that it was fake and shallow. But – I have to admit—I liked having women to talk to at school. I didn’t stand by myself at pick up pretending to be reading an important text on my phone. I had friends to talk to at preschool, to laugh with. Sophie was even asked on more playdates from the moms of the coffee group.

I was invited for coffee again the following week. I think they all assumed I would join them regularly, and when I didn’t come for a couple of days when Jonah was sick, they texted me afterwards to be sure everything was okay. Jodi was even friendly to me as if we never had those words in the coffee shop parking lot. I was happier all around, even with my kids at home. I got to know Lauren and Monica better. They invited me to walk with them on Sunday mornings. I bought an expensive pair of yoga pants from Athleta to walk in. I couldn’t be seen in my ten-year-old sweats. Joe seemed happy I was making friends, though I tried to play it down for fear I might jinx it. I was embarrassed at myself for being so happy about this, but the truth was it felt good not to be lonely.

One Friday afternoon, Meryl invited the group and the kids to her house after school. While we sat around the kitchen table, Meryl confided to us that she was almost certain her husband was having an affair — probably with someone from the club or through work. She had confronted him, and he denied it.

“I’m just sick of worrying about it. If it’s happening, I don’t want to be the blind, clueless wife. I should have some dignity. Right? I mean I’m fed up and pissed off.”

“Yeah, I guess. But are you sure? Think about it. What would be better in your life if he confirmed your suspicions?” Jodi asked. “Your life would have to change once he knew you knew. I mean, do you really want a divorce? Do you want to split custody of the kids, fight over money?”

Meryl wrung her hands. “I’m surprised you’re so one-sided about this. Yes, you’re right. I have thought about it. But I can’t act so stupid. I should have some pride. If I knew it would end soon, maybe I wouldn’t want to know. But what if it doesn’t?”

“It always ends. If something is happening, it will end. But you don’t want your life to blow up because of some temporary fling. If anything is even happening,” Suzie said.

“I think it is. Shit, I don’t know what to do.”

The conversation ended when the kids ran into the kitchen after someone fell, nothing serious, but tears and cries and blame cast. What a convenient distraction, how we busied ourselves with our kids. We cleared the juice boxes and pretzels, forced the kids to say, “thank you,” zipped up coats, tied shoes. I lingered on the side with Sophie as everyone left.

“Call me if you want to talk,” I whispered and gave her a hug.

“Thank you, Julie. I’m so glad we became friends,” she said as she squeezed my hand.

***

For the next few days, I went back and forth in my mind about whether I should tell Meryl the conversation I had overheard between Jodi and Lauren. Part of me felt the wise thing was to shut my mouth because I knew nothing for certain. And we had just become friends.

Over dinner, I asked Ally and Michelle what they thought.

“Are you kidding,” Ally said, “How could you not say something?”

Michelle shook her head. “Jesus, Jules. Wouldn’t you want to know?”

I knew in my gut that I would too, no matter what I had said to Meryl. I lifted my glass of wine and took a sip, to avoid having to look at them, ashamed that I had even asked such a question.

***

The following day, after I folded laundry, cooked dinner, shuttled the kids to appointments and playdates, a familiar loneliness descended on me as it normally did in the late afternoons. It was when I finally stopped running that I was able to feel its sting. It creeped into my gut and began its gnawing. I thought of Meryl and wanted to pick up the phone to say hi. Only it didn’t seem honest, knowing what I suspected and keeping it to myself. I crawled onto the couch and closed my eyes as the children watched T.V.. I thought of Meryl. I envisioned our vacations together, our kids playing in the sand, as we lay under our beach umbrellas sipping chardonnay, our husbands (her’s new) running together in the mornings before it got too hot. I saw myself picking up Ben with Sophie at school so Meryl could go to therapy or get a pedicure. After preschool, our kids going through lower school together, middle school, then high school. Remaining friendly, looking out for each other, referring to each other as “close family friends.” I saw Meryl with a husband who treated her well, respected her, Meryl grateful that I had stepped in and helped her realize she deserved more.

I texted Meryl and asked if we could meet for lunch the following day, a Friday.

“Listen, Meryl, there’s something I need to tell you.”

“What?” Her face appeared frozen.

“I didn’t want to say anything until now . . . because . . . well, I’m not even sure, but –”

“What? You’re scaring me.”

“A few weeks ago, I heard Jodi and Lauren talking at school about suspecting some husband was having an affair with a woman at their club. I didn’t know who, but given that you’re suspicious of Brad —”

“No.” She ran her hands through the roots of her hair.

“I’m not certain they were talking about Brad, but then Jodi acted strange in the parking lot after we had coffee when she thought I had overheard. Then you said something about suspecting someone from the club. It just seems like maybe — I don’t know. I just thought I should tell you. You’re my friend.”

“Shit. I was hoping, praying I was wrong.” Her voice was flat, barely audible.

“Maybe just ask Jodi. I know she’ll be pissed at me for saying something. But it’s more important that you find out what’s going on. You’ve been so worried and —“

Tears welled up in her eyes. I held her hand, and she hugged me for a while. I smelled her coconut shampoo and felt a tenderness for her that I had rarely felt for a friend. I wanted to protect her from a world that she had mistakenly thought was harmless.

***

The following Monday, I saw Meryl at drop off. She wouldn’t make eye contact.

“Hey, how are you doing?” I asked her.

“Fine. Great. You?”

“Okay. I tried texting you over the weekend to check in and see how you were doing.”

“Yeah, I had a busy weekend. Lots of running around, family obligations.” She looked down at her phone.

“Are you going for coffee now?”

“I’m not sure. I might have to run some errands. See you.”

The others from the coffee group were talking in a corner. I walked up to them, and they turned quiet.

“Are you guys going for coffee?”

“I think it’s not a great idea if you come today. Meryl is upset and I think we should keep it a small group,” Jodi said.

I walked up to Meryl as she was about to get in her car.

“Meryl, are you upset with me? From the other day?”

“Look, Julie, I have a lot going on. I’m not in the mood to get into this now.”

“Into what? I was only trying to help. I thought you’d want to know. You said you did.”

“This is complicated. I don’t want to discuss it. Brad and I are good, we’re working on our relationship.”

“Was it true?”

“I don’t think that is any of your business. I gotta go.”

***

We haven’t spoken since that day except for a cursory hello at pick up and drop off. The other women in the coffee group acted like they did before. It was like those weeks of friendship had never happened. I stood alone again and busied myself with my phone. I ran my errands right after drop off and pretended I was happy that I had time to get the house in order, be productive, run to the gym instead of wasting time at the coffee shop. But when I saw the group huddled together in the morning, laughing together like sisters, I felt a nostalgic longing for something I suppose I never even had.

***

It’s been a few weeks since Meryl and the group dropped me. Since then, I have been thinking a lot about middle school, about the clique I felt excluded from in 7^th grade. I remember one afternoon, the girls called me into the locker room. They demanded to know if I was in their clique or not because I spent a lot of time with Lisa, another girl in the class. I had to make a choice, they said. Be part of us or not. I couldn’t be sort of in it. Instinctively, I said I still wanted to be friends with Lisa, with whom I had been friends since kindergarten, that I didn’t want to choose. I was surprised by my own words; they just came out. They also looked surprised. They had assumed I would have chosen them, been honored to be included, apologetic for making them even feel otherwise. They dropped me the very next day.

Over the years, I often wondered if my life would have been better had I embraced the clique. I’d have had a built-in sisterhood, would’ve rarely been lonely. I had drifted from Lisa anyway over time. But now, looking back, I remember my younger self at that moment in the locker room, how it just didn’t feel right: being tethered to a group. Being stuck like that. Having to conform, being controlled, dictated to.

Though I didn’t understand it back then, I now know that’s what I had rejected: having to compromise myself, to mold myself into something that was no better than I, just bigger. Chipping away at the best part of myself so that I could fit into a uniform block that was merely mediocre. I had made a choice! It wasn’t something that happened to me! And, foolishly, all these years, I had romanticized the very thing I had rightfully rejected.

The other day I noticed my yoga pants thrown over the chair in my bedroom. They would soon gather dust, and I would donate them to charity like other trendy clothing I had sampled over the years, but ultimately rejected because they weren’t comfortable or just weren’t me. Because really, I could wear whatever the hell I wanted – even my ten-year-old sweats – when I walked alone. Proudly.

Tamar Gribetz’s short stories have appeared in The Hunger, Rumble Fish Quarterly, and Poetica Magazine. She teaches writing and advocacy at Pace Law, where she also serves as the Writing Specialist. She lives in Westchester, New York, where she is at work on a novel and other short fiction.

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Margaret Attwood swooned over The Child Finder and The Butterfly Girl, but Enchanted is the novel that we keep going back to. The world of Enchanted is magical, mysterious, and perilous. The place itself is an old stone prison and the story is raw and beautiful. We are big fans of Rene Denfeld. Her advocacy and her creativity are inspiring. Check out our Rene Denfeld Archive.

Order the book from Amazon or Bookshop.org

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Antiracist resources, because silence is not an option

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Fiction Fridays, Guest Posts

Wildfire

July 30, 2021

by Holly Easton

Shortly before he left my mother, my brother, and me, Daddy gave me a copy of Heidi for my eighth birthday. He wrapped it in glossy red paper and left it on my bed. Before the year was out, he was gone.

I see him again the summer I turn 12 and Lukas turns 16. My mother screams into the phone, then click, and she tells us we’ll be spending three months with him in the Rockies. I kiss her even though I know she’s mad about it. Daddy’s been bouncing around these last few years, but whenever I asked, he said when he had a place of his own, we’d get to visit. Now it’s finally happening.

I got my braces wire tightened just before we left. I spend the flight placing balls of wax over the metal brackets in my mouth. I ask Lukas if he thinks Daddy will have goats, like the grandfather in Heidi, but he’s writing out guitar chords to whatever’s blaring on his headphones. He lets me rest my head on his shoulder though, which is progress since he swore off talking to me when I snipped all the strings on his guitar a few weeks ago.

My mother wants to buy me a training bra but I keep refusing. My chest is throbbing though and when we land, I hold the new triangular growths in my hands while we wait for Daddy, but then I see him and I drop my arms.

This Daddy has rough fur, instead of the prickly pear face he had when I was little, but otherwise, he’s the same. I run to him but then I see Regan, like The Exorcist, next to him. Regan’s his “life model.” She gives both me and Lukas tight hugs, leaving Lukas breathless.

“My chauffeur,” Daddy says, patting her scapula and we load into the car. I had forgotten that my mother used to drive him everywhere.

***

Regan wears her hair in a black braid that goes down to her hips and arrives a little before dinner almost every night. Lukas hangs onto her every word, although she is parsimonious with her speech. After dinner, she and my father lock themselves away as Daddy works on what he’s calling his “experimental phase.”

Lukas tells Daddy the altitude gives him headaches, so he spends most of his time in town drinking slushies and chatting with tourist girls. I’m too pimpled and my chest is too sore to be seen, so I stay on the cliffside with my Dad and his cans of turpentine.

I have no memories of him painting before he left, but remember having the notion that he was ‘known’. Parent-teacher conferences with his uneven stubble and my mother’s polished suit; his exhibits rather than my comportment, teachers ignorant to the brandy on his breath. I didn’t mind then. I misbehaved a lot.

“Stevie at the diner says he’ll teach me how to cook if I help him serve the lunch crowd on the weekends,” Lukas tells us over dinner. He gets loud whenever he talks about his new job at the diner.

“That’s good, a man should know how to cook,” Dad says, pointing the prongs of his fork at my brother.

“Stevie says,” gulp from Lukas, “he says the ladies love it.” Dad looks over at Regan, who meets his eyes and pours him some more wine. I keep staring at him in case he decides to share the secret exchange with me too. He doesn’t. I start to clear the dishes.

“Stevie’s probably right, but it’s still a bit early to think about that, son.” I pile them in the sink and reach out for the dish soap, but Regan’s hands stop me. I flinch because they’re cold, but her eyebrows soar up and her head shoots back like a concerned chicken.

Lukas shrugs his right shoulder and stares into his root beer, “yeah, but still, cooking’s better than just wiping tables and stuff.” I plonk down in my chair and Dad knocks my elbows off the table and flips through the day-old newspaper.

After dinner, Lukas locks me out of our loft. I can hear the twanging of his guitar through the door.

***

Because Dad is nocturnal in his work and he often retires for the day around eleven in the morning, leaving me alone on the mountain with no older boys to flirt with, and no younger girls to chase. It’s too quiet when Dad’s asleep, so I carry around the small radio I find in the loft. We only get the CBC on the mountain and even then, it’s fuzzy. Still, it’s better than silence.

I catch Lukas before he heads out one morning. “Can I come with you today?” I ask, even though I don’t really want to, I’m just bored.

“I’m working all day,” his thumb and forefinger stroke the fluff above his lip as he gives himself a final look in the mirror.

“I could come watch. Read, or something.” He spits in his hand and flattens his hair.

“You can’t sit in a diner re-reading Heidi all summer, Daisy.” I hear Dad send him off and I roll over and go back to sleep.

***

CBC starts its hour of classical music just as I hear my father crawl into bed. I turn it off because I can’t stomach another concerto. I want to run and scream, but the peaks of snow in the distance scare me off, I’m afraid my voice will boom and start an avalanche. Instead, I find myself in Daddy’s studio.

The door creaks only slightly, but it’s so quiet that I’m immediately on edge. His studios, his gallery openings, his work has always been off-limits. I was too young, it was too dangerous, the work was too precious. Standing there, for the first time, I see the brilliance that has driven a stake through my family. The colours of his passion refracting against itself and rolling over.

Regan puts her hand on my shoulder and leads me out.

She stays late to make me lunch. I tell her it’s too hot for soup, but she puts some on anyway. “He’s teaching me to draw,” she says, drying the mug he uses for his brandy. My face is dewy with sweat as I eat. She stares at me and I flush tomato, like the soup. I feel the bumps on my forehead or the new wires on my chin more pronouncedly. I think, maybe if I focus hard enough, they’ll retreat back into my face. She leans closer towards me, our noses level and almost touching. She traces my features with her eyes. She reaches for her sketchbook but pulls her hands back. Instead, she grabs her purse. “Do you want me to show you how to pluck your eyebrows?”

Leaning away from her, I smash my elbow into my bowl of cold soup. The clatter echoes out because there’s so little noise, so little else, on the hill. “You have a beautiful natural arch,” she says, reaching out to stroke my brows.

“Does it hurt?” I ask

She smiles, tucking my hair behind my ears. “You get used to it.” Her fingers brush my skin so gently, they smell like cocoa butter. “Besides, I think Jack– your Dad– would like it if we had some Big-Girl bonding time.” She smiles and then collapses her lips into a pout as she searches through her purse.

I hold my breath as she brings the tweezers to the first hair. “Ow!”

“Did that hurt?” Regan pulls back.

“Of course it did, you ripped my hair out!” I snap. She gets up and I think she’s about to leave, but she just goes to the fridge. The crack of the ice tray and she wraps ice cubes in a paper towel to numb the skin.

She shapes in silence, pulling back to look at me or tilt my chin as she sculpts and paints my face with the contents of her purse. I wonder if this is what my father does to her in his studio and suddenly I remember I hate her. “My daughter would be a little older than you,” she says.

I don’t ask what she means. My neck starts to ache from supporting her canvas and I straighten out. I hate her for staring at me. I hate her for making me untimely soup. I hate her for taking my father’s time. And I hate her most, in that moment, for acting like a friend, or maybe a mother.

Regan moves the ice over my pimples. “The cold will help them heal,” she says. My parents had to evacuate their home the day after I was born due to a forest fire. When they returned, the fields were already germinating with flowers, daisies, and trees that had been scarified into growth. The surface of Regan’s face was smooth like pulled toffee. I imagine the ice putting out the little fires burning under my skin. I lean into her hands.

My father shatters his coffee cup when he sees what she has done to my face. She’s traced my eyes like an Egyptian queen. I’m done-up like a, he struggles for a word, choking before he spits up “an inappropriate” and storms off into his studio. Regan tries to follow him.

“We’re just having fun,” she says, but he slams the door in her face. I ask if I can keep the lipstick she put on me.

***

Wearing Pomegranate Persuasion, I return to the studio every morning after that. Regan doesn’t linger after her sessions with my father anymore, so there’s no one to stop me. With the door shut, the studio air is damp in my throat. Every step is muffled by globs of oil streaked across countless canvasses. Every day I push in a little further until the colours don’t make me dizzy anymore. Then it’s the texture I absorb.

I run my finger pads over the peaks and ridges, feeling how they expand after every sleep. The landscapes are vast and uninhabited. The newer works scattered around the easel have been hybridized with Regan’s form. Her guitar-shaped body as mountains; her black hair as waterfalls, her eyes as valley basins. Oil takes a long time to dry. I push in from tip to first knuckle, squishing Regan’s curves. The paint parts around my finger, tarnishing my glitter nail polish.

I’m not allowed in the studio anymore after that.

Instead, I’m sent down the mountain with Lukas. Dad waits at the kitchen table with his mug in the morning to ensure we leave. He doesn’t say anything to me when we do. On our way down, Lukas splits the slushie money with me, waving at everyone we pass. “I’m going down to the quarry with the boys. If I’m not back here for 5, just head up without me, okay?” He says, sticking his too-long thumbnail between his front teeth to get out a fleck of toast. I pull out Heidi from my back pocket and spend the day reading at the bus stop.

“What the hell are you wearing?” It’s after 5. Lukas is still at the quarry and I’ve come home on my own. We go through this every day. My summer clothes from the year before hadn’t quite fit when I packed them, but it’s been getting worse as the days go on and grow hotter. My shorts ride up the back or bunch in a V at the front. My shirts are too short as I’ve grown a good few inches since my eleventh. My mother’s promised a shopping spree for my twelfth, but that’s just before school starts. And, of course, I’m with my father until then.

“They’re just shorts, Dad.”

“They’re inappropriate.” There’s something else “inappropriate” every day. His concerns are more than just fit. The colours, the patterns. When I dress, I make-believe a theme for the day. The light-up sneakers with my cupcake dress (celebration). These butterfly shorts and the inappropriate unicorn top (things that can fly). Dungarees and Dragons (that one’s self-explanatory). It all bothers him. He still hasn’t forgiven me for defacing his work.

“What’s on your mouth?” Pomegranate Persuasion. I stay quiet. He shakes his head so slowly.

“Everyone wears it– ” but I’m wiping my lips into my palm.

“My child will not.” He sniffles with a summer cold and wipes his nose with the back of his hand. I edge towards the loft. I’ve got my hand on the stair railing, “and you’re wearing those clips again.”

My daisy clips. He hates them most of all. The daisies come in every colour with smiling faces in the pistil. “Take them out.”

“They’re my favourite.” I reach up to touch one of the smiling pistils with a finger.

“Why do you never listen?” The mug pounds onto the table.

“I can just stop wearing them, Daddy.” He’s looking away from me. I climb a few stairs.

“You need to learn how to dress your age.” If he means I looked too young, or too old, I never know.

Regan brings shepherd’s pie for dinner, but Lukas still hasn’t returned and she and my father don’t eat with me, so I listen to the CBC. It’s been a dry summer and fires are burning along the west coast. After dinner that night, I find the clips, the plastic cracked through the pistil, in the bathroom garbage.

***

Marvin, who sells the slushies in the village, calls one afternoon. My father yells at everyone that night. Regan leaves in tears before their session. He tells me he doesn’t need to be woken up by concerned citizens telling him his daughter is “whoring about with boys on motorcycles.” I tell him they were mountain bikes. He’s not consoled. I don’t tell him they only asked me for directions.

The next day, he piles up his old painting clothes and Lukas’s hand-me-downs on my bed. But after a night of bridge at the cottage with Marvin and a few of his pub buddies, he bans me from going into the village altogether.

The village is unsuitable, but I’m still not allowed in the house. Instead, I throw a pack of Oreos in my backpack and walk halfway down the mountain, to the pasture, with Lukas. My beaten-up copy of Heidi was growing more insipid with every read. So I bring the radio too, but the reception is even worse in the pasture.

The radio tracks the fires as they move across Alberta. It’s all anyone seems to talk about. The sun beats down on my back and I lie in the grass staring into that speaker like it’s a face. They interview people who’ve lost homes, people looking for their pets, firefighters, and climate scientists. Sometimes they’d ask people to call in with their stories.

“We’ve got Daisy on the line,” I imagine.

“Hello,” I say, “No fires here yet, but my brother Lukas says the village is booming with tourists.”

“Really?” Roger’s voice is like dark chocolate and whole milk.

“Oh yes, Roger, they’ve been pushed out of Jasper and Banff by the flames.”

“So that must mean there are lots of kids around for you to play with Daisy.”

“So many, Roger! You wouldn’t believe. I might even get a boyfriend before the summer’s out.”

“Aren’t you too young for that, Daisy?”

“I wouldn’t kiss him or anything, he’d just be mine.” And then Roger would laugh, or invite me to be his co-host, or send me undercover on special assignments. But sometimes we didn’t talk about the news or the fires at all. And sometimes they’d just play music, and then I’d lie on my back with Heidi as a pillow, counting clouds and wondering if like Clara and her wheelchair, I could push Regan down the mountain.

***

The fires leave a grey cloud on the horizon that’s visible even at night. It’s hot and I can’t sleep, so I go outside to watch the smoke. Being outside at night feels against the rules, although it was never strictly mentioned, and I get that bubble of fearlessness in my stomach at the thought of being free and in charge. “Trouble tummy” my mum had called it after she caught me stealing chocolate bars from the Mac’s Milk. I crawl underneath the open window to my dad’s studio.

“You don’t know what she’s like,” he says, his voice startling me by how close it is to the open window.

“She’s just a little girl, Jack.” It’s Regan, but she’s using her other voice, the one she only used with him. It’s higher, smoother. “She’s curious. She didn’t– ”

“She knows what she’s doing.” There’s a pause. The sounds of Regan shifting on the stool, and the lick of a brush on a palette waft from the window.

“I think she misses you.” I hear as I lie down and close my eyes, warm from the summer air wrapping around me. My father’s snoring when I come back inside to brush my teeth.

***

“I like it here,” Lukas says after meeting me in the pasture so we could march home together. “It’s a simpler way of life.” We stop near some bushes out of eyesight from the cottage so I can put on the windbreaker and jeans my father has deemed more weather and age-appropriate than my tee-shirt and shorts. I rub Pomegranate Persuasion off on the sleeve of the jacket.

My father’s in a good mood when we get home. He slings his arm around Lukas’s neck and ruffles my hair. “My babies!” He yells, but not an angry yell like I’m used to. We eat dinner as a family because Regan isn’t coming tonight. My father even puts off his work for a few hours to hear all of Lukas’s exploits. I gather and start to wash the dishes and watch as my father leads Lukas into his studio. They don’t come out before I’m in bed.

Their snoring wakes me up. They’ve passed out cold on the couches and there’s an empty bottle of wine between them.

“Celebrating,” says Regan’s voice from behind me. We haven’t been alone together since the afternoon she plucked my eyebrows, the regrowth of my messy brows as evidence of the month that’s passed. “Jack called me last night, so I came up this morning to congratulate him. I guess I should have known he’d be asleep.” She turns to the sink and starts re-washing the dishes I did the night before. “It’s exciting, isn’t it?”

I don’t know what’s exciting, so I don’t answer. Locking myself into the loft, I block the door with the wicker chair so Lukas can’t stumble into bed. The loft is so sparse and dark and the only evidence of home is Lukas’s guitar in the corner. I flick on the CBC, but the radio sputters and the batteries die, leaving only the muffled sound of water running over already clean dishes.

When Lukas finds his guitar, the neck is tucked into bed, and the body has been launched from the tiny loft window, smashed against a weathervane. He spends a week with Stevie from the diner. My dad even goes down to the village to be with him. When Lukas agrees to come home, he doesn’t look at me anymore, which I can handle. But he packs up the rest of his stuff only a day later and moves it to Stevie’s. Dad starts having dinner with him in town every night. Being alone in the loft is like being trapped in the brain of a zombie. Everything is muffled, grey, dead. If the house burned down, no one would know I had ever been alive.

***

As the days grow shorter, Regan’s nights with my father get longer. The day of my birthday, she hikes a rainbow sprinkle cake up the mountain for me with my father’s bridge buddies. I blow out my twelve candles and my father uses real wine glasses, not just a paint-stained mug for his booze. I don’t get any presents because I’ve been bad, but they teach me to play bridge and for one night, forgive me. I pour their drinks and laugh at their loud jokes, even if I don’t understand them. My father lets me have a small glass of wine.

As Regan brings me to bed, my head is foggy from the early hour and the cigarette smoke flooding the house. I hear Marvin downstairs. “She’ll be a heartbreaker one day, Jack,” He’s got a heavy wheeze caused by his belly or maybe his smoking. Regan shuts the door behind us before I hear my father’s response.

“Happy birthday, Daisy,” Regan says, handing me a little box. I don’t take it at first, because I don’t really understand. “Don’t tell your father.” Inside is a bracelet with tiny beads of jade and a small silver flower charm. “The green brings out your eyes.” She takes the bracelet from my hand and slips it over my wrist. “Oh, and I made you this.” Regan reaches into her pocket and pulls out a piece of heavy sketch paper.

It’s a charcoal portrait. My eyebrows mid regrowth, with the smiling faces of my daisies in my hair. She doesn’t have my father’s skill, but her hand is practised. I touch a finger to the pistil of the daisy. She lifts my duvet for me to slip into bed. Her touch is gentle as she pulls the blanket up to my armpits.

“Regan?” I ask, and she looks at me straight in the eyes. “Thank you.”

“You’re almost a young lady now.” Her eyes are on mine until I break away. “Good night.”

They’re all still there when I wake up, asleep on the couches and kitchen chairs. My father’s bedroom door is open. He and Regan are naked, covers kicked off in the heat. The mountains, the valley basins, the waterfalls of Regan’s body, encircled inappropriately in my father’s arms, his face discoloured from alcohol, buried in bunched, patterned sheets.

I walk past them into the studio. It feels tighter. The colours have melted with the heat and the oil is spiking off the canvasses, reaching out to press into my skin. I dry heave from the stale air, the bottom of my lungs filling up the way they had when I blew out my cake the night before. I think about my birthday candles.

***

The crack of the fire wakes my father when I’m only halfway through the masterpiece. The ash from the pasture has darkened the clear mountain air. I’m sure he’s yelling, but his paintings burn so loudly, air pockets trapped under oily prisons exploding from the heat, that I can’t hear him.

My mother arrives later that day, but Lukas stays through the school year. We have our shopping spree, as promised. She lets me buy whatever I want.

Holly Easton has a degree in archaeology that has proven to be just as useful as her parents said it would be. She is currently pursuing a Master’s in science history. Holly is a volunteer science communicator at a local museum where she teaches guests about evolution and ecology. She enjoys meeting and chatting with neighbourhood cats.

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Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Fiction, Fiction Fridays, Guest Posts, pandemic

Theme & Style

July 23, 2021

By Sara Gray

The seminar was wrapping up.

“I want you to think about your poetry,” the poet said. “I want you to think about the themes running through your work, and how your style expresses those themes.”

The poet was a professor in her mid-30’s and would not have been giving a seminar via Zoom to a bunch of amateur poets if it wasn’t for the pandemic that had side-lined her own book tour and other, more prestigious teaching opportunities.

Marie wouldn’t have attended this seminar or any other if it wasn’t for Zoom and the pandemic as well. Instead, she would have been ferrying her children to hockey, soccer, and sleepovers.

For two hours, they had discussed poetry: Gwendolyn Brooks, William Carlos Williams, Mary Oliver. They had analyzed the author’s word choice, the percentage of Latin, French, and Anglo-Saxon root words, the number of adjectives. It had been so long since Marie had spoken to anyone about poetry. Her husband wasn’t interested in it; her children weren’t interested in her; her writing group was forced to delay their meetings because they weren’t allowed to leave their homes, and Betty didn’t know how to set up an online meeting.

For two hours Marie had listened, taken notes, and thought about nothing except poetry. She felt exhilarated, like she had drunk one too many coffees. Unfortunately, they had arrived at the point where they were supposed to ask questions.

The one benefit of everything pivoting to online was that she could, if she wanted to, leave early, turn off her camera, get a mug of tea. It was a little power, sure, but it was still a thrill. She never liked listening to other student’s questions. It was, perhaps, a cruel thought, but she always found the questions to be dumb or repetitive or a clear attempt to grab attention from a well-regarded author who, it was clear, had no real interest in answer the same inane questions she undoubtedly got at every seminar, whether in person or online.

Yes, Marie decided, she would simply leave.

“I can take questions now if –”

She pressed the leave meeting button, cutting the Pulitzer-Prize-winning poet off mid-sentence, which also made her feel giddy. It wasn’t that she didn’t like the poet. In fact, she regarded her work highly, which was why she had signed up for the seminar in the first place, and why she bought and read all of her books even though between her job, children, and her husband, she really only had time to read about twelve books a year.

Twelve books. The thought made her anxious. How was she supposed to pick twelve books out of the hundreds that were published in a year and the millions – billions –that had been published before that? She tried make lists, recording names of authors mentioned at literary events or on Twitter. She kept lists of new releases and other, longer lists of books she hadn’t read yet. A copy of War and Peace glared at her resentfully from her bookshelf, knowing she would never touch it. But still, how did one choose?

She pushed back from her chair and pushed the thought away. She was not supposed to be thinking of her book-related anxiety. She was supposed to be thinking of her own work and how her style worked to express her themes.

She stood up. The floor was cold against her feet. Before she had been confined to her house, she hadn’t noticed the seasons change. One day it was summer – hot, humid – the next day, she was pulling sweatpants over her pyjama bottoms because she was cold. Now, even though she rarely left the house, she found herself noticing the small changes in weather. First, the days were shorter; then, the air-conditioning clicked off for the final time; the leaves were bruised and brittle on the branches, ready to fall; now, she was required to wear socks.

Perhaps she was noticing things like this because there was nothing else to observe. She no longer saw interesting people on the street because no one walked the street. Her social interactions were limited to her husband, her two children, and her sister (though they had stopped seeing her sister because she had read something on Facebook and now refused to wear a mask).

Marie wasn’t out of her husband’s office and already her mind was wondering away from the central question. How did her style impact her themes? The truth was, she wasn’t sure what her style was. She assumed if she wasn’t sure about this, it wasn’t coming across to her audience (which consisted of her husband, her sister, and the people in the Writers in Belville Facebook group she had joined).

Just as she was about to sit back down, the dryer buzzed. She left room and walked down the hall to the laundry room.

She had an open style, she decided. She didn’t like poetry she couldn’t understand. When poems made her feel something just by their rhythm or tension or whatever, she didn’t trust that feeling. If she couldn’t understand, then she couldn’t come to a meeting of the minds with the author.

She opened the washer. The laundry room smelled vaguely of cat litter. Jack, her 10-year old, had promised that if they got a cat, he would scoop its poop every night. Her husband thought it would teach him responsibility. Not surprising Marie – or any mother anywhere – Jack had cleaned the litter box once and had never done it again.

Marie pulled handfuls of wet clothes out of the washing machine. Cold water slipped down her fingers and wrist. The washer was not spinning as efficiently as it should be. The machine was getting old. Marie meant to call someone in to take a look at it, but the machine wasn’t completely broken and laundry kept getting done, so she continually put it off.

Anyway, the washing machine didn’t matter, she reminded herself as she separated out the clothing that went in the dryer from the clothing that needed to be hung to dry, what mattered was style and theme, and how they connected to one another in a poem.

In a writing class she attended once, a girl half her age had said that her poems were too direct. It was true that Marie rarely used rhetoric. Again, it was something she didn’t trust. People tended to gravitate towards similar turns of phrases, and they didn’t always work. In almost every one of her classmate’s pieces, someone ‘paled’ or ‘went pale’. Marie did not think the body worked that way. She had never gone white like that, and she was fairly sure colour did not drain out of one’s face when one was frightened. Maybe it did. But –

Footsteps in the hallway. Marie poked her head of the laundry room.

Rachel was walking by, a box of cookies in her hand. She was still wearing the pyjamas she slept in though it was almost dinner time. Marie hesitated. Rachel was twelve, meaning that everything Marie said or did was offensive, embarrassing, controlling, or otherwise unacceptable. Her daughter had been – still was? – a happy child with friends, good grades, and a wide range of extracurricular activities. It was harder to be all that when one wasn’t allowed to leave the house. Usually, half-way through a Saturday, she would be asking Marie if she could sleep over at a friend’s house, or if she could have friends over so they could gorge on pizza, soda and then fall asleep in front of horror movies while browsing the various social media accounts of the boys they liked and the girls they pretended hate but really admired.

Marie had worried about her daughter in those days as well, but if she was being honest with herself, she knew that Rachel was well-adjusted. Worrying simply felt part of her job as a mother, same as explaining the importance of deodorant and packing school lunches.

Now, though, the worry had transitioned to genuine concern which left Marie feeling like she was permanently free-falling off of a cliff. It was not a pleasant feeling. She didn’t know if she should take away the cookies and force Rachel to shower and put on a pair of jeans. Months ago, she would have said that would absolutely have been her response, but who was she kidding. There was no one reason to put on jeans, and cookies were one of the few joys left.

Rachel’s door closed.

Marie bent over and started to scoop the cat’s hard, sausage-like shits out of the litter box and into a crumpled up plastic bag. It was too late anyway. Rachel was in her room. She would spend the next few hours watching videos on Youtube or TikTok. In the before times, Marie didn’t have to monitor Rachel’s screen time, her kid had been far too busy working on her lines for the school play or doing her homework.

What if she didn’t get into college?

Marie tied the bag closed. Beans, the fluffy brown cat they had adopted from the animal shelter at the beginning of the year, trotted into the laundry room to check out his litter-box. Finding it clean, he ran his long body against Marie’s calves. She stroked his fur. It was the closest thing she got to a thank you these days.

Bag of shit in hand, she walked down the stairs to the foyer and slid on a pair of Jack’s flip-flops that were sitting by the door. Jack was only ten, but his shoes fit her feet perfect.

The last poem she had written was about Jack’s flip-flops. How his feet kept getting bigger. How he kept getting bigger, and she couldn’t stop it.

Themes. Style. The poetry world probably had an unkind word for middle-aged, suburban woman who wrote poetry about her children: saccharine, clichéd. They weren’t wrong. There was nothing about motherhood that she, Marie from Belleville, could possibly say that hadn’t been said before.

The excitement she had felt from the online seminar was starting to curdle. She felt like she often did in these moments: that she didn’t have a unique perspective on the world at all, that she was an interloper in the world of books and reading, and that she should, as quickly as possible, buy herself a t-shirt that said wine o’clock and curate her Pinterest boards while watching the Bachelorette. The thought made her feel small and translucent.

It was cold outside. The flip-flops did little against the cold. She was wearing thin sweatpants and a t-shirt. Her nipples, rebelling against the cold, pointed through the fabric. One arm across her chest, she jogged to the garbage can and dumped the garbage bag in the organics bin. In the bottom of the bin, she could see a few maggots wriggling around, clinging to life. Someone – her husband – had thrown old food directly into the bin without a bag. She would have to call waste management and have them sanitize the waste bins.

She wondered, as she returned to the house, if she really needed to do this. The maggots weren’t harming anyone. It was a waste bin. No one was expecting it to be sanitary. But she didn’t want anyone to notice. She didn’t want to become that lady with maggots in her garbage. To whom would it make a difference?

Was that the correct use of whom? She wasn’t sure. She slipped off her son’s flip-flops and walked across the cold hardwood floor to the kitchen. Someone had once said it was a pity that ‘whom’ was going out of fashion. That the ongoing whittling of the English language was restricting writers more-and-more to subject-verb-object sentences: I eat carrots. I is the subject. Eat is the verb. Object is the carrots. It had taken Marie a long time to figure that out. She wasn’t entirely convinced that it mattered, that the on-going whittling of the English language was, in fact, something she should concern herself with.

She turned on the tap and washed her hands for government-mandated 20-seconds. The soap she bought was purchased in bulk from Costco at the beginning of the pandemic. It was the last variety available. It smelled harshly of chemical green apple. She hated it, but wasting something like soap seemed cruel and ungrateful.

Her husband would get mad as well. Not that he would get mad mad. Bob was a mild-mannered man whose idea of rage was a disappointed shake of the head. Still, she doesn’t like to add to the stress. Like many other people, he lost his job. It was not a good time to be a city planner, not with construction slowed to a halt and projects deferred.

Marie turned off the tap. They were luckier than most. They had some savings and Marie had found part-time work answering calls from people and business confused about what kind of government assistance was available to them. Those calls put things in perspective. Mothers called looking for directions to the food bank so they could feed their children, apologizing as they did so, explaining it was their first time, that they were trying to get work.

Marie dried her hands on the clean towel. Thinking of food banks, of Bob and his ‘employment situation’ was like waking an angry barking dog inside of her. The dog was fear and it was barely restrained, ready to break free and ruin her carefully maintained garden of mental health.

Marie screwed up her eyes. This was she didn’t love metaphors. Fear wasn’t a barking dog. It was her hormones squirting chemicals into her bloodstream. This squirting was supposed to help her, but it was not.

Themes and style, she remembered, that’s what she had been thinking about. The poet had instructed them all to think about what they couldn’t say in their work, what ground their projects forbade them to tread simply by their nature. A Hallmark movie, for example, would not end in divorce. Marie thought there was a lot of ideas her work was incapable of exploring: mathematical axioms; the eight minutes and 48 seconds George Floyd spent on the ground, dying.

Marie stopped listing things. It didn’t seem right to put anything after George Floyd’s death. Her neighbourhood book club had decided to read How to Be an Anti-Racist at their last book club meeting. Jack and Rachel – seeing celebrities and kids their own age on social media taking to the streets – had insisting upon going to the marches, and Marie had insisted upon accompanying them. She carried her own Black Lives Matter sign, but she came more of out of a need to monitor her own children, than out of a desire to be part of the resistance. At first, she had been uncertain, both of her welcome and of the wisdom of protesting in a pandemic. Thoughts buzzed around like flies in her head: what if they all got each other sick? Am I too complicit to be here? What if things get violent?

But, she had neither been welcomed not rejected. She was drop in the sea of people who were walking through the streets. There was no violence. Everyone was masked. Children, too young to understand what was happening, sat atop their parent’s shoulders and occasionally clapped or squealed. She wondered, as she often did, what the protests looked like to the littlest children, what they understood the cacophony of shouts, cheers, signs, and people to be.

Despite the new reading list, her book club had not approved of Marie attending the march (dangerous, looting, etc.). Marie had learned something she thought be very important, which was that talking about property damage after someone was murdered was, at best, tone deaf, at worst, violence itself. It was one of those thoughts that seemed so obvious to her once she heard it, that she could hardly remember seeing the situation another way. Marie tried to share this with her book club, and it had not gone well.

They seemed to think that she was saying that she didn’t care at all about the looting and rioting. Marie tried to explain that it wasn’t that she didn’t care, it was just that she cared about people more than property, and they should keep the conversation centered on the harm done by police and white supremacy.

Her voice had shaken as she said this, partly because she was a nervous public speaker, but also because Bev’s husband was a police officer, and she could see the woman scowling, and because whenever anyone said ‘white supremacy’, Irene puffed up and threatened tears, acting like someone had accused her of trying to join the Third Reich.

Since she was in the kitchen, Marie pulled out the alfredo sauce and linguine from the cupboard. She opened the fridge. There was nothing in the fridge but containers of yogurt, cheese, and rows of condiments. Tomorrow, she would have to don a mask and brave the grocery story. She had always hated grocery shopping, and she despised it now. The freaks refusing to wear masks came too close to her in line, and the odd empty spaces on the shelves that made it feel like they were at the beginning of the end times.

Marie opened the freezer. The package of shrimp was sitting there, slightly freezer-burned. She had forgotten to transition it from freezer to fridge this morning. She swore to herself, took the package over to the sink and started to run it under cool water.

She thought about book club as the cold water ran over the shrimp and her hands. The conversation had devolved into an odd sort of pissing contest where each woman reiterated the horrible things their parents had said about Black people and how they felt scared to say the wrong thing now. Some of them cried. Marie looked around and came to the conclusion that there was not much to be gained from a bunch of white women whipping themselves up into a self-indulgent hysteria and suggested they read Transcendent Kingdom for their next book club pick. Perhaps, Marie thought, they would all do better with fiction.

She turned the water up. She knew she was supposed to defrost shrimp in cold water, but never understood why and she didn’t relish the thought of standing there for twenty minutes, her fingers in murky, cool water.

What we she supposed to be thinking about: Theme? Style? If Marie thought about it, she wouldn’t have been quite to remember the joy she had felt at the end of the seminar. Each emotional state restricts a person’s imagination. It is hard to remember joy when one is miserable and vise-versa. She wiped her damp hands on the cloth, then started to collect the ingredients: salt, chili peppers, pepper, olive oil.

It wasn’t that she was better than the women from book club. She was just less certain than they were about who she was and what was right even though she supposed that, at 56, she should have worked all of that out. Their certainty pounded against her like hail, stinging and confusing her. Irene, for example, was so certain she was a good person with a good heart. Marie was never certain whether she herself was right and good.

The shrimp were defrosted. She started to unpeel the them, pulling the crusty shell off of each one and dropping them into a glass bowl that held chili flakes, oil, and cilantro.

Sometimes, she thought of her children as old people, sixty, or, god-willing, eighty years in the future. Obviously, she would be dead. They would be nearing the end of their lives. It was weird that she would not be there with them for decades potentially. That they would have years of life and she simply wouldn’t know about them. That they would get sick and die and she wouldn’t be there to help them. Sometimes, she worried herself by wondering if, by the time they got to heaven, they would even recognize one another. The thought made her want to cry.

Her phone buzzed. The red CNN logo just visible. 200,000 thousand Americans had died from COVID-19. She stood in the kitchen, her hands cold and wet from the shrimp she had been peeling. Her screen went black. The update disappearing like it had never been there at all.

“Mom, is dinner ready?” Rachel yelled from her room.

Marie jumped like her daughter had just prodded her with a cattle prod. Marie cleared her throat and dried her hands on the crumpled tea towel.

“30 minutes, sweetie,” she called back.

“OK.”

Rachel’s door shut again. From the living room, Marie could hear the swoosh of lightsabers coming from the living room. Jack was watching Star Wars again. Bob was in his office, she knew, looking for jobs with more-and-more desperation. Last time she was cleaning in his office, he had left his computer on, and she had seen an application for a position as a Claims Adjuster at an Insurance Company. He had been Regional Manager of Consumer Marketing for a large national movie chain before the virus, and he had loved his job. He had always loved movies and television.

On their first date, he had taken her to a drive-in. She couldn’t remember the movie now, but she remembered that he had known everything: who the director was, who the writer was, the producer, and all their previous works. She never paid attention to that stuff and was impressed by his passion.

He did not, as far as she knew, love insurance.

She put the shrimp in the pan and pushed them around with a wooden spoon she had bought on a whim from Williams Sonoma back when they could afford to splurge on things like that.

The oil hissed and popped. She was probably cooking it at too-high a temperature, but she didn’t care. For a moment, she wanted to burn dinner, if only because she wanted to burn something.

She turned the heat down, measured out some rice, water and salt and set it to boil in a separate pot. Not in any mood to make salad, she poured some frozen peas into a microwave-safe bowl and filled it with water. That would have to do.

She dried her hands again and picked up her phone. The CNN news banner was still there, reminding her of the death toll. Her finger hovered about it. It felt like her duty, as a citizen, to read the article, but what more was there to say than was already written in the headline. People were dying because of selfish people led by a selfish man.

She had a friend on Facebook, a Trump supporter who, after posting multiple mask-related conspiracy theories, received a barrage of critical messages. She beseeched her Facebook friends to ‘look at her heart’ and treat her with respect and then moments later posted a meme claiming pro-choice Democrats wanted to kill babies.

They were no longer friends. Trying to be friends with someone like that was like trying to befriend a cartoon, there were too many layers of ridiculousness to work through. Still, it was one less friend. A friend Marie had known since high school. Those were hard, perhaps impossible, to replace.

Marie sighed. Theme and style, that was what she was supposed to be thinking of, wasn’t it?

Jack came in from the living room, the movie still playing, and took a swig of milk from the carton.

“Honey, use a glass,” Marie said automatically.

“We all share the same DNA,” he said in that petulant manner of teenage boys who think they know everything.

Marie didn’t protest further. If she had learned anything other the past few months, it was how to pick her battles.

“Dinner will be ready soon,” she said.

He passed her and gave her a kiss on the cheek, smiling sheepishly when she looked at him with surprise.

“I’ll get Rachel,” he said, disappearing out of the room as fast as he came.

She listened to his feet thump up the stairs and opened her phone. The Belleville Writer’s Collective was offering another writing workshop next weekend. The guest author had been short-listed for the National Book Award, so Marie assumed they were talented (Marie had their book on her shelf, but had not had time to actually read it).

She wouldn’t have time to read the book before the workshop, though she would try. She likely would not have time to work out what she thought about theme and style or whatever it was she was supposed to be thinking about (the words from the first workshop were already starting to fade from memory).

She clicked the enrol button. She put her phone down and stirred the shrimp.

Sara lives in Toronto with her fiancée and cat. She has previously been published in the York Literary Review and Tishman Review and others. When not writing, she enjoys reading, running, and planning vacations she can no longer take.

Anti-racist resources, because silence is not an option

Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Fiction, Fiction Fridays, Gender & Sexuality, Guest Posts

Can’t

July 16, 2021

By Lauren Anton

You’re turning thirteen tomorrow. It’s time to act like it.

She looked around her pink and white bedroom. Pink: her favorite color. Her journal, also pink, with a picture of a pretty little girl on it, surrounded by flowers. She had gotten her period, as if on cue, the day before. When she went to tell her mother, she had handed a pad to her, unceremoniously. Her dad had hugged her for no reason that morning.

It was all pretty awkward. But still. She took the event and her upcoming birthday as a sign that things needed to change.

No more being loud. No more tomboy. You need to be quiet and pretty.

She thought back to the times when she would hang out with Natalie, prowling the mall for guys.

At least that’s what Natalie was doing.

“Did you see that guy?”

Never.

“He’s so cute! I think he was looking at me.”

According to Natalie, they always were.

They would then follow the guy (or guys) around, while she became increasingly more anxious, when she would eventually duck into a bookstore to read magazines, not books. She was trying to figure out how to be a pretty girl who attracts boys. She would stand there for an hour, waiting for Natalie to be done with her guy-hunting, reading magazines like Seventeen, Vogue, and Cosmopolitan not for enjoyment, but for the task of research.

It didn’t seem to sink in.

No matter how many quizzes she took, she didn’t naturally have the eye that Natalie – and all the pretty girls in her class – had.

Even if she did attract a boy, she didn’t know what to do. She liked her guy friends in class, but never seemed to like the guys that she was told were “looking” at her.

She felt that she had been left behind in fifth grade, when they had “Family Life” – sex ed in Catholic school. She had hidden behind her book when they learned about “intercourse,” lest she make eye contact with any other human being.

“Intercourse” was defined as “a man placing his penis in the woman’s vagina, with the hopeful outcome of conception of a new human life, within a loving marriage.” The book went on to say that it was a “precious gift from God” and was to be “held with the deepest respect.”

Meaning never done outside of marriage.

The daydreams, as she called them, started when the “Family Life” classes started. She would spend hours fantasizing about being a boy in a relationship with a girl, having sex with her, getting married, having a family. Her imagination was expansive, which was important, as she didn’t know that girls could masturbate.

She thought only boys could do that.

In fact, the book had been so centered on the penis and ejaculation (and other words that made her want to die when she heard them), she didn’t realize girls could have an orgasm and that there was something called a clitoris.

She had no clue about her own body.

And so the daydreams where she was a boy having sex with a girl continued for over two years.

The penis was all she knew.

Her pen hovered and then drove into the paper.

You need to stop these daydreams.

Her sexual fantasies that she called daydreams because she didn’t know what sexual fantasies were or that she could have them.

She didn’t know why she had the daydreams. She just knew she couldn’t stop and found her mind on them, not even realizing how long she had been thinking about it. She just knew they were bad and had to stop. She had to find a way.

She remembered what happened two years ago in her pink and white room on her frilly twin bed. Her cheeks burned with the shame.

They had just started “Family Life” and her friend Christine had come over to spend the night. It had been a normal visit, nothing noteworthy. Dinner, playing games up in her room, talking, until her mother had told her it was time to get ready for bed.

When the lights were off, they continued to talk, as ten-year-old girls do, in the dim light of the nightlight.

The topic of “Family Life” came up and how embarrassing it was.

But she wasn’t feeling embarrassed.

She was feeling…like she did in the daydream.

“We should practice.”

Christine was nervous about this so she offered that they could leave out the kissing. She was secretly bummed by this but realized that compromise was needed.

And so, she lived out her daydream in her pink bed, in her pink and white room. At ten years old.

She didn’t know she could float, but she did.

When her eyes were woken by the sun shining through the split in the curtains, she looked over at her friend, still asleep. She shifted to her side to watch the ray of sun creep up Christine’s body under the covers, her blonde hair in wisps around her face, until at last the sun reached her eyes. She blinked herself awake.

“Morning.” She smiled.

“Hey.”

Christine immediately got up, taking her change of clothes in the bathroom. Her stomach had a tiny pang of fear which she quickly shoved away and instead got dressed, taking her cue from Christine.

When Christine came back in the room, she sat on the edge of the bed, her gaze on the floor. She sat beside her, a respectful three feet away. Her body sent off alarm bells.

“What we did last night was wrong. We should never do it again.”

There was a moment when she couldn’t really see and her stomach dropped to the floor. She thought she was going to faint.

Christine looked at her, expectantly. Waiting for her response.

The right response.

“Yeah…yeah…” She trailed off, her head nodding slowly.

“OK. Yeah. Let’s never do it again.”

You can’t do that. It’s disgusting.

Her pen dug into the paper of her journal, almost ripping it.

Turning thirteen would need to involve an entire personality overhaul.

And her sexuality would be the first order of business.

Lauren Anton is a registered dietitian specializing in eating disorders by day and a writer by night. She is a mom to her beautiful 8-year-old son, who is a constant teacher of what it is to be in love with life, feeling everything so, so fully. She enjoys hiking, yoga, piano, and her little rescue poodle, Bernie.

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Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Family, Fiction, Fiction Fridays, Guest Posts

The Expression of It

July 9, 2021

by André Narbonne

Blake stood on the wooden steps leading to our house, in plain view but away just the same. His clenched fist was covered in blood, my blood, although the fact hadn’t occurred to us yet. I was still stunned by the lunacy of his anger, astonished by the blow that must have come out of a desire to knock down not just his younger brother but something bigger.

The air was strangely comical. It chirped. Clouds fled the veranda exposing Blake and me to the naked glare of the sun.

I pulled myself up. I spat, “I hate you,” brushed the dirt and broken fingers of leaves off my jacket, became aware of the red stain on my shoulder and chest. Rubbing a hand against my face, I held out a thick streak of blood.

“There,” I said.

That opened him. He stared at me and he bit his lower lip, and I knew that he was aware of having hurt me.

It had never happened before.

Blake was four years older and he understood what that meant, recognized that being older was more a duty than an inconvenience. It wasn’t that we didn’t fight. We fought like brothers, which is to say almost daily. Whenever we ran out of words, we came out swinging, but Blake’s hardest cuts had a knack for missing. They were chivalrously errant. He fought like a friend, allowing me to lose by exhaustion.

So we were both astonished by what had happened, by the blow that was meant to injure.

We weren’t alone in our surprise. There was a third to our party. Mr. Bryant, who lived in the trailer across the street, stood on the edge of the lawn shifting his balance between clown-sized feet as though he were himself sparring with something unseen. Beneath a feral tangle of red hair his beet-red nose and blood-shot cheeks mapped with broken capillaries marked him as a heavy drinker. He was our father’s best friend (a fact that had never caused him to treat Blake and me with anything but contempt).

He bellowed, “You’re awful.”

Awful, what did he mean by that? Did he imagine himself watching theatre? “Both of you: stop it now.” As if we hadn’t, as if the punch that threw me three feet hadn’t been conclusive.

I gather Blake still held some of his rage because he uttered a word I had never heard him speak before. He said, “Go fuck yourself,” and Mr. Bryant spun on his heel and headed across the street to his house, moving with the heavy, purposeful stride of a clown bent on retaliation.

When he was gone, Blake turned to me and asked in a trembling voice, “Is it broken? Let me see.”

“It hurts.”

He walked to me and touched my face, gauged its symmetry. “Nope, it’s okay,” he concluded. “I’m sorry, Matt. I don’t know what happened. I lost it.”

I was crying, but not from pain. “You don’t detest me?”

“I don’t detest you. Let’s not talk about him anymore. You don’t understand. Even if I told you, you couldn’t.”

He smiled a nervous smile. I returned the same. And then Blake went back to the house. The veranda creaked under his weight; the screen door pitched and then rattled back into place. And he was gone for real.

I heard the phone ringing. Someone was waking up Dad.

They were both my protectors, Blake and my father, although Dad was an uncertain presence in the house.

My father worked the graveyard shift and had a graveyard cast of mind. He seldom spoke except to command. During the week he allowed himself to be shirtless and unkempt until an hour before work when he shaved and made himself up. He was fit for forty but that was largely an accident of genetics, I supposed. He lived for no other purpose than to make money it seemed. With that money the three of us carried on our indifferent lives in an isolated mining town that was on its last vein. I wondered sometimes whether it was the impact of my mother, Marlene’s, defection that had knocked him into silence, but the truth was I could not remember him living any other way. He was a silent man.

The year my mother left Blake was just fourteen. He was handsome, the most handsome boy in school, but he didn’t date. All his energy went into raising me. He was the family cook. He ordered the cleaning, demanded my room be neat and my laundry kept in its basket. He helped me with homework and bullies, even though he wasn’t big. But something was wrong with him.

Blake had changed a lot even before my mother left, had gone into intolerable lapses of…what?—just lapses. He thought deeply about things I hadn’t considered. He told me once that he detested every person he knew at some time—but not all of the time. Even people he loved, he detested. The trick for him was not to act on his feelings. Even if he loathed someone he had to wait until he could find value in the person again or he knew he’d be friendless. He said that was why he didn’t have a girlfriend. He was too afraid of how he’d behave if he found himself in love with someone and discovered he detested her. He thought it would make him hate himself.

“That doesn’t make sense,” I told him, confidently adding, “You don’t detest me.”

“No,” he shot back. “Never mind. I hope you never understand.”

The window was open. I heard my father’s terse, “Yeah.” There was a pause. I saw Blake at the living room window. He was closed again. He had that look. “Oh yeah, hi, Bill.” It was Mr. Bryant. He’d called to exact his clown revenge. I knew Blake could hear the conversation, too. He picked up the camping picture on the bookshelf, eyed it carefully as though for clues. It was the only picture of the whole family that was kept out, taken shortly before my mother left.

It framed our parents on either side of us, as far away from each other as possible while still remaining in focus. Blake and I had fish—were the glowing champions of something inconsequential. My mother’s smile encouraged interpretation.

Her departure, sudden and mysterious, was treated at first with supreme calm. Joined in purpose, my father and Blake cleaned the house. They scrubbed in silence for an entire weekend. I gathered they wanted to wipe away all trace of my mother’s presence.

It wasn’t just that she was gone. She would never return. They seemed to know that right away.

A tense silence held court in every room. I knew that something terrible was in the offing. I was frightened of the looks Blake and Dad manufactured for each other. They were constructing hatred. That was the expression of it. They were both trying to be the adult in the house: my father by working himself to exhaustion and bringing back money to a home he was too tired to inhabit, Blake by working as an adult at home and by pretending that his lack of responsibility elsewhere had no bearing on his maturity.

It wasn’t long after Mom left that Dad warned me in a hushed conversation, “I want you to watch out for Blake. He’s not right. You can’t trust him.”

“Why not?”

“He’s a born liar. He says things. Don’t believe them.”

At first I didn’t understand. But then, one night, Blake lied to me in a way that proved Father right.

It was the beginning of a northern autumn and a wolf had gotten onto our island. Probably it had crossed the single bridge that connected our scrap of Precambrian Shield to the rest. However it arrived, two dogs were dead on their leashes in the morning.

In the evening, I couldn’t sleep. Animal noises in the dark, a single unrestrained bark in our narrow hall: it occurred to me that the wolf was inside.

I called for Blake but he didn’t answer so I clutched the blankets around my face. Still those noises. Wolf anger. Animal contempt. It sounded muffled like the wolf didn’t want to be heard. Finally it ended. Silence held the dark and the dark was an animal, too.

I was almost asleep when a soft squeak told me someone was opening the bedroom door.

“Blake?”

“Why are you awake?”

“I think the wolf was in the house. I heard him.”

More silence.

“Blake?”

“It’s not a wolf. I heard it, too. I checked.”

“What was it?”

“The pipes. Someone left the toilet running.”

I felt relieved. And then I remembered what my father had said. I couldn’t trust him. Trust him with what?

And even though there was no wolf in the house I wondered about the dogs on their leashes, facing an impossible beast.

And then I saw it, the anger Blake and my father held for each other and my role in their war. It came upon me stupidly, but I grasped it.

I hurt myself playing. I frustrated myself with a cap gun that had no pop. Despite the triviality of my trouble, I walked into the house with real tears streaming down my face. Blake and my father sat in opposition at the kitchen table. My father jumped up first. He said, “What’s wrong? Are you all right?” His concern had a dangerous quality about it; I detected fear.

“My gun doesn’t work.”

“Show me. Give it to me.” I handed him the gun. He checked the barrel and fired a dud round. I could see him considering my toy sternly when Blake reached over and tore the gun from his grip.

“I know about these. I’ll fix it.”

“Give it back.”

“I know about these. When was the last time you fired one?”

And then, as though in a comic ballet, they wrestled with the gun. I watched them in stunned silence, fighting over a plastic weapon that had become real in some way. Blake was agile. With a sudden motion, he slipped the gun out of my father’s hands and escaped the house into the woods where he remained until after supper. When he returned, he had no gun. I don’t know what he did with it, but I never saw it again.

I didn’t cry over its loss. It had occurred to me in a flash exactly what they were up to. They were protecting me from each other. That’s how they managed. They were both able to continue through this horrible disaster of which I was only dimly aware, the devastating consequences for Blake of losing his mother, for Dad of losing his dignity, because they had thrown their identities into the task of guarding me and of making sure I didn’t grow up to be like the other man or boy who pretended to authority.

“What!” My father’s voice thundered through the window. “He said what?”

I watched Blake slide the picture from its frame. Where was he? His fingers fumbled with the glass, which fell and broke on the floor. I thought I knew what he would do next. I thought he would tear the picture into fragments.

He didn’t. He put it carefully into his pocket to save it from what was approaching.

Watching him in his quiet actions I was overcome with guilt. I had goaded him into our fight. I was the one who told him to stop fighting with Dad. I told him that he was unfair, that if he just did what Dad told him to do instead of always fighting the house would be fine. It was his fault, I said, that we were in a perpetual state of turmoil.

“You don’t know what you’re talking about.”

“I know everything that goes on. I know how you two fight. I hear you in the morning when Dad gets off work.”

“Shut up. You don’t hear anything.”

“I do. I know everything.”

“Shut up.”

“It’s your fault. It’s always been your fault. You’re why Mom left. You’re always complaining and fighting with everyone. Why can’t you just…”

Something happened then. He’d been bringing his hands to his ears, but they never made it. Instead, he lunged at me. I heard the crack of contact, felt myself lifted into a sky that tasted like blood. Blake retreated to the steps, perhaps to protect me from himself. For a good two minutes, no-one moved.

“He did what!”

The hallway pounded back against my father’s steps. I saw how Blake waited, saw that he was afraid, and I understood.

I would be afraid, too. My father had a reason at last to lay a beating on his deviant son. I felt the horror of the situation. I discovered in an instant how pitiable we were: all three of us.

Even as I reached the veranda I could hear the first blow landing, that hideous consonance of fist on flesh. I tore at the door. It slammed open. Then I was between them, breathless. Blake was on the floor, his face already bloodied. My father stood with fists of steel. His face was mottled red in his rage. “Out of my way,” he cried.

“No!”

“Get out of my way, Matt. He needs to know he can’t hurt you.”

“No!”

Blake struggled to his feet. He whispered, “It’s okay, Matt. Let him come.” He raised his fists weakly.

There were tears in my eyes. I turned on my father. “This was our fight. Not yours. I started it. You don’t have the right to do this when I’m as much to blame. If you’re going to hit Blake, you have to hit me, too.”

He seemed staggered by my words.

I lowered my hands to my sides deliberately. “Hit me,” I said. “I won’t let you do anything to Blake that you wouldn’t do to me.”

“You don’t know what you’re saying,” Blake cried. “For God’s sake, don’t say that. You don’t understand.”

But my father did. His lower lip trembled. He began to shake.

“Do to me what you did to Blake.”

My father turned from me. A sound came from his mouth that I couldn’t understand, a wordless breath of horror. He fled the house.

My father came home late that night and held Blake in a hushed conference. After that day, they did not fight. My father seemed to guard himself against me as though I held the power to hurt him. Blake became more withdrawn. Shortly after his eighteenth birthday he left the house. A year later he left town. He wrote to me for a few years. He was a waiter in a Toronto hotel, but he lost the job to his drinking. I didn’t know he was a drug addict until his drugs almost killed him at twenty-four. He overdosed at a house party. He wasn’t dead but he looked dead, so his best friend dragged him out into the snow to hide the body. He died of exposure.

I had already left my father’s house for university two years before Blake’s death. I would come back to visit on a monthly basis, then on weekends after the funeral, because he seemed to need me more. Even so, my relationship with my father was subdued and mysterious. I could not fathom his aloofness.

And I often wondered about my mother’s disappearance. I had not seen her since I was nine; she didn’t attend Blake’s funeral. Could I believe that she hated her life with us so much that she left forever, leaving everything behind? Or did she wonder about the fights between my father and Blake that made no real sense? Did she ever hear one of their secret fights, as I did, while playing spies as a child? They were at odds in the bathroom with the door locked. I never heard words, just noises, like their complaint wasn’t with each other but with themselves and their own natures. I can’t imagine what happened next if she did.

André Narbonne is a Windsor, Ontario writer. Since 2011 his writing has seen publication in Prairie Fire, The Dalhousie Review, The Nashwaak Review, FreeFall, Wascana Review, CV2, Antigonish Review, Rampike, Windsor Review, Numéro Cinq, and carte blanche.

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Stories of parent/child relationships can be complex, and Emma’s Laugh, The Gift of Second Chances, is no exception. Convinced of her inability to love her “imperfect” child and give her the best care and life she deserved, Diana gave Emma up for adoption. But as with all things that are meant to be, Emma found her way back home. As Emma grew, Diana watched her live life determinedly and unapologetically, radiating love always. Emma evolved from a survivor to a warrior, and the little girl that Diana didn’t think she could love enough rearranged her heart. In her short eighteen years of life, Emma gifted her family the indelible lesson of the healing and redemptive power of love.

Read Diana’s ManifestStation essay here

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Fatherhood, Fiction, Fiction Fridays, Guest Posts

Father’s Day

June 18, 2021

By Shirley Dees

We’re going to visit James’ dad again. Before we leave I manage to squeeze a few moments alone in the bathroom of the duplex James and I rent and hang my head over the cheap, cushioned toilet seat, the kind that keeps your ass from hurting while you’re doing your business, and try not to puke while James stands outside the door. The timing of this year’s trip is a real bitch. He’s been dead for ten years, and every Father’s Day, James and I drive out to the cemetery to stand next to his headstone with James’ Poppa and talk about nothing. I never met him, but since I started dating James six years ago, I tag along.

“Leah, you about ready?” James is in a hurry. That’s what all of this is, really. A dreadful hurry.

“Can you give me a skinny minute?” I am surprised to find I can open my mouth without vomiting. Things are looking up.

“A small one. I hate to make Poppa wait.”

I stand up and move over to the sink. I study my face for obvious hints of morning sickness and add a touch of makeup. I don’t want his grandfather to be put out, either, so I try to hurry. “Is your Poppa feeling good enough to drive today?”

“Larry is taking him,” James says. His voice comes through the bathroom door like it’s worn down by hammers. I give myself one last scan, one last breath to steady this awkward and hurried day, and open the door.

“Okay, let’s go.” I walk by quickly without giving James the chance to get a real look at me. I am running out of time to tell him about the baby. I love him, which only makes all of this more complicated. He pulls the car keys off the hook hanging by the backdoor as I throw my purse over my shoulder. I feel him behind me, staring at the door, doing his yearly hesitation.

“James,” I begin, “we don’t have to go if you don’t want to.” He grabs the door handle to pull it open.

“It’s Father’s Day, Leah. You know I have to go.” Before I can ask again, he’s outside, feet crunching the gravel as he walks to his Ford Ranger. “Come on,” he says.

Every year, I try to cruise through this day with a level of indifference to make it all sort of just disappear, but every time I see the scars on the back of James’ head, that indifference melts into protective anger. I want him to know he is the one in control now. But I’ve learned not to push the issue. I offer to stay home in his seconds of hesitation by the backdoor, just to remind him the option is always on the table, but he always declines, stating it’s his duty to go. After all this time, I don’t really expect anything different anymore.

I climb into the steamy, black truck we share to get to and from work, each of us alternating with co-workers and carpooling when we can. We never drive it more than fifteen miles in a day so this is the truck’s longest journey every year at 60 miles, and I wonder how much longer it will last. James always says we’ll drive it until the wheels fall off, but I don’t think we can make it until then. This truck is twenty years old and suddenly too small. I crank the window and let the air hit my face, praying to God I don’t have to throw up on the way there.

Pretty soon we’re pulling out of town and the annual tour of my boyfriend’s childhood horrors begins. When he first told me about the abuse, it rolled off him the same way it does now. Ritualized. The Dairy Queen they met at for his dad’s public visits. The house where his dad used to live with Larry, an old friend and now Poppa’s neighbor, and the place James went when his dad was finally allowed overnight custody. This house was the one with the stairs whose pointy edges lead down to a wooden floor. The stairs and floor that birthed the scars on the back of my boyfriend’s head. He points them all out, every time. I’ve come to see them as his demons, evilness that must be excised regularly to keep them away, the reason for all this hurried dreadfulness. There must be a better way to heal, for everyone.

The heat-scorched Texas earth zips by as we cruise down the highway at the fastest speed the Ranger allows: sixty-three miles per hour, which means it will takes us an hour to make the trip. This is easy math that I keep in my mind to help make this day seem simpler, but one look out my window at the speeding ground and my head spins.

“We’ll stop in McKinney and get a bite to eat, that okay?” he asks like this isn’t what we always do. Normally, the stop in McKinney is the highlight of the day. They have this burger joint where the burgers are so juicy, they soak through the paper that lines those red, plastic baskets. The French fries are cooked in oil and bubbled until they’re perfectly golden and crispy, the ketchup salty and tangy on the lips. Food so good it makes you want to slap your granny. But today, just the thought of those greasy burgers makes me want to dry-heave, so I push it away and curl my legs underneath my hind-end.

James glances at me from the side. “What’s up?”

“I don’t know, maybe we can try some place else this time.” I look straight ahead, keeping my sour face out of view. A car screams by us on the left, a red convertible of some type. I’ve never bothered much with learning car brands and models, but sometimes I’ll take a guess at what it is to impress James. He whistles as the car switches back into the right lane, ahead of us.

“Damn, must be nice,” he sighs. I give a little silent shout of praise to the owner of the sport car for pulling James’s attention off my lack of an appetite. I know we’ll probably stop there and eat anyway, because there is nothing else in McKinney. Maybe I can get away with scarfing a small quarter-pounder and puking in the restaurant’s commode before we get back on the road.

“Your Poppa still going out to the cemetery every day?” I ask.

“He doesn’t like driving much anymore so he only gets out there when Larry can take him.”

“I didn’t realize he wasn’t driving anymore,” I say, pausing a moment to let a passing thought linger. “What’s he going to do with that truck of his?”

“The man’s got to get to the grocery store and what not. He’s just not driving anywhere long distance.”

“I wouldn’t call fifteen miles to the cemetery long distance.” Immediately I recoil, guilt pinching at my insides.

“Yeah, but to get there he’s got to get on the highway.”

“Oh, I didn’t think about that.” I realize I’m coming off like I’ve been waiting for Poppa to slide his big toe inside the old folks’ home to transfer the title to his vehicle into James’ name.

“You want to take his truck?”

“Well, no I just . . . I don’t know.”

“That’s Poppa’s vehicle, Leah.” James’ voice takes on that condescending tone that sends tethers of defensive coils up the back of my neck.

“I know.”

“Man ain’t quit driving more than a month and you’re already thinking him some kind of invalid.”

“No, James.”

“Claiming his property.” James shakes his head and disappointment spreads over him along with the crinkles that set into the corners of his eyes when his temper has run out of fuse.

“That’s not it at all.” I keep my voice calm in hopes to steer him back towards sanity.

“We have a truck, Leah.”

“I know.”

“We ain’t ever had a problem with it. But my Poppa gets old and you start seeing money bags.”

“I wasn’t thinking about taking your Poppa’s truck, James.” His knuckles tighten on the steering wheel and I know I need to get control. “You know me better than that. I just don’t want him giving it away without talking to you about it first. You know how some people will take advantage of Poppa.”

“Hmm,” he keeps his eyes on the road but I both hear and see his suspicion. He is trying to keep his temper in check and keep his demons tightly roped inside. “Okay, just sounded like you had other intentions.”

“Please don’t put words in my mouth.” Another car zooms past and there goes his focus, just like that. A little flame of frustration still flickers away in my mind but I swallow again to try and put it out. My temper is on a shortened leash today, too. I can’t handle the accusing tone he gives me all the time when stuff like this comes up. We fight about the most stupid things like any normal couple, but mostly we argue about the future. He believes he’s doomed to repeat the mistakes of his father. James ain’t ever hurt me. Not physically, anyway. We’ve had our bickering, and he’s gotten in my face a time or two, but it never goes any farther than that. It’s like a spark, something goes wrong and he snaps into anger, a few harsh words come flying out of his mouth without thinking and then his face fills with remorse. It’s what I point out to him all the time the minute I know he recognizes it.

“You see,” I say, never backing away. “That’s why you ain’t like your daddy, James. You have awareness.”

I think that’s why I haven’t left yet, because I can see past those crinkles of anger and deeper than the illness that’s cursed his genetic line. Awareness. It’s been like this since we first got together and I’ve just put up with it because I love him deeply. I’ve never asked for a ring, but I’m pregnant now and it ain’t just our future anymore.

The miles speed by in silence. Pretty soon, we’re pulling into McKinney and I see the burger joint up the road. My stomach is feeling okay, so this may not be so bad after all. In fact, as we walk in, I’m ravenous. I scarf my burger and inhale the fries. I want all the Coke that’s in the soda machine and then I order a chocolate milkshake to go. James wants to share, and I oblige, even though I don’t see why he can’t just order his own damn ice cream.

“You know, Dad used to buy us ice cream from here,” James says as we walk back to the truck.

I perk up. “Oh really?” James has never mentioned this before.

“It tastes the same now as it did then.” He reaches over and grabs the cup from my hands and pulls a mouthful of shake from the straw. “Then I got sick one time and threw up in his car and he beat me so bad I couldn’t sit down for a week.” He semi-slams the paper cup in the holder on the dash and angrily turns the key. Gravel shoots off from the Ranger’s tires as we pull out of the parking lot and are back on the highway again, heading towards complications. Maybe it’s my shortened temper, but for the first time in the six years of this annual trip, I get upset with James for this outburst and let out an irritated sigh.

“Oh, Jesus Christ, James.”

“What’s wrong with you?” he says, turning his entire head towards me.

“Nothing,” I say, crossing my arms.

“Don’t pull that.”

“I’m tired of this damn stuff every year,” I spit out. “We drive these terrible sixty miles and the entire time you talk about all the bullshit he pulled when you were growing up, and then by the time we get there, you’re all angry and pissy with me and Poppa and the whole thing just sucks.”

“Well, Christ, what do you want me to do about it? Not go? Poppa’d kill me if I didn’t come out here every year,” he keeps his eyes on the road and I can tell he’s trying to control his temper again.

“No, all I’m saying is, well, don’t you think you can at least try and think of something good? I know it couldn’t have been rainbows and peaches with the man, but there had to be something. Maybe if you think of something good instead of all the awful, you won’t be in such a foul mood by the time we get out to the cemetery, and then Poppa won’t get on you about being a grump, and I don’t know, we can finally spend Father’s Day in some peace.”

James doesn’t say anything for a hot minute. He passes a car on the left and then switches back over to the right lane.

“You’re not being fair,” he says.

“Ain’t I?”

“There ain’t nothing good I can talk about.”

“Bullshit.” I try to dig for a specific moment, but nothing is coming to mind under pressure, and I start to panic.

“I said there’s nothing,” his grip tightens on the wheel again. I cross my arms and start to run through holidays and moments that could spark a memory, any memory that was positive, but it was pointless. James hates Christmas for reasons I know stem from his dad. His family was poorer than mine so trips anywhere as a kid were a pipe dream, but I’m desperate. I have to keep the stack from wobbling too far off course into a dangerous area.

“James,” I start to say, my voice soft and flat. “Come on, tell me something good.” He says nothing, his eyes with that tempered glaze. I ignore the feeling in the pit of my stomach. “Come on.”

“No!” His wrist hits the steering wheel and the truck swerves, the car next to us honks, but I don’t think James hears him, or cares. “There isn’t any good stuff. There never was!” His voice bounces off the windshield and the passenger window. I pushed too far, but it was too late to try and reverse course. I might as well keep steering this messed-up ride on my own course.

“I don’t believe that,” I say.

James groans. “You’re being damn difficult.”

“You can’t blame me for wanting my boyfriend to remember decent things about his father.”

“I just don’t see why it’s so important to you.”

“I think it’s important for you, James.”

“I don’t.”

“So we disagree, but I still want you to try.”

“I have tried.” James says this with a touch less anger, and it saddens me because I know it’s true. But I push on.

“Try harder,” I say.

“You don’t understand.” He shakes his head.

“James, I can’t believe your father didn’t love you.”

He doesn’t say anything for a while, but I keep my eyes on him, studying the muscles in his face. I take his silence as him going to those depths, to find something he’d kept shoved at the bottom of his soul, buried in the darkness.

“He didn’t love me,” he says.

“How are you so sure?”

“Because. . . I didn’t love him.”

“James. . . .”

“You wanted the truth, Leah, so there it is. Though, I don’t know why you haven’t figured out any of this before. My dad broke something in me long ago. Love like that, it ain’t possible, alright? Not for me. There ain’t no good left.”

“But how can you say that when I’m sitting here right next to you? I mean, you love me, don’t’ you?”

“That’s different.”

“No it ain’t. Love is love, James.”

“Like shit it is.”

“You know what I mean.”

“Yeah, well…” he breaks off into a silence.

“What’re you trying to say?” My stomach rumbles. A wave of nausea hits me and the road swerves, but James’ hands are tight on the wheel. I grab the dashboard to keep the earth from flipping upside down. “You can’t love anyone else?”

No answer. His silence is like a scythe. Heat pulses across my body, a salty sickness creeping its way into my mouth. The Ranger jumps a slab of buckled asphalt and suddenly I have to vomit. No time to ask him to pull over, I slam my hand on the window crank and lower the glass just enough to poke my head through and unleash the juicy burger and fries on the side of the highway at 58 miles per hour.

“Leah!”

I pull my head back inside and roll the window up. I pop open the glove box and pull out one of the hundreds of restaurant napkins we keep stashed in there. “Sorry, must have gotten car sick.”

“Car sick? You ain’t ever gotten car sick before.”

I wipe my mouth and lean my head back against the seat, closing my eyes. My stomach feels lighter, calmer, but my heart is beating too hard, sadness spilling from its chambers and spreading through the inside of the Ranger. “Well, I guess there’s a first time for everything.”

I consider a couple of options. I could cry and tell him I’m pregnant and everything else that is on my mind. Or I could ask him to pull over and let me out, find a way back home and pack up my stuff and leave. Problem is, neither of those options really solve the problem. There’s still a life growing inside me.

Fatigue falls on me like rain so I close my eyes, the sun on my face and shoulders failing to comfort me the way a blanket would a tired baby. I want to sleep and figure I can because James clearly isn’t in the mood to talk anymore, and to be honest, neither am I.

***

I didn’t notice when the truck stopped. I didn’t even realize I had fallen into such a deep sleep. James shakes me and I see his face as I open my eyes, close to mine, holding a cup of Sprite to my lips.

“You feeling alright?” He actually looks concerned, all of the glaze and crinkles gone from his eyes. Fatigue melts into affection as I stare into those honey irises and feel their devotion. I don’t know why he thinks he isn’t capable of love.

“I’m okay. We here already?”

“Yeah, but Poppa ain’t yet. Come on, take a sip of the soda.”

I grab the cup from him and place the straw between my teeth. I sit up and look out. The cemetery is empty, the grass a light brown, thin and withering into dust. There isn’t a single cloud in the sky and I feel the heat radiating off the marble and concrete headstones from inside the Ranger. I pull a sip of soda from the straw.

“You want to wait here for Poppa?” I ask.

“No, let’s just go on over. He should be here in a minute.” James pops open his door and steps out, so I follow. Caliche rocks poke the thin bottoms of my flip flops and I regret the decision to wear them. The sticker burrs in this dead grass are going to tear my feet to hell. We start walking to the gravesite, one of my hands firmly on the soda as I suck in more of the cold liquid. A pathetic excuse for a breeze tries to blow over the cemetery but it really only feels like God just opened a giant oven door. My brain is beating on the sides of my skull and I try to swallow the rest of the Sprite to get it to quit. I wonder if it’s disrespectful to puke on hallowed ground.

“I didn’t bring anything,” I say, realizing we don’t even have a single flower to place on the headstone. James just shrugs. I guess it doesn’t bother him that we’re the first ones to arrive and are walking up to his dad’s grave empty handed. Doesn’t seem right. Poppa’s usually the one who gets here first and typically has something to lay on the grave. Typically, we all stand around, James shuffling his feet in the dirt while Poppa talks, saying nothing more than “yeah,” and “uh huh,” which usually pisses Poppa off. Then we all get quiet for a while. Poppa takes out a folded piece of paper from his pocket and stares at it for a few minutes, then folds it back up and stuffs it into his wallet, never reading it aloud, never leaving it by the headstone. James has never asked what that was all about, and because he hasn’t, neither have I.

We pass a few more rows of grave markers before we arrive at his dad’s. It is so hot I consider hiding out in one of the freshly opened plots, just so I can run my hands through the cold soil that’s been shielded from the heat by layers of earth. We stop a few feet from the stone, and both of us stare at the ground. I start picturing the memories James brought up in the truck and a feeling of anger ripples across my chest. I know it’s not the time or place but I can’t help it. Love spurns a protective desire, but what could I do? The son of a bitch was already in the dirt.

“Well. . .” the rest of my words die away. They all seem so pointless, even more so now. I want all of this to be over and I feel the hurried dreadfulness creep between the graves and lie at our feet. James puts his hands in his pockets and lets out a breath, but he doesn’t say anything, either.

Tires moving through the caliche make us turn our heads. “That’s Larry and Poppa,” James says as the truck parks a few rows back, but only Larry gets out of the vehicle. He’s wearing starched jeans and snakeskin boots with a collared shirt. He is dressed for another occasion separate from this disaster of a day.

“Poppa driving himself?” James asks.

Larry shook his head, his white hair bouncing. “Sorry, James. Your Grandfather wasn’t feeling well and couldn’t make it out, but he does want you to come by before you head back home.”

“Well, he could have called.”

“He figured if he called you this morning and said he wasn’t coming you wouldn’t show,” Larry says.

“Well, that’s not a lie.” James wiped the sweat from his brow.

“But he wanted you to have this and he asked if I could bring it to you.” Larry reaches in his pocket and pulls out the familiar, aging folded piece of paper and hands it to James.

“You serious?”

“Well, your grandfather sure was.”

“What am I supposed to do with it?”

“Keep it, I think.”

“Poppa don’t want it back?” I ask.

Larry looks back and forth between us, then opens only the corners of his mouth to answer like he’s trying to protect us from something. “I don’t think your Poppa’s going to come back out here much anymore.”

This isn’t a hard truth. Poppa is getting mighty old, and Larry is only in his late fifties and has a business to run and new grandkids of his own to visit on Sundays. He doesn’t have a whole lot of time to bring Poppa out here, though I’m sure he would keep doing it if Poppa didn’t step in and say something. I suspect it was all Poppa’s decision, seeing the stuff Larry had piling up on his plate. He didn’t want him missing out and knew he would keep coming unless he told him to get lost, so that’s what he must have done this morning. Very quickly I saw the Father’s Days in the years ahead and tried to imagine what it looked like at this graveside, and who was all standing here if one of them wasn’t Poppa.

“If you don’t mind, I think I’ll leave you two to your affairs. I’ve got a barbecue to get to. Just, go see your grandfather. I think he’d like to see you, James,” Larry says.

“Sure, thanks.” James sticks out his hand and shakes Larry’s before he turns and walks away.

“Have a happy Father’s Day!” I shout after him. He waves a backwards hand and gets in his vehicle and drives off. I turn back to James and eye the paper in his hand. “Well?”

“Well, what?”

“The paper! Aren’t you wondering what it says?”

“It can’t be the same one, can it?”

“I’d recognize that folded paper anywhere. Your Poppa always brings it every year.”

James looks down at it, then at his dad’s grave, then shakes his head. “No, let’s just go.”

“James.” I try to let him know this decision is more ridiculous than this whole affair combined. “You stubborn asshole. Just read the thing.”

“Fine, but then we’re going straight home. We ain’t going to Poppa’s. I can’t stand this heat no more.” He unfolds the paper and takes a step closer to the grave and starts to read, rotating his back towards me.

I wait, reading his body language as I imagine his eyes running across the lines of writing and try to think what the paper has to say. Another boiling breeze moves across the air and a sickness stirs in my stomach again. That would be something, to throw up on this man’s grave. I look over at where we parked the Ranger and wonder if I’d even make it back, giving the cup in my hand a shake and almost weeping at its empty silence. After about another minute, James picks his head up and turns around, staring straight through me like hail cutting through trees. A hot redness creeps onto his cheeks, and I expect the glazed, crinkling look of his eyes to follow, but instead he allows the muscles in his face to fall flat. His shoulders droop and his lips curl south. His knees shake and bend, and then all at once, he falls to the ground.

“James!” I drop the cup and kneel down next to him, sticker burrs poking through the soft layers of the skin on my legs. I put my hands on his arms, his neck, and then his face, and pull it into mine, a river of tears streaming down and off his chin. The tremble of something buried deep in him rises to the surface. It is complicated. It is confusion. It is truth. He doesn’t say anything. He doesn’t have to. I pull him into my shoulder and let him cry, the paper in the dirt half folded, only a few lines visible on the bottoms of the page. I hold James in my arms, and everything unspoken pours out of him and into the ground below us. Suddenly, the heat doesn’t seem to be such a bother anymore and if he needs me to, I’ll sit here for the rest of my life with him.

The cicadas pick up and that stirs James enough to lift his head. “Okay,” he says.

“Okay,” I reply. He stands up and shakes the dirt from his legs and then helps me to my feet.

“Let’s go see Poppa,” he says.

“Okay.” I fold the paper and place it in my pocket. I’ll ask James what he wants to do with it later.

He grabs my hand and stares at the grave. I don’t pull him along.

“I wanted to love him,” he says.

“I know.” I give his hand a little squeeze, and then we move back to the Ranger, opposite of how we arrived, hand-in-hand, neither of us wanting to let go.

We keep our hands together for the fifteen-mile drive to Poppa’s, and I turn the radio on, music filling the cab for the first time on this trip. As we pull into Poppa’s driveway, James turns off the engine and turns to me, still holding my hand.

“I know about the baby,” he says.

My heart leaps into my throat and tightens every muscle around my voice box. Something like a roar fills my ears. “James—”

He shakes his head. “It’s okay.” His voice is like cotton. The burn of tears builds in the corner of my eyes and in my heart.

“Are you sure?”

“Yes,” and a smile so big lands on him with such assurance, I let everything inside of me go and weep like a child.

Shirley Dees received an MFA from Spalding University’s School of Creative and Professional writing in Spring 2021. When not writing, Shirley is busy parenting, seeking sunshine rays, and sampling local craft brews. She lives in Southeast Alabama with her husband, daughter, and geriatric pet turtle.

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You know it’s an amazing year to be a reader when Emily Rapp Black has another book coming. Frida Kahlo and My Left Leg is remarkable. In this book, Emily gives us a look into how Frida Kahlo influenced her own understanding of what it means to be creative and to be disabled. Like much of her writing, this book also gives us a look into moving on (or passed or through) when it feels like everything is gone.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Are you ready to take your writing to the next level?

Two of our favorite writing resources are launching new opportunities for working on your craft. Circe Consulting was formed when Emily Rapp Black and Gina Frangello decided to collaborate on a writing space. Corporeal Writing is under the direction of Lidia Yuknavitch. Both believe in the importance of listening to the stories your body tells. If you sign up for a course, tell them The ManifestStation sent you!

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Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen and on being human

Fiction Fridays, Guest Posts

Remembrances Of The Sun, Of Shadows

June 4, 2021

by Bruce Crown

Everything had been hollowed out, especially the people, when I checked in. All sunny resorts are inherently the same. A consortium of young and old people sleeping in vomit, talking through cigar smoke, and swimming in low-range rum. I noticed it as soon as I entered. The Cuban peso was as strong as the American dollar. This amused me greatly. Not because Cuban money is worth more or less; I have no opinion on that. What amused me was that every time I needed money changed, the mob of tourists both in front and behind me would complain about this fact. They knew that their money was worth more, and they wanted to spend it here, to help Cuba by buying things to bring back home.

On the first day, the sun blazed as if to burn the darkness out of me, the abyss that had become a threading existence of booze and despair. The smoke trail of my Cohiba rose and misted towards that yellow star in the middle of the clear blue sky. I sipped what was left of my pineapple juice unable to quench the chasing shadows of my thirst. Just another drunk whose money can buy more booze here than back home.

“It’s too hot,” I puffed smoke to no one in particular.

“Yeah… the weather’s nicer in Havana. I’m from Trinidad myself but this sun feels… different. Hey! Where you goin’?”

“Thanks,” I turned back towards the bald and austere man who had a body that glistened with muscles under the infinitely clear sky.

Why, I thought later, did I immediately get up and accept the idea that the weather would be nicer in Havana than in Varadero? The place where I’d spent the last fortnight drinking and watching the waves wash more and more of the sand away hoping that one day it would wash it all away.

“Motorcycle,” I pointed around where the bikes sat around the lobby. “Havana. To rent.” I needed the cool breeze in my hair.

“Sir, have you been drinking?” it was a different concierge than usual. This one had green eyes and spoke perfect English.

I couldn’t help but wonder, whether from her perceptive, the transitive beings that come from ‘mainland nations’ are simply objects that move between shaded patches of sand while the background rattling of empty bottles ensures that they are all the same despite their faces and the flags on their backpacks changing every few days.

“It’s 10 A.M. amigo. Who drinks this early?” I slid my American Express card across the counter. “Give me something fast. 600CCs or more,” smiling like a sucker because I hadn’t been sober since I left Toronto and even then it was a toss-up.

“We don’t rent motorcycles here. You can rent a scooter if you like. But you can’t go to Havana with it.”

“A car then?” my disappointed grimace was hard to contain.

“That could work. We have a Volkswagen Passat available.”

“How’d you manage that? … A Passat? … You’re joking. I saw some classics on the way in. How about a 1951 Plymouth Convertible?” I watched her type faster than I could think; she picked up the phone and dialled some number and chattered something in Spanish.

“Si. Si…” she was saying as I watched another man approach hang up his cell phone.

They talked in Spanish while I leaned on the counter until she pointed to me.

“You want car?” The man asked.

“Yes but I don’t want a Renault or a Volkswagen. I want one of those nice old school convertibles.”

“You know we keep running ourselves. … We … fix ourselves,” he motioned to himself, “They are not original. I have a Mercedes engine in mine. Chevy rear axle. Plymouth gearbox.”

“What kind of car is it?”

“1950 Chevrolet Deluxe.”

“How much?” I asked.

“You’ve been here two weeks right? The writer from Canada? Very cool. We get many like you here. Always sitting by yourself. Smoking and drinking alone all along the beach. That is what Cooba is to you? … No matter. My friend Simon told me sometimes you take the boat too far and he has to come to you? The guy?” he smiled and nodded to the concierge.

“I need your license,” she said.

I spoke close to no Spanish but I could venture a guess what they were talking about. A moral quid-pro-quo. For you see, dear reader, despite the lavish luxury of five-star resorts, the workers themselves cannot partake of any food or drink. They cannot eat, sleep, or relax on resort property. And we, the wealthy, are hard-pressed not to gorge ourselves on the fine rum and cigars and pineapples and steaks and pasta and chicken. One of the maids told me this on the second day. I couldn’t eat for two days. At some point, coughing in cigar smoke, I decided I would take food out of the cafeteria or restaurant under the guise of eating it in my room and then split it amongst the workers. I’m not trying to make myself seem like some paragon of virtue or compassion; it was more for my own comfort than for theirs. You can’t really enjoy your food if the man serving you is himself hungry. By the fourth day most of the crew knew me. In fact, one gentleman named Joseph, which I later learned was pronounced Hoseph, had even gone so far as to bow his head slightly every time he saw me, and after repeatedly begging him not to, he just grinned whenever he saw me.

I slid my license across. “Which guy?”

“The compassionate man. The man with a soul.”

Clichés all over the place. “I don’t believe in the soul.”

“Oh but you should hermano. The soul believes in you! You take my car. I trust you bring it back in one piece.”

“You have my word.” A lie, of course; there was no way I could guarantee jackshit.

He tapped me on the shoulder and walked away, lighting a cigarette.

The concierge handed my cards back and smiled.

“Gracias,” I knocked on the counter.

“De nada,” she handed me the keys. “It’s the last car. It is red. Staff parking. You have to go all the way around. Do you know how to get to Havana?”

“I’ll manage.”

She laughed and shook her head, “Drive down this main road…” she motioned with her hands, “And follow it until you merge onto Circuito and Puente Bascular. Then after a while you’ll get to a sharp left at the bus station and parking area. It’s almost like a U-turn. Then Central de Cuba. You got it? CEN-TRAAAL DEE CUUEEBBAA,” she stretched the last part out.

“I got it.”

“You’ll get to Matanzas. Stay on the coastline. The street is called La Habana. That will be 80 kilometres. Should be an hour perhaps. It’s a nice drive. There are small nice cafés. It’s safe to stop. Then you just… follow signs.”

“My specialty,” I helicoptered the keys in my hand and walked out. But not before buying another box of Cohiba Panetelas from the hotel boutique.

“You driving?” The cigar salesman asked.

“What gave me away?”

“Nothing. You’re The Guy right?”

I was already tired of hearing that.

“… You’ll love Havana. I’m from Mexico myself. Moved here many years ago. My wife is Cuban.”

“Sounds good. We’ll talk later.” I left.

Walking around the side of the building, the sun reflected off the hoods of what could’ve been a history of the automobile arranged from classic American to the newest 2011 Peugeot hatchback. How’d they get those here, I wondered.

I’ll give it to Hector. He had a wonderfully restored red Chevy convertible with a white line going straight from the headlight to the bump of the back wheel. I polished the rims where the chrome met the duo-coloured wheels. The red leather interior still smelled fresh as if it hadn’t been eroded by the passage of time. With a turn of the key, I travelled straight into the 50s.

The concierge hadn’t lied; it was a wonderful landscape, especially when I turned off the highway and drove along the coast. Middle-aged Cubans worked while their strapping young people danced for the busloads of tourists who saw it fit to stop along the water. The only thing that diminished the surreality of continued existence was the constant shuttering sound of camera phones pining to immortalize moments they probably share with thousands of others. My panetela burned smoothly and I was driving against the sun so the darkness burned away with every kilometre I put behind me.

Some people don’t leave the resort the entire time. What’s the point of that?

I pulled over at a café and had something they called an American Destroyer, and when I told them I was Canadian they just laughed and said it would destroy me anyway. It was Havana Club mixed with a pineapple smoothie. I rested while smoking another panetela. Squinting as I watched the sun rays bounce off the red hood of the Chevy.

When it was time to hit the road again I pulled into a gas station to ask for directions because I was afraid I missed that U-turn at the bus station or wherever. I had a coffee. They only drink it black. There are no frappuccinos or foamy flavoured drinks. Things are simpler. The contempt with which the café owner looked at a young German man who asked for milk because the coffee was too strong kept me entertained for hours. I still had ways to go.

Approaching Havana I heard, whether real or hallucinating, the sounds of drums and street parties. I parked before I actually entered the city and rolled the top back up. In the city there was no need for the natives to frolic from store to store and buy things for the benefit of making the tourist feel safe and comfortable. They had, despite their globally morose situation, a deep elation, and though sometimes it was buried in their hearts, you could sense its presence. Most of them didn’t care which two celebrities were dating and at what bars they could be spotted. Seeing random people dance, sometimes couples, wasn’t something I saw every day in Toronto; I berated myself for appropriating their culture; it was unknown to me. New, rich, and full of wonder. I am pampered for even being in this situation and have this thought. They dance; we shop. It’s all the same feedback loop. Was I permitted to elevate their culture, romanticize it? I was sure that there were places here where conditions would be squalid; but then we had those in Toronto too….

It was majestic. There was a street market; tables full of items ranging from family photographs to war medals to car parts being sold for prices that to the capitalist feels like robbery. Little did I know, that despite Havana’s reputation in the west for being a sex-fuelled, boozed, and debauched city, in the corner of my eye hid one of the most profound interactions of my life.

Walking past a table full of handmade trinkets and then another filled with classic baseball cards I caught a glimpse in the corner of my eye. A flashing blur of aqua blue and yellow. When I looked it was only the tame prosaic colours of Cuban tapestry; the dark green army uniforms of the police and the generic grey or black of the merchants. It was too hot and I felt faint. The thirst returned and while I was enjoying a banana smoothie with dark rum I saw it again: the blue and yellow weaving between a few dark green uniforms checking a man’s ID because he was eyeing a collection of used family photos too attentively. I threw too much money on the table venturing to catch the sky but it was she that caught me when she marched up and sat across me. She did not disappoint.

“Bonsoir,” I blurted out, following the sun-ray shining upon the golden waves that formed her hair and down her blue summer dress that rested on her snowy shoulders.

“I saw you drive in and then just now looking at the medals. I love it here.”

“There’s a lot of stuff here.” I saw a plane in front of the clear blue sky and followed it until it approached the sun.

“Not really. That’s why I like it. No stuff. It’s…” she inhaled, “Air. Just air. It’s nice to see you again.” her eyes flickered at my brogue boots. She and I had been more than classmates at the University of Toronto.

“You too. Did you ever go back home?” It was more than nice to see her again.

“Yep. To Oslo,” her smile made the sun blink, cooling the weather when clouds covered it.

“That’s a long way.”

She talked about Cuba as if she was a native and it was beguiling to hear her voice. Those hazel irises contracting and dilating talking about Che and Sartre’s visit and Fidelito—that was what she called him. She hated him but spoke of jingoism and illegal embargoes and unjust sanctions in subdued tones lest we be overheard by a nosy soldier. Every time she pushed a strand of her golden hair out of the way the sun shined on her face for a second and lit her up even more. I was lost. She talked about the fact that the Hotel Nacional had opened on New Years Eve in 1930. I’d never had patience for people talking but she was…. That’s it, she simply was. Another cliché. I left the rest of my drink when she told me that’s where she was staying and invited me back to see the view.

She had a suite all to herself. It felt magical to see the graffitied walls of that Matanzas village, but then the view of the Havana Harbour, steps away from where Sartre, Sinatra, and the Duke and Duchess of Windsor had stayed, relegated that graffiti to historical shame. In fact, looking out the window, I could see the rich tourists across Cubans trying to sell them fake Cohibas with no discernible difference between them. They all looked so small, like ants trying desperately to understand what it was that kept them moving and circling themselves. A breeze caught my hair and I felt the cool air on my face.

“Beautiful isn’t it? I love Cooba,” she never quite pronounced it as we do: Queba. Rather, with that slender and sexy North European accent trying at the same time to pass for Spanish. It was Cooba. Habbana. Ron and Soeda. Falling in love with beauty is the easiest thing in the world. You can fall in love with someone’s beauty in the morning and cease to be in love by dusk. In that hotel, years after we’d parted ways as lovers, I began to love her not for her beauty but for her soul and her manifestation not as a being of beauty but as a being of meaning. No self-help book, entrepreneur keynote, designer boutique or Apple Store or reasonable rate of return could give me the gift that Cuba gave me. It felt so natural and so real and yet so transcendental that the city, so different from home, in which this feeling occurred would have profound meaning for the rest of my life.

She poured us drinks from the minibar and talked about the different kinds of rum cocktails they make there. It is a fallacy that only a native can understand and feel a culture and land. In other words, the claim that an expatriate or wanderer could never attempt but to scratch the surface of the beauty of a particular place in vain is simply not true. Contrary to earlier, I now thought that travellers always have a unique perspective at their disposal. They are free of bias if they take care that nothing first-worldly has happened to them to provoke a bias, such as losing their luggage or being delayed on a first-class ticket. Naturally, if the person is a frequent wanderer; a flâneur, their judgment may be amplified for they have an abundance of comparisons to rely upon. I wouldn’t know Cuban cigars were superior to Dominican ones unless I’d been to both places or tried them both. What a terrible example, but you understand what I mean. Critics will say there are preferences and the wanderer will have to agree. New York is better than Havana. Thus criteria are established to judge a place not by its own merit but by its comparison to other cities that fit those criteria. To curtail the argument that the notion of a beautiful city, like the notion of a beautiful man or woman, rests upon the objective, the wanderer must relinquish all previous moments except the moments that occur in the destination. In other words, to presume nothing but the experience itself. This is a posteriori.

Why was I trying to think so logically? To deduce some philosophical system out of rich people travel and spend money and romanticize the natives’ lives?Every book a white man writes about Africa is the same book with the same clichés. Now I was guilty of this.

“Isn’t it amazing?” she came up behind me and we stood side-by-side staring out into the harbour.

I looked at her up and down breathing the same air as her and for a moment, that insatiate thirst was quenched.

“Oh my god! I forgot you were a writer! I have to take you to Hemingway’s. Grab your shirt.”

“I’ve already been. There’s one in Helsinki.”

“Not like this one,” with that floaty step of hers; the dancer’s step, and that smile that lit up the sun, I had no choice but to follow. The clichés nearly broke me, I thought, but then I shrugged; you have nothing better to do, I told myself.

And in the abyss of Hemingway’s I drowned. She chattered with the owner in broken Spanish and pointed to me. I glanced around at all the pictures of Hemingway with various Cuban political and social figures and narrated the stories behind each picture to myself. She was telling him I was a writer or something and like a ritual, as if he’d done it thousands of times before for those western tourists interested in Jazz Age literature and the surfaces of their country, he began mixing a drink.

“No,” I interrupted, lighting a panetela, “Give me something else. I don’t want what Hemingway drank,” it was only sprite and white rum anyway. “Make me something distinctly Cuban. Distinctly yours.”

A frightening smile washed across his face as he began mixing a cocktail like an old master coming out of retirement for one last job. “This,” he pointed to the glass, “La Generación Perdida.”

“What’s it mean?” I took the glass.

He smirked, “The Lost Generation.”

Every generation thinks they have it rough. But one financial meltdown after another, one corporate bailout after another at our expense, and you find yourself expecting the next one rather than hoping or looking for a saviour.

The next thing I remember is waking up in her hotel room and watching the water through the window.

“What was in that drink?” she yawned with the sun-rays reflecting from her hazel irises through the window and into my soul.

“I don’t know. But it lost me all right.”

“Now you know how they feel,” she turned away from the window and covered herself with the blanket.

To this day, whenever I play this conversation over and over again in my head in ardent nostalgia, I don’t know why I asked, “You want to come to Varadero with me? I’m heading to Europe after.”

“Where in Europe?”

“Paris, then catching the plane to Lisbon.”

She just laughed as she got dressed. “Maybe next time, my love.” She left the room to get breakfast and never returned. I waited three days. I wanted to stay indefinitely but my hotel called. They were worried and reality set into me like the darkness of those clear night airs so seldom felt in Canada but so plentiful on that “magical” island.

“Thanks Hector,” I shook his hand and handed him the keys, “I filled her up for you.”

“You look different. Believe in souls now, hermano?”

I didn’t answer as readily as last time, “Thanks Hector,” I repeated in an attempt to ignore him, “She really is wonderful,” I pointed to the car.

He laughed. “She is… I like you hermano. You’re cool.”

I bowed to Joseph and left that day. What was it about that place?

The same uncanny disquiet shook me when I saw her again. It was in Paris and I’d been thinking of her constantly. Like the second act of a bad film, I’d dreamt we’d moved to one of those coastline villas outside of Havana and we would wake and drink black coffee and stare out into the sea. I was writing her a poem about it while having my breakfast at the Plaza Athénée and she just… walked in front of me.

“This place is nice,” was how she greeted me after all that elapsed time, “But it’s no Cooba!” then she bent down, pecked me on the cheek, and walked towards the lobby. By the time I chased her outside she was gone again.

Bruce Crown is from Toronto. He has penned four novels. He has attained an HBA from the University of Toronto, and an M.Phil. from the University of Copenhagen. He splits his time between Copenhagen, and Toronto.

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Megan Galbraith is a writer we keep our eye on, in part because she does amazing work with found objects, and in part because she is fearless in her writing. Her debut memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Memory Book , is everything we hoped from this creative artist. Born in a charity hospital in Hell’s Kitchen four years before Governor Rockefeller legalized abortion in New York. Galbraith’s birth mother was sent away to The Guild of the Infant Saviour––a Catholic home for unwed mothers in Manhattan––to give birth in secret. On the eve of becoming a mother herself, Galbraith began a search for the truth about her past, which led to a realization of her two identities and three mothers.

This is a remarkable book. The writing is steller, the visual art is effective, and the story of what it means to be human as an adoptee is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

Fiction Fridays, Guest Posts

The Women Are Waiting

May 28, 2021

by Arya Samuelson

It always starts with a woman. Plunging into a clawfoot tub, burning her skin in waves. Or poised at the edge of her bed, head turned as if to pose for a portrait – only nobody else is there. What about the woman gazing at the rice fields, straw brim hat shielding her eyes from the feverish sun? She is not of this place and that’s why she has come. Because she feels freest in places where she has no history. (No history except colonialism, whispers a voice inside, which she swats away like the mosquitoes that form a curtain along the river.) A woman living inside a girl, furious and desperate because she can’t tie her shoes; the knot is slipping and she’s screaming inside, surrounded by a hovering crowd of her brother’s friends.

These women are waiting. Their story awaits. Hearts beat wildly, skin pulsing with the desire to be carried away on the boat of narrative that will give their lives, their pain, a purpose. The boats with engraved names like Plot or Character Development or Foil. Many will wait for a yacht to dock and hope for a big pay-off, others prefer a fishing boat (an ensemble drama,) while some settle for a sailboat: a self-published journey. It’s only the bravest and most foolish who dream of Transformation, the solitary ship that travails the rockiest, most violent waters. Capsizing is the deal you must strike. Body buckled beneath the current, black seaweed twisting your ankles. Heartbursting, striving for surface and a life beyond it. Survival is not a guarantee. Better to board the cruise boat that sails alongside and raise a cocktail glass to those morons. Sure, you only exist in glimpses – everyone’s attention fixed on Transformation, betting on the odds as if this were a horse race – but at least you’ll get to have some fun.

How to obtain passage on such a ship? Theories abound. Some say you need to cause a scene, shriek in the captain’s ear, and if it comes to this, grip your hands around his neck. Others whisper about underground bidding wars, where tickets are auctioned in exchange for unspeakable deeds. But another way is to climb inside an image – a woman plucking flowers, or lighting a house on fire, or climbing inside a bathtub – and sing the words that resound at the core of your pelvis. Just stay there, resting inside the frame or moving your limbs when the impulse strikes, entirely and completely yourself, until someone walks by with a thousand questions. A passer-by so moved with wonder they’ll invite you onto their ship. Though you must wait for the right person, someone who won’t treat you like a circus monkey or glaze over your words. Wait for the person who will instead feed you fresh bread and crisp apples, who leaves a bowl of silence after each question, waiting to be filled with your voice.

Arya Samuelson is a writer currently based in Northampton, MA. She was awarded CutBank’s 2019 Montana Prize in Non-Fiction, which was judged by Cheryl Strayed. Her work has also been published in New Delta Review, Entropy, and The Millions. Arya is a graduate of the MFA Creative Writing program at Mills College and is currently working on her first novel. She is proud to be part of Lidia Yuknavitch’s Corporeal coven of writers.

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This is a remarkable book. The writing is steller, the visual art is effective, and the story itself is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

Fiction Fridays, Grief, Guest Posts

Nobody Lives Here Anymore

May 7, 2021

by Margaret MacDonald

When Rose dreams, she’s in the middle of a long street. It’s one of the streets that her and Cathy would make jokes about, would make up stories about the lives inside, would look at the house stiff and erect and lifeless and instantly know the type of person who owned it.

Surely nobody can live in there, Cathy would say. You would be scared to take your shoes off.

Rose’s sister goes missing on a Tuesday. On a Tuesday Rose’s sister leaves. Whichever one is true, either way she’s gone. Rose tells the police everything she knows.

She was at work late that night and her name is Cathy

She was wearing a grey raincoat and her name is Cathy

Her name is Cathy and her name is Cathy

After a week, the police come to the conclusion that Cathy left of her own volition. The evidence is stacked against Rose: Cathy took some cash out of their shared safe, some of her clothes are missing along with her rucksack, and she quit her job the night that she left.

Nothing survives her or loves her except for Rose. There’s nobody to argue with.

Rose leaves voicemails, texts, Facebook messages, Snapchat messages, emails. She calls and calls and calls until her voice is hoarse from repeating the same lines, always a variation of please just answer or please let me know you’re alright or please.

She worries so much that she gives herself a stomach ache. The worst of all is that she doesn’t know what she did wrong.

Rose finds a dead spider in the bath. She baulks to move it but manages to scoop it up with a cup. The noise that it makes as it flops against the side, solid and real, reminds her that it was alive once. She looks down at it, small inside the cup. What a terrible way to die, she thinks. Scrambling uselessly against the side of the bathtub, desperately trying to stay afloat inside the puddle left behind. The longer she looks, the longer she thinks that might not be true. Maybe its last moments were peaceful, and clean. She read somewhere that you shouldn’t kill spiders; that they’re signs of a clean home. An empty home.

In her dreams, Rose looks down the long row of houses that her and Cathy joked about. She starts to walk. There’s no lights on in any of the houses. They’re all identical, white-bricked and front-facing, all hollow dark windows and shadowed edges. There’s one at the end, though, that feels different. It feels alive.

Rose slows as she nears it. She watches for a moment.

Branches press their arms against the glass, pushing and curling and bending to fit inside the house until they sprout out the window to shoot tall and long and free. The roof is moving too, straining, hurting, before more branches push and shove themselves out. They bloom with leaves and flowers and create a canopy, like a silly little hat.

Rose smiles. It truly does look silly. Like a tree wearing a house, or maybe a house swallowed a tree.

She walks around the side to inspect it, comes to the back garden and feels her feet stop. It’s their back garden, the one they grew up in.

Rose takes a couple steps until she’s in the middle. She stands there for a moment until she feels something. She frowns.

It’s a voice, it’s underneath her feet somewhere below the ground, not a sound exactly but the sensation that a voice makes in the base of the throat. It’s in the soles of her feet, a vibration, a feeling.

Rose goes down on her hands and knees. She touches the mud with tentative fingertips and feels along the surface; it’s trying to escape. Rose doesn’t know why, doesn’t know how she knows, but then

She starts to dig, her fingers tearing at the soft earth like teeth into cake. The more she digs the more it unearths of the voice, the murmur. It’s shapeless and formless but it’s familiar, it’s her sister, she’s buried, she’s trapped.

A frantic sense of surety wells up in Rose, she’s down there, she knows Cathy is down there. Her hands are deep deep deep inside, elbow-high in the stomach of it, fingernails rooted and filled with mud. Rose puts her ear close to the ground and strains to hear, listens for help or I’m stuck or Rose, is that you? Get me out! but the murmuring is taking shape, is turning into words, a strange automated quality to them, robotic and unreal as,

Hye, you there? I’ve been back to the apartment

Rose spreads her palms across the ripped-up earth, the roots and the muck, presses the side of her face flat and listens to the whirring click of the voicemail,

Where are you? They said you quit your job two days ago. Seriously, Cathy? What the hell are –

The voice is small, it smells like moss and dirt, like piles and piles and piles of earth are on top of it.

Okay, I really don’t give a shit about the money, just call –

Rose closes her eyes, she could speak the words alongside herself, she could say,

Where exactly do you think you’re going to stay, Cathy? Do you not realise we’ve scraped by –

She lies down properly, on her side with her cheek in the mud, and mouths,

Are you ever going to answer? I know these are going through, so what? You won’t block me, won’t change your number, you’ll just keep ignoring me?

Are you there?

Hey, I’m home! You’d never guess what happened on my way over!

Anyone home! It’s me!

Just me!

Margaret McDonald (she/her) is a Scottish writer. She has a B.A (Hons) in Creative Writing with English Literature from The University of Strathclyde, and is currently studying for an MLitt in English Literature at the University of Glasgow. She was shortlisted in the Cranked Anvil Short Story Competition July 2020. She’s @margaret_pens on Twitter and @margaretmcdonald_ on Instagram

~~~~~~~~~~~~~~~~~~~~~~~~~~~

This is a remarkable book. The writing is steller, the visual art is effective, and the story itself is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

Autism, Fiction Fridays, Guest Posts

Ordinary Lives

April 16, 2021

by Marlene Olin

Margaret hears the sound of cabinet doors slamming. When she walks into the kitchen, her heart lurches. The walls are splattered, the floors crunchy. But her daughter’s happy. Tomato sauce spackles Risa’s hair and her glasses. On top of a pot, steam billows.

“Dinner’s almost done,” says Risa. A tornado of arms and legs, she whirls from the sink to the stove. “By my calculations, nine minutes tops.”

Once again Margaret glances at her kitchen. Risa has created a workspace like she’s been taught. The counter is covered with newspaper. The ingredients lined just so. Bay leaves. Garlic. Onion. Oregano. The measuring spoons and cups. The mixing bowls and slotted spoons. Not one dish will be cleaned until after dessert. Order is everything.

“Looks great, sweetie. It’s such a help when you cook dinner.” Then Margaret mentally makes a note of the post-cleaning required long after her daughter has cleaned and gone to bed.

But there’s no denying that Risa’s happy. There’s a lift in her step and she hums while she works. When she’s finished, she walks up to Margaret. Most people would leave an ample amount of space between them. But space is subjective. Space is a loose and wobbly entity that one intuits. Instead Risa lines up toe to toe with her mother and waves a finger in Margaret’s face.

“One more step on the road to independence, Mom.” Then she remembers her smile cards and creases the corners of her mouth.

***

Three hours later, they are lying down. Risa’s bedroom has looked the same for decades. The sheets are soft and flannel, the shelves lined with her collections. Stones. Crystals. Shells.

As always, Margaret picks a book of poems and reads. Dickinson tonight. Perhaps Browning tomorrow. Outside the window the moon waxes and wanes. Inside the words fall like waves. It’s the sound that matters, the lilt, the lull, the up and down. Meanwhile Margaret stifles yawn after yawn. Her day can’t end soon enough.

“Do you know that a giraffe just needs 1.9 hours of sleep?” says Risa.

While she turns the page, Margaret listens to the quiet of her house. A TV drones. A dryer rumbles. Somewhere her husband is lurching. Hunched, his hands clenched, his eyes darting. A lost soul, her husband. A Victorian ghost. A daguerreotype, grayed and grim, save for the waistcoat and watch.

“Do you know that sharks have to keep moving?” says Risa. “Do you know that sharks never sleep?”

“Never sleep?” says Margaret.

Despite herself, Margaret savors the moment. For she knows that moments like these will soon be come and gone. This is the year that Risa’s turning forty. With the proper supervision and support, Risa will be getting her own apartment. Her bags will be packed. The house will be emptied. The shrinks, the social workers, the experts all say it’s time.

On the ceiling are Day-Glo constellations. As soon as the lamp’s turned off, they grab the light. Margaret closes her eyes. In seconds she’s transported to 1980’s. They had just moved to Miami for her husband’s new job.

“Spring has sprung!” said the banner. Bunnies and egg-lined baskets. A chain of pastel construction paper crisscrossed the room.

The teacher kept her voice to a whisper. “I have twenty children in my kindergarten. Twenty children and two aides. But Risa’s the one we watch. She runs with scissors. Walks into the seesaw. The other day she followed a stray dog out the school and down the block.”

What was her name? Miss Susan or Miss Sarah. It was mythical the way she saw into the future. Like some sort of blind seer. Back then there were no catchphrases. No spectrums. No labels. Nothing to hang your hat on but despair.

“Her IQ is sky high. That’s obvious. And her knowledge of trivia endless. But she flinches at the slightest touch. She’s terrified of hugs.”

Instead of friends, Risa had pets. No dogs or cats. Margaret’s husband was allergic. To the hair. To the dander. To the pollen on their fur. Instead they adopted an ever-changing zoo. A guinea pig that kept them up all night. A savage hamster. A gerbil that found its way into the dryer duct. Saltwater fish. Freshwater fish. One morning they’d be fine. Then the next they’d be floating, a lifeless eye staring toward the light.

A fitful sleeper, Risa tosses and turns while Margaret inches closer to the edge. Of course, her daughter has no idea what awaits her. Noisy neighbors. Nosy landlords. Butt crack plumbers. Pervs. But what Margaret fears most is the loneliness. She can see it now. The hours of bone-crushing silence, the kind of quiet that screams.

Margaret’s dealt with pitfalls and potholes. And now an old familiar panic starts to grow. Margaret’s learned to trust her instincts. Her instincts rarely fail her. But all she envisions are red lights and stop signs. Risa’s own apartment? All she can hear is her voice shouting no!

Meanwhile Margaret’s bullied right and left.

From her son, the lawyer in Washington, the one who will one day bear the burden. Each rebuke is spewed with fear: “You’re not getting younger, you know.”

From the shrink. Good or bad, inspired or idiotic, the meter keeps running: “What’s the worst that can happen?”

From the professionals in their air-conditioned offices, sweatered in smiles, gripping their coffee cups, glued to their screens: “It’s time to cut the cord, Mom.” Like Margaret’s a fucking stereotype. Like there’s an instruction manual she somehow missed.

Only her friends can she count on. In darkened rooms, she sobs while they sip Chablis. “She’s going where?” They say. “You’re doing what?”

But her daughter is insistent. She’s like a dog with a bone. Pulling. Tugging. The whole world has narrowed to this one theme, this one topic, this one road.

Margaret lowers her voice, taps into some patience, and slips a mask of calmness on her face. It won’t be as easy as you think, Margaret reminds her. The words coil like an undercurrent, slipping into every conversation. You’re too kind-hearted. Not everyone is as trusting and as kind-hearted as you.

But no argument chips the concrete. Instead Risa rolls her eyes. Then she reminds her mother of her accomplishments. The 3.3 average in college. Her job at the library. Plus she’s cooked dinner for three nights straight!

***

They make apartment hunting more of a pastime than a project. Marilyn, their realtor, is a friend. Blonde, bronzed, roped with jewelry, she carves out time in her busy busy schedule. She has known Margaret and Risa since forever.

Every Sunday, it is now part of their routine.

Marilyn points out the window. Beyond the pool is Biscayne Bay. “The condo is vacated,” says Marilyn. “Its owners just fled. Tax problems. Immigration problems. Who knows? A bedroom and two baths plus lots of light.”

Margaret struggles to find fault but finds herself tongue-tied, stumped.

“I like this place,” says Marilyn. “There’s a nice view. Incredible amenities. A party room plus a gym!”

While Margaret follows the swoop of her hand, Risa has disappeared. They find her checking out a spider down the hall. When she joins them, her face is vacant, her eyes glazed. Security deposits. Down payments. It’s all too much too absorb.

“Do you know that living rooms were once called parlors?” says Risa. “When you died, they laid out your body on a table. Then all your friends and relatives dropped by.”

“Really?” says Marilyn. She is listening and not listening. Punching her phone.

“Really,” says Risa. “Then one day death became a business. Morticians took the bodies, cleaned them up, and moved them to funeral parlors. Then people started calling their parlors living rooms. Get it? Living rooms.”

“Is that a fact?” says Marilyn.

“Do you know that after mating,” says Risa, “the male arachnid dies?”

It was eighth grade. All the kids in Risa’s private school were supposed to perform community service. The voices in Margaret’s head said no. The voices yelled and screamed, are you insane? But Risa pleaded, all the kids were doing it, here’s the list of places we can go.

The plan was to drop her off at the animal shelter every Saturday. Margaret insisted on her version of a hazmat suit. Long sleeves, long pants. Covered shoes. They gave Risa all the jobs no one else would do. Clean bird shit from cages. Clean dog shit from crates. Every afternoon Margaret would pick Risa up, drive her home, and direct her straight into the shower.

Still the first month went smoothly. No chore was too vile. Risa would rake her fingers through a dog’s fur and instantly decompress. She’d stroke a cat and shudder as it purred. It was the second month that proved a disaster.

A staff member named Timmy started hanging around. A scruffy beard to cover up the acne. Torn jeans and checkerboard teeth. He’d wash a dog and spray Risa with the hose until her clothes clung. Then he’d warble, look who’s got titties. He talked her into wearing white tee shirts, the more to gawk at when they clung.

Then one day he asked her along to pick up a litter. They took off in his truck, his hand slipping on and off the gear stick, digging in the space between her thighs. You working out, Risa? She sat up straighter, startled. You seem tense, he said. I can feel your muscles clench.

She took a shower for two hours that night. Then she plucked out all her eyelashes. Clean couldn’t get clean enough.

But Marilyn’s not on the program. While Margaret wants to press the pause button, Marilyn’s programmed to make a deal. It’s almost Thanksgiving when she finds the perfect apartment. Fully refurbished. Fort Knox Security. The place is only two miles from their house.

“I’m sending you a lease,” says Marilyn. “We’ve got to jump on this one fast.”

The three of them had just finished eating a quick dinner in the kitchen. Margaret. Her husband. Risa. The family response is all too easy to predict.

The husband retreats to his den.

Margaret gulps an antacid followed by an Ativan chaser.

Risa puts her hands on her hips. Then she lectures her mother theatrically like she’s seen people do on TV. “Everyone has their own apartment. I’m the only person in the world without her own apartment. This is your problem, Mother. Not mine.”

“But Risa,” says Margaret scrambling for words.

Next her daughter lifts her chin toward the ceiling and starts bugling like an overgrown toad. When she’s finished with her performance, she turns once more to Margaret.

“Do you know,” says Risa, “that a Panamanian gold frog has no outside ears? It can even ignore its own voice.”

The days slog by. Marilyn texts every hour on the hour while the three of them gnash their teeth. But the more Margaret vacillates, the more anxious Risa becomes. She gives up sleep altogether. She bites on her lips and chews on her hands, gnawing her nails to the quick.

If only there were a guidebook, thinks Margaret. A primer for extraordinary people who crave ordinary lives. The problem is so much more than geography. There’s a hole in Risa’s heart that she can’t identify let alone fill. Though Risa’s life is consumed with routine, it’s shockingly empty. Sure she has contacts on social media. But they aren’t true connections. They aren’t real friends.

And while Risa stays stuck, the rest of the world has moved on. Her brother has married and has two children. Even her younger cousins have families, too.

Is this something you can imagine? Margaret once asked her. Is this something that you want? When you look into the future, is this something that you see?

No, says Risa. I really can’t.

It’s a reality that Margaret has difficulty accepting. At night, she dreams of happy endings. She pictures satin wedding gowns. A handsome groom and a multi-tiered cake.

But there’s no cooing infant in this picture. There’s no strolling down an aisle festooned with baby’s breath and ferns. Instead, Risa envisions a menagerie, a home for the lost and the neglected. There are no playpens and Pampers. Instead there’s meowing and barking. Chirping and cheeping. Room after room of flying feathers.

Her husband hides. Her son yells. Her realtor nags. And like mercury in a thermometer, her daughter’s stress shoots up. Meanwhile Margaret walks on tiptoes and speaks in whispers. It’s like living with a volcano that’s bound to explode.

“I hate you, Mother,” says Risa.

“They want signatures,” says Marilyn.

But Margaret shakes them off. There are and will be other apartments. This is another roadblock they can overcome.

She spends hours on the computer. Then she locates a special organization in Wisconsin that sells trained dogs. They aren’t service dogs. Risa would have to wait years for a service dog. But they know forty commands right off the bat.

The family response is all too easy to predict.

Risa’s eyebrows nearly jump off her head. Then she bounces up and down like she’s on a trampoline, waving her hands and wiggling her fingers. “I’m getting a dog! I’m getting a dog!”

The husband starts sneezing.

The son whines. “I always wanted a dog. We never got a dog before. Now Risa gets a dog?”

By January, the two of them are in Madison. The temperature is below zero and everything’s white. The rental car passes frozen lake after lake, the air’s still, the sky crisp. A few crazies are ice-fishing. Convenient stores sell cheese balls, cheese curds, cheese soup. Churches scream, Save Your Soul! Their laps are littered with road maps while their phones prove useless. Heading into the woods, they drive clean off the grid.

After two hours, they locate the kennel. Ten acres, a barn, and a house. A lumberjack kind of guy opens the door. Six feet tall, he’s a Paul Bunyan look-alike. Flannel shirt. Workman boots. Jeans.

Soon their efforts are rewarded when twenty Labrador Retriever puppies greet them. Black. Yellow. Brown. Licking. Yapping. Pawing. Deciding is impossible. Ridiculous! With tears in her eyes, Risa becomes enamored with each and every one.

Finally, as the sun sets, a gold-colored dog picks Risa. She is sitting on the floor when a two-month-old ball of fluff waddles over, lies in her lap, and falls asleep. Smiling, Risa gives her a name. She looks like a Milly, don’t you think? Then they say their goodbyes and leave the puppy in Wisconsin to be trained. After a five-month gestation period, they’ll fly back. Then they’ll pick up the newest member of the family.

In the meantime, they get ready. They sign a lease. Purchase furniture. And every few weeks they’re emailed photos of the dog. Risa forwards them to everyone she knows. Like any proud parent, she diligently records milestones. She carries a brag book. To strangers on the bus she says, Have you seen anything cuter? To her mother she says, You’re the best.

There are commands to learn and supplies to buy. Leashes. Crates. Rawhide toys. Could Risa register for gifts at a pet store, Margaret wonders? Can I send out an announcement when our latest addition arrives? Sure, she tells her friends. Getting a new dog doesn’t have to be this hard. But when is learning to love ever easy?

Marlene Olin was born in Brooklyn, raised in Miami, and educated at the University of Michigan. Her short stories have been featured or are forthcoming in publications such as The Massachusetts Review, PANK, Catapult, and The Baltimore Review. She is the winner of the 2015 Rick DeMarinis Short Fiction Award, the 2018 So To Speak Fiction Prize, and a nominee twice for both the Pushcart and the Best of the Net prizes.

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Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

death, Fiction, Fiction Fridays, Guest Posts

Bernoulli’s Heart

April 9, 2021

By Marco Etheridge

The coffin was in the ground and clods of earth had drummed on the hollow box. Retreating to the home of the newly departed, the mourners pour out liberal libations. Murmurs move through the sprawling house; quiet lamentation mixed with dashes of muffled laughter.

Some of the bereaved gather under the shaded cloister, chic in veils and tailored suits of black. Sunlight spills over the red earthen tiles of the courtyard. Four tables stand in the sunlight, four umbrellas furled. All of the wrought iron chairs are empty save for one.

The woman’s face is hidden under a wide-brimmed black hat. Her legs are bent to one side, ankles crossed, the black-stockinged calves of a woman younger than five decades. On the table beside her is an almost empty wine glass rimmed with ghost kisses from crimson lips.

A man appears from the shadow of the cloister. He strides across the courtyard, a full glass of wine in one hand, a tumbler of scotch in the other. The woman tilts back her head, watches his progress from beneath the brim of her hat.

The man stops beside her table, still holding the two glasses. He smiles at the woman with that singular smile that is reserved for old lovers. She returns his smile in kind while adding up the years since she last saw him in the flesh.

— John Staffen, as I live and breathe.

— Hello Yvette. Bit of a redundant expression, especially for a wake.

— What’s more redundant than a wake?

— Too true, in a sad sort of way. I saw your glass was empty. I had to guess on the wine.

— You always were a gentleman. If the wine is red, and in a glass, it’s perfect.

John Staffen flourishes the wine and places it on the table with a mock bow. Raising himself, he gestures to an empty seat. Yvette awards him a regal nod. He unbuttons his black suit coat and sits. He looks long over the rim of his whisky and Yvette Martin lets him look. Crystal scrapes the glass tabletop as he sets it down.

— My brain is telling me fifteen years, but my eyes don’t agree. You look damn good, Yvette.

— Thank you, John, it’s been sixteen, but who’s counting? You look good as well.

Staffen snorts, shakes his head.

— I look like death on a cracker and you know it. Not as bad as our dearly departed Harry, of course.

— Don’t be a drama queen, John. You’re not on stage right now. A little grey at the temples, some craggy lines; you’re a handsome middle-aged devil.

He waves a dismissive hand.

— Are you living here in the old alma mater?

— That’s right, still living at the scene of our crimes. I’ve got a cute condo with a view of the Charles, walking distance from my lab and the lecture hall. I’m all settled down like a real grownup. I assume you’re here just long enough to pay your last respects.

— I’m watching a friend’s place for a few weeks, then I’m off to Seattle for rehearsals and a six-week run of Uncle Vanya. I’m cast as the Old Professor, something that happens more often these days. Not that it matters.

— I’ll bet the script girls still swoon.

She gives him a long look but not without a smile. It is a look he remembers well. He thinks better of it and retreats.

— Do you mind if I smoke? It’s been a long morning.

— By all means. I look forward to the waves of disapproval.

Staffen glances to the figures in black strung along the shadowed borders of the courtyard.

— Piss on them. A murder of crows.

He removes a small cigar from a pocket, clips it, and flicks a lighter. The flame hovers beneath the tip of the cigar. He leans back in his chair as a cloud of smoke rises and swirls into the sunlight. A half smile breaks across his face as he speaks.

— Sixteen years gone and our paths cross here. I think Harry would get a chuckle out of that.

— I hope so. Were you two still close?

— No, not since he became the rich and famous Henry Grimes. We’d see each other now and again, whenever he felt like slumming with his old pals. I played Falstaff to his young prince, even though he had a decade on me. When was the last time you saw him?

— It’s been five years. We had a bit of a falling out. Bitter words, expectations not met, that sort of thing.

— Wait, were you two a thing? I had no idea.

— Why would you? Harry kept all his lives in separate compartments. Not the sort of man to spill his secrets while swilling drinks with you. What would he say? Oh, by the way John, I’ve bedded the former love of your life. Lovely Girl, I don’t know why you ever let her slip away. That was never Harry’s style and you know it.

Staffen smokes in silence, taking this in. Harry would have been right to say it. Why did he let her slip away? More of a push than a letting slip, truth be told.

— Anyway, it ended badly, as we both knew it would. But here I am, mourning the beloved dead.

Yvette takes a long drink of wine. She smiles at her former lover, the edges of her teeth stained bloody red.

— Don’t be shocked, John, and don’t pout. I always hated that. Harry was a charming man in his own way, until he wasn’t.

— I’m not shocked, just a bit surprised. You know it’s true, the part about you being the love of my life.

— I know.

— Do you mind if I change the subject?

— Please do.

Staffen contemplates his cigar before speaking.

— How many funerals have you been to this year?

— That’s a morbid question.

— Humor me, you used to be good at it.

— Don’t be catty, it doesn’t suit you. How many funerals this year? Three, if we’re counting today. Why?

He nods, as if having something confirmed.

— This makes four for me. There’s been a subtle shift in my social schedule. It happened sometime after I turned forty. I used to suffer through more weddings than funerals. Now it’s the opposite. The change is weighing on my mind, or rather on my heart.

— You’re being serious. That’s not like you. What do you mean, weighing on your heart?

— When I review the owner’s manual for my life, I can’t find a single chapter where it states that death will become a regular event. The bastards who wrote it lied to me, at least by omission.

— There’s an owner’s manual? I guess I never got my copy.

— Sure you did; we all did. It’s that compendium of expectations that we learned as kids. Childhood, school, meeting that special someone, children of our own, then a happy life into our dotage. But the balance tilts along the way. Not everyone gets their allotted four-score years. A car crash, an OD, a cancer diagnosis, and before you know it your heart is filled with dead people elbowing for space. My heart is getting crowded.

Yvette swirls the wine in her glass, thinks better of it, returns the glass to the table. She leans closer to John before she speaks.

— Your metaphorical heart is running out of space?

— Ever the scientific mind, Yvette.

— That’s one of the perils of being a scientist.

— Yes, I’m talking about the poet’s heart, not the muscle in my chest that races every time I see you.

— John Staffen, that is a very odd and sweet thing to say. Setting that weird compliment aside, my scientific mind tells me that you’re talking about accumulated grief. But on another level, I think I understand what you mean. I lost my mother, then my sister, both to breast cancer. Dead friends, people you don’t know, some younger than me. And now Harry, of course.

— There’s that as well, the quick assessment of my own mortality. When I read someone’s obit, the first thing I do is compare my age to theirs. Were they younger than me? The math gets less pretty as the years pass.

Yvette shakes her head, raises one hand as if to ward off the thought.

— No obituaries for me, thanks. I’m fifty years old, not some crazy old cat lady. A girl has limits. And no mortality discussions at a wake; We’re supposed to be celebrating Harry’s life, remember?

— Right, and now I have to make room for Harry. Except as I’m saying this out loud, I think it’s a question of weight rather than space. The dead weigh more than the living. Does that make any sense?

Staffen reaches for his whisky, eyes on Yvette over the rim of his tumbler. He is surprised to see her chuckle and responds with a questioning shrug which she answers.

— Sorry, science and grief colliding.

— Which one of them is funny?

— It’s the collision that’s funny, at least to me. Do you remember Bernoulli’s principal?

— You are the strangest woman I’ve ever met. You know that, right?

— Says the man who almost married me. Are you stalling for time?

— No, Bernoulli, I remember. That’s what allows planes to fly and shower curtains to be annoying, right?

— Yes, and more to my point, why straws collapse when you try to suck up that last bit of milkshake. Fluid dynamics; as the speed of flow increases, the pressure decreases. Less pressure inside the straw than outside it, so the milkshake squishes the straw.

— I’m being serious and you’re making fun.

— No, I’ve been struggling with this same sense of loss, more than just today. You talk about grief in terms of weight and space and my brain searches for a scientific principle to corroborate or deny. It’s how my mind works. You know that.

— Then would you care to explain how Bernoulli equates to the weight of grief?

— This is not an equation; it’s an analogy that banged into my head on top of, um, three glasses of wine. Which doesn’t make it untrue, just a little tangled. First, we need a baseline. Have you ever dated a widow?

— No widows, no orphans. Why?

— You always were a smart man. It’s very difficult to compete with a dead lover. Once they’re dead, they don’t make mistakes. The dead don’t forget birthdays, or anniversaries, and they are always there. Unlike the living, who tend to fuck things up and are often absent when they should be present.

— Is this from first-hand experience?

— Trust me, John, just say no. You can bitch about someone’s Ex, but you slander their dear departed at your own peril. Which is the opening to my hypothesis: the dead are immobile, hence denser. The living are different. We hold them in our hearts, but not like lumps of lead. They move around, sometimes they annoy the hell out of us. Their relative weight in our heart changes. What I’m saying is that their presence is not a constant.

Staffen shakes his head in wonder. Yvette talking a mile a minute, an idea clenched firmly between her teeth. And no subject was ever too weird for her. A woman unlike any other he had ever known.

— The living are annoying, so they weigh less in my heart? That’s your theory?

— It’s a hypothesis, not a theory, and yes. Poor old Harry is dead and laid to rest. I can tell you about his less than charming traits, but I suspect that in a month all I will remember is the Harry that I loved, minus the annoying bits.

Staffen swirls the ice in his glass. Don’t say it; don’t be an idiot. Then the whisky does the talking.

— What about me? How much do I weigh in your heart?

He expects a thrown wineglass or a scowl. Instead, Yvette rewards him with a long loud laugh. The sound of it echoes across the courtyard and draws scowls from the margins. Her laughter fades from everything but her eyes as she gives him an appraising stare.

— You’ve still got balls, John. You always did. But you’re not dead yet, so how can I answer your question? I could give your ego a good stroke and say that I pine for you every day, but that’s not true. We had some amazing years, you and I, until you started indulging in script girls.

— Something I’ll always be sorry about.

She waves it away like a mosquito, somehow keeping the smile on her face.

— Water under the bridge, the bridge has fallen in the river, and always is too long for anyone.

— I’m a good swimmer; better now than I used to be.

Yvette says nothing, turns her head to scan the milling shadows at the edge of the courtyard. John sees Yvette in profile and his heart shakes off two decades as they have no weight or consequence. His brain struggles to keep up.

She turns her head and catches him staring, her eyes grey and serious.

— It’s a good turnout for Harry. Isn’t that what we’re supposed to say?

— Sure, a life measured by the column inches of his obit and how many mourners showed up for the free booze.

Staffen smokes, blows a small cloud above his head, watches it drift across the empty courtyard. He remembers when he and Harry were lean and poor and always dreaming up the next great idea. Old dead Henry Grimes might enjoy this memorial, but young Harry would’ve walked out of any party this boring.

C’mon, John, this place is deader than dead. Grab that good-looker and let’s get outta here. He hears the dead man’s voice in his head and laughs out loud. Yvette arches an eyebrow from under the shadow of her mourning hat.

— I was just thinking how Harry would have hated all of this empty ritual. It’s no wonder the dead want to clutter up my heart. Where the hell else would they go? Certainly not here, not with all this quiet, carefully modulated grief. It’s not even mourning, it’s grief-lite. Easier on the mascara and the neighbors don’t complain about the keening.

Then Yvette’s hand is on his and the rising tirade of his words falls to nothing. When she speaks, her voice is quiet.

— I remember walking through a graveyard in Greece. The tombstones had photographs set into them. They looked like old-fashioned cameos; black-and-white images printed on porcelain ovals. Harry was with me on that trip. He said the photos were ghoulish. I suppose they were, but I also thought they were a good idea. The dead person is fixed in place, bound to their grave by their own image. The loved ones go to visit, light the candles, tidy up, and then leave the dead behind when they go home.

— They leave the dead behind, but they don’t forget.

— I suppose that’s right. It’s as if we’ve lost the rituals that hold the dead in place. When I go to an old cemetery, I feel the presence of all those departed souls. Not very scientific, I know, but I do love an old cemetery.

— As if I could forget the two of us wandering around Père Lachaise in Paris.

— Yes, it was dismal and rainy and cold. You wanted to find Oscar Wilde and I was looking for Edith Piaf.

There was a stir and murmur amongst the black suits and dresses. Staffen turns to look over his shoulder.

— It looks like they’re closing the bar. Shall I fetch you another glass of wine?

— No thanks, three glasses of red on an empty stomach. If I stop now, I’ll remember what happens next.

He turns back and is trapped by her grey eyes. Fear and longing mix and swirl in his chest, pushing away the warmth of the whisky. Then his heart elbows aside the fear and makes room for the longing.

— What does happen next?

— I think we bid Harry a fond farewell and find a taxi.

Yvette rises from her chair and John is quick to do the same. She slides a black shawl across her shoulders, looks at him and smiles. He crooks an elbow. She slips her arm through his and speaks to the sun and sky.

— Au Revoir, Harry. Bon voyage.

He feels the pressure of her hand on his wrist and finds his own words.

— Adios, Harry. Vaya con Dios.

He looks into Yvette’s eyes and two decades fly past him and swirl away into the sunlight. A long moment passes before he is able to move.

Then Yvette and John are walking across the red earthen tiles of the courtyard, arm in arm as a couple. When they reach the shaded cloister, the murder of chic crows parts to allow them passage.

Marco Etheridge lives and writes in Vienna, Austria. His short fiction has been featured in many reviews and journals in Canada, The UK, and the USA. Notable recent credits include: Coffin Bell, In Parentheses, The Thieving Magpie, Ligeia Magazine, The First Line, After Happy Hour Review, Scarlet Leaf Review, Dream Noir, The Opiate Magazine, Cobalt Press, Literally Stories, and Blue Moon Review, amongst many others. His non-fiction work has been featured at Jonah Magazine, The Metaworker, and Route 7. Marco’s third novel, “Breaking the Bundles,” is available now. Learn more about Marco at https://www.marcoetheridgefiction.com/.

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Pick up a copy at Bookshop.org or Amazon.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

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