by Amy Sayers
I held her in my arms, not believing all 6.8 pounds of her was real. For months she came to me in meditation, in visions, in my breath. But here she was in the flesh and perfect, all ten toes and ten perfectly slender fingers. Satin cheeks and searching eyes. What do you see, I wanted to ask—What are you thinking? Why is your brow furrowed? Then her belly peaked in a tent-like contraction. Was it a cramp? Was it hunger, gas? Or grief…
The bellowing began. The tubes and bottles from the breast pump tugged with her sucking but to no avail. All my dreams of loving and being loved by this child expired like air hissing out of a balloon. Not being able to feed her from my body made me feel a complete failure. I held her and rocked her, from her opening scream till the noontime nap. I walked her on my body, bathed her skin to skin, slept with her on my chest, wondering, what had I done.
Who was I to adopt this baby from her birth mother? Clearly she was missing her birthmom’s particular scent, the timbre of her voice, her touch. I struggled, knowing scent was primal, something that was part of her DNA, something I couldn’t replicate. Only in time would she come to recognize mine.
Colic can be digestive, allergies, fussiness—they don’t always know. I tend to think it was grief. And all I knew to combat it was steady love. So I held her, I sat in the swing and I sang the one lullaby I knew. I walked with her, I concocted home made formula, store-bought Whole Food’s colostrum, but nothing worked. I finally relied on the packaged formula, which probably had sugar in it and god knows what else, but she had to eat. She had to sleep. And so did I.
We made the mistake of reading the Ferber book which advocates letting your child cry themselves to sleep. It was hideous. No grace. No laughter. No song. No. Love. She’d make herself physically ill, throwing up, coughing, or an explosion of diarrhea. It was too much.
I said to my husband, “This doesn’t feel right. It’s not just belligerence. I’m convinced its grief. She needs to know she’s safe. She needs to feel love. This, for the rest of her life.”
Attachment is so crucial in the first months. And so we took turns sleeping with her, sometimes she snuggled in the middle, sometimes she slept with my husband, mostly with me, sleeping skin to skin. In time, the blankie served as a pacifier, in addition to the ‘bubba’, but she didn’t relinquish her bottle until she turned four. We then had to do a ceremony so that Blues-Clues wouldn’t feel abandoned. We wrapped him in tissue, sprinkled him with rose-petals, covered him in a fairy-box and sent him off in care of the angels.
Ceremony helped. Tough love is hard. I realized in an instant, I wanted it to be easy, without pain, pure and dazzling, mine to hers and hers to me. We had moments of that, along with laughter, song, dance and stories. Always stories. Birth stories, creation stories, and the hard questions that followed. The grief-stricken, angry, belligerent “you’re not my real mom” cry. The marking and cutting and other demons that broke her into her many scattered selves. The painful times where I felt so helpless, again, as to how to give sanctuary while she flailed in the darkness. Still, I continued to hold space and to listen. I offered therapists, healers, and for all the compassion, affection and love, I still couldn’t take away the pain. That being the hardest lesson to learn about love.
Now she’s finding her way, making her own discoveries and our affirmations and prayers continue. She is a gift, my beam of light, my inspiration. But she is not of me, she is of her own soul. She came from the stars. She was born of my dreams. That is how she came through. This is love and I hope I am blessed to have it dazzle for years to come.
Amy Sayers is a mother, writer, artist, healer, and Pilates Instructor. Her memoir, TINY WHITE DRESSES is a synthesis of life events, a culmination of dreams and visions that led to the adoption of her daughter, Marika. She lives in Santa Fe, NM with her British husband and their two dogs. Amy is currently working on a novel with her editor, Alice Anderson, while querying her memoir. Amy paints in her free time and has exhibited in local galleries. Her essays have been published in local anthologies and magazines, as well as Manifest-Station—a chapter from the memoir called PLATTER OF ORANGES.
Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.
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Anti-racist resources, because silence is not an option