Guest Posts, Family, Grief

Why Don’t You Talk To Your Sister?

November 4, 2020
brother
By Irene Cooper
Some months after my brother dies, my mother tells me to call my sister. “She needs you,” my mother says. And, “Do it for me.” And then, “You know, you have no sense of family.”

I see a picture of my estranged sister, perhaps three, in sleeveless undershirt and panties, Debbie Harry blonde mop, doorknob knees stacked one behind the other, leaning against our brother, Bobby, who looks like a man, but can’t be more than fourteen. She’s not looking at him, in the way that a baby opossum looks out from and not at the adult she clings to. I am not in the picture, nor is our brother Bill, though it is perhaps he that attracts her attention. Bill was a clown, though at that point, not a professional.

Nearly a decade after Bobby’s death from bone cancer Bill lay in a hospital bed in our living room, framed by Gothic carved mahogany panels and a defunct red brick fireplace. My sister sat by his side, recreating a composition of our older brother’s death bed.

My brother Bill did not have either Ewing sarcoma or osteosarcoma, and he was not then dying. He’d herniated a disc, and then another, ending a tennis career that might have at least paid for college, if not taken him pro. He’d been playing for a small college in one of the Carolinas. And, as it turned out, drinking a lot. A small college in one of the Carolinas had not been the dream. At home recovering from surgery, he entertained the crowds from his bed. Friends smuggled vodka in two-liter 7-Up bottles to supplement the Percocet.

My brother, Bill, did not die of bone cancer at fifteen. He died of liver disease and kidney failure at 53 after his body rejected a liver transplant made imperative by alcoholism. In his early twenties, after his back operations, he maintained his athletic shape but walked with the stiffness of an old man, and then, at some unbearable moment, let go the tenuous hold he’d had on his own body. As if someone pulled the emergency cord, his body blew up like a life raft, like a parade float, no edges, hard to steer.

He remained hilarious, the life of the party, particularly to the older crowd, keeping the seasoned corporate execs laughing at expense account meetings in Manhattan over steaks and martinis—hold the steaks. If my parents worried about his drinking, which was alarming by any measuring stick, they didn’t express their concern while they were in the glow of his charm, so devoted as it was to their entertainment and happiness.

Growing up, Bill loved to eat. Our family meals had something of a performance quality— somewhere between Scheherazade’s 1,001 Nights and America’s Got Talent—but the food itself was no prop. We ate widely and well. As adults, Bill and I almost never saw one another, and rarely shared a meal. When I did see him eat, he chose party foods that induced pain—six-alarm chicken wings—the kind of food where you could witness the lips of the eater bead and blister halfway through the pile, food of unambiguous sensation. Otherwise, he followed the influencers’ diet typical of his colleagues, could be taken for one of the Four Fat Bastards referenced in Anthony Bourdain’s recipe for choucroute garnie (a steaming heap of pork)—an old-school player with a constitution too arrogant for anything but protein and liquor.

My brother visited San Francisco on a business trip while I was living there, shortly after I graduated from culinary school. He invited me to dinner.

“You pick the place. Anywhere you want,” he said with the philanthropic air of a railroad baron who’s brought a box of fancy chocolates and mittens to an orphanage. He was a man of means who would treat his little sister to a splendid meal he was sure she could not by other means afford.

I told him to make a reservation at STARS, an iconic hot spot owned by one of the more flamboyant founders of California cuisine, a late century vanguard of exploding food culture, and, true to its name, a rocket for upcoming talent in the industry. I didn’t tell him I worked there.

Upon arrival, and despite a line at the host stand, I, my brother, and a couple of his cronies were whisked to a large table in an elevated seating area, coveted for its panoramic view of the glittering clientele and open kitchen, a universe away from the dark paneled caves of my brother’s East coast haunts, where the kitchen might actually be in the basement. Before we could order a round of cocktails, a kick line of waiters straight out of Hello, Dolly! swooped onto the table with platters of iced oysters on the half shell and chilled flutes of Absolut. In between the Caesar salads and grilled meats my brother & co. ordered off the menu, we were served unsolicited little plates of shaved apple dotted with foie gras, fire-roasted scallops on a bed of preserved lemon, strewn with a spray of fresh borage, fragrant as a French meadow. Wine glasses were topped up, cocktails replenished. Dessert was offered and refused and brought anyway, a miracle of layered pastry and persimmon crowned by a shard of stained-glass sugar, accompanied  by slipper glasses of Port.

My brother was accustomed to obsequious service, but the red-carpet treatment from the gate confused him. He hadn’t yet had an opportunity to slip the maître-d’ a tip or authoritatively select an obnoxiously expensive California Cab from the wine list. Shortly after the oysters, of course, the truth came out.

“So, you work here! That’s…impressive.” He understood that his position at the helm of the evening had been usurped, and his response was complex, a mix of pride and consternation. On the one hand, he could take the staff’s attention as a gesture of family taking care of its own—and so, respect.

On the other hand, my sensitive brother labored to enjoy himself at this unexpected extravaganza. I don’t believe his inability to take pleasure from the meal was because he’d lost control of it, or because he wasn’t the center of attention. He was not a narcissist; he was, in fact, the complement to the narcissist—a serial provider, now deprived of his super power, his generosity cut off at the knees.

I believe, too, that my brother sensed a second agenda of the staff, and by extension, of me—a message about something other than stellar customer service.

Unbeknownst to Bill, I worked as a prep cook (out of sight, often in the basement, as it happened), a half rung up from dish pit in a strict hierarchy that spiraled up to Executive Chef through a dizzying gauntlet of positions. I’d worked there less than two months. That night, nearly every front house staff member visited the table and greeted me by name. I hadn’t even met most of them, and could not have returned the kindness. What I think my brother intuited beneath the show was resistance. Expense account diners were the bread and butter of high-end restaurants,  and roundly despised for it. Bourdain’s Fat Bastards didn’t know borage from Borax, in the opinion of the foot soldiers in the business, and threw money around like chimpanzees flinging feces. My brother, I think, picked up on the hostility inherent in the hospitality: We take care of ours, and she’s one of ours.

Somehow, between the aperitif and the after-dinner menthe, his and my family ties came undone. In cooking, when we speak of a sauce falling out of solution, we say it breaks. If he wasn’t exactly the enemy, it was also true I wasn’t exactly an ally, and we weren’t on the same side, after all. If this place and these people were my new family, then I had abandoned the old, and him. To say no to the narcissist is to throw their love back in their face like a frosty glass of ice water—shocking, but ultimately inconsequential. To say no to the giver is to pull him out of solution, to break him.

When there was nothing left on the table but the dregs of our espresso, my brother stood up, exhausted.

“Let’s find a good bar, get a drink. I guess you know a place, yeah?”

I told him I had to get home, had to get up early for work the next day, thanked him for dinner.

The next time we talked one-on-one was nearly twenty years later, after our father died, and he came to sleep on my mother’s couch, to organize her affairs. He’d had his first liver transplant.

When my husband got sober, my mother felt the need to tell me she thought he’d been a lot funnier when he was drinking. Her model was Bill, whom no one would have accused of dulling the blade of his schtick after he was forced to forsake the booze. What’s more, after the transplant, as his cells drained themselves of decades of poison, his body returned to its late adolescent form. For some months, despite the grey at the temples, Bill was nineteen again, tall as an oak, graceful as a willow, sharp as a switch. Sobriety, unchosen and unwelcome as it was, provided a rich cache of new material, and his patter took no prisoners. As at our childhood dinner table, Bill made whatever my other brother was drinking shoot out his nose as he comically admired the innovations of vodka tampons, butt chugging, eyeballing, and other collegiate practices designed to intoxicate while bypassing the liver. Now why didn’t I think of that? he mused as he spit tobacco juice into a Solo cup, sipped at his Diet Coke.

His humor at this stage was a relief, a kindness, but he wasn’t all punchline post-transplant. He didn’t joke when he spoke about the difficulties of parenting his elementary school-aged son and two high school-aged daughters, due to his debilitating ignorance of the protocols put in place while his alcoholism and workaholism kept him AWOL. He wasn’t cutting up when he tried to talk, whispered, really, about the challenges of his complicated drug regimen, of the pain he suffered constantly, of his loss of strength, of appetite, of his concerns about being able to do his job, his fear of being replaced by a new generation who had limited appreciation for his expertise, nearly none for his sense of humor. He struggled with the post-transplant revelation that his attempt at the world’s slowest suicide had failed, that he, in fact, wanted to live, if only to imperfectly parent a little longer.

Sober, my brother dragged the empty folds of his slackened skin with him everywhere, like Marley’s ghostly chains, a mortal rattle echoing from his plastic pill box, big as a carry-on.

The body contains its deep and secret pools of shame, until the body breaks and the murky reservoirs drain, to nowhere. My mother says, “You should talk to your sister.” But I can’t be heard over the spill.

Irene Cooper’s poems, reviews, and essays appear in print and online at The Feminist Wire, Phoebe, Utterance: A Journal, VoiceCatcher, The Rumpus, What Rough Beast by Indolent Books, and elsewhere. She is a freelance copywriter and editor, facilitates creative writing workshops in Central Oregon, and co-edits The Stay Project. Committal, a spyfy thriller and her first novel, is forthcoming from Vegetarian Alcoholic Press in 2020.

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