Browsing Tag

self care

Guest Posts, parenting, parents

Driving With Mom

August 15, 2021
car

by Susan Cohen

The house is bathed in black. There are no lights to guide me.  I move slowly, step by step on the icy walkway covered with snow, clinging to the iron railing.  When I reach the landing, I stamp the snow off my boots and ring the doorbell.

I hear the quiet, gentle, familiar sound of the chimes echoing through the hall and then wait patiently for the lights to flip on and to hear the sounds of footsteps on the carpet.  But minutes later, the house is still dark.

The car is sitting in the driveway covered with a layer of snow, and I don’t see any fresh footprints along the walkway.  My mother never goes to bed before the 9:00 movie.  My heart beats faster, remembering how last winter she was anchored like in her chair, robotically bringing a cigarette to her lips, one after the other.

Reaching into the ceramic pot through a clump of gray snow, I feel the sharp edge of the key and then try to push the front door open with a firm shove. It resists opening as if it’s frozen shut, and I need to muster up all my strength until it finally gives in.  I wonder when the door was opened last.

“Anybody Home? Mom?”

The electric radiator is clicking away, struggling to heat the air through a film of dust. I fight the urge to sneeze.

I am beginning to regret my decision to hitchhike home to retrieve the backdrop for “Midsummer’s Night Dream.”  I came without warning because I didn’t want my mother to get excited, make a fuss, and start shopping and cooking, but I forgot after one year at college that she had a habit of folding inside herself during the cold dark days of winter.

I slide open the kitchen door, and I see my mother surrounded by a cloud of cigarette smoke.   She doesn’t jump up, shout my name in surprise and wrap me in her arms.  Instead, she is staring at the upper left-hand corner where the kitchen cabinet meets the ceiling.   Deep in concentration, her eyebrows meet in the middle of her forehead, and her eyelashes flutter as if she is dreaming sitting upright in her chair.

The plan was to take her to a restaurant for dinner and then borrow her car to drive to the summer cottage where the backdrop is stuffed in a trunk in her bedroom. But I can’t leave her this way.  I decide to take her with me. Perhaps the memories of sticky hazy afternoons dangling her feet into the lake from the dock will reignite and warm her spirit.

After I rinse and load dishes in the dishwasher and scrub away fried egg glued onto a frying pan, I sit opposite her at the kitchen table.  I push aside a burning cigarette that’s dangerously close to an open newspaper.

She startles when I gently touch her hand.

“You want to drive with me to the summer cottage?”

Her gaze moves down from the ceiling and but she doesn’t look at me. It’s more like she sees through me.

“It would be nice to get out of the house, don’t you think?”

I pat her hand gently. She nods, gets up from her chair, and slowly heads towards the coat closet.  This is a good sign.

I watch her quietly as she slips on the same ankle-length mink coat she has been wearing for over thirty years. Miraculously preserved, it’s still soft and shiny, and I feel an impulse to pet it, just like I did when I was a child.

Thrusting her hands into the deep pockets of her coat, she pulls out a red wool hat with a pom-pom and a brightly striped scarf that I wore when I was in junior high. If she was pushing a shopping cart, she could be mistaken for a homeless person. On a good day, I could tell her I am calling the fashion police, and she would laugh.

In the car, we sit on the icy cold seats and put on our seat belts. I crank the heater all the way up.  A chill from the night air seeps in as my Mom opens her window a small crack and lights up a cigarette.

She blinks as she exhales as if the smoke is stinging her eyes.  I am waiting for her to ask about my studies or ask if I am seeing someone.  As much as I long to hear her voice, I’m not in a mood to answer either question. All I hear is the purr of the fan.

Suddenly she giggles.  I don’t know why she’s laughing.  It’s silly to visit a summer home in the dead of winter, but I wouldn’t call it funny.  My grip grows stronger on the wheel until my knuckles turn white as I drive down the ramp and merge into the middle lane of the highway.

“Hope you’re in shape. We have to hike through the snow to our back door.”

She’s doesn’t turn to face me but keeps her gaze straight ahead at twelve o’clock.

“Have you been to the summer cottage in the winter before?”

I am afraid she has been hypnotized by watching the white lines fly by, one after the other, and is now even further away from me.  Perhaps I won’t be able to coax her out of the car, and I begin to fear we will be doomed to driving forever. I fiddle with the radio until I find a light rock station. Putting my hands firmly on the wheel, I keep the speed at a steady 65 miles per hour.

Then I hear Carole King’s voice.  I see myself, thirteen years old sitting on my twin bed looking at my poster of a fluffy white baby seal taped on my wall, and I begin to sing,

“It’s too late, baby, now it’s too late.”   

“What does this mean?”

She’s speaking!  Her voice is sweet and soft, like a bashful child.   But then I am confused, and I don’t know how to answer. There are several different possibilities.  She might want to know why we are driving to the summer cottage or maybe the significance of life itself.

“Are you asking what the song means?”

She nods her head up and down. Something as simple as being heard feels magical.  My shoulders soften.

“A woman fell out of love and wants to end her relationship.”

“Yes, but what does it mean?”

“I guess there comes a point in a relationship where you just can’t try anymore.”

Then my mother exhales smoke with a loud sigh.  She seems satisfied with my answer for now.

I want to ask her what “it’s too late” means to her.  But I am afraid her answer will bring memories that will force her back inside her shell.  I have memories of my own.  Like the night my father came home late after making full professor; purple balloons strung along the ceiling, a bottle of champagne sitting in a sea of melted ice, cheese dreams with a hard crust from turning cold.  At midnight my mother jumped, thinking she heard his footsteps on the landing was the sound of a tree branch blowing in the wind, rubbing against the windowpane.

A sign announces a familiar exit up ahead, and I panic because I can’t remember if I’m supposed to take it. I try to bring back the warmth from the hot sun beating on the roof, the sound of crickets through the open window to remember if this is the exit l took last summer. Meanwhile, the exit is coming closer.  I need to decide.

I feel a sharp tug on the steering wheel and the car veers sharply to the right.   Terrified, trying to regain control, I grab the wheel and pull to the left. The car begins to skid.  It spins into a circle and then falls gently against a snowbank with a muffled crunch.

I turn towards my mother, looking straight at me for the first time, and I let her have it.

“What were you thinking?  You could have killed us!  If you reach for the wheel again, I am going to put you in the back seat.  Do you want to sit there all by yourself?”

My mother is squished against the car door, looking small and helpless, but now she is looking me straight in the eye as she tries to defend herself, “The exit was coming closer, and you were listening to the radio and not paying attention..”

“Why can’t you speak to me instead of grabbing the wheel?  Why do you have to act crazy and scare the hell out of me like this?”

This is a familiar pattern.  The withdrawal, a blowup, and then the gentle trickle of confessions and regrets.  A slow slide to something that resembles normalcy where you say what you feel, and it’s possible to breathe love in and out.

We drive in silence for a few minutes.

“Sorry I yelled at you.  But you could have killed us.”

“Why are we going to the summer cottage, anyway?” Her voice is stronger, challenging me.  Only now she realizes how strange it is to go to a summer cottage in the dead of winter.

“I want to get the backdrop for our production of “Midsummer Night’s Dream.”

“Ah, yes, it’s stuffed in the antique trunk in my bedroom.”

I sigh and take a deep breath. Although the spell is broken, there are more challenges ahead. I haven’t thought this through.  The snow might be so deep or icy that it is impossible to hike to the back door.  I didn’t even think to bring a shovel.  The door could be frozen shut.  Even if I succeed in prying it open, it would still take a miracle to hop through all the lawn furniture stored in the hallway, find that trunk, pry it open, and drag out that backdrop.  Even if I can set it free and reclaim it, it might be stained by mildew or, even worse, became a nest for baby mice or squirrels.

As we approach the lake, there are fewer and fewer street lights, just an occasional spot of yellow between long dark corridors.  When we reach the road closest to our house, there is a windy ribbon of snow leading to our back door. The snow has a slight crust on it, like cake icing.

Before I can take the key out of the ignition, my mother opens the passenger door, and a blast of cold air comes into the car.

She places her right boot on the snow, and she manages to stand momentarily when suddenly the layer of ice beneath her foot gives way with a loud crunch.  With one foot six inches below the other, she begins to lose her balance but manages to steady herself with her two hands extended out on either side. Images flash in my head of her twisting her ankle, me trying to lift her back into the car, looking for an emergency room back home late at night.  But she’s filled with energy and isn’t discouraged in the least bit.

She laughs, “I ate too many cookies.  I am just an old fatty.”

“Mom, it’s not you. The mink coat weighs a ton.”

I walk around the car and have us swap coats so that she can wear my light down jacket to reduce her weight. As I slip on my mother’s mink coat, there is the faint smell of sweat mixed with a hint of Channel Number 5 that I give her every year for Christmas.

“I will hug you from behind to help you keep your balance. One, two, three march!”

We sink just a little bit. Thankfully the edges of the ice aren’t sharp.

I start chanting a song we sang together when we hiked through the woods in the summer years ago.

Left, left, I had a wife, but she left.  My wife left me with 36 children, and there is no gingerbread left.

Crunch, crunch, crunch,  our feet keep pace with the beat. The snowdrifts form a peak reaching up to the roof.

“Oh my Lord, where is the door? Mom, I need to set myself free so I clear the snow.”

I release my arms from around my mother’s waist to walk around her from the left.  At first, the ice supports my weight, but then after just a few seconds, my foot crashes through.  I grab onto my mother for support.  We stagger and fell to the ground giggling, making two small craters where we lay side by side, our backs on the snow, our eyes to the sky.  The snow isn’t wet but instead squishes under our bodies like a soft cushion.  There is a grounding feeling of being flush with the earth.

I look up to see a long band of stars packed so close together they form a swirl across the sky.  I feel like I am a child again at the Planetarium, seeing a black field filled with lights.  There is awe in seeing the width and breadth of forever.

“Mom, look at the arm of the Milky Way.  It’s beautiful.”

“Did you know that there is a whole generation of children that have never seen the big dipper?  New laws are forcing businesses to shut off their lights so people can see the night sky.”

Ah, here is the mother I love, quoting US News and World Report, a river of words traveling through topics all over the world and through time.  There is that opening of the chest, the spark to the brain, the rapid exchange of thoughts and ideas, insightful, thoughtful, and rational.

“Mom, we could talk all night.  But if we don’t move, we’ll freeze to death. How can I even find the door through all this snow?”

My mother chuckles and then laughs.

“No need.”

“Mom, why are you laughing? You’re scaring me with this laughter of yours.”

“The backdrop is back home in the attic.”

“What?”

“I brought it back last summer when we closed the cottage. I thought you might need it for college.”

“And you just remembered now?”

I reach over and place my gloved hands on my mother’s neck as if I want to strangle her. We wrestle in the snow like we are two little kids.

We follow our footsteps back to the car.  This time separately, my mother leads, and I walk behind her, putting my feet in the same impressions in the snow.  After we settle in the car and fire up the heat, I hear about my cousin’s wedding and my uncle’s retirement.  After half an hour, she snores lightly.

I open the door to my home that this time surrenders to my touch easily, tuck in my mother, and place a kiss on her cheek.

Lying on my childhood bed staring at the wallpaper with vines running up and down the walls, I think about the patterns of my shared life with my mother;   the laughter, silence, withdrawal, absence, hospitalizations, medications, and her homecoming to start the cycle again. There are no facts but only theories about what triggers her slow disappearance; a bad gene, chemical imbalance, poor nutrition, failed marriage, empty nest, boredom, loneliness.  Perhaps it’s all of these things, or maybe it’s something simpler. Her spirit is searching for the calm that comes from having a witness, a caring soul to exchange her thoughts and feelings, the positive energy that comes from breathing love in and out.

Susan Cohen has had her work appear in Cyclamens and Swords, All Things Girl, Adanna Literary Review, Six Hens, and Chaleur Magazine and has been shortlisted twice for Glimmer Train short story awards. She is also the co-founder of a PR firm located North of Tel Aviv.

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Leigh Stein is amazing, no really she is. Leigh was cofounder and executive director of Out of the Binders/BinderCon, a feminist literary nonprofit organization dedicated to advancing the careers of women and gender variant writers. The Land of Enchantment was our first introduction to Leigh, and her memoir of a broken love and lost dreams placed this writer firmly on our radar. Leigh’s recent novel, Self Care, received rave (and starred) reviews and is a highbrow yet satirical look at influencer culture. This month, though, she released a book of poetry  that is everything. What to Miss When: Poems is a look at the internet, the pandemic, and the life lived in between. Leigh is an amazing talent, pick up one of her books and let us know what you think!

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, Mental Health

Frostbite

August 10, 2021
cold

by Alec O’Hanson

Winter comes after me like a starving dog. I can feel its breath against my heels when the leaves turn, hear the snap of its bitter teeth in the coldness of the wind. I know that by the time the leaves fall, I will have fallen with them. There is no running from something that lives inside of you like a dormant parasite.

By August, I can already tell this winter will be far too long. The sky itself is as hollow as the space in my chest. With each drop of the temperature, I can feel warmth draining from me; a steady trickle that’s just significant enough to know it’s happening, but also just faint enough that I can’t convince myself it’s really there.

It is hard not to feel helpless against the bitter cold when it creeps upon you and tangles itself into your skin so quietly. There is no warning or noticeable first frostbite. I wake up in the middle of the week and I realize it’s far too cold to go outside without a coat to protect me against the winds, and by the end of the next week I’ve decided it’s far too cold to go outside at all.

Before the tides of September hit, I find myself submerged in carpeted walls and the low, noise-cancelling hum of a false sense of security. My mother says it’s strength and willpower that puts me here, but when I tell the new therapist that I think winter is trying to kill me, I feel nothing but fragile and weak.

“The first step towards getting better,” she said, half-hidden by the frost-bitten car window, “is wanting to do so.”

It feels almost futile to attempt therapy only when I am finding myself so cold that I can’t feel my fingers, much less my own heart. I do not want to be in this room in the same way I don’t want to be anywhere else. It’s an hour of my day and a shred of my energy that every fiber of me wants to hold onto for tasks that used to take no time or effort at all. It’s almost as if I have put myself on emergency rations. I have developed a scarcity complex towards life itself — there is only so much of myself to give when I already feel so empty.

I tell this to my therapist, and she asks if I’m still on medication, which I am. But I’ve found that all they do is stabilize, and that holding still at a low is still nonetheless a flatlining low. But it’s a compromise, and I figure that being able to settle a score with myself with my bargaining chips in scarcity is the best I can ask for. It’s just difficult to explain this to somebody who only feels the cold on the surface of their skin instead of running deep beneath it like mine.

I have memorized the answers to the quiz my therapist gives me halfway into October. They aren’t lies, because if I’m going to put energy into it, I don’t want to waste it by sabotaging myself in such a pointless way. But I find myself tired of being tired, and I don’t have the energy to try and stay positive about what is still a consistent negative because I don’t have the energy to attempt any methods of improving the state of it.

That’s a mouthful if I’ve ever heard one, and a confusing one at that, so I stick to my compromises. More than anything, I want to be understood, so I speak in tongues that don’t fully translate to the same truth.

Do I struggle to fall or stay asleep? No, but I am sleeping more than usual. It’s another hour towards spring; another minute away from the cold. Do I feel down, depressed, or hopeless? They like when I joke about exam season, so I do, instinctively. It’s a half truth, which isn’t an entire lie. More often than not I feel nothing at all, as if the coldness of winter has sunken itself into my bones and made me numb to its bite. Have I lost interest in things that I typically enjoy? I don’t remember what it feels like to laugh, but somehow I’ve managed to waste all twenty-four hours of my day without realizing it, so I must not be that bored.

I make it to exactly five of these weekly appointments before the cold finally makes itself a home within my bones and I decide that I’m too tired to keep thawing it off only for it to freeze back in place. I also decide that medication is making me far too aware of what day of the week it is, which is easy — the pharmacy stops calling after the first time and I reckon in hindsight that the medication wasn’t really meant to warm me up in the first place. When there is very little to rely on, and when I am so opposed to unsteady footholds, I have to make these kinds of compromises. I am helpless, I tell myself, against the direction of the northern winds.

I spend the next two weeks scraping the bottom of an empty barrel, shaking and vomiting but most definitely feeling something for the first time since I bothered trying to medicate myself in the first place. Cold as I am, even the lick of flames against my frostbitten skin comes as a relief rather than the searing agony it ought to be.

Sometimes, it’s so easy to get caught up in everything and forget about what’s most important. When November strikes down, I have been so caught up wallowing in the throes of nothing that I have forgotten what important even is. I am getting colder again, and it is getting easier to tell people I’m sick and that I’m sorry but I can’t make it after all.

Actions have consequences, but if you bury your head far enough in the snow you can convince yourself they don’t. People stop calling and visiting because it’s impossible to reach out to somebody who has been swallowed up in the tundra so thoroughly. The peace and quiet is nice, even if the silence leaves way too much space for misery to fill. It’s still a choice that I made, amidst a suffocating helplessness, and I know what’s best for me in the coming months. I am terrified to spread the frostbite that clings to my skin and spreads into everything I touch.

There is a snowball at the top of the hill in the middle of a windstorm. It’s probably December, but I don’t fully realize this until it isn’t December anymore. Which is fine with me. I always found December to be somewhat of a drag, though I’m frequently told that I’m the one that’s a drag.

Perhaps there is a sliver of truth to that. A small, cold, and bitter part of me hates the lights and the family dinners and the presents and the holiday. I have a reputation for being a grinch, but at least that means nobody wants to bother me.

It is only with the reprieve of New Year’s Eve that, for a fleeting moment, I feel the ice melt away. There’s very little comfort that comes with the sting of thawing. It’s as if I’m standing in the center of a hurricane, surrounded by what I’ve missed and what is inevitable. There are so many days in a year. There are so many days of waking up and getting dressed and talking to people, and I am already wind-beaten and exhausted from the thousands of days behind me of this exhausting sameness.

I write a list of resolutions out of habit and desperation, and as always there are two of them that I find myself making every year. I want to get better, and, I want to make it out alive.

I can say, at least, that I have seen the last one through every year since I made it. I don’t write it because I feel particularly like there’s a chance I won’t do so, but rather because I can at least make sure I reach one of these resolutions by the end of the year. I like to think of it as a safety net, because when you are standing in the eye of a snowstorm and seeing three hundred and sixty five or so days of broken resolutions, it’s easy to forget which direction you were heading in the first place.

As for the first, it’s hard to tell if I ever meet it, but I think that might be the point of making the resolution. It’s impossible to define “better” when you struggle to define “worse” or really anything of significance at all. Measurement of successes is futile, which is something I learned from my therapist, but that means my acknowledging this must be indicative of an improvement somewhere. I’ll take what I can get in that aspect.

Sometimes I do feel like I have gotten better, but then the winter comes after me again and pulls me back down into it. It’s hard to tell how close you have flown towards the sun when you are already drowning twenty thousand leagues back beneath the freezing sea.

I make a promise to myself every year to get better not because I feel like it’s a point I can reach, but instead because I think the resolution itself is the foothold I have in doing so in the first place. The first step towards getting better is wanting to do so.

For a moment, as I watch another year bury itself in the snow that makes itself a graveyard around me, I want to do so. It’s a stab of desperation, and it’s molten.

I know that beneath the sheet of white is something warmer, something bigger. I have made it through plenty of starving winters before, and with each one I feel the sharpness of the cold grow softer against my weathered skin.

Humans and beasts and what lies between them have all adapted to circumstances to survive. Survival, if anything, seems to be the best way of defining “better.” What doesn’t kill you inevitably must make you stronger, so if facing a dozen winters hasn’t frozen me to death yet, then maybe there’s a possibility I’ve developed a resistance to the cold.

Winter comes after me like a starving dog, but at least I know when it comes. There are only so many times a dog can bite you before you learn how to grab it by the teeth, after all.

January arrives, and this time, I brace myself against the cold.

Alec O’Hanson is a (closeted) transgender man currently finishing his last semester at New River Community College, aiming to transfer to Radford University afterwards in pursuit of a bachelor’s degree in English. He has been writing in fervor for as long as he’s had access to words, and his goal is to make that everyone else’s problem, too.

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Margaret Attwood swooned over The Child Finder and The Butterfly Girl, but Enchanted is the novel that we keep going back to. The world of Enchanted is magical, mysterious, and perilous. The place itself is an old stone prison and the story is raw and beautiful. We are big fans of Rene Denfeld. Her advocacy and her creativity are inspiring. Check out our Rene Denfeld Archive.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Eating/Food, Guest Posts

Taking Up Space

July 7, 2021
scale

by Molly Krause

Maybe it’s just the quarantine fifteen. I wouldn’t know because I haven’t weighed myself to get the actual number. I do know that my clothes are tight and some don’t fit. I know that it was sometime after I started weighing my eighteen year old daughter weekly that I stopped stepping on the scale myself. This was months before we were all gripped by the onslaught of all that the novel virus brought to our lives. I couldn’t have even imagined all that at this time. This was when my anxiety rose like a freight train when my daughter said, “I’m struggling to eat enough.”

I flew into action – appointments with the primary care physician, the therapist, the dietician, and I bought The Scale. I ordered it online with some dread as I’ve never had a scale in my house. Shiny and black with a digital display that revealed the number to a tenth of a pound, it was both inexpensive and highly rated. I hid it in my closet.

I bought it to monitor my daughter’s weight but this is not a story of a young adult controlling her life through restricting.

As a serious student of ballet throughout my teens, I viewed my body as a vessel to create beauty through movement. At a yoga class a few years ago I scoffed internally when the instructor said, “If it’s available, reach for your extended leg.” If it’s available? This was not a cooperative relationship I had with my limbs; I would make it available without question. Naturally lean, I did not grow up worried about my weight because I didn’t have to. I was happy with my size and my size was small. My body performed well for me by executing the physically difficult movements of ballet. I wasn’t conflicted about my body image as mine was easily accommodating with what I wanted from it. I never even had to consider if what I wanted from it was reasonable or even right.

Two pregnancies and changing middle age hormones stretched my comfort with my shape. I resolved to stay under a certain number, I even wrote that number down in my planner. I exercised to burn calories and played around with various diets. I only weighed myself occasionally at the gym and used clothing fit as a measure if I was on target. But it wasn’t until The Scale came in my house did I realize the pull the number had on me – what is the numer? Have I been going “good”? Is this water weight or muscle? So I stopped myself from stepping on The Scale, hidden in the closet, every day as a friend of mine told me she did to control her weight. When my daughter entered an intensive outpatient program for eating disorders I gave myself permission not to ever get on that scale again.

But I’ve wanted to and what I’m not sure about is why. To feel better about myself or worse?

When I told a friend that I had gained some weight during quarantine she said, “Really? You look the same to me.” I responded, “I can tell I have but I haven’t stepped on a scale because I don’t hate myself.” We snickered and quickly moved on but my comment stuck with me. Wouldn’t it be better to like myself no matter what the number is?

 I get out The Scale once a week for my daughter. Covid has eliminated in person meetings with most therapeutic professionals, dietitians included. My daughter does not resist The Scale and doesn’t seem fazed by the number it reveals. I still haven’t gotten on it for almost a year at this point. I’m trying out the idea that it’s ok for my body to take up as much space as it wants – whether that’s active on my paddleboard or lazily watching my new favorite station, Acorn TV. The Corora virus has taken away many things from me – from us all – but perhaps it has given me the time to view my shape as something other than a way to project smallness or beauty. Maybe this same body that I happily allowed to grow large to carry two lives will be the vessel to grow new chapters and lives so far not lived, of an unknown and exciting future, of a time that is not bound or defined by a number.

Molly Krause is the author of the memoir ‘Float On’, the novel ‘Joy Again’ and the cookbook ‘The Cook’s Book of Intense Flavors’. Her writing has appeared in numerous locations, including Brain Child, Ragazine and Front Page Review. She lives in Santa Fe, New Mexico with her husband, her grown daughters and a pack of dogs and loves to hike, snowshoe and paddle board.

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emma

Stories of parent/child relationships can be complex, and Emma’s Laugh, The Gift of  Second Chances, is no exception.  Convinced of her inability to love her “imperfect” child and give her the best care and life she deserved, Diana gave Emma up for adoption. But as with all things that are meant to be, Emma found her way back home. As Emma grew, Diana watched her live life determinedly and unapologetically, radiating love always. Emma evolved from a survivor to a warrior, and the little girl that Diana didn’t think she could love enough rearranged her heart. In her short eighteen years of life, Emma gifted her family the indelible lesson of the healing and redemptive power of love.

Read Diana’s ManifestStation essay here

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Self Care

Taking Up Space

June 3, 2021
space

by Heidi Barr

Morning means coffee in my house.  I get up, feed the cats who are meowing incessantly, and turn on the drip.  Sometimes I take a tiny sip of water to swallow a vitamin, but that’s it.  Coffee is the very first part of my routine, and it has been for more than a decade. I don’t remember why I started drinking it. I wonder sometimes if I even like coffee.

Identifying what we really want can be hard. It is for me, anyway. Can you be bad at desire? Sometimes I think I am.  l like to blend in, to be in the background, to help out on support staff.  Expressing how I feel and what I want is not my default. I’m not wired to think about what my body craves. It feels easier to stick with the routine, even if it doesn’t always feel quite right.

In my work over the years, I’ve talked to a lot of people who want to lose weight. I’ve wanted to lose weight, too, sometimes, over those years.  Whether the goal is to lose 5 or 75 pounds, it’s a desire for change manifesting in a yearning for edges to surround a smaller space.  It’s a desire for something different than what is.

I want to feel good in my clothes.
I want more confidence.
I want to feel safe.
I want to be more energetic.
I want to feel like I matter.
I want to keep up with my kids, my job, my life.
I want to feel loved.

We humans are sensual beings, and sensuality is tied to the physical.  The body is our gateway to experiencing life and all the pleasures and pains that come with it.  Sensuality is an agreement we make with ourselves, one that defines how we take up space in the world. We have to take up all of the space that we are meant to take up. No more, no less.  Sometimes it is scary.  Sometimes it is exhilarating. Sometimes it is hard to discern what space is ours.

When I was a high school gymnast, the team didn’t have a dedicated practice area. There was a balance beam set up in the empty space at one end of the gymnasium, along with a shorter practice beam, and a few mats stacked on top of each other. Another full size beam with a crash mat underneath filled the rest of the area. To the right of all of this was the netting we set up right after school ended every day— it was also boys basketball season, and they had practice at the same time. This netting was supposed to keep us safe.

Before starting apparatus practice, we warmed up by jogging around the perimeter of the basketball court, the whole team in various hues of leotards and spandex shorts with the waists rolled down.  No one wore T-shirts, even though some of us wanted to. We stretched, did some more warm up drills, and broke into groups; one group went to bars on the far side of the gym, and the other to beam.  I climbed onto the four inch surface and tried to concentrate on my handstand instead of the sound of basketballs bouncing. Instead of the appraising gaze that came from the court now and then. Part of me wished I had a T-shirt on. Part of me wanted to be seen.

In high school and early college, smallness was good. To excel in gymnastics (and long distance running, which I also did), a small body is an asset. So is strength, which I also wanted, but in those days, I wanted the smallness just as much.  Probably more. The uniforms for both sports are tiny and tight. I didn’t want to take up too much space, and I wanted to feel worthy of the space that I did fill.  There was something unnerving about being seen, even when I wanted it. Most of the time I didn’t really know what I wanted.

***

One summer, well before my morning coffee ritual was established but after graduating from high school and college, I worked at a wilderness camp high in the northern Colorado Rockies. Mid-May at nine thousand feet meant there was still plenty of snow on the trails. That year the snow pack held firm above the tree line for weeks after I arrived. Five of us packed some backpacks, grabbed some trekking poles, and set off, glad to be moving and gaining elevation. Crossing snowfield after snowfield, we picked our way higher and higher until we reached Emmaline lake, an alpine oasis nestled at the base of what’s known as the Mummy to the locals. It took a few falls through high drifts and some scratches to arms and legs as we inched along a rocky ledge, but finally we made it to the water’s edge. The lake was perfectly calm and still iced-over in spots.  We walked along the boulder-strewn perimeter, up to a smaller lake that was just off the trail proper. This one was shimmering open water. We sat down to eat lunch and bask in the sun.

After lunch, one of my hiking companions, Katie, stood up. She nonchalantly stripped off her hiking clothes and dipped a toe into the crystal clear, ice cold water.  “What is she doing?” I urgently whispered to Jenn, looking sideways at the two guys who’d come along as well to see if they were paying attention. Katie gave us a coy look over her shoulder, and dove in.

Ever since I’d quit my job as a personal trainer to come work in the mountains, exercise wasn’t something I felt much like doing. I didn’t feel in shape. After a midwestern winter, I felt pale and doughy.

“AAAHHH!” A shirt flew to my right, and Ahmed went in with a yell.  So did Mark.

Skinny dipping—that wasn’t really something I could do, was it? Other people would see me. I felt safe with this group of people, but I wasn’t sure I wanted to take up that kind of space. There was actual ice and snow within throwing distance. Wouldn’t everyone just be uncomfortable?

I wondered what it would be like to have some of Katie’s confidence.

Jenn and I, still fully clothed at the water’s edge, exchanged wary glances.  I held my breath as we stripped as quickly as possible without making eye contact.

When I ran into that frigid water, I felt my body waking up as the contrast between the water and the powerful Colorado sun made me gasp in exhilarated alarm.  Later, drying off on the rocks in the warm midday sun, I took up all the space I needed.  I thought to myself that the world may well be created by words and stories, but another part of it is created by gasps.

That afternoon at Emmaline lake, my body wanted to be immersed in cold water and then gradually dried off on warm rocks in the sun, even though my mind wasn’t so sure. I’m glad I gave in to what my body wanted even though it felt hard to do. Jumping into that cold alpine water, feeling the tingling, and enjoying the decadent warmth on the rocks afterwards was an act of ingesting beauty, of becoming the mountain, of becoming myself a little bit more.

Ahmed, always with his camera equipment, snapped a black and white photo of our backs as we sat on the rocks after emerging from the water. I still have that photograph, 17 years later, in a frame on the wall next to my desk. It’s a reminder to give in to desire, to take up the space I need to thrive and feel filled up with goodness.

What does my body want? It wants anything that brings refreshment. It wants strength, and confidence. It wants passion, but it also wants to feel relaxed and supple. It wants to be safe, filled up with nourishment. It wants to be standing in front of the wood stove, warmth seeping deep into bones.  It wants my husband’s hands at the small of my back. It wants to slip into ice cold water on a sun-drenched day high in the mountains. It wants the sensation that comes from a brush being run through my hair by my eight year old daughter. My body wants to exist in partnership with other bodies. It wants to be autonomous. It wants what it wants, and those wants shift. It doesn’t want to apologize for any of these things.

My body wants water, not coffee, first thing in the morning. Room temperature, not ice cold. From a glass canning jar, running down my throat while watching the sun rise, feeling my cells rehydrating as a new day begins.

Heidi Barr is the author of 12 Tiny Things and four other non-fiction books. She is the editor of the Mindful Kitchen, a wellness column in the Wayfarer Magazine and works as a wellness coach at Noom. A commitment to cultivating ways of being that are life-giving and sustainable for people, communities and the planet provides the foundation for her work. She lives in Minnesota with her family where they tend a large vegetable garden, explore nature and do their best to live simply. Learn more at heidibarr.com.

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Megan Galbraith is a writer we keep our eye on, in part because she does amazing work with found objects, and in part because she is fearless in her writing. Her debut memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Memory Book , is everything we hoped from this creative artist. Born in a charity hospital in Hell’s Kitchen four years before Governor Rockefeller legalized abortion in New York. Galbraith’s birth mother was sent away to The Guild of the Infant Saviour––a Catholic home for unwed mothers in Manhattan––to give birth in secret. On the eve of becoming a mother herself, Galbraith began a search for the truth about her past, which led to a realization of her two identities and three mothers.

This is a remarkable book. The writing is steller, the visual art is effective, and the story of  what it means to be human as an adoptee is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

aging, Guest Posts, Health

Resonant Imaging

March 10, 2021
mri

By Cynthia Stock

I recognized the radiology tech, a gray-haired woman named Danielle. A ponytail, looking as apathetic as Danielle could look after a long day, limped down her back. Lufkin, Amarillo, and North Dallas complicated her lilting drawl. She didn’t recognize me, but I remembered her.

Shortly before I retired, I transported a critically ill patient to Danielle’s subterranean world. The MRI room reminded me of the Chilean miners, trapped for days without light or contact with the “real” world, struggling to stay sane while facing off with death in a very small space. My patient, fully equipped with a ventilator and nine life sustaining IV infusions, required two ICU staff members and one respiratory therapist to travel to MRI. When we arrived, Danielle’s face collapsed into a web of wrinkles.

“I don’t think we have enough MRI safe pumps for all those drips,” she said.

I knew the patient’s blood pressure hardly tolerated a quick change to fresh IV tubing, much less a complete stop of one of the drips. “Let me call the doc.” I don’t remember which one. None of the doctors either experienced or understood the logistics of taking an ICU patient to another universe far, far away from critical care for a diagnostic that ultimately, would not, could not, alter the plan of care. After a terse risk-benefit analysis and an explanation of the equipment dilemma, the doctor canceled the order.

“I’m so sorry,” Danielle said, resigned. Her head nodded, side-to-side. I remembered using that gesture to voice my own frustration with job responsibilities. Her body expressed regret more clearly than any words.

“Not your problem. Thanks for trying.”

Danielle helped push the patient and his mechanical paraphernalia down the hall to the elevators, something some of the younger techs would never do. Danielle and I, almost the same age, found ourselves conjoined by a dated work ethic.

Facing my own MRI, I slipped into my “health-compromised” persona. Danielle explained things about the MRI as if I had no medical knowledge. That was okay by me. I laughed at the irony of MS, not a master’s degree, although I had one, but Multiple Sclerosis. The acronyms gave me two separate identities, neither complete. My first symptom of MS appeared in the early 70s.

Fresh from nursing school I remembered all the landmarks I memorized for my anatomy class. Mixing some sterile saline in a vial of the white powder of some antibiotic, I bumped the plunger of the syringe against my wrist. It felt numb. I finished giving the drug to the patient. Then I traced from my inner wrist up to my elbow and mapped the roadway of my radial nerve. No feeling, cause unknown. Just as mysteriously, the feeling came back.

I didn’t interrupt Danielle’s explanation of the procedure, didn’t ask if she remembered me or our day of futile labor. The almost saccharine sweetness of her voice grated, but then it soothed. Or maybe it was the Xanax I’d managed to sneak before a tech led me though the labyrinth of the radiology maze. I was almost ready for the forty-five-minute claustrophobia challenge.

I often I wrestled with feelings of invisibility, except when it came to my career. I didn’t often tell people I was a nurse. At the gym, I didn’t want to hear about poor nursing care in such and such hospital or offer information in conflict with doctors who practiced medicine by recipe rather than individualized care. I only allowed my family the luxury of free nursing-medical advice. For my MRI, I didn’t want to be the retired nurse in MRI Room 2. You remember her, she took her job way too seriously. Such a control freak. I wanted to be the frightened, anxious person who loved to workout, read, write, hold her husband’s hand, and dote on her two new kittens.

Danielle secured my head in a padded support as if it were a precious piece of art in need of safety and stability. Six ceiling rectangles boasted a beach scene complete with striped beach chairs and cherry red umbrellas. I weighed the benefits of wine versus margaritas at the beach, while Danielle admired my ample veins, poked my hand, and inserted an IV. So far, so good.

“I’m gonna flush it with a little saline,” she said.

A jolt of cold shot from my hand towards my elbow.

“Do you know what we’re looking for today?”

I knew what I was hoping for, no new white spots highlighting a most unpredictable, aggravating disease. “They want to see if my lesions are stable.” Since I’ve had to stop taking my Tecfidera. I remembered losing seventy pounds in six months and then losing sensation as if I’d had what in the old days was called a pudendal block. Dammit, since retirement I can’t afford the drug that enabled me to work at the bedside for forty years. I didn’t say what I felt, nor did I mention the meningioma nestled like a pearl in the oyster of my frontal lobe. Anger can kill you just as easily as any disease.

Sixty-seven-year old backs become ardent protesters with immobility on a flat surface. Danielle eased a triangular pillow under my knees. My back stopped complaining. When she snapped the plastic cage over my head to keep it perfectly still, I ordered myself not to open my eyes again until the test was over. I’d done that once. Through the plastic matrix I saw an infinity of ivory plastic looming inches away from the length of my entire body. It closed in on me and spawned an adrenalin rush so potent I started screaming. “Let me out. I can’t do this.” Not this time. I had to get this done.

Danielle’s voice changed into a something hollow and distant. The table shuddered and moved by inches. “We’re gonna get started.”

I clutched the call bell, my panic button. It was soft, round, no bigger than a plum, but knowing my body slid through the gullet of a heartless, automaton, it became my lifeline.

I wanted to shout at the sounds. First a riveter. Then a jackhammer. A soprano wasp nesting in my ear. The thunderous NUNUNUNUNUN. I wondered about damage to my hearing. The sounds shattered any sense of time. The bane of my MS existence, bladder urgency, remained at bay.

Unlike other techs who occasionally chatted over the intercom, Danielle remained quiet. So quiet, I imagined the worst, a national crisis requiring all employees to go to designated posts as part of a disaster plan. A bomb threat that cleared the building and left the helpless and entombed. My favorite, a zombie apocalypse where the only safe place to hide was an MRI machine. A new story line for The Walking Dead. After a brief hum, the riveting started again.

I made it through the MRI. Danielle helped me sit up. My head spun for half a second. Danielle held my arm for support when I jumped off the table and headed for the dressing room. Danielle never recognized me. However, when she grabbed me, for the first time I noticed she wore a compression sleeve on one arm. The well-worn seam suggested Danielle had worn it for a long time. With retirement, I saw things differently. With retirement, I saw different things.

After forty plus years as a Critical Care Nurse, Cynthia Stock is in the process of reinvention at the age of sixty-nine. Writing represents a great part of that and Cynthia’s work can be found here. We are thrilled to be part of her journey.

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A book about tears? Sign us up! Some have called this the Bluets of crying and we tend to agree. This book is unexpected and as much a cultural survey of tears as a lyrical meditation on why we cry. 

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Relationships

Revenge Outfit

February 24, 2021
roger

By Amy Turner

“Always be dressed like you’re going to run into your ex” was a maxim a friend trotted out recently and I had an urge to fight it. But could also not help thinking about Roger. Roger was a man I dated. A stylish, bitter, brilliant man. A Goop kind of man. Which at a certain age, is appealing. Until there are too many lip balms and you want to be the vain one. The other thing he had was impeccable taste. So, when I began shopping, after we’d broken up, I’d stand in the mirror, looking at a blouse and think: would Roger like this?

It was awful. His ghost floated in the mirror behind me, squinting, the way he had during our relationship. Judging my taste, body, all of it.

Was this the height of low self esteem? Yes!  But sometimes the universe pinches with one hand and provides with the other. Because Roger had no qualms about buying the perfect thing. Whereas I was nothing but qualms, which resulted in piles of ill-fitting bargain dresses.

Until we broke up: and in a fit of rage, I spent money. I will never be superficial and unkind, I promised myself, purchasing a Marc Jacobs blouse. I wore the blouse to an editor’s fashion launch and when I was told I looked fantastic it was true.  Good silk did look fantastic. Previously, I would go to events like that, in a sad poly blend singing out in defense, I am an artist, I am not materialistic! Then I’d walk in and a wave of shame would render me mute. Which is not helpful for writers even if you do go to a lot of therapy.

That ex-boyfriend knew clothes were armor. He knew people thin slice. I remember asking him, why do you judge people externally? Saves time, he said with a laugh. I burned. What a garbage person. What an absolute cretin. But he had asked me to dinner five years earlier I was wearing a safety orange t-shirt, Levis, and combat boots.  So, unless he was turned on by highway maintenance workers, his theory needed work.

Thankfully, we broke up and my re-active era of fancy clothes waned. Sure, it felt nice. But it also felt like a bid for value.  I began looking around my world for a gentler person to put in my dressing room with me. I kicked Roger out and I decided on… my hair colorist, G. Good colorists are prime visual movers and I appreciate healthy tricks/support.  She’s a master of subtle improvements and looks like Los Angeles cool plus health. (If my hair salon doesn’t intimidate me, I’m not interested.) So, now I think would I go see G in this.  I know that if I would feel comfortable wearing it to see her, I’m keeping it.

The things I’m not keeping? The pile on the floor that says: You could wear that skirt to a luncheon, if you could find a matching sweater (What luncheon? Where is the sweater? Is Nixon president?). This dress is an Around The House Dress (Because the print is vile and it is okay to torture people in the house?). Those pants are not the right length but good for work. (Work is asexual, be a corgi! Who cares!)

It is how a lot of people shop. It is not bad, per see. But it leads to purchases that require justifying.  The way my relationship with Roger needed justifying. He is good at constructing drinks involving espresso and tequila. He is not good for going to your folks for Thanksgiving. He is good for making jokes. He is not good for revealing tender dreams. He is good for doing 60 down Beverly in a Bavarian twin turbo engine. He is not good if you want to feel safe. We had a lot of caveats in our relationship, namely I couldn’t talk about my feelings. It’s seemed all his feelings were funneled into the latest Paul Smith shirt he bought. Worn to coffee, the beach, and meetings. Until I ended things and he cursed me for longing for mediocrity/wanting to go the speed limit/feel safe.  But I could not place my heart in a shirt.  Fancy or otherwise.

Now, my clothes can be from anywhere. Zara, Target, or the vintage store on third where I got the Marant blouse that was still too expensive, but they must feel beautiful.  I would be happy to run into my ex in these outfits. Happy to have made it through mimicking his extravagance in my thirties, learning what I value. Which was not what he did.

The adage ‘women dress for women’ is more true for me now, despite being a woman who dressed to run into her ex-boyfriend for a few years. I’m not mad. It tamped out my I’m-a scrappy-art monster-who-will-never-invest-in-herself attitude.  But it’s a relief to not have him hovering in my closet.

Recently, we ran into each other on the street.  He looked me up and down, just like the phantom I’d imagined in my mirror.

When he asked me to dinner, I said no.

Which felt so good, I can’t even remember what I was wearing.

Sometimes, boundaries are the cutest.

Amy Turner lives in Los Angeles and writes in TV.

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Rebecca Solnit’s story of  life in San Francisco in the 1980s is as much memoir as it is social commentary. Becoming an activist and a writer in a society that prefers women be silent is a central theme. If you are unfamiliar with Solnit’s work, this is a good entry point. If you are familiar with her writing, this is a must read as she discusses what liberated her as a writer when she was discovering herself as a person. 

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Mental Health

Therapist Notes from Coronavirus: It is OK to fall apart.

January 31, 2021
need

By Jillayna Adamson, MA, LPC, LMHC

2020.
Listen to all these people struggling! Are you getting this? People who have never before been able to admit to overwhelming defeat or depression or loneliness are talking about it. They are talking about it on Twitter, on Facebook. They are admitting to it in text messages and on the phone. People are checking in—people are calling and texting each other, they are reaching out. They are expressing understanding of struggle! Forgive my excitement, but are you seeing this widespread empathy? There is openness, understanding! Neighbors are saying to each other, “times are hard and how can I help”? My neighbor made me a latte! (sadly, I couldn’t actually drink it…because, you know- the virus). And with less judgement and reservation. Because they get it. We are getting it.

Of course, this doesn’t apply to every situation, and of course, the world is still full of lots of hatred and cruelty and stupidity—I know. But, I am also seeing this interesting surge of empathy and understanding within people. People are reaching out to each other, talking and opening up more than they previously were. Publically, even! The open communication and expression of such mental strife is a psychotherapist’s dream! We are struggling, don’t get me wrong—but we are also a little bit ecstatic.

The new culture of the coronavirus times are upon us. And there are so many ways in which it has been so painfully difficult. It is truly a new life. There are memes about it. And Tik Tok videos. There are cartoons with people disheveled, in bathrobes, their hair wiring out of their heads. There are calendar memes, a person slowly losing their composure. How their sanity has slipped from March to April to May to June to now… There are parenting how-to’s and mask-making how to’s and cooking how-to’s. There are articles reminding people that everyone is trying their best, making the best decision for their family. Reminding parents not to judge or shame one another for back to school decisions, to spread kindness or teachers and school personnel.

It is hard and it is stressful and some of us are barely hanging on—and wait! We are all talking about it! We aren’t quiet about it, we aren’t asking for anonymity. We are getting on Facebook and posting out our SOS to the world.

It just became okay to rest, to need to re-group. To need time on a deadline. To fall apart, just like humans do—pandemic or not. It just became normalized to outwardly admit to struggle, defeat, loneliness and not knowing. We have found ourselves thrown into an awful situation, but one that is also giving everyone the OK to be human. Never before have I heard so many people of a variety of backgrounds openly admit to and discuss struggle amongst one another— whether loneliness or depression, boredom, financial need, hunger, exhaustion. And I am talking about outside the therapy office. And never before have I heard so many platforms right there to normalize this, to join together. People who may have never struggled with their mental health before are learning the value and impact of some of our basic needs. They are saying “Wow, people really DO need other people! I always heard that, but I never quite believed it until I was living in my own pajamas and hadn’t seen another human in two months!”

A now-homeschooling parent tells me that she has “absolutely nothing left to give in the world” and is sure something is wrong with her emotional daughter. A woman calls to ask my advice, stating she has no idea how to even make the usual decisions anymore. “Is it possible I just need someone to decide things for me now? Can you do that?” she asks (I cannot). I know people regularly taking their children’s temperatures, checking for rashes, unable to sleep. I have read posts from people dealing with deep loneliness and isolation, overwhelm, depression. People from all walks are putting it out there, and others are sending them hearts and hugs and commenting that they get it. That they are struggling too. That it’s hard. That they are HERE!

We are being ravaged, and we are struggling. And 2020 has truly kept it coming. But we are showing up too. (You know, online, or with masks)

What we know about surviving difficult times is that we need to hold onto the aspects of hope, adaptation, and support. In hope, there is often some kind of light at the end of the tunnel. An idea of when this might end, get better, or at least moderately improve. We need to know that things will get better again. In adaptation, we make radical changes to our day-to-day and lifestyle to allot for the vast changes that have come at us. Of course, these have to be successful, positive adaptations. New routines, and activities, ways of socializing and being. New ways of thinking and seeing are all part of this adaptation. And then finally, we need to know we have support. Community, the knowing that we aren’t alone. That we have people we can talk to, help of some kind.

We recreate these things regularly. The cleaning adaptation. The TV isn’t really that bad adaptation. The Maybe I really could homeschool adaptation. The Let’s get a puppy and have something new to love adaptation. The hope of declining numbers, of successes in other countries. The hope of an evening walk or a relaxing bath, or a manageable day. Facetime and Zoom chats, new constant texting regimens, Facebook community groups. Drive-by-birthday parties, for gods sakes. Social distance kickball with masks and a mom doling out sanitizer.

The people are adapting. And continuing. As exhausting and overwhelming as it is, all you can do is keep going, right? With the awareness that some days will be write-offs. Some days you’ll need mental and emotional rest more than anything. The kids will watch tons of TV or play on their tablets. Everything you eat will be microwaved. Other days you might feel vague spurts of capability, and others you might feel good and able to take in positives in the change in pace. Some days, the best thing about your day will actually be ice cream, and you should absolutely have it. Actually, though—this is not that different from pre-Covid life. But Covid life brings it out, makes it right out there in the open—okay, normal. Productivity in our day to day lives, mental-emotional wellness, as well as social and community needs seem to have entered a new realm of understanding.

Before the virus hit, it was actually already okay to fall apart. To need and ask for help. To sometimes be a total disaster. But so many people struggled to believe and accept that. To allow themselves to wear the face of a person really freaking losing it. Mental wellness has really entered in as an every-human component of discussion and not just one for people with mental illness or specific diagnoses. That we are all struggling right here out loud may not seem like the silver lining anyone would be hoping for. But in the world of mental wellness, the opening up is a magic in and of itself, and the very foundation for change and reform.

The new habits of giving grace to ourselves and to others, of checking in, of loving, of being open about our struggles– could be so huge if they continued for our distanced culture. Imagine if we kept it going. Imagine a post-covid world where we are talking, where we are opening up, showing up—but in person, too. Maskless! When we can hug and touch each other on the arm casually! When we can care and fall apart without a pandemic background, and still let that be okay.

Jillayna Adamson (said Jill-anna) is a mother, psychotherapist and writer. She loves all things people, connection and culture, and is particularly interested in identity development and mental wellness within the psychosocial implications of the modern western world. Jillayna primarily writes personal essays and narratives, and writes often about the motherhood role and identity. She is a Canadian transplant currently living in the US with her partner and kids, and is a firm believer in letting your freak flag fly. She can be found at www.Jillayna.com

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We love this book for so many reasons! The writing is incredible, the story is important, and seeing what life looks like when you survive the unthinkable is transformative. If you haven’t already, please pick up a copy of Sanctuary, by Emily Rapp Black. If you have, we’d love to hear what you think. Purchase at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Self Care, Self Image

Resistant as F*ck, part 2

January 14, 2021
body

This is part two of a two part essay.  Read the first installment here.

By Melody Greenfield

Drew agrees to come back later in the week. In preparation for his arrival, I light some candles, curl my hair in loose, sexy waves, and down the requisite two glasses of wine, just like I’d done at the bar. Just like always. I’m uptight by nature, and a bit of vino helps me to relax the way that, years later, yoga nidra meditation will.

Greeting Drew at the door, I feel confident and uninhibited. I go to give him a long kiss, then lift up his shirt and run my hands against his strong, warm abdomen. He tenses up instantly.

“I don’t usually do things like this—sex on the first date,” he confesses in his smooth, sexy voice as he takes a seat in the overstuffed chair. “And now, I don’t know if we’re good together anywhere but here,” he motions over to my bed.

I sit on the ottoman facing him and reach up for his face. I try to pull it towards mine in an effort to comfort us both, but he backs away again—resisting my touch, my advances.

“Stop trying to distract me with your eyes and your feminine wiles,” he warns me. “I know what you’re doing. Focus for a minute. I want to talk to you.”

I attempt to seduce him the way I do every man—with a look that will be his undoing—but he sees right through me, even though he’s half blind.

“Sex too soon…” his voice trails off. “It ruins things. I mean it.” He is opening himself up to me, but I want him to open me up, instead. I decide that if I refresh his memory on our compatibility in bed, it will prove, somehow, that we work well everywhere. “Seriously,” Drew says. “You’re so beautiful and way too smart to be doing these kinds of things. Why do you do them?”

I get quiet for a minute. “I don’t know,” I sigh, looking down. I refuse to say out loud what I already half-intuit. That I want to feel powerful, desired, sought after. That I hope his physical yearning for me will translate, miraculously, into love. That at the same time, I am too scared to delve into something real, for fear I’ll get hurt. My childhood babysitter was right: I do have walls up all around me.

I can stand naked before this man, but I can’t expose more than flesh. That would be riskier than the unprotected sex we’ve already had. Here in this moment, I don’t want to face reality. Or my patterns. So, I lift my chin back up and give him a puzzled look like I don’t know what the hell he’s talking about. I suspect though, that by being inside my body, Drew has somehow gained access to all of these answers; to my psyche; to the stories I hold tight in the core of me; to the secrets I bury between my legs. And, of course, this makes him the exception. He may be the first person since the babysitter, who knew me well, to read me in this way. He is that rare soul—unusually perceptive and sensitive to those around him—who picks up on things that others shrug off, just like I’m doing now in hopes of barring him from the truths of me.

It’s not working though. He wants answers. I make my mouth go all pouty and give him my best distracting, sultry stare. Think Blue Steel from Zoolander, only sexier. Maybe that will do the trick, I think, but it’s no use either.

“I’m not going to sleep with you tonight, you know,” he says, disappointed at my blatant attempts at seduction. “We really have to start over if we’re going to do this right,” he continues, softer.

But I have a different idea. Reliant as ever on my sexuality, I wrap my legs around his body and plead for him to touch me. I convince myself that I can make this man love me without so much as knowing me. (To his credit, I should probably know and love myself, first.) I convince myself that a purely sensory experience can open his heart, as I believe it has mine. I convince myself that I’m good at convincing, but again, Drew is the outlier.

“I should go,” he says brashly, the upset visible on his face, in his eye, even in the candlelight.

“Don’t leave,” I plead, my buzz wearing off quickly. I tell him, as I’ve told so many others before him, that I hate it when you go. I yearn, instead, to feel that release, that human connection and contact that drives me. But I don’t share that. Nor do I share that there is a part of me that goes through the motions of sex for the afterward, when the guy pulls you in close and falls asleep with his nose in your hair. Or that listening as a man’s heartbeat slows to a normal rhythm, your ear to his chest, is the closest thing you can get to a real connection with a veritable stranger. Or that watching my partner close his eyes peacefully in my bed is, for me, the ultimate feeling of security.

I never get the chance.

“You left your jacket here,” I inform his message machine and type to his phone mere moments later. “Do you want to come back to get it?” I ask, but he doesn’t answer. Suddenly nauseous, I realize that he isn’t going to reply, that I have sabotaged another potential relationship, alienated another partner, and I am to blame. His forgotten belonging, his fleecy overcoat, serves as the sole reminder of what we shared: the passion, the intensity, the feel-good endorphins I confused for real emotions; the connection I futilely hoped would extend beyond the physical. Alone in the bed we so recently shared, I breathe him in with a pang of regret. If I can’t have him beside me or inside me, at least I can have his sweet scent. I cling to his sweatshirt pathetically, leaving a trail of salt in its soft hood—a realization which makes me think of his manhood and our lovemaking all over again.

***

“We’ll always have real estate in each other’s important zip codes,” Drew tells me some months later, after I’ve informed him of my impending move, and he’s decided there are no hard feelings. I’m not entirely sure what he means by the real estate comment (he often says things that go over my head, and I chalk it up to a mismatch in intelligence—he’s lightyears ahead of me, despite having no formal education beyond the twelfth grade), but he claims it’s a good thing. Something no one can take away from us. Something as resistant as tear stains on a jacket, or so he jokes, after I sheepishly out myself. We’re both giant (albeit good-looking) nerds, and his smart sense of humor endears me to him even more. Fortunately, Drew remains open to texting and talking occasionally. I even manage to convince him that we should celebrate his thirty-first birthday together. He’s not typically one for celebrating, he says, but I insist. I like making a big deal over people to let them know how much I care.

I bring a personalized cake over to his place, a studio apartment in Burbank. I bring his jacket, too. He’s grateful but doesn’t beg me to stay—that night or in the country—as I’d hoped. Instead, after he blows out his candle and makes a wish, he offers to walk me out to my car. I stall by petting Rowdy. That’s a good girl, I say to her, even though I’m totally clueless when it comes to animals. (My parents gave the dog away when I was a baby, and I haven’t had one since.) I’ve always hated leaving, hated being left. But this goodbye is especially tough—especially poignant—because it’s final. In just a few weeks’ time, I’ll be Canada-bound.

His parting words to me: “I really could have loved you, if only you’d let me.”

 ***

I think of Drew occasionally, even now, three-plus years into a happy marriage. That last sentence specifically—more than the smell of him or his touch or the way he saw into my soul— sticks with me. At the time, it gutted me. During quiet, reflective moments, I’ve been known to mouth a silent “thank you” or two into the ether. I like to think he sparked a resistance inside of me—a revolution of sorts. Though we hardly knew each other, despite a physical connection that felt transcendent, even spiritual, the way he cared for my body, loved my body, made me want to care more, too. By the time I met my now-husband Eric, a few months into my international move, I was ready to believe what I now know to be true—that my body is a fucking masterpiece. And it was Drew who laid the groundwork, the foundation.

Ironically, in older homes, like the ones you’ll often find in less-affluent Canadian suburbs, foundations are built of brick as opposed to concrete. Brick—the very material I envisioned when my childhood babysitter told me I had walls up all around me. Drew strengthened the foundation, but he also began to chip away at those walls, brick by brick. Why do you do it? he’d asked about the way I mistreated my body, the implication being: Why don’t you love yourself the way I could have loved you? Maybe it sounds cruel—how he put the onus all on me. But we’ve kept in touch, very loosely, over the years. A “happy birthday” here; a “you were a beautiful bride,” there; and, most recently, an encouraging nod about my writing: “The vulnerability you write with is a gift. More people should be able to read your beautiful words,” he said after clicking on the link to a published essay I’d posted on social media. I know he had the very best of intentions. That he faulted himself for sleeping with me “too soon” as much as he blamed me. We both met our b’sherts—the life-partners we were destined to be with—after we almost-loved one another. It comforts me to think that we launched each other into loves that are an even better fit.

***

If I rewind back to my childhood, I’m confronted by my own fragility: I had a high resistance to, a low tolerance for, heartbreak—despite the hard façade I presented to the world. I feared that men would leave, like my emotionally-absent father already had, so I gave them my body—my amazing, beautiful body, my chef- d’oeuvre—without having to earn it. I was resistant to change this pattern because it had become comfortable, routine. What’s more, I resisted the truth about my own body—its inherent greatness—because acknowledging it would have required a shift: I’d have to start caring for myself the way it cared for me. The way Drew cared. The way Eric still does.

I never had to pray for Eric’s love—he gave it freely, the way I gave myself to the ninety-three men who preceded him. His gestures, his lightness—they reminded me of Drew. Of what might have been but never was. This is intimacy, I thought on our first night together. This is what people do when they care. This is how bodies care. How they love: gently, with small caresses. I want to respect your body, he told me, and he showed me with his actions too, looking deep into my eyes—blue-to-blue. He saw my body as something sacred. As the foundation to build his love upon. The very foundation that Drew had strengthened and simultaneously dismantled.

But I had to do the inner-work necessary to believe him. To believe them: Eric and Drew and all the bedfellows prior. If talk is cheap, pillow-talk is cheaper. Through my Pilates practice, I learned the importance of opposition. In Pilates, we stretch in two directions at once. We press down to go up. Reach forward but pull back. I was learning to be two things at once, too. I could strengthen my bones and muscles—harden my core—without also hardening my insides. I could be as emotionally pliable outside the studio as I was physically pliable on my mat.

In college, I’d written a children’s story about a turtle named Sammy with a tough exterior but sweet interior. I didn’t even know I was writing about myself. A sixth-grade student aptly pointed it out to me after I read the story aloud. (I dabbled in teaching English before ditching the kids and books for adults and Pilates equipment.) Ms. Greenfield—you’re Sammy. You’re the turtle! Strong center, soft heart-center: of course, I was. It was an opposition as true as the Pilates ones I still preach. How obvious it seems now in hindsight.

To some extent, although my walls are low enough for a wolf—big, bad, or otherwise—or a genuine suitor, like my husband, to get in, I wrestle with my Sammy-like tendencies, even today. But I know there’s been a shift, an easing. What protects me aren’t bricks or a turtle shell anymore so much as the physical body I’ve built for myself. (Think: less plaster, more abs of steel.) But it’s not physical perfection I’m after, either. This pièce de resistance is perfect in its imperfections, the stretch marks and scars proof of where I’ve been and how far we—this body and I—have come.

“MELODY GREENFIELD” has an MFA in Creative Nonfiction Writing (CNF) from Antioch University Los Angeles. The LA-native and Pilates instructor has been published under this pseudonym in The Los Angeles Review, the Los Angeles Review of Books, and forthcoming in HOOT. Her work can also be found under a different name in Brevity, Lunch Ticket, Annotation Nation, and Meow Meow Pow Pow. She enjoys reading CNF, furthering her Pilates practice, and occasionally curling her hair and getting out of stretchy pants to enjoy this pandemic-life with her aforementioned husband. Melody can be found here on Facebook and as @melodygreenfield_writer on Instagram.

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Guest Posts, Self Care, Self Image

Resistant as F*ck, part 1

January 13, 2021

Photo credit: Peak Pilates

This is part one of a two part essay.  Read part two here

By Melody Greenfield

My body is a masterpiece.

Sacred.

A pièce de résistance.  

An amazing doer of all the gerunds: twisting; bending; reaching; rounding; arching; fucking; praying.

But for so long I didn’t regard it as such or even so much as respect it. As a pre-teen and teen, I deprived my body of food. I chided myself for the way I stored fat on my cellulite-ridden thighs. For the way I resembled my pear-shaped, chef-mother. The photos, however, tell a different story: I was thin enough to slide through a fence; I was simply developing faster than other girls my age. What I thought was fat was actually just my new womanly shape (hello, hips!). What I thought was cellulite could only be seen under a microscope if I pinched and squished and otherwise manipulated and contorted my skin. I exercised compulsively (if there was an informercial for it, I owned it), then went through rebellious periods where I was completely sedentary. This pattern continued on into my twenties, when I doubled-down on misusing my body—sleeping with too many men, often unprotected. My type (aside from tall, dark-haired, bespectacled, and Jewish) was whatever was new. Fortunately, my body was resistant…to STIs.

My heart did its fair share of resisting too—always looking to dodge suffering. My childhood babysitter once told me, on a walk around the neighborhood, that I had walls up all around me. I was about seven at the time. Even then, I was suited up in armor to resist hurt and heartbreak. I think she was trying to warn me that, later on, if I continued to keep my guard up, it would be hard to form lasting relationships, which was exactly the point. I pictured a brick structure when she spoke. Think: the indestructible third house in The Three Little Pigs. Impenetrable. Resistant to wolves. I wore those walls proudly for decades because change is hard and scary, hence my resistance to it. The walls kept me safe. If no one could get in, no one could leave, either. Likewise, if my body never changed, I would never become my Jenny Craig- and Weight Watchers-going mother. May Mom never fit into my pants was a secret mantra of mine that I recited even at her thinnest when, on occasion, she tried (and failed) to borrow my jeans.

Judaism teaches that each morning when we wake, we should take the time to appreciate our bodies, aloud. In reciting the Birchot HaShachar blessing, we thank God for the miracle of our bodies—these complex machines that work so hard to keep us alive. If only I could have conjured this prayer to mind all those evenings that I willingly went to bed hungry, ignoring the empty feeling in the pit of my already-flat stomach. If only I could have conjured this prayer to mind all those times that I exercised obsessively—doing jumping jacks on the school yard and then coming home to pop workout videos into my parents’ VCR. Two favorites were The Firm Aerobic Workout with Weights (Volume 3) and Kathy Kaehler’s Strong Legs; she was Michelle Pfeiffer’s personal trainer, and my hope was that she’d make my legs not only strong, but also skinny and cellulite-free. If only I could have conjured this prayer to mind all those nights that I treated my body as so much less than a gift when I gave it away to men who didn’t care, who wouldn’t stay. Your own father doesn’t love you, or so I believed. Why on earth would they?

Since taking up Pilates nearly a decade ago and especially since teaching it for the past six-plus years, I’ve learned to love myself a bit more. To treat this God-given vessel, this container that expertly stores my equally-worthy insides, as something special. To show it a modicum of respect. To celebrate its splendors. Interestingly, in Pilates when we work with the apparatus—complex machines (like our own bodies), designed to stretch and strengthen the limbs—we are often resisting the springs, pushing back against them. Take the Leg Springs series on the Cadillac: We push our legs into the straps, and the attached springs try to bully us—woman versus apparatus—but we don’t let them win. We are the machine. They’re strong, but we’re stronger (especially after years of that Kathy Kaehler routine). Other times, we’re asked to lean into the springs. We allow them to give us feedback. To support us. Take Airplane on the same piece of equipment: We press our feet into the straps and our hands into the metal poles behind us in order to sail through the air. The springs help us levitate. This is how I see my body now—as this magnificent structure that quite literally soars. But what a journey it’s been to get to that place. For far too long, rather than lift myself up, I was the damn bully-spring, fighting myself.

***

December 2013: North Hollywood, California

It isn’t my body but the road I’m focused on as I rush, in my bite-sized electric Chevy, to meet Drew—my date. We’ve been texting for several weeks since both swiping right on Tinder, and tonight we’re meeting face-to-face at a dive bar in North Hollywood, which I’m speeding to straight from a bad day at work. I’m in a new job as an admissions assistant at a small private school, just down the street. This is our busy season with prospective parent tours, so no more leaving the office when there’s still daylight to burn. Stealing a glance in my light-up sun visor, I confirm—to my horror—that my hair, which I’ve deepened for the fall, is having a worse day than I am, even resisting the quick finger-combing I gave it. I also confirm, via the car clock on my dashboard, that I’m seven minutes late for our date. Crap. It always embarrassed me as a kid when my mom ran late, so I try my hardest to value other people’s time.

With the help of street lamps, I can make out a tall, lean Drew—his back against the bar’s entrance—from my parking spot across the street. He’s dressed for the occasion in dark denim and a button-down shirt, which makes me suddenly self-conscious of my own attire: wrinkled corduroys and a sweater that isn’t as figure-hugging as it was when I put it on early this morning. Aware that he’s been waiting for me, I quickly touch up my burgundy lipstick, blot with a tissue from a to-go pack in my purse, check the mirror once more to make sure no tissue bits have stuck on, then dart across Magnolia. The air is brisk in that LA-winter way that feels more like East Coast fall, and I go in straight for the hug (remember those?), hoping to warm up. I’m also convinced that physical contact is the surest way to make my date warm up to me, and it seems to work, too. He pulls me in close, surprising me; so close, in fact, that I can smell the musky cologne on the nape of his neck. When I take a step back, I can see that his pleasant face matches his profile pictures. Delicious, I’m still thinking as we take our seats. I’m drunk on the idea of him—heady and dizzy and floaty-feeling—and this is all before I’ve taken so much as a sip of booze.

Sitting across the table from him, I can finally inspect Drew, close up. He’s thirty to my twenty-nine and six feet tall to my five foot seven. He has even, honey-colored skin and a warm smile. He’s put together, well dressed and groomed. His voice is sexy and soothing, as deep as it is gentle. I find myself admiring his strong, capable hands and the way he effortlessly strings words together. I love an articulate man. What holds my attention most though is not his vocabulary or the timbre of his speaking voice but his eyes. Even in the dimly-lit bar, I can tell there is something off about them—I just can’t quite put my finger on what.

Just then, our waitress whizzes by, creating a brief breeze, and I catch another whiff of that yummy musky man-scent that got my juices flowing and made my head all spinny a few minutes ago. When she swings back around the corner again, I order a glass of Pinot Grigio, then another. Just be normal, I say to myself. Quit staring. I try to distract myself by prattling on nervously about my crappy work day. I’ve had so many of them in this new role, and I’ll have many more before I’m eventually laid off in June, which, I learn, is Drew’s birthday month. Typically, Gemini men and I don’t mix, but I already find myself hoping: Maybe he’ll be the exception. Incidentally, Drew will soon be let go too, only neither of us knows this yet. Nor do we know that sixteen days after his June 9th birthday, I’ll surprise us both by moving in with friends across the globe in Toronto.

In between crisp, fruity sips, I explain that my boss makes me feel incompetent, which, in turn, makes me act incompetently (the ol’ self-fulfilling prophesy at work); I’m worried that too many more days like today—when I was admonished for alphabetizing the touring parents’ nametags in rows instead of columns and slicing the bagels unevenly—and I’ll be sent packing. Of course, I’m right to suspect as much, but Drew does his best to reassure me. Isn’t it possible you’re being too hard on yourself? It’s probably not as bad as you’re making it out to be in your own head (except that it is). I divert his question with humor—“No non-Jewish person should ever correct a Jew when it comes to handling bagels. Am I right?”—then deflect by asking about his job, instead. As it turns out, he’s been a glove designer at the same company for eleven years now.

“Holy shit,” I say. I tell him I admire his ability to stay put and wonder silently if this means he might stick around with me, too.

“I’m blind in one eye,” Drew blurts out. Talk about a non sequitur. “I’m sorry to cut you off. I just needed to say something.”

Crap. He must have noticed me staring. “That’s okay,” I assure him, both about interrupting me and being part-blind. “If you’re willing to share, I’d love to learn more.”

“Well, I wasn’t born blind, but I didn’t get the care I needed, not soon enough anyway. It was too late to save my vision by the time I finally saw a doctor. Please don’t feel bad for me,” he says in response to my doe eyes. “That isn’t why I told you. I just sensed you were wondering about it. It’s no big deal that you were curious. Everyone is.”

I’m ashamed to admit this, but rather than go to a place of empathy or outrage over his negligent upbringing, my mind goes instead to a place of curiosity. To him, I may look concerned, wounded, even horrified, but I’m actually determining where to affix my gaze—that intense look that gets me into exactly the kind of trouble I seek. I’m also worrying that, in staring at his one eye all night, I’ve failed to send out those come-hither signals with my own. I take his hands in mine, tell him I’m sorry about his sucky vision, his suckier parents, and my blatant staring, then invite him back to my apartment to make it up to him.

 ***

Comfortable on my own turf and emboldened by the liquor (which I’m not as resistant to as I like to believe), I begin to kiss Drew. Like my car, the kissing is electric—all tongue and lips. It’s the kind that leaves you lightheaded and that happens when two people either really like each other, have an undeniable physical connection, or both. Hoping for option C, I run my fingers through his hair voraciously. I’m hungry for more of him, greedy for the high that sex brings.

Drew unbuttons my blouse, as I likewise busy myself removing his clothes. This is a man who works with his hands, I think to myself as he expertly undresses me. I am startled, but not revolted, by his many tattoos—a tiger on his chest (my husband has a nearly identical one in the same spot); a symbol of some kind on his left shoulder; a star below his waist; and a quotation written across his ribs—In the land of the blind, the one-eyed man is king—he tells me later. Gently, Drew licks and breathes on each of my nipples until my entire body warms and responds. He holds me close, and his intoxicating scent—part man, part cologne—fills my nostrils once more. Tenderly, he makes his way down my torso and in between my legs, licking me softly, then sucking on me more aggressively, drawing a figure eight with his tongue.

“Mmmmmmm. You taste so good,” he says, as he reaches his left hand out for my larger breast, and my legs begin to quiver. I pull on his hair, and my body unfolds, submitting to him, wholly. Finally, the build-up becomes too much to bear. I’m cumming!” I shout for the first time that evening but not the last. Before I know it, I am tasting my own sweetness in his mouth and putting his hard condom-less penis inside of me.

“Oh my God,” he says, his hood gently massaging me. “You feel amazing.”

“Yeah?” I ask innocently. I’ve heard this countless times before but never tire of it. Compliments are my crack. I grab onto his firm butt cheeks, moist with perspiration, as he holds onto my face, seeming to see all of me, if only with one eye.

“You’re the most beautiful girl I’ve ever been inside of,” he whispers sensually in my ear like he knows it’s a portal to my soul. “Your body is perfect,” he goes on as he slides himself in and out of me more gently than any one-night stand has before. Men always praise my physical form—my hourglass figure—but I’m still a few years away from believing that what they say is true.

It does occur to me, for an instant, that Drew is being genuine, but the thought is fleeting, my inner-skeptic loud. I force myself to quiet the noise, to stay present. I kiss him hard, and the shock I feel courses through us both. “You feel amazing too, baby” I tell him, and I mean it. In this moment, as I glance up at him, and we move in sync together, we are utterly connected. It’s like he was made just for me.

“I love fucking you,” he tells me as we near climax, but I hear what I want to hear instead, mentally subtracting one word from his sentence. He is making love to me; he can love me. I am sure of it. In fact, touching me in ways no one ever has before—brushing the wispy, chocolate brown tendrils from my too-pale, too-trusting face; cupping my head with his gentle hands; tickling the tops of my ears; looking deep into me, his thumbs against my now-messy brows—he already is loving me, or so I reason.

Drew places one arm under the small of my back and pulls me in close as he hardens and contracts inside of me. Together, we surrender to the building sensations. I feel hazy and clear-headed all at once. In control and out of it. My heart and groin clamp onto him with equal intensity and, magically, our bodies shudder in unison. He moves to pull himself out of me just then, but I reach for his penis and put it back inside of me, as a rush of semen fills me and makes me whole.

I know it’s dangerous, which is part of the allure. It gives me the kind of stomach-dropping thrill that roller coasters used to until I became terrified of them, without warning or reason. I’ve been on birth control since before my seventeenth birthday, so pregnancy isn’t my concern, but there are diseases out there that, HPV aside, I’ve been lucky enough to dodge. (Thank you, resistant body!) But that’s just it. Taking chances—even big ones—is habit at this point, and I am hooked on it the way I’m now hooked on this beautiful man. On the way he strokes the soft spot behind my ears and uses the tips of his fingers to trace a line from my jaw down to my neck. There is no denying that this is different. That he is different.

We fall into a blissful sleep: Drew’s stomach against my back, his hands wrapped around my small waist (a family trait). Some hours later, he turns towards me—our bodies two crescent moons making a full one—and softly kisses me. It’s late, or rather early, and my date has to leave on account of his pit bull Rowdy. I turn to look at my nightstand and see that the green numbers on the alarm clock read 4:03 a.m. That means his dog has been alone for at least nine hours, and now I’ll be alone, too. He kisses me again on the lips, and this time, it means goodbye.

I don’t feel contemplative or regretful about our night. I’m on autopilot. Groggy and still naked, I take out my list of sexual partners, which by now is thirteen years old and several pages long, front to back. Even in the dark, I can see that my lopsided C-cup breasts are also thankfully round and perky (another genetic win). My nipples, quarter-sized and peachy-pink, harden as my bare feet touch the floor. I’m grateful for the faux marble, which I’ll take over ugly apartment carpeting any day. When I stare down at myself, I don’t love how I look, but when I’m standing upright in front of my closet’s (slimming) full-length mirror, I don’t hate the curves I see, either. Yesterday morning I weighed in at 130.5 pounds—half a pound more than I’d like. I’d jotted that down on a Post-it Note. Now, grabbing a pen from the kitchen, I neatly write Drew’s name down beside the number eighty-five on my ever-growing list. (May my body not follow suit!)

85) Drew M.

I like the way this distinct combination of letters and numbers looks on the page—round and clean—and how his initials, DM, like direct messaging, remind me of the way we first communicated: with words instead of bodies. I like the way committing this act to paper feels—the “8” in 85 conjuring to mind the figure eights he drew on me with his tongue a few hours ago (word-play always makes me smirk), and how writing it down solidifies the experience, makes it real. This really happened. He really happened.

As a teenager and young adult, I kept detailed food journals, cataloguing everything I ingested. A page from seventh grade might have looked something like this:

 

Weekday:

Breakfast: Half a plain bagel and 1 pack of Sour Punch Straws (blue raspberry) from the food truck

Snack: 3 Famous Amos chocolate chip cookies from the vending machine – gave the rest away

After-school: Half a box of Kraft Macaroni and Cheese (blue box)

Saturday:

Breakfast: 2 bowls of Life cereal with nonfat milk

Lunch: 1 Yoplait yogurt cup (peach)

Dinner: Half a chicken tender and a Shirley Temple at Michael’s bar mitzvah

Then, with equal precision, I kept track—am still keeping track—of the men I put into my body: 7 Mikes, 6 Adams, 5 Matts, 5 Jon/John/Jonathans, 4 Dans, 3 Jeffs and a Geoff,

3 Joshes, 21 J-names, 15 M-names, 60 Jews, 40 men from the Interwebs. I like that there’s never been another Drew—just two Andrews and a Dru surname. As I play the night’s happenings back in my head, I shiver. I need socks, and another dose of this man.

To Be Continued…

“MELODY GREENFIELD” has an MFA in Creative Nonfiction Writing (CNF) from Antioch University Los Angeles. The LA-native and Pilates instructor has been published under this pseudonym in The Los Angeles Review, the Los Angeles Review of Books, and forthcoming in HOOT. Her work can also be found under a different name in Brevity, Lunch Ticket, Annotation Nation, and Meow Meow Pow Pow. She enjoys reading CNF, furthering her Pilates practice, and occasionally curling her hair and getting out of stretchy pants to enjoy this pandemic-life with her aforementioned husband. Melody can be found here on Facebook and as @melodygreenfield_writer on Instagram.

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Grief, Guest Posts, healing

Pilgrimage in the Land of the Rising Sun

December 27, 2020
temple

By Edith Darmon

As the steps keep going up and up, my breathing becomes faster and faster. There is no end in sight. My eyes get a glimpse of the top but as I reach it, each apex becomes illusive. It keeps going further again past my eyesight up higher and higher. I am only concentrating on going up another level to get closer to the crest. I am in Japan, on Shikoku island, the smallest of the four main islands of the archipelago. I am out of breath and a sharp pain accompanies each step while climbing up these tall stairs. Through the bamboo forest, I can now see the light from the open sky. A few more heavy lungfuls of air and finally I hoist myself onto the top where I am blinded by the beauty of Anrakuji temple. I slowly recover my breath and take in my surroundings. In the setting of the afternoon fog, the deep ocean with its different hues of blue is emerging with the underlined coastline. At the forefront, the soft vision of pink flowering trees is overlapping the green meadow. I stare, allowing my tears to flow freely.

A couple of years ago, when the love of my life, the man with whom I had been living for twenty-five years was diagnosed with pancreatic cancer, all equilibrium tilted towards a downward spiral. He died five months later and I lost my anchor. I was floating on a deflated balloon bound to crash. I hung haphazardly by a fragile thread. I let my instincts guide me instead of trusting my wounded brain. I went on walking treks as therapeutic healings. I walked in Spain, Canada,  India. When I heard of a walking trail in Japan in the form of a  pilgrimage, I was enticed with the idea but I never associated it with a clear need but rather with an instinctual behavior. I contacted a lifelong friend who also likes to walk as a way of life. The experience of embarking on such a journey held a significant amount of depth and unknown mystery.
Walking helps me calm my anxieties but also elevates my spirit to higher realms of reality. We are following Kukai’s steps. Kukai also holds the honorific name of Kobo-Daish – the enlightened one. He was the monk who brought an important sect of Buddhism from China to Japan around the year 800.

Over my five-week stay, each time I reached one of the 88 temples Kukai built around the island, I performed a suggested ceremonial from the Zen Buddhist tradition. This ritual was meant to restore peace within and helped erase conflicts at hand, or at least lessened their potency. I was eager to pray since I understood that the more I  loved, the more I grieved. The prayers would help me go deeper within my grief and learn to fathom the magnitude of my lost love. On this journey, I also hoped for guidance towards my life choices.

Upon arriving at the imposing arched doors of the temple, I bowed in front of the statue of Kukai whose role was to scare off demons inside and outside of us. To do that, Kukai took on the terrifying features of the angry devils he was fighting. He was our protector although his intimidating appearance and his ferocious gaze were unsettling. I wanted to trust him to help me fight my dragons during the long treks. I traveled with them perched on my shoulders, coloring my mood from dark to grey to golden yellow as fear or faith would alter my daily reality. I proceeded to the temple ground on a stone path through an orchard of pink blossoming cherry trees with statues of saints aligned along the edges. Each saint was small in size and wore a pink-colored hand-knit bib as a symbolic image of childhood and a reminder to protect children. While murmuring a prayer for their safety, the children in the world winked at me.

I stepped forward to locate the dragon spitting water. This was the time to cleanse my hands with respect from left to right while I prayed for the healing waters to flow freely in the world and in and out of me. My body was bursting with worries which have impeded the natural flow of my own waters. It was time now to honor and feed the earth by pouring a little water down. My personal harmony was contingent on the balance of the planet. I could not reach peace if the world around me was distressed. The process continued towards the stone steps and striking the largest gong on the compound. The sound rippled in waves and the echo could be heard far and wide. The deep, cavernous sound expanded my desire to opening up to new beginnings and a return to my joie de vivre.

My yearning was also strong in forgiving my beloved for leaving me unexpectedly, all alone on the path of life. I believed that finding acceptance and compassion for myself through prayers would ease my journey. The gong announced my presence. My dragons filled with anger and rage were acknowledged and temporarily appeased. I wanted to believe that I was now protected while my steps took me towards the main temple. In one of the combed sand barrel rings facing the entry, my three sticks of incense were lit as the prayers began.

Each day, my prayers took a different tone as suited for the moment. The flow of my invocations guided me towards what I wanted to ask, hoped, or wished for. Afterward, I peeked at the rich and ornate altar inside the central room before chanting the sutras three times as recommended. The melody was unknown to me, therefore I invented a rhythm from my imagination or borrowed it from other chants from other ceremonies I have participated in. I have been deeply touched by the Buddhist practice in India in the province of Ladakh, which borders Tibet. Sitting and chanting next to a monk in cool darkness in the sanctuary of a temple vault transported me to another realm of serenity.

When I was fortunate and other pilgrims were gathered at the same temple, chanting in unison their well-known prayer, I joined in gingerly and felt grateful to be among Japanese pilgrims during their spiritual practice.

One week into my stay, the recurring rite at every temple had become habitual. My ritual was nearly finished, but not until I visited the office where I waited for my turn to present my special gold and black book to one of the monks. The monk’s signature was an ornate black calligraphic design enriched with three red stamps acknowledging my passage in this temple. The book was purchased at the beginning of the pilgrimage and would slowly get filled up at every temple. The monk presented me with a sacred image to store in my sacred book. The symbolism of the image was unclear but its energy was treasured. In return as a token, I gave the monk three hundred yens.

Today was a very special day because I felt honored beyond words. I managed to reserve sleeping arrangements on the temple grounds for my traveling companion and me. This was a rare occurrence since temples did not allow lodging for pilgrims unless they came as a large organized group. But once in a while,  travelers had the privilege to sleep in the temple compound.

After recovering my backpack I had stashed behind a stone bench, my steps steered me around the corner, to look for a large building which should hold the sleeping quarters. Upon rounding the bend, another vista of the ocean greeted me with a striking wide expanse of crystal blue water. The warmth from the mesmerizing late afternoon light playing tricks with the sun embraced me closely. Another group of blossoming cherry trees was standing graciously in front of a building. Only then did I detect that the partially hidden building could easily be my temporary nest for the night. My traveling companion and I walked in; a monk was sitting chatting with visitors over tea. The monk was fully engaged and did not seem to discern our presence. We waited politely for a few minutes but no one seemed to notice the two western women still carrying their heavy loads on their backs while standing by the doorway. Therefore, I captured their attention. One of the women sitting next to the monk pointed out a room in front of us without looking. We were relieved. We took off our bags and our shoes. We slipped into the leather slippers provided and we let ourselves into what we believed was the waiting room.

The large and empty tatami room welcomed us. We were dazzled by a large bay window overlooking the landscape we just left outside. My head was slowly clearing up. I survived the exhausting although invigorating hike to let myself be revitalized by the meaningful temple ritual that always brought hope into my reality. Since my husband`s passing, burdensome darks clouds often obstructed my vision. This place was so inspiring in its beauty and its serenity that if any notion of paradise was pertinent, then we had attained it. We waited patiently. We thought someone would come soon, would ask us to fill out forms and lead us to our cubicle away from our captivating viewso little did we realize that we were standing in the room allocated to us. I found out by peeking outside because I was not able to hold my curiosity any longer. The mere view of my western face got the reaction I was looking for. One of the women motioned for us to stay put, indicated that she will unroll our futons at seven o’clock, the bath, the ofuro will be ready at five followed by dinner an hour later. We were also invited to participate in a ceremony after dinner. Meanwhile, I enjoyed a cup of green tea from the thermos sitting on the table.

Later, as we walked down the hallway towards the bath-house, I  transformed into a new human wearing a blue indigo yukata covered with a dark blue heavy cotton jacket. The other pilgrims encountered on the stairs dressed in similar attire. The bath was composed of a large carved stone-heated pool surrounded by several individual hand showers with stools close to the ground where people were washing thoroughly before sliding delicately into the hot water. After cleansing and soaking my body at leisure in the healing waters, the moment had come to get some sustenance. I got dressed and followed some of the pilgrims through a side door towards the dining area.

Sitting regally among other fellow pilgrims in the grandeur of the temple dining room, it was time to savor a delectable feast of dishes displayed in front of me: tuna, snapper, and octopus sashimi fanned over grated daikon radishes, miso soup with wakame seaweed and morsels of baked tofu. I was fully present to delight in the cuisine from the attractive and mysterious culture of the land of the rising sun. There were perhaps twenty-five pilgrims in the room, all dressed in the same blue indigo yukata; everyone was lively. I smiled and observed quietly my surroundings since it was impossible to communicate.

After the meal was over, we were told to move towards a room at the back of the temple where instructions were given along with small brown paper bags. A friendly man came up gingerly and sat next to us explaining in hesitant English the different steps of the ceremony. It was said that this particular ceremony aimed to bid farewell to the deceased. My heart jumped to the point of badly hurting. When I entered into this pilgrimage I did not think it would affect and touch me so deeply. I thought I could separate my outer experience and let it float as a superficial layer while keeping my core protected and closed. In hearing the meaning of the ceremony, I realized that it would soon be three years since my husband passed. I knew his anniversary was approaching but I was attempting to behave as normally as possible and was hoping that the tornado would not hit as hard as it did in the past years. While my thoughts often converged towards him, and his name leapt frequently into my speech, I struggled between two lives careful not to impose on people around me by constantly talking about my beloved.

My eyes blur, my throat contracts, and I have difficulties breathing. I feel myself entering into a trance. I blindly follow my fellow pilgrims to the back of the temple where we penetrate the underbelly of a cavern filled with several Buddhas watching us. Everyone starts chanting sutras while my head rolls back and forth, following the rhythm and the sound. I am lost in a dreamlike state with intensely palpable sensations more vivid than images. A movement catches my attention, my eyes startle open to notice the pilgrims standing up and moving forward. I trail behind them, slowly advancing into a long, dark narrow passageway. We emerge into a curved room with a small stream along the side. As per instruction, I light the candle in the little wooden boat found in the brown paper bag. One by one, we delicately place the boats in the waterway.

My mind is busy now with strong visions crowding and fighting for attention. The boat of Charon, the ferryman of Hades takes the stage carrying the souls of the newly deceased through the River Styx. The fragile vessel is crowded. The frightened souls are led to the threshold where the world is divided between the living and the dead. Fear is vividly painted on their faces. I have often had this lingering vision after my husband left. I could clearly distinguish every feature in front of me inside my wide-open eyes. Once strong and detailed, these images had slowly fizzled away as months, then years went by. At this instant, however, the vision promptly flooded my consciousness again.

Another persistent and profound vision seizes my attention, one that followed me when awake since the first week after my sweetheart died: We are both sitting on the back of a small motorized boat, which is moving at a hurried pace. Suddenly, my husband falls out of the dinghy but I remain on board. I cannot stop the boat. I shout but no one reacts. It is as if I am alone but I know I am not alone. No one can hear me. I spin around, but my beloved has disappeared in the swift current of the fast-moving waters while the boat speeds on. The life force was pushing me forward while my husband plunged unexpectedly out of the boat, out of the living world, and into the mysterious realms of the deceased.

While in this cave still with tears running down my face, I push my little vessel off. I tentatively wave farewell to my departed, trying to put words to the unknown journey waiting for him. But I do not know anything about his voyage.

We slowly leave the water chamber and our group keeps walking towards a large round space where we burn our little sliver of wood, adding it to the dancing blue and yellow flames from a small pyre. I am filled with images connecting death to fire: Fire from hell that symbolizes the suffering but also the releasing. When my husband was dying, he kept telling me that he needed quiet. He did not want to be brought back to the daily reality of the chattering conversation or even peaceful music. He said he needed full concentration to let go of life because it was very hard and painful to leave the world of the living. My heart was wrenching to witness his strength as he released his soul.

I am blinded by the orange glow of the setting sun when I step outside, I am out of breath and unsteady. I hear my husband`s hearty laughter telling me to seize the day while the whiff of his morning brew fills my nostrils. I fully inhale the vision like a forceful breath helping me cope with the present.

Through the hidden side of the temple, I opened a sacred door into my soul today. I had not known why I came to Japan but at this instant, I get the hint that I am here to attempt to heal my bruised soul and to learn to remember the joy of waking up in the morning next to my beloved, drinking tea in bed, and welcoming the new day. This journey to the islands of the rising sun did not augur as a comfortable voyage but a necessary one.

The next day, I  leave Anrakuji appeased and filled with hope even though the struggle will most likely return. While walking slowly towards the next temple of the pilgrimage, I take the time to hear the birds sing and pause as I bend to smell a cluster of pure white jasmine. My eyes follow the lines of the sea on the blue horizon. I find a friend in the constant presence of the ocean. My friend is faithful and stays with me along my journey. The ocean feeds my soul with its power and its infinity by refueling my life force when I am weak and desperate. The sky will not always be blue and serene, but I hope to be more prepared for the next invasion of black clouds hindering my eyesight.

Edith Darmon was born in Algeria and immigrated to France as a teenager. As a young adult, she traveled extensively throughout Europe, North, Central and South America. Edith is a retired Spanish and French teacher. Following many years of world travel, she has settled in the mountains of Northern New Mexico where she now gardens, writes, and frequently travels to Colorado to visit her daughter and granddaughters.

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Guest Posts, Self Care

Madame Defarge in the age of Corona

March 29, 2020
knitting

By Caroline Leavitt

Years ago, in 2004, while my husband Jeff and I were sitting watching the election returns, I was stress knitting in terror. That evening, I made twelve (I’m not kidding) fingerless mitts that I, always the writer, embroidered with the words Hope on the left hand, Love on the right.

It didn’t help. Bush won. Crying, I wrapped up all those mitts and sent them to the friends I had made them for with a note: Maybe next time will be better.

Next time isn’t better. The next election, a day before I am due to go out on Book Tour, for a new novel, Cruel Beautiful World,  about how the world drastically changed from the late sixties to the early seventies, my world drastically changes as well. Trump wins. I get on a plane and people are crying. I have two events, ticketed, $70 a pop and five people show up for the first, and only three for the second.

I keep writing. I keep hoping. I have a new novel coming out in August and I sold the one after that, too, though on a partial, so I have to write it. And as I hoped, this year is something very different, but not in a good way. Trump terror seeps into everything we hear and see and do. People worry that he might stop the elections, that he might make himself Emperor for life, which given his erratic sociopathic nature, is not implausible or impossible. A second term would be a disaster.

And then in the midst of this, sneaking in on little virus feet, is Corona.

I live in the NYC area, and things are quietly surreal. On the subway, I actually can hear the usually garbled announcement which urges everyone to wash their hands, to cough into their elbows, to not panic. Don’t panic. Don’t Panic. Don’t Panic.

Panic.

Of course we all do. A man coughing in the subway is glared at. More and more people are wearing masks. I try not to touch the poles, to keep my hands away from my face. For the first time in years, I am not biting my nails. Stores are emptying out of goods and people. Things are being cancelled. Concerts and plays we had tickets for. A big event I had for my novel coming out in August. Gone. The Poets & Writers 50th anniversary extravaganza. Gone. Publishing houses are working at home. Even my cognitive therapist tells me we can do sessions by Face Time, since she has just come back from a vacation in Germany.

I’m so anxious I get a refill of Klonopin and my therapist tells me that small motor activity might be a good idea, even if it is just tapping my knees. Is there something I can do, she asks. “I can knit,” I tell her.

I haven’t knit it years, not since my first terrible marriage a million years ago, when I designed a sweater for him with dinosaurs feeding on vegetation, one I scissored up when I found out he was cheating on me. I hadn’t knit since. I was writing all the time, so why would I want to relax by using my fingers again? Didn’t they deserve a rest? But now, everything is bigger and seems more fraught with danger. I tell myself I will just straight knit, just to have something to do, that this is not about actually making anything, but just soothing my nerves.

I make my first sweaters, just two rectangles and two tubes, and when it is done, it has so many mistakes, it makes me wince. But I put it on, like a talisman, like a lucky sweater, and it’s warm, cozy and well, perfect. I did something concrete, I tell myself. That’s something.

I cannot stop knitting. I buy more yarn, more needles. Every night, when my husband Jeff and I sit to watch films, there is the click of knitting. “I don’t know what I’m doing,” I tell Jeff and he takes my hand. “I bet you do,” he says. I think about Madame Defarge from A Tale of Two Cities. She was like one of the Fates in Greek myth. She never stopped knitting, stitching in the names of the people she wanted killed, creating her own kind of revolution with yarn.

My second sweater, soft, glossy gray, is absurdly perfect and I am going to wear it to a reading, but the reading gets cancelled. All that day, I write my novel, thinking about the evening when I wouldn’t have to think, when I can just knit and turn off the churning in my mind. I think about how knitting, like a novel, has a structure, a spine that has to hold things together, how every stitch can tell a kind of story—that one there that is twisted is when I heard Trump say on the news not to worry. That one where I dropped a stitch is when I was stress eating. When my niece Hillary, who is supposed to come stay with us, along with her husband and two kids, cancels because of the virus, I go online and order more yarn, a deep dark blue, to knit a pullover for her the one way I can be with her.

The day I start that sweater, and WHO announces we have a pandemic. Italy is in lockdown. The first big event for my novel, The Texas Library Association in Houston, is cancelled. The Virginia Festival of the Book is cancelled. The Poets & Writers 50th Anniversary is cancelled. Colleges are holding virtual classes.

I sit with Jeff watching Sorry Wrong Number with a particularly hysterical Barbara Stanwyck, who begins to have an inkling she’s about to be murdered. I am knitting and knitting and knitting through the night, my eyes on the screen. It isn’t until I am done for the evening, that I look down at my work. To my shock, the garment has lost its structure. It isn’t totally blue the way it is supposed to be. I must have picked up the wrong yarn, because the second half of the back of the sweater is now deep green.

At first, I’m pissed. I wanted to control this. Rip it out like errant pages that aren’t working. The way this is supposed to go is not thinking, just knitting. Plus, the thought of ripping out all that work makes me ill. I’m terrible at taking out stitches and picking them back up and I know if I even try, there will be a stunning number of holes.

So I leave it. And the next day, I keep knitting, picking up other colors, making something that I don’t even think about having control over, that I can’t possibly know how it might resolve. As I knit,  I look down every once in a while, surprised, and sometimes pleased. The steady rhythm is so soothing, so hypnotic. I think about my novel, the characters so real I know what color sweaters I could knit for them, and that makes me think a bit about plot. I think about my mom, who died, two years ago, who I wish I could call to make sure she’s all right. I think about the sweater I’d make for her, deep purple, her favorite color, a sweater she’ll never get to wear. I think about my sister, who is estranged from our family and how I’d like to make her a purple sweater, too. I think about our son Max, who is in Brooklyn, who I get to see and hug. I move closer on the couch to Jeff, the click of my needles like a kind of Morse code. I love you. It’s going to be all right.

And so I keep knitting for other people. Pullovers that will hug them because I can’t anymore, at least not without a mask. Despite myself, I am getting better and better. Knit. Knit. Knit. I’ve come to realize that this is how I give up my desperation to control the narrative and the fear I’m feeling. Knitting a sweater isn’t writing a novel, not in any sense. We can’t know how the world is going to go with the virus, we cannot know what is going to happen with Trump and his cronies or with our planet that is falling apart. We breathe in and we breathe out. We wash our hands and cover our coughs and I keep knitting.

I buy more yarn. It doesn’t matter what color, just that I have enough for four more sweaters. Just so I can see the pile of yarn, provisions against terrible times and anxious thoughts. Despite the fierce intensity of my knitting, I’m no Madame Defarge, purling my way to revenge. This is not A Tale of Two Cities as much as it is a tale of one world in crisis. Instead, every night, this is how I knit connections, this is how I knit away the terror, one stitch at a time.

Caroline Leavitt is the New York Times Bestselling author of Pictures of You and Is This Tomorrow. Her new book, With or Without You set for release in August and can be ordered here.  Her essays and stories have appeared in Real Simple, The Millions, and The New York Times. Visit her at @leavittnovelist on Twitter, on Facebook, and at Carolineleavitt.com

 

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Guest Posts, Self Image, Writing & The Body

Claiming the Right to Cherish My Body

March 8, 2019
cherish

By Signe E. Land

Soaking in the tub on Christmas Eve, I studied my naked body. My two sons were on a trip with their father, and I live by myself, so I had plenty of time to reflect on the noticeable weight I had gained after a recent surgery. My breasts had grown larger and were pleasantly round with a fullness they hadn’t had for a very long time.  My stomach and sides had grown thicker too.  I considered some pros and cons of the weight gain. Pro: my butt was rounder, not as flat.  Con: my butt was not as perky.  Pro: my breasts were larger, pleasingly heavy when I weighed them in my hand.  Con: I had a little pot-bellied tummy.  Pro: I felt surprisingly more grounded in my body.  Con: I had to buy new jeans.

In the past, I had always abdicated judgement of my body to others.

Now single, for the first time I was the only one experiencing my body; I was the only one who would decide if the changes were good or bad, ugly or beautiful. In the past, partners had taught me that a fit, trim body was acceptable and loveable, though they had said they would love me “even if” I gained weight, whatever that meant. Judgment of my body was for others, including my mother, for whom my body had never been quite right: for her, I had always been too heavy or too thin. Now, as I considered my new curves and softness, I was surprised at the lack of horror and shame I had always felt before when I had gained weight.

As I considered my new body, a word popped into my mind along with a question: Cherish.  Do I cherish my body? Continue Reading…

Guest Posts, Self Image

Pale Pink Robe

April 16, 2017

By Anonymous

I have a pale pink silk robe hanging in my closet.  Every time I open the door, it makes me feel delicate and artful and foreign and adventurous. In life, I am better off in a gray zippered sweatshirt because of the coffee I dribble, the olive oil spatters that zap me when stir-frying onions, the mascara wiped on my sleeves from the night before. Once a week I put the silk on, feel chilly, and go back to the sweatshirt.

But, god, I love that robe.

I bought it at the Casbah on Sunset. The Casbah was my favorite place to write ten years ago. Everything was beautiful and curated and sheer and perfect and the coffee was strong and there was the sense that the owner didn’t treat the staff like garbage. It was a good place to be. A good place to write and get hopped up on caffeine and candied apricots and look at huaraches and baby T-shirts and Turkish towels I could not afford.

When I look at the robe in my closet now, I think of the day I got it. I was with two friends. I had stared at it during previous visits. The perfect, barely blushing pin-up, nippley shade of pink with a muted, red, woodblock pattern, a simple cut, sheer-ish, a belt. Continue Reading…

Guest Posts, healing

Learning to Mother Myself

November 22, 2016
snake

By Megan Galbraith

I sat on the stonewall outside my studio, reading Rebecca Solnit’s The Faraway Nearby, and thinking about how excited I’d been to get far away from my family. I’d been awarded a glorious month-long writers residency in Ithaca, NY from The Saltonstall Foundation. It was my first residency and I had no idea what to expect. What to bring? How to handle the silence? What if I couldn’t produce anything?

It had never occurred to me that I’d miss my family. I thought I’d craved solitude, but a month inside my own head was taking its toll. I was swept up in self-doubt and jumping out of my skin. I missed my husband, my boys, and my stepdaughter. I missed the dogs that I’d cursed daily for their endless silent pleading, “let me in, let me out, let me in, let me out.” I didn’t know how to be still with myself because it seemed there was so little stillness at home.

I looked up from the book and noticed a delicate snakeskin pinned beneath dead daylily leaves in the dirt to my left. The snakeskin was preserved in its entirety, from head to tail, not a rip or a tear. Its mouth was open as if it was mid-strike, and I could see the dark jeweled ovals where the snake’s eyes had been. It was nearly two feet long, a garter snake most likely, and the perfect embodiment of the reptile itself rendered like a tissue-thin sepia-toned X-ray. Continue Reading…