by Suzanne Orrell
The black and white photograph you scanned that day shows your mother –– my would-be-mother-in-law. She is holding you on her jutted-out hip in waist high water at Lake Pontchartrain Beach. Her dark curls gather under a sun bright straw hat. Upturned crinkles smile at the corner of her eyes. The crook of your left arm is firmly clasped around her neck. Sunshine catches water droplets that linger before sloping from the fingertips of your right hand. Fred, your older brother, easily splashes beside you. The shot captures the roller coaster tracks of the Zephyr in the background as they arc skyward before sinking into troughs. You look certain that she, is
Your mother, guiding you down a playground slide. Your brother sits behind you, hands taut against your tummy. Both of you, dressed in plaid, short sleeved shirts patiently smile, not one hair out of place on either of your heads. This shot shows how the skinny white belt encircling the dark material of her dress accentuates your mother’s waist. Her hair looks freshly done. She has recently applied lipstick. She looks stylish, seems cheerful. The gleam in her eye is genuine given the low sky, broken by distant storm clouds. When you first discovered this photograph a couple of years ago, you called me in from the kitchen. Somehow, in all this time, it is one you’d not seen. “Does this look like her?” you ask. I couldn’t believe you weren’t certain that, she is
Your mother, tacking friction rubbed balloons to the wall for your birthday party. The black and white photograph proves it is your fifth because the number five is visible on the party-hat you are wearing. Neighborhood hat-wearing children gather with you around a large, unopened present. Even Jingles, the German Shepherd, wears a hat. Your mother wears one too. If there is a gleam in her eye in this shot, it is obscured from behind her cat-eyed glasses. Her hair looks flat, faded. She does not smile. She is staring down the barrel of the camera. If a look could kill. Her floral apron makes her look frumpy. “Has she put on weight? Or maybe, is it conceivable she’s pregnant with my sister?” you ask.
The final shot you scanned that day shows a tall glass lamp with a dark lampshade crowned by a belt of white ribbon. The lamp offers zero illumination. The black and white photograph shows off the lamp’s proportions visible in the long-necked taper toward the flared curve of the base. It is graceful, transparent, window-pane wavy yet impossible to tell whether the lamp is wired for a three-way or single wattage bulb. After the photograph was taken, your mother, custom fit tiny red pieces of tile to this lamp, little mosaic pulse points positioned in cement. Then, in one final action she extinguished her own life. Your mother is absent, missing, from all further photographs.
Today, the lamp sits in its final resting place, a monument on a waist high table in your stepmother’s house, surrounded by accumulated clutter, a melee of mail–some not even opened–magazines, mess. Despite its height, despite its grace, despite the red tiles, despite her handiwork, the lamp tends to go unnoticed amidst the chaos. It’s plugged in, but rarely, if ever, switched on.
You, forever her son, scan the documentation, search the long shadows in black and white, looking for clues that she, is your mother.
Suzanne Orrell lives and writes in Idaho. A former chef and caterer, she finds that writing, like cooking, requires patience, craft and honesty. When she’s not writing or dreaming up the next meal she enjoys taking long walks, playing tennis and travel.
Leigh Stein is amazing, no really she is. Leigh was cofounder and executive director of Out of the Binders/BinderCon, a feminist literary nonprofit organization dedicated to advancing the careers of women and gender variant writers. The Land of Enchantment was our first introduction to Leigh, and her memoir of a broken love and lost dreams placed this writer firmly on our radar. Leigh’s recent novel, Self Care, received rave (and starred) reviews and is a highbrow yet satirical look at influencer culture. This month, though, she released a book of poetry that is everything. What to Miss When: Poems is a look at the internet, the pandemic, and the life lived in between. Leigh is an amazing talent, pick up one of her books and let us know what you think!