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Guest Posts, Current Events, memories

Up A Tree

July 12, 2021
shot

By Katherine Flannery Dering

I spent days getting up early and clicking on various websites, eager to get my COVID shot appointment. And then, one morning, a friend sent me an email saying he and his wife had reserved a spot at a nearby CVS. I clicked on his link and got a spot two days later.  I’ve now had one shot, and the second one is coming up soon.

I wasn’t always so eager to get a shot.

One afternoon back in 1960, my brother Johnny and I shimmied up the two trees in our backyard to escape a shot. They were a pair of plane trees about twenty or thirty feet tall, with pale, splotchy bark and a full summer complement of big, fluttery leaves. We’d climbed them many times before, so we made short work of getting fifteen or so feet up. I found a secure crook and waited, my arms around the trunk. Maybe they’d give up and the doctor would leave. It was a warm, clear day; I could barely make out my brother, hidden in the leaves of his tree. But through a break in the branches, I could see off to the Davids’ house a half mile up the road. I held my breath, hoping to disappear into the canopy.

It was eerily quiet. Our house was on a new road that had been created from a farmer’s field several years before. Behind us was a big cornfield.  Across the main road that came up from the village were about twenty acres planted in wheat—my other secret hideout. I liked to sneak into the field and tromp down some wheat out in the middle and lie down there and look up into the sky. People raised dairy cattle and goats just beyond the David’s house, and there was usually some mooing and bleating from the herds. But a hoof and mouth disease epidemic had just rampaged through the area, and all the remaining livestock were put down, to make sure it didn’t spread. The quiet was ominous.

“Katherine, Johnny,” my mother’s voice suddenly called. And then I saw a man’s brown leather shoes below me. The shoes’ owner moved, and a bald head and dark coat appeared through the leaves and moved along above the shoes. “Zay ran zees way,” a man’s voice said in a thick French accent. “Zay must be here in some plaze.”

Three of the little kids—our younger siblings—were raking the area with their bare little feet. Did they think we were hidden in the grass? Like mice, they were always everywhere, opening my dresser drawers, drawing pictures with my Tinkerbell lipsticks and spilling the nail polish. It was Patrick who looked up. “They’re up there. They’re in the trees.”

A woman’s black flats and a seersucker, plaid dress appeared. Dark hair in a French twist. My mother’s voice had that “Don’t tempt me!” sound. “Come down this instant. You’re embarrassing me.”

We’d been living in Switzerland for a year now and the English-speaking doctor my mother had found had already given the little kids their shots. She’d probably negotiated a group discount. “Doctors are busy people. He can’t hang around all day. And I’m not paying for a second visit for you two.”

We gave up. Climbing down, I lost my grip for a moment and slid, gaining a big sliver in the palm of one had. I shook the hand and winced. Patrick smirked; he’d gotten one on us older ones. I felt like a condemned man in front of a firing squad. I knew that the inoculation would pinch, and that my arm would throb for days. A typhoid booster was a thing to be reckoned with. But what was worse was that I knew what was coming, and I couldn’t stop it.

***

In 1960, Europe and the World Health Organization were still battling the lingering health problems that followed in the poverty and rubble after WWII. Students at my school, the International School of Geneva, had to be tested each year for Tuberculosis—serum injected into   the delicate skin on the inside of your forearm, covered with a bandage, and then checked by a WHO nurse who came back to inspect the site a few days later. If the skin bubbled up to a certain size, you were sent for a chest x-ray. I passed.

Before we moved to Geneva from Detroit, which was our real home, most of us kids had all been vaccinated or revaccinated for smallpox, typhoid and tetanus. My little sister Monica, who was now almost three, hadn’t had the small pox vaccination yet, because she had problems with eczema, and her pediatrician didn’t think it wise. But now there had been a small pox scare somewhere and she had to be vaccinated in order for us to return to the U. S. that summer for home leave. The twins, who had been born in Switzerland and were now six months old, also had to be vaccinated before the trip home. The rest of us needed various boosters.

The small pox procedure looked pretty barbaric to me. The doctor sliced a little cut on the babies’ thighs and slathered on some sort of goop, then bandaged it. They screamed, of course. That’s when Johnny and I ran out of the house and up the trees.

***

And now, sixty years later, another terrible disease to try to prevent. The Typhoid vaccination back then involved three shots and a booster every so often after that. It was a Typhoid booster that Johnny and I needed that day. The COVID-19 vaccination in 2021 is only two shots, although it sounds like we may also need annual boosters for a while. Unlike in 1960, though, I’m not running away from this vaccination. Quite the opposite. Before I secured an appointment, I had spent days getting up early and clicking on various websites, eager to get my COVID shot, eager to be released from the jail of sheltering in place.

The first shot was easy-peezy. The drug store was set up for an assembly line. I arrived fifteen minutes before my assigned time and checked in at a desk just inside the door. I was then sent to a line that snaked down a long aisle toward the back of the store, where the pharmacy had been set up for a crowd. The other over-65ers and I waited our turn standing six feet apart, on big red circles arranged to keep us socially distanced along an aisle that displayed Depends and other “adult incontinence” supplies. The shot itself took a few seconds—a quick jab and I was sent to a chair nearby, where the CVS employee/ ringmaster set a timer to go off in fifteen minutes, by which time I would show signs of an allergic reaction, if I was going to get one. Timers were going off every minute or two. “You’re done. Next,” the ringmaster would say. I had no after-effects to speak of, then or the next day.

***

Now I am in suspense again, like when I was 12, sitting up in that tree, knowing I would eventually have to come down. I’d have to let the doctor give me that shot. And now I have to do something similar. I’ve heard that more than half the people who receive the Moderna or Pfizer vaccines have a very unpleasant reaction to the second dose—body aches, fever, chills, sometimes even vomiting and diarrhea. My baby sister Julia, who wasn’t even born yet in 1960, said she had no problem with hers. And my brother Johnny, who’s a doctor now and got his second shot weeks ago, also had no problem. But there’s still a big part of me that wants to hide up a tree somewhere.  I’m tempted to not take it. But then what? Hide from the world forever?

I came down from the tree that day. And in another week, I will go get my second shot. And this time, I know I am very lucky to have the opportunity.

Katherine Flannery Dering received an MFA in 2013 from Manhattanville College. Her memoir, Shot in the Head, a Sister’s Memoir a Brother’s Struggle, was published in 2014 by Bridgeross. A mixed-genre book of poetry, prose, photos, and emails, it deals with caring for her schizophrenic brother, and she is an advocate for better care for the mentally ill. Her poetry chapbook is titled Aftermath (2018, Finishing Line Press.) Her work has also appeared recently in Inkwell, RiverRiver, Tilde, Cordella, and Adanna, among other literary journals. She serves on the executive committee of the Katonah Poetry Series and lately divides her writing time between poetry, essays, and a book of short, feminist fables. She seldom climbs trees. Her author website is KatherineFlanneryDering.com.

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Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, Beauty Hunting, Current Events

A Eulogy for Comets

June 22, 2021
ison

by Natalie Torentinos

Three years ago, I was lying on abandoned elementary school bleachers staring at the sun. My sweaty skin burned against the unyielding metal, but I didn’t care.

It was August in South Carolina. My three friends and I rode our bikes for nearly 10 miles along narrow roads with no sidewalks and little shade to the path of totality because we couldn’t find any hotel rooms in Charleston. My whole body ached from peddling, hand signaling, and sitting on an uncomfortable saddle. But this was all to experience a cloudless afternoon fall instantaneously into darkness and eerie quiet for a few precious moments.

What did past generations think of these events, I thought, without any warning?

This irregularity of light and shadow left me feeling envious of anyone underneath clear skies for the great conjunction of Jupiter and Saturn. A series of internet searches left me feeling sentimental for events I never knew happened or would never live long enough to see.

The astronomy community once dubbed Comet ISON a famous “sun-grazer,” or comet which flies just under 870,000 miles from the Sun. This comet spent most of its life from just beyond Pluto until a few million years ago, when it was gently nudged from its home by the gravity of a moving star. ISON entered our inner solar system with all the hopes of scientists resting on its frozen and rocky surface.

Scientists hoped ISON might survive its dalliance with our sun and be a spectacular sight in the night sky, visible to the naked eye. But it was not meant to be. As it passed our yellow star, ISON dissolved into nothing but dust and vapor.

“Born 4.5 Billion BC, Fragmented Nov 28, 2013”, reads an ISON-observing blog. “Survived by approximately several trillion siblings.”

The astrophysicist observing ISON commented that its disintegration was “a process of heartbreak.”

When I think back to how I felt watching the solar eclipse, I could understand the attachment and anticipation for an object flying more than 800,000 miles away, but ISON’s tribute was made all the more poignant by marrying the language of emotion and science.

I feel the constant struggle between emotion and the adherence to guidelines dictated by science. Seeing friends and family these days is, perhaps, a journey too close to the sun, but our basic human needs are not so different from the forces of gravity. No one wants to stargaze alone on a cold winter night.

Pandemics and celestial events, both cyclical in nature and harbingers of doom, connect distant generations. The last time Jupiter and Saturn were ever this close, a plague began in northern Europe belonging to a cycle of epidemics often referred to as the “Second Pandemic,” which started with the Black Death and kept recurring at regular intervals over decades. People were ordered to stay indoors for one month after the death or infection of someone in a household. As we communicated and entertained ourselves mostly from our homes, I wondered how past generations managed seclusion and feelings of loneliness. How can we comprehend periods of history when letters would be the only source of comfort, if they could read and write at all, and when modern medicine could not prescribe an effective treatment or vaccine in such short order?

Despite our modern comforts, we have become all too familiar with the process of heartbreak, but the pain hasn’t been fully realized, maybe because we know this isn’t over yet. Maybe it’s because we’re not accustomed to collective mourning. Maybe we are afraid to acknowledge our own deviations from the prescribed path of limited human interaction.

My friend’s brother wanted to surprise their parents with a holiday visit. He self-quarantined for two weeks and then drove cross-country nonstop for almost 30 hours, sleeping in his car and never staying in a hotel, only to develop flu-like symptoms upon arriving at their family’s home. All subsequent COVID tests came back negative, but the effect was crippling just the same. My friend, who had initially rejoiced at the idea of finally being reunited, could only cry in the driveway before daring to see him. They saw each other on Christmas through zoom.

Another friend lost her job this past year, and since her parents are both doctors in their 70s, she resolved to not see them until all were vaccinated. She was prepared to spend Christmas ordering takeout and binge-watching Orange is the New Black, but one of her neighbors, also single and recently unemployed, made her a dinner of brined herb chicken. They ate the meal separately in their apartments, apart yet perfectly aligned.

I attended a small gathering of family friends on Christmas Eve. Each person ate at their own table spaced at least six feet apart. After the meal, the hosts directed us to the living room, and while seated six feet apart from one another and wearing masks, we listened to Christmas carols on a 1920s Victrola phonograph record player. I heard those reedy voices singing to us in that living room, these voices of nameless and faceless people who likely lived through the 1918 pandemic, as if they were traveling across decades to comfort us in a time of uncertainty.

Christmas caroling and nativity plays were cancelled during the pandemic of 1918, but people continued to gather. One difference between now and then, however, is that while viruses were too small to be seen by any available microscope, we can now see detailed images of their structures. One news article pointed out that COVID-19 looked “otherworldly, a death star floating in deep space, with curious stars glimmering in the distance.”

It seems that microscopes, like telescopes, can see into deep space and instill a sense of wonder – and fear.

The collapse of Puerto Rico’s Arecibo Telescope seemed an apt representation for a growing weariness of science. The 305-metre wide dish assessed asteroids and observed spinning stars for more than 50 years. An astronomer likened the loss to “losing an elderly relative,” as it persevered through the pitfalls of life – budget cuts, natural disasters, and periods of neglect. A student who saw the telescope through a research program said it hurt to talk about the observatory in past tense.

While navigating the varying emotions we’re all experiencing – whether due to losing one’s health, job, or sense of safety – it can be difficult to contemplate how we transition from present to past tense. Will there come a time when I sit a young child on my knee and start a story with, “back in the COVID days”?

I long to toss out the mask hanging from my car’s rearview mirror, but even when that day comes, these invisible death stars will linger in the air. Science may indicate that an acceptable level of immunity has been reached, but what will our emotions dictate? I suspect the same forces compelling us to gather now will compel us to look upon large crowds and cramped spaces with suspicion in the future.

Will we confront our changed psyches as the pandemic’s long-term effects cast an ever-growing shadow?

We are not so different from the universe, one that is both ever-changing and predictable. A pandemic will happen again; we will praise scientists, and we will ignore science-driven restrictions placed on us. We will take for granted the comforts past generations suffered without. We will find ways to assuage our grief.

Three years from now, the next total solar eclipse will cross the United States. When the moon and sun cross paths again, I will ask my friends to gather together so we can watch and wonder – about the past, the future, and all the worlds we cannot see.

Natalie Torentinos is a lobbyist for a medical society in Washington, D.C., but earlier in her career worked as a reporter for several weekly and daily newspapers in Texas and Pennsylvania. She holds a bachelor’s in history and journalism from the University of Delaware and a master’s in political management from the George Washington University.

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If you’ve had the opportunity to take a class from Janice Lee (we highly recommend her class at  Corporeal Writing) then you understand why we are excited about her forthcoming book, Imagine a Death. Her work is, frankly, groundbreaking both in terms of form and content. If you aren’t familiar with Janice, check her out. A description of Imagine a Death. from her website:

A depiction of the cycles of abuse and trauma in a prolonged end-time, Imagine a Death examines the ways in which our pasts envelop us, the ways in which we justify horrible things in the name of survival, all of the horrible and beautiful things we are capable of when we are hurt and broken, and the animal (and plant) companions that ground us.

Join us in preordering her book now, and if you take a class with her, let her know we sent you. Preorder a copy today at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

Race/Racism, Current Events, Guest Posts

We Are Massage Therapists Because…

March 28, 2021
massage

by Sara Zolbrod

After the face-down part of this imaginary massage, my young client — let’s call him Robert Aaron Long — turns face-up. He takes my wrist and nudges it downwards before I quickly pull away. He asks, “Can I have a happy ending?”

During my 15 years as a licensed massage therapist, thankfully, I have never actually been asked that, though I’ve gotten the usual amount of comments hinting towards that sort of thing. The usual protocol would be to say, “That’s inappropriate and I will end our massage now.”

But today, after the shootings in Georgia, which especially resonated because I, too, am of Asian descent, the revenge fantasy or “prevention fantasy” arises first.

I imagine saying, “Hold that thought, sweetie, while I get some special lotion.”

In this fantasy, like a silent ninja, I pat down his backpack while his eyes are closed and I confiscate a 9mm handgun I find. I step out and fetch gleaming sharp, two-foot long gardening shears that just happen to be in the clinic’s storage closet. I come very close to Robert and say, “Why don’t you pull the sheet down, and hold that dick up for me, way down at the bottom, so I have good access…”

But then the restorative justice-inspired fantasy arises instead.

After the “happy ending” request, instead of getting a gun and shears, I quickly round up every other staff person. I rap loudly on a few treatment rooms with our special, pre-memorized knock.

My big crew and I — six of us, including two male therapists — file into the treatment room. I grab Robert’s jeans and shirt from the corner and plunk them on his chest. I say, “We’re going to turn our backs for a minute. You’re going to put your clothes on right away, and then we’re going to have a little chat.”

Once dressed, he sits in a chair. I tug two of my fellow therapists to sit on the massage table with me.

I say to Robert, who is a few feet away from me, “I think you are lonely. And I also see that you are a nice young man inside. We all have touch needs, but you can find sexuality without having to pay for it. I wish for all people to find ultimate sexual pleasure, and I encourage you to find your innate capacity for it from loving self-touch when you’re not in a relationship.”

I reach out to grip my fellow therapists’ hands tightly and continue.

“We trust and believe that you will find consensual sex and love with someone who desires you, instead of being under the influence of having to make money from you.”

The therapist beside me says to Robert: “You are a beautiful man and a beautiful soul. Can you imagine how enjoyable it will be to gently invite some young woman you meet at a park or a bar if she would give you her number, and sweetly build a friendship based on mutual respect? You’d learn her favorite music; she’d learn your favorite foods. You’d build rapport, learn to read her signs of reaching out to you, and express your attraction to her in a moment of warmth after laughing together.

“You can have all this. You are loveable. A few of us have given you massages — non-sexual, of course — and we see you. We see your humanity.”

The therapist on the other side of me adds, “Maybe you have had bad experiences with women. You’re Christian, right? So am I. Maybe our Bible or church teachings have made you feel that desire is sinful. But desire is beautiful, and a natural part of being human.”

I speak again. “We are massage therapists because we want people to feel better in their bodies, and in their souls. We don’t want to be objectified. We need you to keep your sexuality in check in this setting.”

My colleague, Mark, pitches in: “But in your social life, cultivate patience, be respectful and caring; be responsive and wait for others’ cues. And sex will feel amazingly fulfilling when it is mutual.

“You don’t need to pretend you’re less shy, or more this, or more that. Just express your genuine interest in people and let someone get to know the real you, as you get to know them at a pace that feels good to both of you.”

Robert puts his face in his hands and we hear strange, muffled crying sounds. I start weeping quietly, too. I say gently to Robert, “I think we all want to move on with our day soon. Do you mind if we hold hands first?”

He nods. He stays seated; I take one of his hands — though I can’t bring myself to hold it firmly — and my colleague’s hand, and we all make a raggedy circle in the small massage room. Robert’s head is hung down. I tell him, “I won’t give you massages anymore, but you are welcome to get non-sexual professional massages from some of us.”

The two male therapists and one female one say, “You can still get massages from me.”

I continue to Robert, who still looks straight down, “We envision you blossoming into a life of friendships and beautiful, mutual sexual relationships. We don’t judge you and we have nothing but love in our hearts for you.”

I say, “Mark, would you mind staying with me, but everybody else, thank you, we got it from here.”

After the others leave, Mark says to Robert, “We would be happy to refer you to good counseling and other community resources. Is there anything else we should talk about or that we can do for you?” Robert moves his head “no.”

I ask, “Could we shake hands?” He offers a limp hand. This time I’m able to connect more firmly, allowing my energy to reach him. I feel warmth in our palms, in our longer- than-normal handshake. He glances into my eyes for a moment, and we see each other.

And we go on with our day. Just trying to live with some love and some peace and shared humanity.

Sara Miura Zolbrod understands that violence and mental health problems and the criminalization of sex work are complex and structural and cannot be solved in an hour or a day. She has no expertise in counseling or restorative justice. Her massage license is through the Oregon State Board of Massage Therapists, and she is a freelance editor and writer.

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This past year has been remarkable, in the best and worst of ways. (Her)oics Anthology is a collection of essays by women about the lived pandemic experience. Documenting the experiences of women both on the front lines and in their private lives, this book is an important record of the power, strength and ingenuity of women. 

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Current Events

Mueller Time

December 19, 2019
mueller

By Pam Anderson

It’s a hot day. The sun beats relentlessly and the sweat rolls freely and excessively down my back and legs as I cut the grass, and because I’m angry, I appreciate the feeling of punishment that the heat doles out.  We’ve recently had a significant storm in our small town, and so I’ve had much debris to cut, carry, rake, and stack along the edge of the driveway for the city clean-up crew.

I’m mowing on the diagonal, and as I get as close to the skirt of the driveway, my feet tangle in the uneven edges of the stacked fallen branches and I trip and thud heavily to my knees. The left kneecap throbs, but I manage a mostly graceful one-hand-on-the-mower-one-hand-pushing-off-the-ground return to an upright position. I, with equal grace, scream out “Mother Fucker!”, but my words are drowned out by both my mower—which has not stopping running—and the chipper down the block, busy grinding up a neighbor’s 60-foot pine tree downed by the storm.

My knee hurts, and my bad back has been aching from the physical labor, but I am dedicated to finishing the job.  I’ve got to do something, keep busy. The television drones on in the house as Robert Mueller, III, truncated and repetitive in his testimony, disappoints me.  Outside, wearing a gray “It’s Mueller Time” tee shirt purchased years ago, when the outlook of everything felt more promising, I mow ferociously and try to make peace with him.

I spend time in my head re-hashing what I’ve heard of Muller’s lackluster responses and I rationalize that he is just a man.  My mind instantly skips to the lines from the Jesus Christ Superstar musical number sung by Mary Magdalene, “He’s a man…he’s just a man”. The irony is not lost on me:  so many hoped Mueller would be our savior.  Sadly, he really is just a man, and he cannot fix the bigger thing that is broken in us, in our country. More importantly, it’s not his responsibility to.

I make a return pass of the lawn walking directly into the sunlight, and without warning, the weight of the day—the real weight of the day—hits. It’s Mueller and the self-satisfied Republicans who grilled him and treated him like an incompetent child, yes, but this moment, the one that forces me to physically double over, is so much more personal than that.  This moment’s pain is the culmination of ugliness and hatred all around me—big and small—the kind that sprays and ricochets like bullets, landing mostly on the vulnerable. And to those who are recently emboldened to behave aggressively and angrily simply because they can, my daughter, one of the vulnerable ones, wears a bullseye on her chest.

***

My daughter has a communication disability, a processing and word retrieval disability.  Her disability is invisible, and she presents in a completely average way, which tends to work against her.  People assume she’s a certain something, but then she’s not; they feel deceived..  And people get mad about it.  They get mean about it.

When Rachel lived with us in Las Vegas after high school, she stumbled through a series of part time jobs. She was fired from each one: Tropical Treat Frozen Yogurt, Port of Subs, Atria Elderly Care Facility, JC Penny’s, Energy Options Call Center.  Because of her disability, Rachel has trouble remembering a series of verbal directions—she loses track after 2 or 3 steps—and because of this she’s been accused of being lazy for not completing a task fully.  Rachel has a hard time thinking on the spot—she needs time to process—and so she’s been called dumb by customers when there is a problem at the cash register.  Rachel isn’t savvy—she was fired from the call center because she forgot her headset was “live” even if she wasn’t on a call, and so she was taped discussing with co-workers the partying she had done over the weekend.

My daughter’s vulnerabilities don’t end at work.  Peers misunderstand her.  Rachel studies people hard when she’s in a conversation, because she’s trying to focus.  In high school, girls accused her of staring at them or of giving them creepy looks.  Rachel doesn’t understand double entendre, so classmates made jokes and then called her “retarded” if she didn’t get them.  As she got older, young men found her attractive—she’s a beautiful young woman—but they also found her confusing. Rachel wasn’t practiced at the nuance of being flirty or coy, and so dates felt rejected and responded in kind, triggering Rachel’s insecurities.  A few early relationships did some considerable emotional damage to her; in one case my ex-husband and my son sunk to physical confrontation of a boyfriend, wanting to do considerable damage right back.  They came to their senses when the boyfriend ran, scared.

Rachel received educational support in school since first grade, and as is common, after years of being pulled out of class, she hated feeling different.  She started to reject support in high school, resulting in failed classes. I worked with her and found outside-of-school support and paid to send her to private speech and language therapy, but I could only do as much as Rachel would allow me to do: she had been led to water, but she was the one who had to decide to drink.

When our family moved to Wisconsin, Rachel moved in with us for a few months as she figured out what was next. I thought our small town would be perfect for her; maybe people would be more accepting, less unkind. She lasted here three months.  Turns out small towns practice a different kind of mean, but it’s mean all the same.

Because of the experiences I’ve seen Rachel go through, I have a heightened sensitivity to watching people treat others with blatant disrespect. And I’ve seen so much of it lately: from people offering my daughter opinions meant to sear and scar, all the way up to the president insulting others with his words and actions, separating us from our humanity, walling us off from one another.

The day of the Mueller Congressional Hearing, I seethed at committee members who spat rude remarks as Mueller sat taking it, seemingly either confused or incapable of biting response. But I was also mad at Mueller for not being who I wanted him to be, for not behaving as I’d hoped: strong, defiant, righteous.  The feeling of anger on behalf of a person while also feeling anger with that person for not fending off the ugliness—for themselves, but maybe also for me—hit too close to home. I couldn’t watch anymore.  The best I could do was tend to my lawn, trying to create  some sense of order.

Pam Anderson is a former high school English teacher, recently retired. After 30 years of helping young people with their writing, she to enroll in a graduate Creative Writing program and finally dedicate energy to her own. Pam is presently pursuing an MFA in Creative Nonfiction at Sierra Nevada College.

 

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Guest Posts, Current Events

Serendipitous Endurance At the End of the Anthropocene

September 24, 2019
notre dame

By Meghan O’Dea

“Watching online as an irreplaceable monument to human history goes up in flames while helpless to do anything about it is extremely 2019,” read a Facebook post from Gin and Tacos, the popular political blog cum meme factory. The update came shortly after news broke that the Notre-Dame de Paris, arguably the best known cathedral in the world, was on fire and might burn to the ground.

While it was hard to argue with that take, given that our sitting President felt his response to the tragedy best included ill founded advice about firefighting, it seemed to me that it wasn’t just extremely 2019, but summed up the majority of my adult life. In the roughly fifteen some odd years since I began seriously considering things like my own mortality and the permanence of the universe, it was often easy to feel that the good times were already long gone, the best of human history long since converted to a conflagration that my generation would watch dim into embers.

After all, I came of age in the wake of another iconic building burning the ground in a cataclysm of Biblical proportions, when a plane flew into the World Trade Center on September 11th. George Bush Jr. was President. The Sopranos was still on air, just a few years into its six season meditation on death, decay, and the inherent moral struggle of American in the early aughts.In hindsight it seems clear that whatever the precise moment my adulthood actually began, if there is such a quickening, all our narratives neatly cleave into a long series of befores and afters.

Isn’t that always the way of both serious tragedy and adolescence? The prelapsarian prologue and whatever slouching epilogue follows the present narrative in which we can’t help but center ourselves. Here we are again, I thought to myself as Notre Dame’s iconic spire crumpled into ash like a spent stick of incense, glowing orange at its dying core. Another casualty in the anthropocene. Another horror strangely juxtaposed with an otherwise ordinary workday.

In a strange bit of serendipity, I was rewatching an episode from the final season of The Sopranos the day before the Notre Dame fire. The episode that kept me company as I carefully packed dirt around the thin, white roots of a fiddle leaf fig tree was ”Cold Stones,” in which matriarch Carmela Soprano and her friend Ro, a fellow mob wife, visit Paris together.

As the pair tour the ruins of some Roman baths, Carmela becomes overwhelmed by the weight of history, and all its banal glory. “Generation after generation, hundreds and hundreds of years, all those lives,” she says, gazing upward in unconscious imitation of the pose assumed by a whole host female saints, not to mention the blessed Virgin Mary, in countless iterations in the Western canon.

Carmela raises her eyes to the heavens, appearing for a moment as if she is about to ascend into inspiration. Instead, she looks down, her nigh-spiritual reverie abruptly cut short by the abrupt intrusion of her own mortality. “It’s so sad,” she says, trying not to cry.

She reaches out to touch the rough stone wall next to her, the tangible evidence of the kind of immutability of great cities that stands in such stark contrast to the way our own lives shuffle insignificantly on regardless of the bigger picture. Sometimes the synchronicity of the universe brings me immense joy, and sometimes it seems to highlight many of the themes that make art like The Sopranos so compelling, that sense of the inevitable, of decay, that the golden age has passed, never to return.

When it seemed for a few hours as if Notre Dame might really be reduced to nothing but ash, the sense of mourning I felt was, like most of the other things I have grieved for on various occasions, not exactly the thing in and of itself (as philosopher Immanuel Kant would put it), but for whatever that thing represented. I don’t mean to say I was unmoved by the loss of one of the greatest structures built by man, a thousand year old emblem of faith and art and durability. What I mean is that, in the face of such an abstract loss—the loss of a place I have been to only once and over a decade ago—I instead turned to something a little closer to home, both literally and metaphorically.

Watching Notre Dame burn, my thoughts turned to the person I knew who must be most affected, a close family friend who is like an aunt to me, a French teacher who has been to Notre Dame innumerable times in her life and has brought many students to see it for the first time. I thought of her not only because of her connection to the place, but because she suffered a far greater loss last year, when her husband, an art historian and beloved professor, passed away suddenly of pancreatic cancer.

No one saw it coming. Just a few weeks prior, he had stood at the top of Machu Picchu with my parents and a group of university honors students. How unfair that she should suffer such a loss, only to be confronted with another, however more abstract, so soon.

I myself had been with Dr. Townsend on another such college enrichment trip fifteen years ago when I saw Notre Dame and the nearby Sainte-Chapelle. At the time I was vaguely unimpressed in the way that only privileged, myopic teenage girls can be. The city I wandered felt far away from A Tale of Two Cities and Toulouse Lautrec and the Moulin Rouge and Monet. It felt like any other large, European city, no more in touch with its romantic past than I am now to the brash, careless young woman I am learning to no longer be.

Notre Dame was a beautiful item on our itinerary, but at the time it seemed like a place I could easily come back to. There was no urgency to the occasion. Only a few cockeyed photos are preserved in our digital family album. I’m embarrassed to admit that I barely remember it. And yet I spent the day nervously checking the news for updates on the state of the cathedral. I felt my stomach churn as I watched slightly stale footage of the spire falling an hour or so after the fact.

After work, I head to the bar, as I have after so many other tragedies— Dr. Townsend’s death included. The before and the after. By then, the fire had only just begun to cool, emergency responders saying that while damage was extensive, the blaze did not create a total loss. No one had been killed. The injuries were few. Still, I am more tempted than I have been in several newly sober months to order a glass of red wine. It seems an appropriate toast to gay Paris, where I read on Twitter that French resilience includes a blend of laughter, tears, and du vin.

Instead, I request a cold bottle of Einbecker, a German beer— “alkoholfre!” it proclaims on the label. The bar I’ve chosen reliably keeps a case of NA beers in the fridge, much as the pharmacy that once took up this storefront kept a variety of pain relievers in stock, some more benign than others. This is the kind of hip joint that capitalizes on nostalgia for things like old pharmacies, where the old lathe walls are left purposefully exposed, the wainscoting topped with stacks of antique books, two of the pharmacists’ old diplomas and certificates still framed and decorating the walls.

As I slide my credit card across the counter I realize the lyrics to the song that’s playing are not only improbably in French, but ridiculously on the nose. “L’argent est sur la table” sings Mark E. Smith, the lead mercurial singer of post-punk British outfit The Fall. He died last year, cancer of the lungs and kidneys. “Le money est sur la table,” the song goes. “The money is on the table in the brick house refurbishment of pubs in the hideaway.” That old, double-edged serendipity, the closest thing I possess to a higher power.

What blindsided Carmela in that episode “Cold Stones” was what blindsided me first as a naive, ignorant teen: that sensation of echoes throughout time and history, the reverb. The way a song randomly selected by an algorithm can seem to highlight the day’s events, which in turn can provide one the space and language to grieve a death that was too close for comfort. The way a thirteen year old episode of television is made newly relevant simply because I happened to rewatch it just preceding a tragedy that evokes a similar, if more acute, sense of morbidity and loss.

Why do I reflect on all this? What does it all mean? As a writer my job is to tease meaning from seemingly disparate events and braid them into something sturdy we can run through our hands to reassure us, the way Carmela reaches out to run her hands over that rough stone, the way I reach out to David Chase’s work to help explain my feelings about Notre Dame. But I struggle here to make sense of all these artifacts, to construct anything solid out of all this ash.

Edward Burmila, the political science professor behind Gin and Tacos, made an astute observation about our collective helplessness as we watch Notre Dame, and the world, burn. His post smacks of the cheerful digital nihilism that has special appeal for Gen Xers and Millennials who slogged through the Great Recession only to reach a span of years in which a generation of beloved artists and idols began to drop like flies, and when too many of the survivors were revealed to be a bunch of rapists, abusers, and racists.

It’s a moment in which populism and extremism and hate have been resurrected in our national consciousness like the villain at the end of a slasher film who the characters naively assumed to be long dead. We fret about social security and preventable epidemics and climate catastrophe—a whole other type of conflagration that looms just over the horizon. And yet we go on living our lives as best we can, like all those generations Carmela references at the baths, like the fifty some-odd generations that have lived and died since the first stone of Notre Dame was laid.

We consume our fatalism in bite-size chunks, a scrap of digital ephemeral quickly read and disposed of, if not entirely forgotten. But in this there is a strange, ironic sort of hope to be found in what appears to be a well of despair. How many generations before us have felt a similar sense of doom, have watched their own disasters unfurl, and have carried on because there was no other choice, because this is what our parents and aunts and uncles and loved ones would have us do?

Death comes for us all, it’s true, as cruel and unfair and undesirable an outcome as that may be. But first life has a peculiar habit of continuing to unfurl. And there are forms of resurrection, too, we can’t seem to extinguish, a human tendency towards hope. After all, that’s what makes Notre Dame such a potent symbol even for those, like me, who have barely scratched its surface, or for the vast majority who have never been at all.

Even in what seems like— and in many cases truly is— an era of unprecedented loss, both personally, nationally, and globally, what else can we do but carry on living, no matter how futile it seems or uncertain the future may be? Perhaps it is simply enough to raise a glass of whatever gives us strength and courage, to give our best effort at making the dead proud, and to try our damndest to head off the next inevitable blaze.

Meghan O’Dea is a writer and editor who traded southern Appalachia for the Pacific Northwest. She writes about camping and the outdoors by day for The Dyrt magazine. In her spare time she travels, hikes, and writes essays and articles that have been published in Bitch Magazine, Playboy, the Washington Post, the Rumpus, Nylon, Refinery29, and more. She loves opossums, cats, and small houseplants.

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Guest Posts, Current Events

Ending a Culture: Kavanaugh, #MeToo, and the Guatemala Genocide Trial

November 13, 2018
guatamala

Photo: Outside the courthouse in Guatemala City, survivors await the verdict in the Ixil genocide case. September 26, 2018. Credit: NISGUA, Network in Solidarity with the People of Guatemala.

By Chris Shorne

I watched the hearings live. Not for Supreme Court Justice Nominee Brett Kavanaugh, but for José Mauricio Rodríguez Sánchez, the man accused of genocide in Guatemala. In a split decision, the court acquitted Sánchez, ruling that as head of military intelligence under dictator Ríos Montt, he did not give the orders. The next morning, my face sticky from crying the night before, I get a text from a friend: “The news is a mindf*ck.” For a split-second (before I realize the text refers to the Kavanaugh hearings only and not also to the genocide verdict), I feel that small relief that comes when someone you love recognizes with you the awfulness of something awful.

In 2000, survivors of Guatemala’s Internal Armed Conflict (1960-1996), formed the Association for Justice and Reconciliation and filed charges of genocide against Rodriguez Sánchez and Ríos Montt (Montt died during the trial). Over eighteen years, more than one hundred survivors of the Maya Ixil genocide testified. It is with these survivors that I spent last year as an international human rights accompanier in Guatemala.

While waiting for the judges to arrive to give the genocide verdict, I looked online at every picture I could find of the hundreds of survivors gathered outside the courthouse in Guatemala City. I smiled each time I found a familiar face: a woman who made me coffee or sent her kid to the nearest tiendita to buy two eggs and a tomato to cook me lunch or gave me extra blankets at night because she knew I wasn’t expecting the mountains’ cold. Continue Reading…

Guest Posts, Current Events

Stewarding Liberty

July 22, 2018

By Gayle Brandeis

On the 4th of July, I watched in awe and admiration as Therese Patricia Okoumou scaled the base of the Statue of Liberty. I love how she was taking such visible, breathtaking action to protest the Trump administration’s cruel immigration policies, how she was using her body to take a literal stand—not just a stand, but a climb, elevating herself the way Lady Liberty elevates her torch, turning herself into a beacon. The fact that she is an immigrant from the Democratic Republic of Congo makes the action all the more moving, all the more meaningful.

I have a special connection to Lady Liberty, myself, albeit a less spectacular one. In 1986, when I was 18, my essay on the meaning of liberty was installed in the Centennial time capsule of the Statue. I was one of six teenagers—three American, three French—to receive this honor via an essay contest sponsored by the United States Information Agency, the propaganda arm of the US government. The six of us were flown to Washington, DC, where we met famous journalists and a former Supreme Court Justice, and got to tour the White House. Ronald Reagan wasn’t there, but we did get to meet his press secretary and have our pictures taken at the podium in the White House Press Room. I was pretty naive at 18—I remember asking the secretary “Do you ever keep anything from the American people?” and he laughed and said “Of course”; I remember the chills that traveled through me when I realized, for the first time in my life, that our government is not as transparent as I had assumed. Continue Reading…

Guest Posts, Current Events, Hope

My Idols Are Dead and My Enemies are In Power

January 1, 2017
idols

By Meghan O’Dea

Two days after Christmas a fellow author posted to Facebook an image of unknown origin I had seen before. A pale hand, female, dangles a thing white cigarette between calves wrapped in black pantyhose, bent at an insouciant angle. The smoke from the cigarette wraps around the subject’s right hand, a gold band around her middle finger. Below a caption, in a yellowy sans-serif font, introduced by a hypen like a subtitle or Emily Dickinson poem, the quote at a tense angle. It reads: “— My idols are dead and my enemies are in power.”

It was, coincidentally, the same day that Carrie Fisher died. My friend, the author, posted the photo before the news broke that Fisher’s heart attack some days before had resulted in her passing. But it summed up well a year in which so many idols died, from those of my childhood (Richard Adams) to those who inspired my teen idols (David Bowie) to those I had little sense of connection or references to (George Michael). The image appeared four days after I showed up at my parents’ house with a suitcase, face still puffy from crying over the end of a relationship I had thought would end in marriage.

Around the time that I had been dreamily listing out the songs I would like to make up the soundtrack to my wedding, Leonard Cohen passed away. At the time, Cohen’s was one more in a procession of celebrity deaths and personal losses that had marked the almost two years I had been with my former partner, a series of blows that took a subtle, steady toll on a new love. The much-beloved cat, hit by a passing car. The friendships faded and fraught, just when they seemed the most needed. My mother’s mid-life crisis, set off the previous summer when I had spent three months at my grandfather’s house and unwittingly stepped into a tight woven trap of family tensions. The mounting pressure and humidity of the political climate, like the Tennessee summers of my childhood just before a storm comes screaming in off the plateau.

Despite living my whole life in the South, I had never seen so many Confederate flags as I had that summer in western New York, so close to Canada I had brought my passport along in my bag. The stars and bars lined the porches and truck bumpers in that sleepy Rust Belt town for weeks after Dylann Roof’s massacre in Charleston. In hindsight it’s hard not to imagine they heralded Trump’s victory, the coming appointments of Steve Bannon and Jeff Sessions.

It had been so strange to explore a brief, unfamiliar sense of romantic happiness in the midst of what often seemed like the world falling down around our ears. But there were those before us who had survived equal or greater tumult. The very elders who were dropping like flies were a testament to what had changed and what had endured since before we were born.

Cohen had been first introduced to me by another former lover, who had played me “Anthem” in a moment of crisis, and unwittingly given me several minutes of of balm to the inevitable heartbreak. There is a crack in everything. That’s where the light gets in. As I drove to the gym after hearing of Fisher’s passing, the strains of Cohen’s baritone drifted by chance out of the local radio tower, through the speakers, and soaked into the worn upholstery. Everybody knows the good guys lost. Everybody knows the fight was fixed. The poor stay poor, the rich get rich.

In a year of endless losses, the partnership in which I’d sought solace became one more unexpected casualty. There was the subtle toll my mental health had taken on my lover’s, the way my history seeped into our present. There are, as Cohen and Fisher and so many others know so well know, cracks and fissures that may let light enter, but which even love cannot fill or heal.

The day after Christmas, the night before Carrie Fisher died, I watched one of my very favorite movies, Meet Me In St. Louis, for the umpteenth time. After I fell down a rabbit hole of re-reading articles and essays on Judy Garland’s life, along with the inevitable mention of the scandals that she felt defined her.

Then the news broke that Fisher had died, and in a way it was all so beautiful in its synchronicity: the timing of finding myself attuned to the parallels and lessons of these two extraordinary women’s lives. They each lived through mental illness, weight fluctuations, disappointments in love, the pressures of their professions, and the burden of existing in a system that was not made for or kind to them.

There are the women you want to be— the women you idolize and wish you could inhabit. And then there are women like Garland and Fisher, whose lives are not exactly enviable, but who have shown that life does not have to look any particular way to be considered a success. Moods shift, bodies fluctuate, lovers come and go, careers rise and fall, times change. It is art, intelligence, and sheer presence that endure. There are the women you learn from.

It was a year that tore us down, and stripped so much away. The year that has become infamous in the lore of internet memes and obituary sections. Yet so many of our fallen idols left behind last works of startling beauty and darkness and celebration. Fisher revisited her younger self in The Princess Diariest from the perspective of one who views youth as something to survive, not maintain. Bowie spoke of resurrection on Blackstar. And Cohen left us with an accusation, a dare, in the title of his final album: You Want It Darker. Perhaps I did. Perhaps we all did, and that is why the world is in the state that it is in. Perhaps this is simply a season we must walk through.

My idols are dead. My enemies are in power. The man I thought I would marry did indeed, in the words of Cohen, dance me to the end of our love. And yet I stand here hopeful. There will always be lovers and enemies, work and slow songs, black nights and bright ribbons. These things unfold endlessly around that which is both ephemeral and enduring, that which is ceaselessly reborn. In the face of all this loss, I am writing again. It is here and now, when so much has faded and changed, when I feel the most certain and strong. I have learned that in the middle of the darkness and tumult, we will always have ourselves.

Meghan O’Dea is a writer and editor who just completed a masters in Creative Nonfiction at the University of Tennessee at Chattanooga. She writes primarily on space and place and the meaning of home. On the weekends she is the homepage editor for Fortune Magazine. She has been published in Washington Post, Fortune, Huffington Post, Hello Giggles, ink&coda, and has an essay forthcoming in The Rumpus.

What’s Jen Pastiloff’s workshop all about anyway? It’s about being human. Connecting. Finding your voice. Not being an asshole. Singing out loud. Sharing your fears. Bearing witness. Telling your fears to fuck off & fly. Listening. Moving your body. Laughing. Crying. Finding comfort. Offering comfort. Letting go. Creating.
Next one after this is NYC Feb 4 at Pure Yoga West. You don’t need to be a yogi at all. Just be a human. Click photo to book.

 

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Current Events, Guest Posts, Inspiration, Race/Racism, Racism

At 13, I Didn’t Expect My Teacher To Be Afraid Of Me

October 16, 2015

By Haneen Oriqat

At 13-years-old, I was a nerd. At 13, I was also beginning to struggle with my identity. I didn’t expect that my choice of dress would define my identity, just as I don’t think that Ahmed Mohamed expected his identity to be the topic of a trending hashtag.

#IStandWithAhmed was trending at number one worldwide as social media erupted with the story of a 14-year-old 9th grader in Irving, Texas being interrogated without his parents’ knowledge and arrested in front of his classmates. Ahmed had brought a homemade clock to school, but was accused by his teacher of the suspicious object being a bomb. Despite claims of safety for the students, this wasn’t treated like an actual bomb threat. There were no lockdowns, evacuations, or a bomb squad to immediately remove the suspicious object from school grounds. When I read the article about the incident posted by Dallas News right before heading to sleep on the night of September 15, I was stunned.

I saw the picture of Ahmed being led away in handcuffs, his face a mixture of confusion and fear. He had been excited to share his invention with his teachers, adults that he trusted, educators that he looked up to. It was those same adults that should have been there to protect him against harm. That look of anguish on his face was one that I felt reverberated through my body on my first day of 8th grade as a 13-year-old. It was the day I decided to come to school wearing a hijab.

I held the blue and cream-colored smooth material in my ha Continue Reading…