pandemic Archives

The Great Resign

March 22, 2022

It’s sometime in 2018, and everyone is working, because we haven’t heard of Covid yet. We think it’s cool to take five Advil and a few handfuls of Sudafed and come into the office when we have the flu. Sudafed’s an upper anyway. Pure, unadulterated energy. We are killing it.

I’m a lawyer. I love my job. I get to dress up in business clothes, buy lattes, use my brain. I love digging into complex cases, digging through the grit and emotion to figure out what really happened, what we can prove, and what the other side will argue. Whether they’re right or are just in it for the money.

I love that it’s part-time, which means I get “downtime.” I rush home to my babies at three, change into sweats or yoga tights, greet them at the bus stop. I hear about their days as I rush them to music, girl scouts, drama, karate. Running to the grocery store while they’re there, watching watch my phone constantly for whatever I’m missing. I ride an adrenaline wave from one emergency to the next.

It all works. Except.

I hate my job. I spend hours arguing over pieces of paper no one wants just because the other side wants to pick a fight. I spend years of my life and kill small forests of trees arguing over paperwork no one will ever read.

I hate that it consumes me. Twelve hours a day I’m on guard, even though I’m not technically working. I can’t stop watching email, it could be malpractice if I miss one. My brain has no time to shut down. Kids, husband and cats pester me while I try to zone out, staring at Facebook, looking for a break.

We go to trial and I disappear into a mountain of paperwork and stress. Eighty-hour weeks. More. I leave my children and husband before the sun rises, get home when they’re in bed. I leave them Saturdays because witnesses need prep, on Sundays because the exhibits have to be ready by Monday. Wash. Rinse. Repeat.

In law school, during orientation week, they told us lawyers tend to die young. Get divorced. Become alcoholics, drug addicts, criminals. That’s what you’re signing up for, by being here in this beautiful, wood paneled classroom.

“By the way,” they said, “we already cashed your tuition checks.”

But clearly, they were talking about the person sitting next to us. We gave that person a sideways glance and wondered what exactly was in their travel mug.

After ten years, I knew they were right. That the only sane thing to do that day was run out of the lecture hall and kiss that tuition check goodbye. Sunk costs are better than sunk lives.

I quit in 2019. I’m unemployed for the first time in my life. All around me, everyone is working, because we haven’t heard of Covid yet.

I watch friends dart from soccer game to the grocery store, balancing lattes and cell phones and to-do lists so long they’ll never find the bottom. They fly by in a daze, a perpetual line of confusion etching itself into the space between my eyes, above my nose, as I wonder how they’re still standing.

Maybe it’s just me, I’m the one they were talking about in that lecture hall. My inability to handle everything wasn’t the inevitable result of a broken society, but the inevitable result of a broken self. Because everyone else seems fine.

It’s 2020, and everyone is not fine. Every woman with enough privilege to go without her salary, every woman without enough privilege to find help with her children, every woman who can, almost every woman I know – she’s quitting.

The media calls it the great resign. I wonder if anyone asks how many are women.

Because our children are needy again like overgrown toddlers. Sticky little faces and fingers interrupting Zoom meetings. Virus-contaminated office spaces with no vaccine in sight, then a vaccine for some, then a vaccine for all, but nothing for our littlest of littles.

Schools open and close and open again. They open with masks and without masks and with vaccines but no mandates. They open with quarantines for the infected or blithe emails listing all the ways our children were exposed to a deadly virus.

“But come on back tomorrow,” they say.

Those little faces and fingers aren’t there to interrupt the Zoom meetings anymore. We watch the news. We sit on our hands. As the storm becomes the new normal, we wonder what to do next.

Something about those endless days of running, running, running, doesn’t call to us anymore. At least those of us with the privilege to choose.

But choose what?

“I’m just not cut out to be a country club wife. But I’m trying,” my friend says over coffee one morning. We quit, can’t imagine going back. I can’t imagine killing years and trees arguing over paperwork no one is going to read.

We are without identity. We were teachers, programmers, executives, doctors, nurses. Lawyers. They told us we could have it all, and now we’re not sure we’re qualified to do anything.

I am not a country club wife either, but I try to be. I walk. I tennis. I read. I write. I yoga. I take care of the teenagers who ate my babies.

All of us, the women who quit, we look out at the horizon of the next 30, 40, 50 years and wonder how to fill them. Or if we should just fade into oblivion, leaving our high heels and laptop bags behind forever.

Because we can’t get comfortable in the chaos again. We know this. And even if we could, we know that the next wave, the next variant, will demand that we sacrifice it all.

We’re women. It’s what we do.

Jennifer Lauren is a retired lawyer and Seattle native living in Austin, Texas with her son, daughter, husband, and too many pets. Her first novel, Everything We Did Not Do, is represented by Emily Williamson of Williamson Literary, who is actively seeking publishers. Contact Emily at https://www.esjwilliamson.com/contact-us. Find Jennifer at jenniferlauren.net.

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Statement on Black Lives Matter and support for social change.

Guest Posts, pandemic, Relationships

Building Mom A Bridge: How To Cross Over Seas and Pandemics

August 12, 2021

by Amy Challenger

Connecting has never been easy, my overweight rescue coonhound reminds me with his fervent stare. He once refused eye contact when I found him at a dusty Northern California farm nine years ago running in circles as if entirely disconnected from other beings. This disconnected feeling has become one most of us have suffered with this year. We’ve had to find a way out of our own little heads, seeking a thread to others in strange ways — squishing eyes over masks, staring through screens, and waving at mouthless friends in parking lots or at bonfires. I found a way to build a bridge to my sick mom and other women this year, all the way over the Atlantic, in a way I wouldn’t have imagined without the pandemic..

In March 2020 after lockdowns began in Switzerland, where I live with my husband and children— my asthmatic then 78-year-old mother coughed heavily on her couch in South Carolina. She struggled to breathe on Facetime causing even her fox terrier Harry to point his long nose to the side. I was petrified. I’d just returned from Northern Italy where crowds of masked passengers packed my train, and truckloads of dead bodies appeared on my Ipad screen. To me, the pandemic was no distant myth like it still was for many of my American friends. So when my mom hacked, I said, “Get tested.’’ Naturally, she brushed me off. I’m the family worrier, afterall, and people were still spreading the ridiculous myth that only those who’d traveled to China could have COVD-19. A week later, her symptoms had made her so weak she could hardly walk. So she finally got to the doctor who diagnosed her with pneumonia. And due to a lack of access to COVID test kits, she still didn’t know if she had the virus.

At that point, my mom and I started connecting daily face-to-face, online. I felt helpless watching her suffer in her floral patterned bed. She listened to me jabber about home learning challenges and the risks of spreading COVID. My father who suffers from Alzheimer’s roamed nearby, peeking at the screen. Thankfully my mother’s friend made arrangements to stay with her, and my nearby sisters visited regularly, but I wanted to do something too. Even if I could afford to fly to the US, leaving my husband working from home with my three kids home-learning— travel was unwise especially with my flaring autoimmune condition.

So aside from sending my mom pizza dinners, Amazon gifts, and Facetiming regularly, I needed a more meaningful way to reach her. What about writing together? I thought. My mom and I are both painters and writers. And years before, she’d attended one of my creative writing workshops originally designed to connect women in crisis through writing. I’d been trained to lead these sessions by the New York Writers’ Coalition in Connecticut to serve struggling moms of neurodivergent kids. After my mom visited a workshop, she’d said she loved the method inspired by Pat Schneider, a poet who created a format for all levels of writers to gather and seek what Pat called “the original voice.’’

So one morning my dogs and I had an idea as my mom flopped like a five foot pale doll in her dimly lit Carolina bedroom with Harry perched nearby, his eyes pooling with worry. She’d just become breathless trying to fix breakfast.

“I might start an online writing workshop— to supplement my normal Zürich workshops,’’ I remember saying.… “Would you want to join if I do it?” I kept my tone casual. She might think my suggestion idiotic.

“I’d love it.” Her voice quivered. “You don’t know how much I could use that.” I think my mom needed more than connection. She needed a way to use her creative muscles to heal and find hope. The pen, if filled with the stuff of her powerful mind, could help with that.

And so we started meeting weekly online with a small group of women. My mom woke early, dialing in, along with several writers from Switzerland and some from the US. We gathered from bedrooms, Swiss lakes, and offices to write about feeling stuck, about growing, about finding wellness through dialogue we created in separate rooms, but together. In these two-and-a-half-hour sessions, we greeted each other, then penned responses to my visual or verbal prompts. We scribbled our bottled up stories into our notepads, and then we shared verses that continued on, for that small moment, into the spaces of others. These connections bound us. Each week we became closer, and I felt more like I was really touching my mom.

“What’s strong?” I asked after a woman read her work. It was a question I’d learned from my former teacher Valerie Anne Leff a fiction writer whose voice I still hear if I try. She taught me to treat everyone’s original words like a newborn. I attended her workshops for several years during a crisis with my atypical boy. This question, what’s strong, was one I needed to repeat even in the midst of my child and family’s pain— to find meaning. It was also a question I had to ask this year. To my children, my mother, my husband, and workshop attendees, I had to inquire, what’s strong in your words, your work— in you and in others? I needed to identify my power, as I fumbled through my own identity in a pandemic. When I felt insufficient, I had to dig for strength. This habit was the bridge to my mom then to all the other women who wrote with me, virtually. Through asking for strength in workshop sessions, I touched the space between my mother’s world that flowed into mine. Her tales of waking as a child in her victorian home in Big Rapids, Michigan; her views on mothering three girls; savoring shades of fern; meeting my naval officer dad— these powerful narratives brought her to me physically.

As she shared, our stories transcended internet boxes, oceans, and expectations. Common threads emerged in verses that had little to do with the prompt, yet pieced our strange pet stories, our favorite flowers, our lonely walks together. My mother wrote poems that slipped under my skin. Her narratives incorporated the feel of a forgotten Christmas ornament, the voice of my grandmother calling her home, the pine scent of my grandfather’s cabin beside a river. My mom waded for her strength like she was in the river fly-fishing with her father, and I saw her emerge healthy while reading her own mind. Eventually, after weeks of workshops, she dialed in from the couch— rosy-cheeked like the mother I longed for, even if still on a screen beside Harry’s twittering tail.

Almost a year later, my mom and I still write online with many of the same women. She and my dad have been vaccinated and are bearing well, all things considered. My cats’ and dogs have become so attached to me, after a year mostly indoors, that sometimes I think I’m a pet too. Though we’ve got scars, we’re closer and stronger than we knew. We’ve survived a pandemic, afterall.

This summer my husband, three kids, and I plan to finally visit my parents. When I’m physically there, I’ll feel their hands and arms embrace me in a way I wouldn’t without our separation and our storytelling over the sea. But in the meantime, I’ll celebrate the power of all the unpublished parts of each of us. In these narratives, if we listen, we’ll find ties that bind us together, even over seas and pandemics— and maybe forever.

Amy Challenger is a contributor at The Washington Post, Newsweek, Huffington Post, International Living, Poets Reading the News, and elsewhere. She completing a novel about an atypical boy and his mom trying to grow and find truth in a work that wants everyone typical. Amy can be followed online at amyaveschallenger.com.

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Margaret Attwood swooned over The Child Finder and The Butterfly Girl, but Enchanted is the novel that we keep going back to. The world of Enchanted is magical, mysterious, and perilous. The place itself is an old stone prison and the story is raw and beautiful. We are big fans of Rene Denfeld. Her advocacy and her creativity are inspiring. Check out our Rene Denfeld Archive.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, pandemic, parenting

A New Kind of Wild

August 2, 2021

by Melissa Bauer

“I DON’T WANT TO DO SCHOOL ON THE COMPUTER!!” my five-year-old daughter shouts at me while catapulting herself onto the floor in the hallway, right outside of our kitchen. I agitatedly glance at the clock on the microwave; her virtual class starts in five minutes. Five minutes to try and rescue this sinking ship. “I know,” I say, and walk over to try to soothe her. “But you have to,” I add. As if knowing you have to do something ever makes doing it any easier.

We’ve been in virtual schooling for about two weeks now. The novelty, like my positivity, is wearing off. My daughter’s friends and classmates from preschool have chosen not to go the virtual route for kindergarten. “You can’t do kindergarten on the computer!” they all crooned in my ear, spewing their seeds of doubt. So off to private school their kinder went while we forged ahead apprehensively with public school. The pandemic, it seems, wiped clean all of our familiarity. It feels as though we are navigating this alone.

Still lying on the floor, but crying now, my daughter continues to shout “Noooo! I won’t!” Exasperated, I walk back into the kitchen. My eyes immediately dart towards my candle burning on the island, bonfire and spun sugar filling the air, but I can’t smell it. My irritation is mounting. And now my three year old is on my heels looking for a snack. “Alexa” I yell to my echo dot “play Freeze Dance” in hopes to change the energy. But as the rhythmic beats penetrate the air, things only get worse. Her crying has turned into sobs.

We’ve officially entered Emotionville. An unpleasant, foul little town where emotions are big and patience is small.

Here’s what I want to tell my daughter. I DON’T want to do school on the computer either! When I pictured my little, big girl going off to kindergarten, it certainly wasn’t through Microsoft Teams. When I imagined buying her school supplies, it didn’t include a desk and chair for her online classroom. Or where to comfortably place her desk and chair within our modest sized home. By a window overlooking our wooded backyard so she can get a glimpse of nature while she learns? Or will that be painful to see the open-air, verve beyond our four walls, just outside her reach. No, I didn’t imagine buying a “reading buddy,” a stuffed grey elephant that sits on her table, substituting for another child. Or how my back would ache from bending over her kid sized desk repeatedly when she needed my help completing her assignments. But I don’t say any of this. I swallow my feelings and pinch my eyes shut.

Breathe, I tell myself. Remember to breathe.

One minute. We have one minute now until class starts and my daughter is still lying lithe on the hardwood floor, her tears flowing, my anger rising. It’s becoming a living, breathing thing, my anger, panting down my neck with each second that passes. The smell of burning wood fills me now. I pick her up, whispering tersely in her ear “I know honey, you don’t want to do this, but you’re going to” and I carry her over to her chair. She sits begrudgingly, a limp and nimble rag doll, as the teacher’s voice rings through the speakers. “Welcome back class!” My daughter straightens up in her seat. I breathe in, and smell wood and this time, a little sugar too. I squeeze my daughter’s shoulder, an offering, I suppose. All is calm for an exhale, and then my three year old shouts at me from the kitchen “MAMA, I wannnaaa snack!

———

Our virtual school days continued like this, more or less, for nine weeks until we slowly transitioned to face-to-face learning. Phase 1 included a ninety-minute session, one day a week, for two children while the remaining ten classmates participated virtually. We were assigned to Mondays. Watching the other students participate in person while my daughter remained online was hard for her. “That’s not fair!” she’d cry out to her computer on her non-assigned days. “Soon it will be your turn,” I offered, silently counting down the minutes for both of us.

“Good morning sweetheart!” I chirped as I turned on the lights to wake my daughter up for her “first” day of school. Sleepy eyed, but smiling she dressed and headed downstairs for breakfast. “I can’t wait to ride the bus!” she squealed with a mouth full of cereal. To her, riding the bus was akin to getting your driver’s license. She could taste the freedom. “Let’s go!” I shouted and we hastily ran to the bus stop. Within minutes the bright lights of her yellow chariot rounded the corner. “Don’t forget your mask,” I said as she donned it on her face. “Bye mom!” she yelled over the loud engine as she entered the bus, one giant step at a time. But my excitement soon faded when I looked around and noticed she was the sole rider. Am I an irresponsible mom for sending my daughter to school in person? With her big, curious blue eyes peering over her mask, she looked straight-ahead and then at me as the bus pulled away. Her little hand went up in a wave, five fingers spread open. My lungs filled with the smell of exhaust as the bus drove away. My chest constricted. I was overcome with the urge to run and grab her off that bus. To take her home and cradle her inside our little bubble, where my candle burned at both ends, because at least there I could keep her safe.

“Bye sweetheart” I mouthed in the rearview.

——-

I walked back into my house, and felt like I was missing an appendage. Our virtual schooling was tempestuous at best, but now I feared the silence. I hadn’t had a moment to myself since my children’s preschool shut down the previous year. Yet, I couldn’t relax. Instead, I padded towards the kitchen worried for my little girl out there in the wild. Will she have a hard time wearing a mask for 8 hours a day? I washed our morning dishes and thought about her. I stared at her empty desk. Her vacant chair mocked me, a silent reminder of “what if?”

The days slipped by and I held my breath as we transitioned through each phase. Slowly, more students joined her class in person. Turns out, my daughter didn’t mind wearing a mask all day or eating a socially distanced lunch in the cafeteria. Especially if it meant she could try the chocolate milk.

We settled into a new norm. After several months, she was finally attending face-to-face learning full time with her entire class. And I began breathing again. What once felt wildly terrible and wildly devastating now felt wildly normal.

“What was your favorite part of school today?” I ask her, our hands clasped, her mask shoved into her backpack as we walk home from the bus. “Recess!” she shouts, her lips curling into a smile at the mere memory of it. A take-a-picture-and-show-it-your-sister kind of smile.

I’m smiling now too.

———-

Not long after face-to-face learning resumes, our town is hit with the after effects of a hurricane. Hundred-year-old giant oak trees are uprooted by the winds, and they’ve fallen on houses and power lines. They are blocking our roads. School has been put on hold. Again. I am looking at one of those massive trees splayed out across our roads, like an enormous carcass, lying belly up, and I can’t help but think this is a metaphor. This year stripped us bare; left our roots exposed. And yet, in our shared vulnerability, we learned that hard times don’t last forever. The wind eventually stops howling. Fallen trees are removed. And maybe, just maybe, we learn to love the view.

Melissa Bauer lives in Milton, Georgia with her husband and their two young kids. A former nurse turned stay at home mom; she has been writing about her journey through grief, loss, motherhood and healing since the death of her parents in 2010. An avid reader, podcast junkie, and mindfulness advocate she is passionate about living authentically and with gratitude. She values connection and the best compliment someone could give her is an honest ‘me too.’

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Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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eating disorder, Guest Posts, pandemic

Mother Daughter Stew

July 25, 2021

by Nancy Crisafulli

Ingredients

From Mother’s Expansive Garden

1 cup low-cal self-esteem

For correct blend mix equal parts shame, blame and overripe guilt.

2 cups shredded body image

Tear fresh images into bite-sized pieces, rinse under cold water and drain completely.

8 oz. night-blooming tobacco

Steep tobacco in 7-14 oz of any red wine (see directions below).

1 lb. depressed family history

This ingredient may also be found in Father’s garden and is often mistaken for a bothersome, invasive weed.

From Daughter’s Secret Pantry

1 cup high-concentrate anxiety – Use full strength – do not dilute.

2 cups well-seasoned perfectionism – Straight A+ seasoning is preferred, but type A will also work.

4 oz. flowering fear of failure (FFF)

Note: FFF is a bitter herb that will significantly impact the flavor of your stew -remember, a little goes a very long way.

2 lbs. genetic predisposition – This underrated ingredient can be found at many organic stores including Roots and MoMs Organic Market).

Optional Non-Organic Ingredients

7 Tbsp. expectation to excel in all endeavors (EEE)

EEE grows like a wildflower in suburbia so check your backyard before purchasing.

Multiple shots of reprocessed Insta-Selfies – Adjust lighting, filters, angles and number of shots for maximum impact.

Directions

Step 1:

In medium-sized bowl, carefully combine mother’s low-cal self-esteem and shredded body image with daughter’s undiluted anxiety. Mix thoroughly.

*Mother: To be sure ingredients are thoroughly blended, pinch and knead the fatty area behind your knee (or any other unattractive body part) repeatedly while chatting heart-to-heart with your adolescent daughter. Adding this personal touch is guaranteed to work better than the most efficient KitchenAid.

Step 2:

Macerate night-blooming tobacco in red wine and let soak in a tub until all liquid is absorbed.

*Daughter: While Mother macerates, use a paring knife or other sharp object to make shallow cuts in your flowering fear of failure. Cover carefully with a dry cloth and store in a cool, dark place.

Step 3:

In a separate bowl, sift together mother’s depressed family history with daughter’s genetic predisposition. Do this slowly, alternating just a bit of depressed history with a little predisposition until you have the perfect mix of these secret family ingredients.

Step 4:

Place all prepared items from mother’s garden and daughter’s pantry into the domestic cooking device of your choice (see side bar for choices). Sprinkle freely with non-organic optional ingredients to taste and cook as directed.

Step 5:

Serve piping hot with a side of solitude and regret.

Sans appétit!

Tip

For a less robust stew, slowly introduce one or more tempering agents (Wellbutrin, Ativan, Lexipro) before the stew is fully cooked. See individual packaging for suggested amounts.

Yield

This recipe serves 1-2 but, properly stored, its prolonged shelf life can often under-nourish an entire family for generations! Studies have shown that a sustained diet of this popular stew is almost guaranteed to yield the following:

Daughter

Drastic reduction in calories and fat
Grinding, obsessive exercise
A feast of secrecy and self-loathing
Suicidal thoughts and/or actions

Mother

Growing dread of family meals
Searing, wild remorse
Frantic weeding of personal garden
Ravenous craving for a shared bowl of daughter’s favorite childhood ice cream

Chef’s Note:

Organic vs Non-Organic? Conventional wisdom suggests that our genes and the environment around us play important parts in the development of eating disorders and other chronic diseases. For people recovering from anorexia, bulimia or other EDs during this pandemic, the combined ingredients of Corona-related stress, grief, lack of structure, and social isolation may be the perfect recipe for relapse.

If you or someone you know is struggling with an eating disorder, please reach out:

National Eating Disorders Association (NEDA)
https://www.nationaleatingdisorders.org/help-support

Academy for Eating Disorders
https://www.aedweb.org/expert-directory

National Alliance on Mental Health Illness (NAMI)
https://www.nami.org/About-Mental-Illness/Mental-Health-Conditions/Eating-Disorders/Discuss

Nancy Crisafulli received her BA in English Literature from the University of Maryland and spent the next forty years in the field of instructional design in and around Washington, DC. She did most of that writing in a corporate office. Her other writing has been languishing in her spare bedroom and recently asked to move out. A few of those pieces have been published in Under the Gum Tree and The Sun. When she isn’t writing, Nancy is probably out walking, doing yoga, playing with the grands, or on the co-ed softball field with her husband and best friend, Frank.

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Although each of Jenny Offill’s books is great, this is the one we come back to, both to reread and to gift. Funny and thoughtful and true, this little gem moves through the feelings of a betrayed woman in a series of observations. The writing is beautiful, and the structure is intelligent and moving, and well worth a read.

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Fiction, Fiction Fridays, Guest Posts, pandemic

Theme & Style

July 23, 2021

By Sara Gray

The seminar was wrapping up.

“I want you to think about your poetry,” the poet said. “I want you to think about the themes running through your work, and how your style expresses those themes.”

The poet was a professor in her mid-30’s and would not have been giving a seminar via Zoom to a bunch of amateur poets if it wasn’t for the pandemic that had side-lined her own book tour and other, more prestigious teaching opportunities.

Marie wouldn’t have attended this seminar or any other if it wasn’t for Zoom and the pandemic as well. Instead, she would have been ferrying her children to hockey, soccer, and sleepovers.

For two hours, they had discussed poetry: Gwendolyn Brooks, William Carlos Williams, Mary Oliver. They had analyzed the author’s word choice, the percentage of Latin, French, and Anglo-Saxon root words, the number of adjectives. It had been so long since Marie had spoken to anyone about poetry. Her husband wasn’t interested in it; her children weren’t interested in her; her writing group was forced to delay their meetings because they weren’t allowed to leave their homes, and Betty didn’t know how to set up an online meeting.

For two hours Marie had listened, taken notes, and thought about nothing except poetry. She felt exhilarated, like she had drunk one too many coffees. Unfortunately, they had arrived at the point where they were supposed to ask questions.

The one benefit of everything pivoting to online was that she could, if she wanted to, leave early, turn off her camera, get a mug of tea. It was a little power, sure, but it was still a thrill. She never liked listening to other student’s questions. It was, perhaps, a cruel thought, but she always found the questions to be dumb or repetitive or a clear attempt to grab attention from a well-regarded author who, it was clear, had no real interest in answer the same inane questions she undoubtedly got at every seminar, whether in person or online.

Yes, Marie decided, she would simply leave.

“I can take questions now if –”

She pressed the leave meeting button, cutting the Pulitzer-Prize-winning poet off mid-sentence, which also made her feel giddy. It wasn’t that she didn’t like the poet. In fact, she regarded her work highly, which was why she had signed up for the seminar in the first place, and why she bought and read all of her books even though between her job, children, and her husband, she really only had time to read about twelve books a year.

Twelve books. The thought made her anxious. How was she supposed to pick twelve books out of the hundreds that were published in a year and the millions – billions –that had been published before that? She tried make lists, recording names of authors mentioned at literary events or on Twitter. She kept lists of new releases and other, longer lists of books she hadn’t read yet. A copy of War and Peace glared at her resentfully from her bookshelf, knowing she would never touch it. But still, how did one choose?

She pushed back from her chair and pushed the thought away. She was not supposed to be thinking of her book-related anxiety. She was supposed to be thinking of her own work and how her style worked to express her themes.

She stood up. The floor was cold against her feet. Before she had been confined to her house, she hadn’t noticed the seasons change. One day it was summer – hot, humid – the next day, she was pulling sweatpants over her pyjama bottoms because she was cold. Now, even though she rarely left the house, she found herself noticing the small changes in weather. First, the days were shorter; then, the air-conditioning clicked off for the final time; the leaves were bruised and brittle on the branches, ready to fall; now, she was required to wear socks.

Perhaps she was noticing things like this because there was nothing else to observe. She no longer saw interesting people on the street because no one walked the street. Her social interactions were limited to her husband, her two children, and her sister (though they had stopped seeing her sister because she had read something on Facebook and now refused to wear a mask).

Marie wasn’t out of her husband’s office and already her mind was wondering away from the central question. How did her style impact her themes? The truth was, she wasn’t sure what her style was. She assumed if she wasn’t sure about this, it wasn’t coming across to her audience (which consisted of her husband, her sister, and the people in the Writers in Belville Facebook group she had joined).

Just as she was about to sit back down, the dryer buzzed. She left room and walked down the hall to the laundry room.

She had an open style, she decided. She didn’t like poetry she couldn’t understand. When poems made her feel something just by their rhythm or tension or whatever, she didn’t trust that feeling. If she couldn’t understand, then she couldn’t come to a meeting of the minds with the author.

She opened the washer. The laundry room smelled vaguely of cat litter. Jack, her 10-year old, had promised that if they got a cat, he would scoop its poop every night. Her husband thought it would teach him responsibility. Not surprising Marie – or any mother anywhere – Jack had cleaned the litter box once and had never done it again.

Marie pulled handfuls of wet clothes out of the washing machine. Cold water slipped down her fingers and wrist. The washer was not spinning as efficiently as it should be. The machine was getting old. Marie meant to call someone in to take a look at it, but the machine wasn’t completely broken and laundry kept getting done, so she continually put it off.

Anyway, the washing machine didn’t matter, she reminded herself as she separated out the clothing that went in the dryer from the clothing that needed to be hung to dry, what mattered was style and theme, and how they connected to one another in a poem.

In a writing class she attended once, a girl half her age had said that her poems were too direct. It was true that Marie rarely used rhetoric. Again, it was something she didn’t trust. People tended to gravitate towards similar turns of phrases, and they didn’t always work. In almost every one of her classmate’s pieces, someone ‘paled’ or ‘went pale’. Marie did not think the body worked that way. She had never gone white like that, and she was fairly sure colour did not drain out of one’s face when one was frightened. Maybe it did. But –

Footsteps in the hallway. Marie poked her head of the laundry room.

Rachel was walking by, a box of cookies in her hand. She was still wearing the pyjamas she slept in though it was almost dinner time. Marie hesitated. Rachel was twelve, meaning that everything Marie said or did was offensive, embarrassing, controlling, or otherwise unacceptable. Her daughter had been – still was? – a happy child with friends, good grades, and a wide range of extracurricular activities. It was harder to be all that when one wasn’t allowed to leave the house. Usually, half-way through a Saturday, she would be asking Marie if she could sleep over at a friend’s house, or if she could have friends over so they could gorge on pizza, soda and then fall asleep in front of horror movies while browsing the various social media accounts of the boys they liked and the girls they pretended hate but really admired.

Marie had worried about her daughter in those days as well, but if she was being honest with herself, she knew that Rachel was well-adjusted. Worrying simply felt part of her job as a mother, same as explaining the importance of deodorant and packing school lunches.

Now, though, the worry had transitioned to genuine concern which left Marie feeling like she was permanently free-falling off of a cliff. It was not a pleasant feeling. She didn’t know if she should take away the cookies and force Rachel to shower and put on a pair of jeans. Months ago, she would have said that would absolutely have been her response, but who was she kidding. There was no one reason to put on jeans, and cookies were one of the few joys left.

Rachel’s door closed.

Marie bent over and started to scoop the cat’s hard, sausage-like shits out of the litter box and into a crumpled up plastic bag. It was too late anyway. Rachel was in her room. She would spend the next few hours watching videos on Youtube or TikTok. In the before times, Marie didn’t have to monitor Rachel’s screen time, her kid had been far too busy working on her lines for the school play or doing her homework.

What if she didn’t get into college?

Marie tied the bag closed. Beans, the fluffy brown cat they had adopted from the animal shelter at the beginning of the year, trotted into the laundry room to check out his litter-box. Finding it clean, he ran his long body against Marie’s calves. She stroked his fur. It was the closest thing she got to a thank you these days.

Bag of shit in hand, she walked down the stairs to the foyer and slid on a pair of Jack’s flip-flops that were sitting by the door. Jack was only ten, but his shoes fit her feet perfect.

The last poem she had written was about Jack’s flip-flops. How his feet kept getting bigger. How he kept getting bigger, and she couldn’t stop it.

Themes. Style. The poetry world probably had an unkind word for middle-aged, suburban woman who wrote poetry about her children: saccharine, clichéd. They weren’t wrong. There was nothing about motherhood that she, Marie from Belleville, could possibly say that hadn’t been said before.

The excitement she had felt from the online seminar was starting to curdle. She felt like she often did in these moments: that she didn’t have a unique perspective on the world at all, that she was an interloper in the world of books and reading, and that she should, as quickly as possible, buy herself a t-shirt that said wine o’clock and curate her Pinterest boards while watching the Bachelorette. The thought made her feel small and translucent.

It was cold outside. The flip-flops did little against the cold. She was wearing thin sweatpants and a t-shirt. Her nipples, rebelling against the cold, pointed through the fabric. One arm across her chest, she jogged to the garbage can and dumped the garbage bag in the organics bin. In the bottom of the bin, she could see a few maggots wriggling around, clinging to life. Someone – her husband – had thrown old food directly into the bin without a bag. She would have to call waste management and have them sanitize the waste bins.

She wondered, as she returned to the house, if she really needed to do this. The maggots weren’t harming anyone. It was a waste bin. No one was expecting it to be sanitary. But she didn’t want anyone to notice. She didn’t want to become that lady with maggots in her garbage. To whom would it make a difference?

Was that the correct use of whom? She wasn’t sure. She slipped off her son’s flip-flops and walked across the cold hardwood floor to the kitchen. Someone had once said it was a pity that ‘whom’ was going out of fashion. That the ongoing whittling of the English language was restricting writers more-and-more to subject-verb-object sentences: I eat carrots. I is the subject. Eat is the verb. Object is the carrots. It had taken Marie a long time to figure that out. She wasn’t entirely convinced that it mattered, that the on-going whittling of the English language was, in fact, something she should concern herself with.

She turned on the tap and washed her hands for government-mandated 20-seconds. The soap she bought was purchased in bulk from Costco at the beginning of the pandemic. It was the last variety available. It smelled harshly of chemical green apple. She hated it, but wasting something like soap seemed cruel and ungrateful.

Her husband would get mad as well. Not that he would get mad mad. Bob was a mild-mannered man whose idea of rage was a disappointed shake of the head. Still, she doesn’t like to add to the stress. Like many other people, he lost his job. It was not a good time to be a city planner, not with construction slowed to a halt and projects deferred.

Marie turned off the tap. They were luckier than most. They had some savings and Marie had found part-time work answering calls from people and business confused about what kind of government assistance was available to them. Those calls put things in perspective. Mothers called looking for directions to the food bank so they could feed their children, apologizing as they did so, explaining it was their first time, that they were trying to get work.

Marie dried her hands on the clean towel. Thinking of food banks, of Bob and his ‘employment situation’ was like waking an angry barking dog inside of her. The dog was fear and it was barely restrained, ready to break free and ruin her carefully maintained garden of mental health.

Marie screwed up her eyes. This was she didn’t love metaphors. Fear wasn’t a barking dog. It was her hormones squirting chemicals into her bloodstream. This squirting was supposed to help her, but it was not.

Themes and style, she remembered, that’s what she had been thinking about. The poet had instructed them all to think about what they couldn’t say in their work, what ground their projects forbade them to tread simply by their nature. A Hallmark movie, for example, would not end in divorce. Marie thought there was a lot of ideas her work was incapable of exploring: mathematical axioms; the eight minutes and 48 seconds George Floyd spent on the ground, dying.

Marie stopped listing things. It didn’t seem right to put anything after George Floyd’s death. Her neighbourhood book club had decided to read How to Be an Anti-Racist at their last book club meeting. Jack and Rachel – seeing celebrities and kids their own age on social media taking to the streets – had insisting upon going to the marches, and Marie had insisted upon accompanying them. She carried her own Black Lives Matter sign, but she came more of out of a need to monitor her own children, than out of a desire to be part of the resistance. At first, she had been uncertain, both of her welcome and of the wisdom of protesting in a pandemic. Thoughts buzzed around like flies in her head: what if they all got each other sick? Am I too complicit to be here? What if things get violent?

But, she had neither been welcomed not rejected. She was drop in the sea of people who were walking through the streets. There was no violence. Everyone was masked. Children, too young to understand what was happening, sat atop their parent’s shoulders and occasionally clapped or squealed. She wondered, as she often did, what the protests looked like to the littlest children, what they understood the cacophony of shouts, cheers, signs, and people to be.

Despite the new reading list, her book club had not approved of Marie attending the march (dangerous, looting, etc.). Marie had learned something she thought be very important, which was that talking about property damage after someone was murdered was, at best, tone deaf, at worst, violence itself. It was one of those thoughts that seemed so obvious to her once she heard it, that she could hardly remember seeing the situation another way. Marie tried to share this with her book club, and it had not gone well.

They seemed to think that she was saying that she didn’t care at all about the looting and rioting. Marie tried to explain that it wasn’t that she didn’t care, it was just that she cared about people more than property, and they should keep the conversation centered on the harm done by police and white supremacy.

Her voice had shaken as she said this, partly because she was a nervous public speaker, but also because Bev’s husband was a police officer, and she could see the woman scowling, and because whenever anyone said ‘white supremacy’, Irene puffed up and threatened tears, acting like someone had accused her of trying to join the Third Reich.

Since she was in the kitchen, Marie pulled out the alfredo sauce and linguine from the cupboard. She opened the fridge. There was nothing in the fridge but containers of yogurt, cheese, and rows of condiments. Tomorrow, she would have to don a mask and brave the grocery story. She had always hated grocery shopping, and she despised it now. The freaks refusing to wear masks came too close to her in line, and the odd empty spaces on the shelves that made it feel like they were at the beginning of the end times.

Marie opened the freezer. The package of shrimp was sitting there, slightly freezer-burned. She had forgotten to transition it from freezer to fridge this morning. She swore to herself, took the package over to the sink and started to run it under cool water.

She thought about book club as the cold water ran over the shrimp and her hands. The conversation had devolved into an odd sort of pissing contest where each woman reiterated the horrible things their parents had said about Black people and how they felt scared to say the wrong thing now. Some of them cried. Marie looked around and came to the conclusion that there was not much to be gained from a bunch of white women whipping themselves up into a self-indulgent hysteria and suggested they read Transcendent Kingdom for their next book club pick. Perhaps, Marie thought, they would all do better with fiction.

She turned the water up. She knew she was supposed to defrost shrimp in cold water, but never understood why and she didn’t relish the thought of standing there for twenty minutes, her fingers in murky, cool water.

What we she supposed to be thinking about: Theme? Style? If Marie thought about it, she wouldn’t have been quite to remember the joy she had felt at the end of the seminar. Each emotional state restricts a person’s imagination. It is hard to remember joy when one is miserable and vise-versa. She wiped her damp hands on the cloth, then started to collect the ingredients: salt, chili peppers, pepper, olive oil.

It wasn’t that she was better than the women from book club. She was just less certain than they were about who she was and what was right even though she supposed that, at 56, she should have worked all of that out. Their certainty pounded against her like hail, stinging and confusing her. Irene, for example, was so certain she was a good person with a good heart. Marie was never certain whether she herself was right and good.

The shrimp were defrosted. She started to unpeel the them, pulling the crusty shell off of each one and dropping them into a glass bowl that held chili flakes, oil, and cilantro.

Sometimes, she thought of her children as old people, sixty, or, god-willing, eighty years in the future. Obviously, she would be dead. They would be nearing the end of their lives. It was weird that she would not be there with them for decades potentially. That they would have years of life and she simply wouldn’t know about them. That they would get sick and die and she wouldn’t be there to help them. Sometimes, she worried herself by wondering if, by the time they got to heaven, they would even recognize one another. The thought made her want to cry.

Her phone buzzed. The red CNN logo just visible. 200,000 thousand Americans had died from COVID-19. She stood in the kitchen, her hands cold and wet from the shrimp she had been peeling. Her screen went black. The update disappearing like it had never been there at all.

“Mom, is dinner ready?” Rachel yelled from her room.

Marie jumped like her daughter had just prodded her with a cattle prod. Marie cleared her throat and dried her hands on the crumpled tea towel.

“30 minutes, sweetie,” she called back.

“OK.”

Rachel’s door shut again. From the living room, Marie could hear the swoosh of lightsabers coming from the living room. Jack was watching Star Wars again. Bob was in his office, she knew, looking for jobs with more-and-more desperation. Last time she was cleaning in his office, he had left his computer on, and she had seen an application for a position as a Claims Adjuster at an Insurance Company. He had been Regional Manager of Consumer Marketing for a large national movie chain before the virus, and he had loved his job. He had always loved movies and television.

On their first date, he had taken her to a drive-in. She couldn’t remember the movie now, but she remembered that he had known everything: who the director was, who the writer was, the producer, and all their previous works. She never paid attention to that stuff and was impressed by his passion.

He did not, as far as she knew, love insurance.

She put the shrimp in the pan and pushed them around with a wooden spoon she had bought on a whim from Williams Sonoma back when they could afford to splurge on things like that.

The oil hissed and popped. She was probably cooking it at too-high a temperature, but she didn’t care. For a moment, she wanted to burn dinner, if only because she wanted to burn something.

She turned the heat down, measured out some rice, water and salt and set it to boil in a separate pot. Not in any mood to make salad, she poured some frozen peas into a microwave-safe bowl and filled it with water. That would have to do.

She dried her hands again and picked up her phone. The CNN news banner was still there, reminding her of the death toll. Her finger hovered about it. It felt like her duty, as a citizen, to read the article, but what more was there to say than was already written in the headline. People were dying because of selfish people led by a selfish man.

She had a friend on Facebook, a Trump supporter who, after posting multiple mask-related conspiracy theories, received a barrage of critical messages. She beseeched her Facebook friends to ‘look at her heart’ and treat her with respect and then moments later posted a meme claiming pro-choice Democrats wanted to kill babies.

They were no longer friends. Trying to be friends with someone like that was like trying to befriend a cartoon, there were too many layers of ridiculousness to work through. Still, it was one less friend. A friend Marie had known since high school. Those were hard, perhaps impossible, to replace.

Marie sighed. Theme and style, that was what she was supposed to be thinking of, wasn’t it?

Jack came in from the living room, the movie still playing, and took a swig of milk from the carton.

“Honey, use a glass,” Marie said automatically.

“We all share the same DNA,” he said in that petulant manner of teenage boys who think they know everything.

Marie didn’t protest further. If she had learned anything other the past few months, it was how to pick her battles.

“Dinner will be ready soon,” she said.

He passed her and gave her a kiss on the cheek, smiling sheepishly when she looked at him with surprise.

“I’ll get Rachel,” he said, disappearing out of the room as fast as he came.

She listened to his feet thump up the stairs and opened her phone. The Belleville Writer’s Collective was offering another writing workshop next weekend. The guest author had been short-listed for the National Book Award, so Marie assumed they were talented (Marie had their book on her shelf, but had not had time to actually read it).

She wouldn’t have time to read the book before the workshop, though she would try. She likely would not have time to work out what she thought about theme and style or whatever it was she was supposed to be thinking about (the words from the first workshop were already starting to fade from memory).

She clicked the enrol button. She put her phone down and stirred the shrimp.

Sara lives in Toronto with her fiancée and cat. She has previously been published in the York Literary Review and Tishman Review and others. When not writing, she enjoys reading, running, and planning vacations she can no longer take.

Anti-racist resources, because silence is not an option

Order the book from Amazon or Bookshop.org

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Anti-racist resources, because silence is not an option

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Guest Posts, pandemic

Longing For Lysol and a Burger

June 6, 2021

by Fredricka R. Maister

Disinfecting wipes, a thermometer, bottles of hand sanitizer, masks, mega rolls of TP and paper towels, boxes of Kleenex, and cool purple latex gloves. The only item missing from my overstocked arsenal of anti-COVID household products: a can of Lysol Disinfectant Spray.

I used to always have a can of Lysol on hand. My luck, I ran out of it just as the novel coronavirus and the hoarders struck, snatching up every last can on the planet.

For almost a year, I’ve been trying to score a can—one can!– in stores or online, but the product is perennially out-of-stock which has made me want it even more.

The clerk at my local CVS told me the store sometimes receives a limited supply of Lysol spray, which the staff puts out in the wee hours of the morning. Since the store is open 24/7, people line up to get first dibs on the new inventory. The Lysol, along with other items endangered in the Age of COVID, are gone within hours.

I have a friend, a night owl, who happened to be in the store a few months ago at midnight when she spotted a box labeled “Lysol” in a stack of boxes waiting to be unpacked. Without hesitation, she pried open the box with her fingernails and pulled out a can. If only I had been with her, I could’ve checked Lysol spray off my wish list.

I’ve repeatedly complained in person at CVS. The staff’s only solution to my plight is for me to wait in line in the middle of the night with the desperadoes ready for a scrimmage in Aisle 6, Cleaners. Even for Lysol, I have my limits.

So, I’ve had to accept the inconvenient reality that Lysol Disinfectant Spray may continue to elude me until this pandemic is over.

I’ve also experienced a relentless longing for a hamburger due to COVID-19. I almost never indulge in red meat, but there is something familiar and comforting about a burger slapped with lettuce, tomato, onion and a slice of melted cheese, served with crispy fries drenched in ketchup, that can satisfy my burger craving for months on end. A take-out, reheated-at-home burger doesn’t taste the same. I like my burgers hot off the grill.

With the reopening of restaurants, especially the pub across the street, the aroma of grilled hamburger wafting through the air has constantly reminded me of my last burger eaten only a few days before self-quarantining. My fear of eating out in a pandemic, inside or even outside, has trumped the instant gratification I know a hamburger could deliver.

I’ve been surveilling the pub for the last few months to check out the outdoor dining situation. Tables are properly spaced. Staff and customers, when not eating, are masked. Weeknights are quieter and street traffic is minimal. “Maybe it’s time to take the plunge while the weather is still cooperative,” I thought.

With my heart and mind set on finally having a hamburger, I called up my friend Phyllis, a like-minded COVID-phobe also in need of a burger fix.

“Look, we have a window of opportunity before it gets really cold. Let’s go to the pub tomorrow night,” I said.

Phyllis was game so we, with some trepidation, ventured out to the pub. Our dining experience did not disappoint. We savored every last bite of our burgers and fries. “I’m good to go for another six months,” I told Phyllis.

Sharing a meal with a friend and chatting about things unrelated to COVID felt like old times, a much-needed reprieve from our new reality.

After eating, Phyllis asked if I wanted to walk with her to CVS. “Sure, not that they have anything I need or want,” I said.

As I browsed the aisles with little or no inventory, Phyllis suddenly called out, “Look!” She pointed to four cans of Lysol Spray in the center of an otherwise empty shelf. I stared in disbelief.

“Do you think it’s the real thing?” I asked. I picked up a can. Sure enough, “Lysol Disinfectant Spray…Kills 99.9% of Viruses & Bacteria.”

No one can accuse me of being a hoarder. The happiest of campers, I left CVS with my one can.

For me, just the mundane acts of being able to hold a can of Lysol Disinfectant Spray and eat a hamburger in a restaurant assumed monumental significance that night, restoring a sense of normalcy to my life turned topsy-turvy by COVID-19. For a few hours, for the first time in many months, I forgot I was living in the midst of a deadly pandemic.

Fredricka R. Maister is a freelance writer, formerly of New York City, now based in Philadelphia. Her personal essays have appeared in a variety of print and online publications, such as The Baltimore Sun, Miami Herald, Chicago Tribune, New York Jewish Week, the Forward, Big Apple Parent, The Writer, OZY, and Broad Street Review. Her essay, “Forgiving Mom…Finally” recently appeared on The Manifest-Station.

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You know it’s an amazing year to be a reader when Emily Rapp Black has another book coming. Frida Kahlo and My Left Leg is remarkable. In this book, Emily gives us a look into how Frida Kahlo influenced her own understanding of what it means to be creative and to be disabled. Like much of her writing, this book also gives us a look into moving on (or passed or through) when it feels like everything is gone.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

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Are you ready to take your writing to the next level? Two of our favorite writing resources are launching new opportunities for working on your craft. Circe Consulting was formed when Emily Rapp Black and Gina Frangello decided to collaborate on a writing space. Corporeal Writing is under the direction of Lidia Yuknavitch. Both believe in the importance of listening to the stories your body tells. If you sign up for a course, tell them The ManifestStation sent you!

Anti-racist resources, because silence is not an option

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Click here for all things Jen and on being human

Guest Posts, Mental Health, pandemic

Confessions of a Failed Introvert

April 26, 2021

by Kristine Lloyd

In spite of knowing I was happiest in the company of others, I moved from a three-story apartment building to a cabin in the urban woods a few years ago, across town from most of my friends. The small A-frame, tucked behind my landlord’s house, charmed me with its tiny backyard bridge to nowhere, serene Japanese maples, and ancient wind chimes whispering outside the kitchen window. Socializing became a chore that required triangulating various routes to avoid traffic, then I had surgery and was laid up for months, so I holed up more and more: eating, shopping online and watching movies on my laptop. This was a choice, and I could make a different one whenever I felt like it, like moving to Uruguay, or joining a flash mob – until Covid hit.

I am not someone who enjoys a lot of “me” time, long baths, or elaborate self-care rituals, and yet, by virtue of living alone in an introvert’s haven like Seattle, I came to convince myself that I was, in fact, this kind of person. I even purchased an expensive evergreen-scented candle I almost never lit. I bought it at the sad, little holiday fair at work. Milling around the four or five cafeteria tables, trying not to make eye contact with co-workers whose hand-crafted goods I would never buy. I aspired to be a candle person, and though I didn’t even know the woman selling them, who must have worked floors apart from mine, I spent $30, because holiday cheer and a co-worker had made it, so practically a friend, which was cooler than buying it from Pier 1. I didn’t light it until three months later when quarantine started, and I searched frantically for something to lift my spirits.

I cried when I saw videos of Italians rigging up champagne glasses on long poles and clinking a cheers from their separate balconies, singing in unison. It made me long for my old apartment, sandwiched between the first and third floors, where at least I could hear yelling, moaning, singing, terrible techno-pop that synced with the throb of that vein in my temple, the scraping of chairs, the dropping of things, and the walking around in heels on hardwoods that sounded like dragging cast iron pans across the floor. Now quiet hours ticked by without so much as the sound of a plane, which before had signaled the continuous movement of people going places and doing things.

My alone-ness stung. I had willingly retreated to the woods, when I am a people person, someone who needs interaction like air. Each day lived entirely alone wore on me, drained me of finite stores of energy. I was a 47-year-old extrovert living like a hermit. It did not suit me. The constancy of quiet gnawed at my mind. I had allowed my circumstances, long before Covid, to shape me into something I wasn’t, rather than changing them – it had seemed far more exhausting to change course than to blend into the environment.

Every day was the same. The alarm sounded. I hit snooze. At 8:55 a.m., I staggered out of bed, turned on my computer, answered emails and attended virtual meetings, never fully awake, living in a radius of about five feet. I started to feel far from okay, staring out the window into the indistinguishable mass of leaves blocking out everything beyond the yard. I waited for a creature – a bird, a cat, anything – to come by and alter the landscape. Twice I saw a little brown bunny hopping by, but by the time I got up from my desk to get a closer look, it had vanished. I stared at the trees until I saw nothing: just a great, green mass. The stillness settled into me until I felt immovable. Each day I looked out, and the trees appeared closer than the day before. I longed to take a weedwhacker and slash through branches, open up a window to life, but there was a fence behind the trees. Another barrier to the world. I lit the candle, hoping to at least imbue the indoor space with coziness, but it was like trying to warm myself with a matchstick. It didn’t even make the house smell like evergreens.

I cried three times on the phone with my boss.

“How are you?” he asked. But that was all it took to unleash the tears.

“Kristine . . . you there?”

“Yeah . . . I . . . I’m ok.” This was not a sophisticated, tissue-dabbing cry. This was the kind of unintelligible, guttural sobbing that makes other people uncomfortable and fidgety. To his credit, he waited patiently while I collected myself, instead of hanging up and pretending we got disconnected.

The crying wasn’t limited to phone calls with my boss. I cried when I knocked over a bottle of cooking sherry precariously situated on the kitchen counter with all the other newly purchased groceries, and had to clean up the sprawling, sticky mess when all I wanted to do was lie down and flatten my body against the cold linoleum. I cried every time I heard my father’s voice on the phone. It had begun to develop the timbre of my grandmother’s and his older siblings in the last years of life, a weak, croaking sound that trailed off into a mumble. What if he died of Covid and I never saw him again?

I started buying Oreos, Nutty Buddy’s, things I had not eaten since childhood – the Nutty Buddy being the saddest kind of substitute for a Buddy, save for a brief moment of soothing nostalgia for summers spent dissecting the layered wafer into its disparate parts to make it seem like you were getting more. I made brownies. Perfecting their under-baked, gooeyness. I ate brownies for breakfast and brownies for dinner, until they became cloying and tired, as familiar and unappealing as isolation itself. Brownies do not make a meal, and isolation isn’t a way to live. By the end of April I knew I had to get out.

One of my closest friends, Scott, who still lived in my hometown in Alabama, called me one day to catch up. After hearing my voice and the cracking sadness in it, that same weakness in my father’s voice, like someone falling into a well, he suggested I come back home. “I think you’d be happier in Birmingham, near your friends and family.” I knew he was right and asked him if he would be willing to fly out to Seattle and drive home with me. If he said yes, that would be the deciding factor. He did not hesitate.

Scott walked into my cabin and hugged me, let me lean against him. He had risked his life, breathing in the stale, germy air of a packed airplane and a chatty flight attendant whose mask dangled from her ear, to rescue me. He’d visited before and seen my cabin and understood, that even though it was in a prime location, I was not meant to live alone in the woods. He helped me finish packing, and we headed out by late afternoon. A quiet cabin hemmed in by trees was not going to lead me to my truest self, any more than that bridge would lead to a pot of gold.

We drove 2700 miles in four and a half days. Through the lush green hills of Oregon and Northern Idaho, into the endless hypnotic flat of Southern Idaho, on to Utah’s cracked earth and towering red rocks, through the dry, bleak landscape of Navajo country. Flying past long stretches of strip mall in Albuquerque and into the indistinguishable flatlands of North Texas, Oklahoma, and Arkansas, before the final leg home.

When I pulled into my parents’ driveway in the giant yellow moving truck, they came rushing out. My mother gave me the tightest, longest hug, and we just held on and swayed like that for a while. I breathed in her life, and the warmth revived me. I was home and with a little care and feeding would come back to myself. I felt such relief, relaxing into my mother, knowing she could hold me up. Like I had survived more than Seattle, more than Covid. I had survived a starvation of connection, of feeling like I was in the world, because I had been so isolated from it, walled off in a fortress of trees.

The next morning I tried out several nooks for my new, temporary home office. I finally settled into a creaky, old desk that’s more display than functional. Within days, a tiny mess of papers and mail sprouted by my computer. It didn’t take long to make it my own. I looked out the bay window and actually saw people walking by. Young and old. Some with dogs. Others on bikes. One young man walked by barefoot four or five times that morning. I wondered if the pavement hurt his feet, and that small thing felt like connection, an imagining of someone else’s experience of the world. Beautiful, glorious people. I didn’t know who they were, and it didn’t matter. I felt a lightness. This was life. All around me. I thought to myself, the world exists, people exist, and we are all here, in this together.

Kristine Lloyd is a part-time writer, full-time librarian, and has previously been published in The New York Times, The Washington Post and Salon.com, as well as other online outlets.

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Sarah Sentilles is a writer, teacher, critical theorist, scholar of religion, and author of many books, including Draw Your Weapons, which won the 2018 PEN Award for Creative Nonfiction. Her most recent book, Stranger Care: A Memoir of Loving What Isn’t Ours, is the moving story of what one woman learned from fostering a newborn—about injustice, about making mistakes, about how to better love and protect people beyond our immediate kin. Sarah’s writing is lyrical and powerful and she ventures into spaces that make us uncomfortable as she speaks for the most vulnerable among us. This is a book not to be missed.

Pre-order a copy of Stranger Care to get exclusive free access to a one-hour generative writing workshop with Sarah, via Zoom on May 25th at 7pm Eastern time. If you register for the workshop and can’t attend, a recording of the event will be available. More details here.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Marriage, pandemic

Husband Fatigue — Oh, It’s Real

April 21, 2021

by Debra Ryll

I get it: if you’re white and you are not living under a bridge, you’re not allowed to complain about anything. But as I look at my spouse of thirty plus years, my sole dinner companion for lo, the last two hundred nights, I wonder: can I bring a paperback to the table, like those people you see on vacation?

I take a bite of the mushy broccoli he prepared. “Oh, bummer, it’s overcooked.”

“I don’t want to start a fight with you over this!” he says.

“I’m not starting a fight! I just made a comment!” And then we start fighting about the fact that we aren’t fighting.

Husband Fatigue. It’s real, people.

I know, I’m lucky to have a companion. How dare I complain when so many single people are plumbing the depths of loneliness? My issues are irrelevant, as trivial as the BAND-AID wrappers he leaves on the counter, just inches from the trash can.

This far into confinement-while-married, every irritant is magnified, and all the old adages are suddenly relevant. Like, “familiarity breeds contempt,” and “absence makes the heart grow fonder.” Or would.

I remember laughing hysterically at a video I saw at the beginning of the pandemic, where a woman hides in the closet so her husband can’t find her. That was back in March. In April, when the daffodils were blooming defiantly, we were all, “We’ve got this!” And in May—though we joked that our theme song was “How Can I Miss You When You Won’t Go Away?”—Fred and I were still playing ping pong and drinking margaritas on Friday nights.

And then came the horror of George Floyd’s televised murder. The riots, the fires, the smoke, the unbreathable air. Vladimir Putin being nominated for the Nobel Peace Prize, after his chief critic was poisoned with a toxic nerve agent. The passing of RBG, along with a peek into the Grifter-in-Chief’s tax returns, which included a $70,000 expense for hair care. Can I get a deduction, for overworked adrenals?

Mama said there’d be days like this. But weeks, months? Years?

In the middle of it all, we sold our house and moved into a rental with only one TV hookup. “That’s okay,” I said, “we mostly watch the same shows.” I must have been brain dead, because I completely forgot about the return of Monday Night Football. And Sunday Night Football. And Thursday Night Football.

As happy as I am that my husband has sports back in his life, when he asks, “Who’s winning?” on his way back from the kitchen I can’t resist saying, “The Denver Foresters” or “the L.A. Fire Chiefs.” He rarely laughs at my jokes, and I don’t really care. I just want him to fix that loose towel rack in the bathroom. And quit leaving his shoes in the middle of the floor. And stop taking the unused dog waste baggies out of his pockets and leaving them… everywhere.

Does Michelle Obama have to deal with this after Barack walks Sunny and Bo?

I want my husband to quit stealing my handicap placard. To please stop throwing away the newspaper before I read it. And why, dear God, can’t he put his pocket change in one place instead of making little currency deposits on every surface in the house? No wonder there’s a coin shortage.

I’m rinsing out the unwashed jar of spaghetti sauce he “mistakenly” slipped into the recycle bin (The Artic isn’t going to save itself, Buddy) when Fred interrupts. It must be halftime. What an odd nomenclature for a sport with a half-life similar to uranium.

“Can you teach me how to Zoom?” he asks. “I have an appointment with my doctor on Thursday.”

I can’t punt this to Siri, so I wash my hands for the hundredth time, set up a meeting for the next morning, and send him an email invite. He takes it in the bedroom, and I connect on the other side of the wall, in the living room.

Funny, he looks different on screen. I’m livestreaming my husband! He could be a thousand miles away… instead of ten feet. And we always get along better when we’re apart.

I tell him to “unmute” himself, the opposite of what I normally try to do. He smiles and says, “You look so pretty today,” and I blush. Because he’s the only one who sees me without a mask, and let’s face it, masks hide a multitude of sins. Once you forgo lipstick, it’s a very small step to skip concealer… foundation… eye shadow… mascara. Ponytails have long since replaced blow drying, and I’ve been somewhat remiss in plucking my chin hairs of late.

I complement him on his haircut in return. We’d been arguing over his quest for “the Jeff Bridges look” for years. “Jeff Bridges has a stylist,” I’d repeated, ad infinitum. “Jeff Bridges doesn’t go to Supercuts.” When the salons re-opened he finally agreed to make an appointment at mine, and at last, the blowzy grey “wings” that usually frame his ears like Bozo the Clown are gone.

Slipping into pretend Doctor mode, I ask how he’s doing and he responds with the same litany of complaints I’ve heard a thousand times. But this time I actually listen. Whoever said “variety is the spice of life” wasn’t kidding. It’s like we’re on TV doing Improv or starring in our own reality show. Who knew that the separation provided by 2×4 studs and a few sheets of drywall could have such a profound effect?

Because on the other side of the wall, this is the same guy who bitches about the San Diego Chargers moving to L.A. and how the Raiders got their own four billion dollar stadium in Las Vegas that that big shot Sheldon put up and you can see the Mandalay Bay Resort from every seat and why do the Chargers have to share a stadium with the Rams just because that cheap shit guy Spanos who owns the Chargers wants the people of San Diego to pay for it?

It’s the same guy who over-steams veggies, but barbecues like Guy Fieri. The one who feeds the hummingbirds and pumps up the air in my bike tires and puts windshield wiper fluid in some mysterious tank under the hood of my Honda so I can see clearly. The one I fell in love with when he bought me a chocolate malt for breakfast after our first all night “date.” The same man who accidentally taped the Marvin Hagler fight over our wedding vows 36 years ago. But we got over that, and if I can just ignore that pile of pocket change glinting in the background, we’ll get over this. Because he’s the one I pledged to stick with—through better or… wait a minute, I just realized: our anniversary is right around the corner.

I should send him a Zoom invite. And find those tweezers.

Debra Ryll is freelance writer, a TEDx Monterey speaker, a children’s book author… and a reformed smuggler, working on a memoir.

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Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Divorce, Guest Posts, pandemic

Covid-19 and My Ultra-Orthodox Children

April 14, 2021

by Beatrice Weber

I am a mother of ten Hasidic children, and I couldn’t protect many of them from the virus. The community they live in has flouted restrictions—and while I know my children are at risk, my hands are tied.

In mid-March 2020, my 7-year-old son, my youngest child, and one of three who lives with me told me he knows why this virus happened. “Oh?” I asked. I was in bed, sleep teasing me, hoping he’d get tired, too, and go to his room. “My teacher told me it is because we don’t say enough blessings. He said that if we say 100 blessings a day it will go away.”

My son is innocent. Like kids his age, he is impressionable. He was one and half years old when I left my abusive marriage, six years ago with four of my ten children. He attends a yeshiva and visits his father, a rabbi in Monsey, New York, every second weekend for Shabbos. I am fiercely protective of him, but when he is not with me, I cannot control what he is taught or what happens to him.

Sleep now a distant memory, I caressed his face and assured him that the virus is not his fault and cannot be undone with blessings. “We need to be careful, and we will be okay.”

But the next day, I was not so sure we would be okay. On my way to work, I see a message that had been making its rounds on WhatsApp groups. In pink letters, adorned with lilac flowers and green leaves, the virtual flyer, titled “Unique Protection,” stated that rabbis encourage women to upgrade their head covering from wigs to kerchiefs (more pious), and in this merit, we will be saved.

I closed my phone and continued walking. I spotted a Yiddish notice on a lamppost stating that the contagion is a punishment for schmoozing during prayers. We must be quiet, and this disease will go away. Quiet, I thought—the one thing I fail miserably at.

For many years, I had prayed daily, fervently. “God, please help me to become a ‘Kosher woman who does the will of her husband,’” I would plead, quoting the words of the Talmud. Please help me to do this. I want to be a good wife to my husband. I prayed and trusted that things would get better in my marriage. But it did not.

I was expected to be a meek, obedient wife. When I would try to voice an opinion, my husband would shut me down and get the children to mock me, until, finally, I broke.

It was seven years ago on Passover eve, before the first Seder when I left. My parents, older children, and the rabbis vehemently opposed me leaving. When my parents found out, they worked with the rabbis to try and take away my younger children. The six I left behind were lost and confused. They were angry at me for abandoning them. They couldn’t fathom the idea that I would leave. I was their mother who had always been there for them. And I left with a heavy heart, the most excruciating decisions I ever made.

I eventually received a Jewish Get from the rabbis and custody and a divorce in family court, but the feelings of betrayal never left me. Betrayal by my own family and my own God.

I felt lost and bereft, and I searched for another way to live.

Before Passover last year, a month into quarantine, my son pled with me to let him go to his father for the Seders. “I want to be there with my nephews,” he said. I assured my son that his nephews won’t be at his father’s Seder, since it is not safe to travel now. But I was not convinced of my own words. I had heard the rumors and seen the flouting of coronavirus restrictions. I knew that his father would risk infection—for himself and his children—to host a proper Seder with our grandchildren from New Jersey, against all guidelines. And I was not wrong – he did indeed invite our children and grandchildren and

Quarantined in my house, I lead a Seder with three of my children, joyfully singing the traditional songs and searching for the hidden matzoh, the afikomen. The sirens outside wailed, reminding me of the predicament we were in. The deaths in my former community mounted, peaking over Passover.

My friend who runs a nonprofit supporting young orphans in the community told me of the huge increase in requests for services. Families lost grandparents and parents, and communities lost rabbis, leaders, and congregants.

This became very real to me. The virus had infiltrated the community. And while I was hopeful that my children’s father and their community would take it seriously because the sheer numbers of infected and the dead pointed to a danger that required action, I was also skeptical because I knew what I would have done a decade ago. Instead of following the guidelines, I would have encouraged my sons to gather and study and covered for the men’s prayer gatherings. My belief that God would save us was so strong, I may have been compelled to trade my wig for a kerchief.

My skepticism was well-founded. By September, the second wave had reached the Haredi Jewish community in Brooklyn. My son’s yeshiva opened its doors while ostensibly following the rules that had been put in place to prevent the spread of the virus. One day I found myself in front of the dark grey building. My son’s teacher had called to ask me to pick him up. He had come down with a strep throat the week before, and he was still not feeling well.

I hesitated before entering the building. Though I am a mother of six boys, I have rarely ventured into the all-boys’ yeshiva building. It was considered immodest and unacceptable for a woman to walk the hallways—and besides, I never had a reason to.

There is another reason I hesitated: I no longer follow the strict dress code of my former community. On that day, I wore my curly bob and black slacks instead of the black mid-thigh skirt and beige tights expected of me. I had never gone near the yeshiva without my hair covered and a skirt over my knees, but I had no time to go home and change. My son wasn’t feeling well, and I was going to pick him up. He needed me.

I peered into the classroom over the teacher’s head and saw the children gathered, with no sign of any social distancing or facial covering.

I suspected that the guidelines were not being followed but seeing this blatant violation of the rules horrified me. What was I supposed to do now with my son? He was required to attend yeshiva, whether it felt safe to me or not. If I chose to keep him home, my ex-husband would use it as leverage and surely come after me for custody. I was torn between doing what was expected of me by my ex-husband and the community my son still belonged to or following my maternal instincts.

I chose the latter, filing complaints with the city and state health departments. I pulled my son from yeshiva, knowing I risked a potential battle with my ex who might take me to family court, a serendipitous reason why he should be granted custody of my son.

Weeks later, a judge in family court ordered my son to return to school, disregarding the flagrant violations. I comply, worried for my son’s health but also fearful of losing custody.

But for now, for then, I am still in charge. I do what I can protect my younger children, but what about my older ones. Who will protect them?

I don’t hear much from them. Since I left the marriage six years ago, there has been limited communication and it has tragically stripped me of any real relationship with them. They are angry that I left. I ruined their lives, they say. They went from being the children of highly respected parents to the children of divorce, shamed in the community. No one will want to marry them. They are damaged goods.

I don’t blame them; my heart bleeds but I could no longer sacrifice myself and my sanity.

Should I have stayed?

I have seven grandchildren whom I haven’t seen in years. I yearn to see and hold them. My children, too. I ache to be part of their lives and know how they are faring in these challenging times. But I am scared to call.

Will my daughter hang up on me like she did when I last called?

Will my son yell at me? I am too fearful, too vulnerable— so I sit at home and worry.

I worry that my children and grandchildren may not be okay. I am angry at a system that encourages them to ignore public health guidelines and rules meant to protect them. But I also envy them. I envy their faith and the unshakable belief that God will protect them.

But who will protect the rest of us?

Beatrice Weber is an Interspirtual Minister, writer, speaker, and coach. She empowers people who have experienced religious, familial, or community trauma connect with their own inner voice and create empowered and joyful lives. She was born and raised in the Ultra-Orthodox Jewish Community and was married off to a Rabbi when she was 18, never having graduated High School. After 22 years of marriage and 10 children, she left the marriage with her four youngest children, despite severe opposition from her family and the community.

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Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, pandemic, writing

When The Smoke Clears

March 24, 2021

By Joanell Serra

Early one morning in February 2020, I found a spot on a bench in downtown Oaxaca and scribbled in my journal. Sunshine, my personal drug of choice, spilled like a pool across the cobblestones. I was meeting nine people in an hour to go on a temple-climbing adventure, followed by a Mezcal tasting. I knew every minute of the day’s schedule because I had created it. I was hosting my first international retreat, women had flown in from both coasts to experience this magical city with me.

I can’t believe it’s really happening, I wrote. It’s almost ridiculous to be so happy in February.

Already a few days into the trip, my seasonal depression had ebbed upon arrival like mist burning off a lake. My asthma also cleared up, my migraines became infrequent and even my degenerating hip complained less. Winter blues and chronic pain paled in the light of Mexican sunshine.

For years, winters were a long slushy slide into despair, until I came to understand that along with medication, meditation and therapy, winter travel was crucial to my mental health. I shifted my career for more flexibility and for the last five winters I’d travelled to sunny locations whenever possible. It was a much healthier option than increasing my medications or slipping into a dark place. This retreat was a high point, combining work, community, and Southern travel during my most vulnerable time of year.

A month later, the contrast from that blissful week in Oaxaca was stark. I contracted COVID-19 on a plane from NYC back to California. Because of the medical providers’ lack of knowledge, my asthma and poor testing, things spiraled. I was both sicker than I’d ever been and told it “definitely isn’t Covid.” (But it was.)

I landed in the ER one afternoon as my oxygen was low, where I was treated like a leper with a bomb strapped to my back. I sat alone, surrounded by yellow danger tape. I knew if I got better, I needed to do something creative and impactful in response to this experience.

Fortunately steroids, antibiotics and TLC from my family brought me through.

Weeks later, I was given the opportunity to co-edit an anthology titled (Her)oics, about women’s pandemic experiences around the country. Grateful, I jumped in.

As the spring and summer unrolled, things got progressively worse in the world, while we managed a new order in our own house. Both my husband and I were suddenly home full time. Our youngest joined us, after his employer laid off all his employees, and a second son and his partner, having escaped Manhattan, moved into our extra room.

There was much to be thankful for—I had recovered and no one else got sick. And while the house was crowded, it offered enough outdoor space to make it work. We tried to enjoy long dinners together on summer nights, marveling at the concurring blessings and hardships.

But the news of increasing racial violence brought new distress, as we collectively tried to protect our youngest son, a young man of color, from the pain of feeling “othered” both locally and nationally. Our middle child, who lives nearby, was fighting things off with a compromised immune system and the oldest was a public school teacher. Each choice we made as a family seemed fraught with danger.

I felt like I was juggling swords on a seesaw. As long as I stayed centered, nothing dropped. But the summer weather was my ballast, and everything changed when the fires arrived in Northern California.

Supernatural, Mars-like and apocalyptic. It was hard to find words for our sky, a thick orange haze from morning to night, with no real sense of time. Being in Sonoma, every whiff of smoke brought back a barrage of fire memories from 2017 and 2018. My phone beeped incessantly with a “Red Flag” alerts and the the air quality index stayed in one zone, “dangerous.” We boxed up our photos and valuables, and kept a suitcase packed by the door in case we needed to run.

“Have shoes and keys ready,” became my before-bed mantra to the family.

Despondency descended. My work as a therapist became increasingly challenging, and my writing stalled. I pictured my words floating off the page like ashes, no substance to pin them to the page. What does a seasonally depressed person do, if their “happy” season goes up in smoke?

Of course my asthma kicked up badly, and when I called my neurologist due to increasing migraines, he wasn’t surprised. “We’ve all been inhaling toxic smoke for weeks.”

Through all this, I worked on the (Her)oics anthology. In a sincere effort to be inclusive to diverse experiences, I offered free online workshops before the submission deadline. I worked closely with emerging writers on their pieces, sometimes through three or four drafts. The first piece to make me cry was about a family with three teens, grieving the loss of their father in quarantine. The first to make me laugh was a woman announcing she planned to survive the pandemic with weed and masturbation. My heart broke for the woman who could not see her son, who lived in a group home. My anger rose as I read about a writer in Arkansas going to work every day in person, despite her diabetes, in a state that would not mandate masks. My anger turned to pride as she revised the essay, and shaped it into a powerful piece which we included.

Every submission moved and inspired me. I noticed I wasn’t as depressed on the days I met with writers and that my sense of isolation faded as I connected to “strangers” through their stories. I woke with a sense of expectation, eager to see the new submissions.

One writer, Parnaz Fouratain, submitted an essay titled Writing, and other Uncertainties. Her last lines stunned me, because they spoke for me, for this project. “It is a time to be awake, to see the world, perhaps, the way a child sees it, uncertain, bewildered, open. And when this time passes, and the peace and silence returns, the words will come, and we will all tell our stories.”

Eventually the fires abated. We had made it through another fire season, still standing. And to my relief, I’d fought off a surprise attack of depression, not with travel, or sun lamps or increased Prozac. My medication was listening to women’ stories. This was the newest antidote in my arsenal against SAD: the words of other women, the stories of displaced souls, the bold and naked truth of heroines. In my bleakest winters, Prozac and therapy had gotten me through. In this season of raging fires, I drank instead from a fountain of truths.

Joanell Serra MFT lives and writes in Northern California. An award winning playwright, novelist and short story writer, she has published stories in Eclectica, Blue Lake Review, Black Fox Literary Magazine, Poydras Review and elsewhere. Her Debut novel, The Vines We Planted (Wido, 2018) was a Los Commadres Latinx Book of the Month Club Pick. She is co-editor of the (Her)oics Anthology, a collection of women’s essays about their pandemic experiences. out March, 2021 with Regal House Publishing. Twitter @Joanell, Facebook and Insta: Joanellserraauthor.

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This past year has been remarkable, in the best and worst of ways. (Her)oics Anthology is a collection of essays by women about the lived pandemic experience. Documenting the experiences of women both on the front lines and in their private lives, this book is an important record of the power, strength and ingenuity of women.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Mental Health, pandemic

Ghosts

March 1, 2021

By Laura Cline

I feel her following me. The ghost.

Somehow, it is already seven p.m. My hands are under the hot running water, rinsing the dishes and leaning over to put them in the dishwasher. The little girl voices swirl around me. “Girls, time to settle down.” They don’t hear me. I keep rinsing the dishes and the ghost wraps her arms around mine- strangling- embracing.

I’ve been here before. This feels familiar.

Not that I have lived through a global pandemic, but my heart has been in this place, my head, my hands, all the parts of my body. My days have melted together into the longest day, the mornings weeks, months from the nights. The rhythm of my day is need- food, water, attention, sleep.

I wake up every morning and immediately feel the fog pull me back under. I haven’t slept enough the night before. I was up late folding the laundry, slipping into the warm water of the bath, rocking the baby, holding her to my breast. I hear the voices, the cries. “Mooooooom, mommy, get me mommy.” This day will be just like the last. I put on my glasses so I can see and pull back the covers. The ghost sits in the rocker across the room. My eyelids feel heavy, made of lead.

The television is always on in the background, but I barely hear it. My daughter asks questions about what is happening. “What is she doing, mommy?” “I don’t know, honey. I wasn’t paying attention.” Instead I scroll though post after post on Facebook. I stop when I see one about the virus, when I see one about the baby. I read it and feel it sewing the sides of my rib cage together, the tightening of uncertainty. When will it be over? Will this last forever?

After my daughter was born, I was diagnosed with PPD, PPPTSD, PPA, and PPOCD. Four acronyms, but one feeling. One ghost, drifting through her days. One shadow, drawn in tears.

COVID-19 is it’s own ghost, invisible, but we all know it is there.

The afternoons are the hardest. I’m at my worst. Most days I feel like I am giving my ghost a piggy back ride, dragging her around the house by her ankles, asking her again and again to please leave me, but she doesn’t listen. Most days, I curl around my daughter for a nap in my king sized bed. I leave the window open and a warm breeze blows the blinds and taps them against the window. I feel the softness of my daughter’s blond hair pressed against my lips. Sometimes I sleep and she doesn’t. She wakes me up, and my heart pounds, I feel dizzy. Where am I? What day is today?

After nap, I feel like I’m just waiting to sleep again. Am I awake? I feel raw on all my edges. My nerves jitter around in my body. So many sounds: squeaks and screams and crashes. My daughters’ sticky hands and sticky faces grab my hands and my clothes, wrap around my neck. They run wild, play aggressively, fall and cry, and fall and cry. They are all scraped knees and off the wall ideas. I look out the window again and again. Is my mom’s car in her driveway? Should we get in the car and drive somewhere? I crave talking to another adult. Out in our shared yard, my mom and I talk about the news of the day, what will happen next, what did the girls do today, as we pick up weeds from the driveway, water the plants, sit six feet apart in chairs. My youngest always runs right up to her grandma, “No, June. Space. The virus.” They have seen her, hugged her, kissed her goodnight almost every day of their short lives. When we go inside, some nights I break. I scream at the top of my lungs in the middle of the kitchen. I sob until I can’t breathe. I kick around the toys on the floor, the trash, the crumbs sticking to the bottoms of my feet. Some nights I am even, Zen almost. Numb. We laugh at the dinner table, play Bob Marley and Elton John, have dance parties, read books, snuggle and eat chocolate. When I look in the mirror, my face is the ghost’s.

Every night it seems we go to bed later. The sun lingers. It is almost summer. It is mid summer. It is the heat of the longest of summers. Some of the voices on the news wonder if the heat will kill the virus, render it dormant, but it doesn’t hibernate. It still lurks in our breath, on our fingertips.

My firstborn came in the summer. One afternoon in July, I swaddled her up and put her into her rocker. She fell asleep and I waited for her to jerk awake, like she always did. Instead, she stayed quiet, and outside it began to rain, one of the early Monsoon storms that season. I turned on Fleetwood Mac. I was still. I felt like I was flying.

One day while I am watering the bush in front of the house, a bird shoots out. My mom tells me that she has seen the bird too. “It must have a nest there.” The next day, the kids and I trim back the bush. “Don’t touch the clippers. Pick up the leaves.” Eventually, we can see the nest near the edge of the bush, four tiny eggs inside. “Don’t touch them,” I tell the girls, but later that afternoon, I find them in the front, hiding their hands behind their backs, a cracked piece of shell on the ground. “I saw the tiny beak, mom,” my daughter tells me. My heart cracks and fissures like the shell. I hope that the mama will come back. I tell my girl that the bird is dead; that cracking it’s shell killed the bird. Her sister tells everyone, “The bird is dead, dead, dead. Gracie killed the baby bird.” “Stop it,” she shrieks, “they already know.”

The next day I go out and rustle the leaves on the bush. The mother bird flies out and hops across the yard. She came back.

Every morning my girls want to check on the eggs. I feel like I am holding my breath. I so badly don’t want them to be disappointed. How much loss can any of us stand?

The ghost has felt the hot summer sun on her shoulders and the back of her neck. She has felt the sting of the sweat running into her eyes. She watches like the mother bird, shooting out, anxious, to watch as giants hover over her babies, with their careless hands. Those hands already took one of them. Will they take the others?

But they don’t. The eggs hatch and the babies – two of them- are there in the nest, naked, tiny, eyes glued shut, organs and veins just visible under their translucent skin. They grow patches of feathers. My daughters give them names: Tiny and Flower. One day, one of them is gone, just a rustle in the bush. I push the girls on the swing, my feet in the warm sand, and when we come back, both baby birds are gone. Did a crow eat them? A javelina? Did something invisible take them away?

There are orioles all over the yard. Some days, we think we see the babies, slightly smaller than the others, eating at one of our feeders. The girls stand at the window, yelling, “I see them! Tiny and Flower!” I see them too, I think, and I almost believe it. “I see them, too.” My ghost nods.

We leave the house just a little for a few warm weeks at the start of summer. We go to the playground. We play with friends. The kids are almost like kids again. I start taking the baby places. She is stronger, bigger. They are the healthiest they have ever been. While we are out, I feel alive. When I come home to the house, I feel the energy drain out of my body. The house is a succubus. The ghost is always inside.

And the virus descends. Overnight, eleven people die. I don’t know them, but I feel their loss. Were they alone? I know they were.

I can’t control it anymore. The chaos descends. Every day is a whirlwind, and I want to get back in bed as soon as I get out of it. The laundry piles up, the floors are dirty, every thing is wet. The clutter makes me crazy. I throw things out with abandon. We take out the trash again and again. I rage. I cry. I laugh at my kids’ antics. They start to talk like me, to become me. I wait for night when they go to sleep. When I can breathe. The sun stays out and they go to bed later and later. Will it end?

When I find out the kids will be going back to school, I am terrified and exhilarated at once. This must be how the mother bird feels when her babies leave the nest? The act of protecting them, of holding them under my soft belly, is exhausting. But outside, there lurks the invisible danger of the virus, of the unknown, of the dark chasm of what the future will hold for them, for all of us.

The ghost sits down next to me on the couch, surrounded by the mess of the day. She takes my hand. We wait together.

Laura Cline is an English teacher at a community college with an MA in Literature from the University of Arizona. She has published both fiction and non-fiction, including an article about birds and babies at Motherwell, and an essay titled ‘Dear Left Big Toe‘ published in Entropy.

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Rebecca Solnit’s story of life in San Francisco in the 1980s is as much memoir as it is social commentary. Becoming an activist and a writer in a society that prefers women be silent is a central theme. If you are unfamiliar with Solnit’s work, this is a good entry point. If you are familiar with her writing, this is a must read as she discusses what liberated her as a writer when she was discovering herself as a person.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

Guest Posts, pandemic

Isolation Blues

December 29, 2020

By Loreen Lilyn Lee

If you live with people, sheltering in place has its challenges, but lack of human contact is not one of them. If you live alone like me, the absence of human contact feels unendurable—a seismic event for social beings.

~ The last moments of normalcy. ~

On Saturday, February 22, I dined with friends before attending a hula concert to celebrate my 71st birthday. I’m grateful to have been born and raised in Honolulu; Hawaiian music and hula feed my soul. Several hundred people filled the performance hall and took pleasure in both the chants that accompanied ancient hula’s staccato rhythms and the sweet melodies inspiring modern hula’s graceful movements. On Sunday, I met my Asian American women friends for lunch at Hong Kong Dim Sum, crowded as usual. Later we spent a pleasant afternoon playing mah jongg. During the week, I completed my regular schedule as an English and writing tutor at North Seattle College and in fitness classes on Monday, Wednesday, and Friday mornings. My hairstylist gave me a perm.

Then everything changed.

Seattle reported the first coronavirus death

in the U.S. on February 29.

Soon after, each household became an island.

I live in an apartment building for active seniors. The managers locked the doors on all common areas: community room, computer room, movie room, and gym. They cancelled all community events, including fitness classes. We tenants, in effect, were isolated in our apartments. For me, that’s a one-bedroom apartment, approximately 520 square feet, not exactly a prison cell, but still confining. Most of us live alone, so social interactions make a huge difference in quality of life and provide health benefits. I also hoped to stay healthy by continuing fitness classes to strengthen my immune system; this was not the time to stop. I thought the managers had over-reacted, while some called it “an abundance of caution.” I called the corporate office to complain, and the public rooms were unlocked, but it was only a brief reprieve.

No one knew

a state-wide lockdown was imminent.

I began sheltering in place

Fri day March 13

when the college shut down.

Only a few days earlier, the administration had announced it would stay open until the end of the quarter. Okay, I thought, my life will hold steady for the next couple of weeks. While the crisis was still unfolding, I dreamed of maintaining my routine, some semblance of stability, and didn’t realize that solid ground had shifted to sand. So, I was shocked when Monday’s decision was overturned on Thursday morning; the gravity of the situation and the urgency to safeguard staff and students from contagion had become undeniable to college officials.

~ In Week 3 of staying at home, I learned to breathe deeply again. ~

Life was still on hold, but I began writing after clouds of anxiety dispersed. My creative energy flowed into words that converged on the page and lifted my spirits. I called a friend to go for a walk. It was a decent day for Seattle, meaning no rain, some sun. Although I’m out of shape, we walked for an hour on the college campus, now eerily empty of cars and the bustling energy of students, and in the adjoining neighborhood with tree-lined streets. We chatted while conscientiously keeping our distance. I was happy to see a familiar face, have a conversation, be outdoors, and move my body—much-needed respite from my apartment walls. However, no touching, no hugs.

~ In times of uncertainty, people need hugs more than ever. ~

I miss the intimacy of sharing time with loved ones: sitting together in a movie and sharing popcorn; jostling and jesting with an amiable crowd lined up to buy tickets at the Crest Theater, only $4 for a second-run movie; going to a concert or literary reading; enjoying meals with friends at a dinner table or in a favorite restaurant; working side by side in a kitchen preparing food; touching a pal spontaneously, throwing an arm around a shoulder or waist or patting a hand; whispering a private joke into someone’s ear; hearing live music at the cozy North City Bistro that features talented local musicians; receiving a massage from healing hands of a woman I’ve known for thirty years; feeling the warm energy radiating from another person; being near enough to see cheeks blush or the twinkle in an eye.

When will we be able

to dance in public spaces again?

Two weeks ago I hit a wall. It was late May when a convergence of profound isolation (living alone for over two months without human touch) and the frustrations of dealing with ongoing technical issues of working online slammed me. My energy reserves dipped with each new online task requiring a learning curve. Trying to troubleshoot technical issues heightened my stress. For example, connectivity without unlimited broadband access created problems: students suddenly disappeared from the screen.

A Zoom ex istence is an e m pty one,

like living on a desert island.

People in pixels are not equivalent to someone in the flesh, and communication can suffer. My isolation is sharpened when shopping requires a six-foot perimeter around me and constant vigilance. God forbid I should bump into anyone! Life felt shaggy like my unruly hair. It felt completely unnatural.

By early June

in iso la tion for twelve weeks,

without touch ing or being touched by

a living, breath ing soul.

~ I grew up on the island of O’ahu. ~

Giving a lei with a kiss on the cheek for a birthday or graduation or any special occasion was traditional. Other than this, my Chinese American family did not express physical affection often, but neither did we avoid touching one another. With seven children, we were often jammed into a car or crowded around the television. I grew up on an island, but I was surrounded by family and friends.

As a woman, I gravitated to warm, affectionate people and realized that I crave human connection, the physical communication between bodies; I need hugs and the love they convey.

The nearness of people is on hold for now.

I get it and sorely miss it.

Still, my aching heart is real—this desert heat of desperation, feeling my heart could simply shrivel up and cease working without touch. I realize my pain may not be assuaged anytime soon, but I recognize it serves a purpose; I will hang on to this longing for human comfort, touch, and camaraderie. I don’t want to forget what it’s like to be human even though I have no idea when I’ll hug anyone or reach across a table to clink glasses in celebration. The simple gestures of friendship and love are absent for now. It is what it is. I’m hanging in there one day at a time, but I insist, I have to believe that these simple blessings will one day be ours again.

~ My island roots ground me in times of crisis. ~

An ancient Hawaiian canoe chant keeps coming to mind. I often quoted it at readings for my book The Lava Never Sleeps: A Honolulu Memoir. Skilled navigators, these Hawaiians traveled throughout the vast Pacific Ocean in their voyaging canoes. All the paddlers chanted these words in unison, from deep in their solar plexus, before pushing off from shore. They understood the risks of navigating uncharted waters and the criticality of every paddler working for the good of all in order to reach their destination. To survive.

I kū wā huki
I kū wā kō
I kū wā a mau
A mau ka ēulu
E huki e
Kūlia!

~ These words are not suggestion, but instruction and prayer. ~

Then as now, we’re all in the same boat. Social isolation is damn hard, wearying, soul-crushing. And yet, I have to do my part.

Together, we pull
Together, we draw
Together, now and forever
Unceasingly, from the top
Pull together
Persevere!

Loreen Lilyn Lee was born in pre-statehood Honolulu. Her debut book The Lava Never Sleeps: A Honolulu Memoir won the 2018 Willow Books Literature Award, Grand Prize in Prose. She has received fellowships for a Hedgebrook residency and the year-long Jack Straw Writers Program. Her work has appeared in The Jack Straw Writers Anthology, Burningword Literary Journal, and Raven Chronicles’ Last Call. She is a writing and English tutor at North Seattle College and can be found online here.

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Family, Guest Posts, pandemic

I Could Have Run a Railroad

November 25, 2020

By Alisa Schindler

I have always loved the rain. The quiet of the sky. The soothing drone of a million hearts beating overhead. The deep grey seeps into my bones like a drug, slowly calming, and telling my brain to shhhh. There is nowhere to go; no bright and tempting sun guilting me with its happy warmth, pressing me forward to run, skip and laugh. No open, welcoming day beckoning me with possibilities. Now it is alright just to breathe and embrace that feeling where pressure simply evaporates. There is only a moody somberness, a gentle drum lulling me into peace.

When I was younger, my father used to chasten me about the bubble I surrounded myself in and accuse me of complacency. “Don’t be another boring housewife,” he’d say and gift me books by Ayn Rand hoping to inspire. “You’re a Dagny.”

I’d roll my eyes, but take the books, devouring them in private. Deep down I heard him, his message taking root in the brain I was busy ignoring, although I refused to give him the satisfaction of acknowledgment. It wasn’t like he had the right to judge, I thought. He had done nothing of substance. He was a man with huge romantic notions of the world and no follow through, all about the ‘big ideas’ and being one of the ‘beautiful people’.

To be fair, he was beautiful. Strong and masculine, with crystal green eyes that mirrored my own and thick wavy hair that had prematurely grayed. He was a legend on the ball field and the racquetball courts. With his charismatic smile, easy laugh, and love of a good party, both men and women gravitated towards him.

Even with erratic work habits, his charm, good looks and intelligence helped him survive and, at times, even thrive, in his vocation as a salesman. But that was in the 70’s and 80’s when no one looked too deeply. If they had they would have seen an addict who moved from one sad, dirty, cluttered place to another, often sleeping on a mattress on the floor. Someone who lived from paycheck to paycheck and visited his kids on the weekends at their new home with their new family out in the suburbs. Still, he always came bearing gifts and smile.

For a time.

By my twenties, his alcohol and recreational drug years were behind him, but his struggles were just beginning. I made the mistake of moving in with him after college after a failed back operation led to dependencies on pharmaceutical opiates. It didn’t take long to realize I was trapped. He needed me to shadow him as he staggered around on pain medications. He needed me as he seesawed between the lows of depression and manic bursts of energy and enthusiasm. Some days he couldn’t leave his bed, other days we played tennis. Some days I wrestled car keys from his hand; his glazed unconscious eyes in complete opposition to the strength of his anger and grasp. Other days, we sat side by side watching episodes of X-Files or Star Trek eating Tupperware bowls filled with cereal, finding moments of ridiculousness and laughing till milk came out our noses.

It was the inconsistencies of health, mental and physical, that kept me tied. The highs that reminded me of his sparkle and my childhood adoration and the lows that overwhelmed and obligated me. He had no one else. I was his sun, his moon, and his savior. But when he talked to me about stepping outside my bubble, I could see nothing but his need and my potential floating away.

Like a good first-born child, I took to my martyrdom like worker bee to queen. I dove in and let it define me; using it to separate myself, to hide, to solidify the bubble into armor, until there was only me and my struggle with his struggle.

As the years passed, I finally found a way to move out and leave him – I got married. Had babies, boy one, two and three. Created a life filled with privileges and pleasures. But through it all he was there, an umbilical rope of need and devotion connecting us.

As he aged and weakened, he softened his view of me and the world. Dagny Taggart wasn’t all that anymore. He excused my complacency and decided to extol my virtues instead. “You’re a great mom,” he’d say. “I understand why you like your bubble. The world is crazy. Your bubble is good.”

My bubble was better than good – a wonderful husband, beautiful children, the house in the suburbs, endless books to read, writing to keep me satisfied and sane and good friends to laugh and cry – but with him attached I remained, as always, harnessed. Stuck to the ground, rooted, never taking flight. No longer sure I even wanted to.

And then, he died.

Something that was ‘a long time coming’ and should have happened decades before, took me by complete surprise. I was suddenly free from his tortuous, desperate need. I could float in the sunshine of my family, meander in and out of marshmallow clouds, drift through the lazy rainbow days of baseball, baking and boys. I could write. Or run a railroad.

Yet, the relief everyone talked about didn’t come. I missed the burden. The insanity. The ridiculousness. I missed him. The man who dreamed I could be Dagny Taggart but whose everyday life careened off the rails. The man who laughed without limits but also cried without restraint. The man who opened my eyes to the joys and horrors of the world, but also made me turn inward and away. The man who was one of the ‘beautiful ones’ who became disabled and deformed.

Maybe it was always my nature. Maybe I gravitated toward a life heavy with a responsibility that allowed me to stay shielded, my purpose small but mighty. My world limited but loved. My heart soaring in words but my feet on the ground.

I’m okay with the bubble. The smallness. The calm. The nothing.

I always loved the rain.

Alisa Schindler is a freelance writer whose essays have been featured online in the NYT, Washington Post, Brain, Child, Parents, Good Housekeeping, and The Well at Northwell Health, among others. In her spare time, she writes sexy, suburban fiction. Find out more about her at alisaschindler.com.

Anti-racist resources, because silence is not an option

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Guest Posts, pandemic, Tough Conversations

When the Mothers Are Gone, When the Mothers Return

November 22, 2020

By Nicole Walker

Kit Carson and his men scorched the earth after they forced the Navajo people off their land, toward Bosque Redondo. Where the men destroyed peach trees the Diné had tended for three centuries, not even stumps remain. Some tamarisk mark their impossible green against the red cliffs and the red ruins, but the original life-sustaining fruit trees are gone as are the churro sheep whose fat the People rubbed into cuts left behind by pruned branches.

My mom calls to tell me about how she and her new boyfriend visited with her new-found son at his house for the first time with his kids. She’d given her son up for adoption before I was born. My husband teases me that now I’m no longer first-born child. This new son is very tall. I don’t think it’s fair he got the tall genes and first-child status, both.

I ask her how the visit went. She says, “well, really well. My, is he glad I didn’t abort him. He keeps telling me.”

“That’s not how abortion works. If you’d had an abortion, which you couldn’t have had, legally, he wouldn’t know he didn’t exist. It’s like every masturbated sperm complaining that it didn’t to impregnate an egg. You’re not alive until you exist.”

“I know, but he’s still really, really glad.”

“I bet,” I say. She knows I’ve had an abortion. She seems to think she’s done something right. She’s not quite telling me I did something wrong, but maybe she is. I try to feel bad about it but then I’d have to feel bad about all those misdirected spermatozoa. That menstruated egg that didn’t get her chance to replicate.

Kit Carson and his minions may have cut down the original orchard of trees, but the People replanted. High desert, Colorado-Plateau growing is not easy work but there is a reason the Navajo survived as long as they did where they did. There are tricks to growing and the People have been here for centuries. The Hopi, who received peach seeds from the Spanish, who live also in the high desert but further east, and who not always friends with the People, still gave peach seeds to the Diné, as a gesture toward future friendship. And although Canyon de Chelly has thick red walls of de Chelly sandstone, unique for its horizontal deposit, green things grow. To the left grows grass. To the right, Utah Juniper. In between? A mixture of pines and yucca and cactus.

Canyon de Chelly is a complicated life zone. To grow peaches here might be a miracle. Or to grow peaches here might be a logical extension to growing olives in Spain. Isn’t the Mediterranean its own kind of semi-arid climate? What is not obvious, at least not to me, is the idea of a planting trees from seeds. I am so wrapped up in horticultural bondage, I’ve only grown fruit trees from grafted rootstock. And even those have turned out first stunted, then dead. And I am lucky enough to own a hose that stretches from hosebib to rootstock. Canyon de Chelly growers must rely on spring water and rain to get their fruit trees to grow.

“He’s just so glad I didn’t have an abortion,” she tells me on another phone call.

I try to tell her about Schrödinger’s cat. The cat is both alive and dead inside the box. It’s only when you look that he turns out dead. “Don’t look, mom,” I tell her.

There is a lot more genetic matter in the world than there used to be. There’s a one in 420 trillion chance of you being alive right now. We are all equally lucky the world is full of green and equally cursed that the world is running out of water. The planet is getting hotter. Our genetic material swarms like a virus. The planet has a fever. Perhaps the fever will burn us off.

Kit Carson and his Army burned the peach trees. They also killed the Churro sheep. The Churro sheep are a strange breed. Unrefined, some say. But the women who weave prize the wool the sheep produce. The weavers tried merino wool once but it didn’t possess the sticky fiber’s tug that the Churro’s twisty follicles produced. Without peaches and without sheep, Kit Carson expected that moving The People to Bosque Redondo would be permanent. What did they have to return to?

But The People knew how to grow peach trees from seeds. They just had to wait out Carson’s savage obsession. Once he moved on to different kinds of destructions, Canyon de Chelly’s soil and water would still offer what it gave when they planted the seeds the first time. Perhaps the Hopi would gift them again on their long walk home.

It is my fault my mom has a new son. His wife messaged me on Facebook to say, “Hello, my husband just received a notice from Ancestry.com that your mom is his mom.” I’m pretty easy to find and open on social media. I told her to hang on. I’d be in touch.

When I told my mom about the message, I replayed for her the advertisement on Pod Save America where Jon Lovett says, “Try Ancestry.com. Find that brother that you never had. Ask you dad, hey, dad, is there something you wanted to tell me?” My mom didn’t find the joke funny. Since my sisters and I had known about her new son, I didn’t think it was that big of a deal. But what do I know about the loss of children?

When I asked my mom to remind me why she told us about him, she said, “I didn’t know how your father might weaponize it during the divorce.”

The Facebook message didn’t come as a shock then. More of an opportunity to tease my mom about the benefits and drawbacks of Ancentry.com. “What kind of ancestors do we have anyway?”

“Same as we thought before. Mormon all the way down.”

Stephen C. Jett published an article in a 1979 issue of Economic Botany describing the cultivation of peach trees in Canyon de Chelly. “The trees in some orchards appear to be of uniform age; in other orchards, mixed ages. None of the trees attains a very large size.” Hill noted that well-cared for trees bear after 3-4 years.

As Hill observed, “a planted tree remains the property of the planter, even in the event that he abandons the land and someone else assumes the care of the tree. Trees are often planted by a father and given to his children.”[i] Children may inherit trees from their fathers, but from their mothers, they inherit animals who help trees grow. The Churro sheep supplies the women with wool. The Churro sheep supply the whole community with meat. The connections between sheep and tree are integral. Rendered fat from the Churro sheep is pressed into wounds left behind by cut limbs. Sheep fat is rubbed on seeds to help them geminate. Rams’ horns line the edge of the orchard or even hang from the branches of trees to strengthen the trees.

To build bodies in the semi-arid climate requires a wide network. The thread of the sheep fat and wound looped into a weave. The ram’s head calcium plaited into the dirt. The rendered fat interlaced between the peach pit’s rivulets. This cross-species blending orchestrated by the matriarchs since long before the Spanish brought their peach pits to the Hopi. That existed before Kit Carson rounded up the women and children and marched them to Fort Redondo.

I am trapped at home with my 14-year-old daughter during a virus outbreak. This pandemic is forcing us on lockdown but we aren’t as quarantined as our Navajo neighbors to the north. Because the virus spread so quickly on The Nation, I don’t imagine this will be the last pandemic we’ll suffer. As the climate warms, I imagine the melting ice releasing all kind of novel viruses. The swine flu hit just a few years ago but the corona virus is first pandemic where we’ve been told to wear masks and to stay away from public places.

My daughter, Zoe, is beautiful, hilarious, athletic, and brilliant. She’s also a pain in the ass while we’re waiting for everyone to develop an immunity to a disease we’ve never known. I ask her to come plant some pea seeds with me. The package says, plant these 6-8 weeks before the last frost. I think it’s late in the season but maybe I’m on target. It’s hard to tell with climate change. Maybe we’ve already seen the last frost. Maybe it will snow another two feet at the end of April.

She declines my offer to come plant. I talk Max, who is 10 and less of an automatic-no, to press the pea seeds into the garden box filled halfway full of store-bought dirt that we got lazy and ran out of money to fill to the top of the wooden frame. The garden box 4 feet wide by 8 feet long by 3 feet tall. We can’t grow in the regular ground. The dirt is poor. The deer will eat whatever we plant if we don’t plant it in this box that’s wound with plastic, protective fencing. Whose peas will these be?

I look at Zoe’s skinny frame and cannot imagine either the sex or the zygote reproduction. Or rather, I can imagine. With too many folds and body parts, too many lips, I gave her a copy of Our Bodies, Ourselves like my mother gave me. My mom did not ask me to plant peas with her. I don’t know if it was because she preferred to plant alone or just didn’t want to hear the automatic no of the 14 year old species. I take solace is Zoe’s resistance to planting. Not interested in owning or being owned, she is not into boys and not into peas.

The pandemic has hit the Navajo Nation hard. I was talking to the teacher-fellows in the Diné Institute.

“It was The Gathering,” Carol said.

“What gathering?”

“Oh, every year in New Mexico. The New Brotherhood Church holds a gathering. Everyone from churches all around gather.”

“They should have canceled it,” Maria argued.

“I didn’t go.”

“I didn’t either.”

The Navajo Times reports the number of cases every day. Today, 3465. 100 deaths.

A lot of families on the reservation live closely together. Some don’t have running water. It’s hard to convince yourself to sing Happy Birthday two times if you have to drive to Flagstaff or Shiprock or even Tuba City to fill your tank. No one wastes water on the reservation. Even the peach trees know to inhale water from the air.

I always thought my mother was militantly pro-choice. She drove me to the abortion clinic for my first abortion. The nurse hurt her feelings when they made her stay in the waiting room instead of holding my hand through the procedure.

It was for the best that she hadn’t heard the doctor tell me not to have sex so young. I wanted to tell the doctor it wasn’t my idea, the sex, the abortion. I think my mother would have yelled so hard at the doctor, he may have rather sucked his own ear drums out. I can imagine him taking the doctor by the shirt collar to the neighbor boy who was supposed to be my babysitter and say, “Tell him about how young she is.”

Or, maybe she wouldn’t have. There are things that are said in girls’ bedrooms between mothers and daughters and things that are said when the boys are around. Perhaps she would have agreed with the male doctor. I mean, I agree with the doctor. No one should have sex that young whether they want to or not.

A woman takes a peach pit and rubs Churro fat into its folds. While the male members of the tribe might own the branches, she owns the dirt below. She tucks her hands into dirt. Later, she tucks her hands into wool. Women are hand tuckers. They press their hands within the dirt, through the hair, into the birth canal. They can bring out life in the form of a plant or a blanket or a baby. They can bring out a different kind of life that may look like a disorganized skein but this unwoven fetus is woven into a different story.

Kandace Littlefoot for Truthout writes, “As a Diné woman raised by my maternal grandmother and my sisters, I know that respecting someone’s right to make their own reproductive health decisions is a value deeply rooted in our sovereign Indigenous communities. In our matrilineal society, women have always had direct autonomy over our lives and our reproductive health care decisions. Historical accounts show women and pregnant people in our society have engaged in some form of abortion over generations. I support abortion access because of my Indigenous matriarchal values and traditions — not in spite of them.

Shí éí Kandace Littlefoot yinishé. (I am Kandace Littlefoot.)

Tséníjiíkinií nishłį, Kinliichíinii bashishchiin, Tsédeeshgizhnii dashicheii, dóó Táchii’nii dashinalí, ákót’éego Diné Asdzáán nishłį. (I am born for the Honey Comb Rock People/Cliff Dwelling People, born to the Red House People, my maternal grandfather is the Rock Gap People and my paternal grandfather is the Red Running Into the Water People; in this way, I am a Diné woman.)[ii]

From what I understand, the Diné aren’t more or less conflicted than anyone else about abortion, but some members of the Diné Nation do go on record to say, in a report entitled Indigenous Women’s Reproductive Rights: The Indian Health Service and Its Inconsistent Application of the Hyde Amendment, written in October of 2002, that “Traditionally, in Native American communities, matters pertaining to women have been the business of women. All decisions concerning a woman’s reproductive health were left up to her as an individual, and her decision was respected. Oftentimes a woman would turn to other women within her society for advice, mentoring, and assistance concerning reproductive health. Within traditional societies and languages, there is no word that is equivalent to “abortion.” Traditional elders knowledgeable about reproductive health matters would refer to a woman’s knowing which herbs and methods to use “to make her period come.”[iii]

But then there is strong resistance to abortion from some members of Native American communities that, because of forced sterilization and reproductive control by the US Government, Navajo women shouldn’t have abortions. Elizabeth Terrill, writing a guest column for The Navajo Times, in January 2020, writes, “Precisely because of our history of being discarded and disdained, we have an obligation to stand for those who are today being denied the rights that we have fought so hard to obtain.

Today, unborn Native Americans are the most vulnerable among us and they are under assault from many sides. By our culture we know the importance of our children. Our children are our future, and our children are the heart and soul of our families, clans, and tribes.”

Are you a peach pit or are you a sheep? Do you need a little pruning or do you sacrifice yourself for your community? Some Diné women rub the fat into the peach pits. Some of weave blankets. Some work at Walmart. Some turn arid ground into peach trees. Some trees need pruning, some seeds need fat, some wool needs to be pulled and tugged rather than shorn.

When the pandemic hits, my mother is living in her rented condo with the owner of the condo. It worked out when my mom was single but now she has a new boyfriend. They’re supposed to move in together but the pandemic seems to hold them up.

“Mom. You guys were supposed to move on January 31^st.”

“He wants to finish the floors. We’re almost done painting.”

“Mother, you are 73 years old. You shouldn’t be painting.”

“I think I’ll move into your sister’s for awhile.”

“Are things not working out with Bill?”

“They’re great. I just don’t want him to get irritated with me.”

“Valerie will get irritated with you,” I told her.

“Yes, but she can’t get rid of me. I’m her mother.”

I put a land acknowledgement at the bottom of my signature line. I walk on the land that the People and their ancestors walked on before me. It’s not just their land but the water we take, pumping from Red Lake under the reservation to our pipes in Flagstaff.

I add the land acknowledgement but that is words and it’s really my body that’s taking place. My body is taking up space. It is space my body doesn’t need to take, but I don’t know where to put my body.

My mom texted me to say, “Have I told you lately that I love your smile.”

My mom never texts me.

“What made you text me that, mom?”

“I just saw the pic of you, the hat, and the cat. Hug emoji.”

Women build bodies through the telephone. Women build through the furniture they move, or don’t move. Through their clothes. Their hair. Their weavings. Through their menstrual pads and IUDs, and their kids. They tell stories through the plants they grow and the water they carry to the plants from the spring over half a mile away. They cook the lambs. They strain the broth. They take the fat skimmed from the top and rub it into peach pits. Those lines on the peach pits they recognize as bark on the tree, as the knot of a cervix, the pleading lotic of a son she’d always wished she’d had. I can’t regret abortions because the strings of this horizontal story pulled me one way and another. I am just a cat in a box. It’s unfortunate that a man owned the box. My mom used to swear men were nothing but trouble. But that tall son of hers is made something out of nothing, like all good children. He is full of flesh and he looks just like my mom.

When I met mom’s new son, my sister wouldn’t join us. She called me, “I don’t know, but this whole thing just makes me cry.”

“This whole thing is just weird. But think of it this way. Now we have a bigger family. We’re growing like spider webs. Walker blood everywhere.”

“Mom’s last name wasn’t Walker when she had him. Neither is his.”

“She’s not going to love him more than us,” I try to console her.

“You’ve seen how she is with her grandsons. They can do no wrong.”

If there is one magical force in the world, it’s making something out of almost nothing. Sperm and egg, so small.

I remember the book my mom and dad read to me about how babies were made. A pencil dot, almost invisible, for the egg. Sperm even smaller than that. But some electric connection between the two leads to replication after replication. All that mitochondrial DNA doubling and doubling.

My mom’s new son is very tall, I tell you again. Six foot three at least. I am a foot shorter. He probably weighs as much as me and my sister combined. So much mass in the form of a really nice guy. It is possible my mother will love him more than her daughters.

The miracle of mass is not necessarily miraculous. Replication for the sake of replication isn’t automatically impressive or useful. Yeast grows. Plants grow. Fetuses grow. But so grows the amount of carbon dioxide in the atmosphere. The amount of fossil fuels burned. The temperature of the plant. The number of people dying from the pandemic. The number of species going extinct. Growth for the sake of growth doesn’t a mother make. If a seed doesn’t germinate, even with sheep fat scrubbed into its crevices, only shows the planter, the soil, the sun, the rain, and the sheep understand the nature of seeds.

The planet doesn’t need more mass or more people. Some climate scientists say that if we planted a trillion trees, we could cancel out a decade’s worth of greenhouse-effecting-carbon. Donna Haraway, in her book Staying with the Trouble likes the slogan, “Make Kin Not Babies.” Then someone said, well, it might not work. Then, someone else said, there is nowhere to put the trees. Then someone said, the oceans absorb 50% of the carbon. Then someone else said, if they planted them on ice, they’d actually make the planet hotter, since white ice reflects yellow sun heat.

But some Indigenous People, like the Swinomish in the Pacific Northwest, are planting trees right now. Mass is the measure that makes women choose to direct their lives non-child-wise. It’s not the fear of roots or becoming rooted. Planting 8 billion trees won’t save us. Planting 8 billion trees won’t not save us. It’s the verb rather than the number that matters.

When I meet my mom’s new son and his wife at a restaurant, I am as short as ever. My family’s one gift is to try to make strangers feel as comfortable as possible at the very first meeting (and then pull that rug out from under by the end of the meeting) so my mom’s new son is happy to follow my mom’s lead to tease me about my height. There’s the using my head as an elbow rest. There’s the ‘can I reach that for you?’ There’s the, ‘oh sorry I tapped your foot with my foot. I didn’t know your feet reached the ground.’

There’s the picture of my mom and my mom’s new son. Their faces match. I can’t if they look more alike than me and my mom or if it’s the newness that makes them look surprisingly identical.

I don’t feel anything. My stomach is not in knots.

There’s something body-less for me in this moment. I don’t know what to order from the menu. I can’t tell if I’m hungry or not. I look to my mom to give me some advice on what to order but she’s busy trying to talk her new son into sharing a Reuben with her.

Maybe in revenge, I will become a vegetarian. “Want to come over for dinner, mom? I’m making ancient grain bowls.”

That will teach her.

When the Diné returned from Redondo, when they found their peach trees burned, their sheep slaughtered, they took turns collecting peach pits hidden between blades of grass in what was then, at least still, a fertile valley. They found old ram bones to mark the rows. Without any sheep fat to moisten the seed, they didn’t have a lot of faith that anything would grow. But they planted the seeds anyway and waited for three years for the seeds to germinate. Now the Diné living near Canyon de Chelly have new peach trees that are just as beloved as the old ones. They have found some new sheep. The children, even the female ones, have inherited a few trees, some rendered fat, and a puff of wool—not too much but possibly enough substance to sustain their bodies another three centuries or more, if the rain comes back in time.

[i] Jett, Stephen C. “Peach Cultivation and Use among the Canyon De Chelly Navajo.” Economic Botany, vol. 33, no. 3, 1979, pp. 298–310. JSTOR, www.jstor.org/stable/4254079. Accessed 3 Apr. 2020.

[ii] https://navajotimes.com/opinion/essay/abortion-is-not-a-solution-for-native-women/

[iii] https://prochoice.org/pubs_research/publications/downloads/about_abortion/indigenous_women.pdf

Nicole Walker is the author of Sustainability: A Love Story (2018) and the forthcoming collection The After-Normal: Brief, Alphabetical Essays on a Changing Planet. (2019). She has previously published the books Where the Tiny Things Are (2017), Egg (2017), Micrograms (2016), Quench Your Thirst with Salt (2013), and This Noisy Egg (2010). She edited for Bloomsbury the essay collections Science of Story (2019) with Sean Prentiss and Bending Genre: Essays on Creative Nonfiction (2013) with Margot Singer. She is the co-president of NonfictioNOW and is the recipient of a National Endowment for the Arts award and a noted author in Best American Essays. She teaches at Northern Arizona University in Flagstaff, AZ.

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