parenting Archives | The Manifest-Station

Confessions of a Brown, White-Girl

April 11, 2021

by Georgena Michelizza

It’s 1993. Mariah Carey’s “Dreamlover” plays on 97.3 Kiss FM constantly. It’s my favorite song so I don’t mind. I’ve started growing awkward pointy breasts that are too easily noticed under my oversized t-shirts. Bill Clinton is president; I know this is important, but I’m not entirely sure why. I like the way he plays the saxophone because I also play Alto. I know that Dan Quayle can’t spell potatoes and that there’s a war in Gaza. I’m only 10 years old.

This is the year my dad starts carrying a walnut-stock shotgun around. It must be almost the end of the school year in Taos, or the start, because I know it’s hot. Heat emanates off thick adobe walls as I walk to the plaza after school and floats in illusory ripples above the black asphalt when we drive home. Everywhere my father goes the shotgun goes. It drives to school with us, laid across the two flip-down seats in the rear of our red and gold Chevy. It sleeps on the floor beside his mattress and sits, propped in its beige canvas case, in the far corner of his shop all day. She’s our silent companion.

~ ~ ~

“You’re gonna die Nigger. You’re gonna die, boy. Watch your step.” Click.

My dad looks at me with those pleading honey-brown eyes and pushes the blinking green triangle on the answering machine again.

“You’re gonna die Nigger. You’re gonna die, boy. Watch your step.”

“I don’t know Dad. Maybe it was the same voice from the prank call this morning. I’m not sure,” I say, avoiding his needy eyes. Tension ties my jaw in bumpy knots and pulls my lips back in an awkward Cheshire smile; one hell of a coping mechanism freaky smiling is.

“This is serious, Georgea. You need to try and remember.” His voice is deep and resonant, the way he usually sounds after meditating, but the fine lines between his eyes and on his forehead show me he is not at ease. His sense of urgency is palpable, and I want to have the right answer. I want to know what’s going on.

“I couldn’t really understand the guy on the phone this morning, dad. I’m sorry.” I take my yellow Jansport backpack off and lay it behind the long desk that served as a bar for previous tenants. “He just sort of mumbled. I couldn’t make out any words. I thought it was just a prank call, so I hung up,” I keep talking, nervously trying to fill the space between us with words. My dad pushes the blinking green triangle again and sits down with his forehead in his palms, shaking his head “no,” gently, back and forth. A wriggly blue vein bulges beside his temple. I know this vein, it’s his angry vein, but he doesn’t look angry now. He looks sad. Sad and scared. “Do you think it was the same person?” I ask, wanting to show that I appreciate the gravity of the situation.

“I don’t know, Georgea. But, somethin’s not right. Not right at all.” I’ve never seen my dad appear weak or penetrable, and that is distressing alone. I’ve seen him worried when he says he is balancing his checkbook, or “figuring out what to do next.” Money, I know can cause those lines on his brow, “the business” can narrow his eyes like this, but never before has he appeared fragile.

~~~

I’m no longer allowed to walk the short 10-minute distance from school to our rug gallery in the plaza. Instead, he parks on the street directly outside my final class of the day, watching me make my way down the school steps and to his truck. We circle the plaza numerous times, bumper-to-bumper, trying to find parking. Shotgun in the backseat all the while. I don’t ask why she travels with us everywhere; I know the answer, “You’re gonna die nigger, you’re gonna die — boy.” I’m scared of her, both of the irrevocable damage it could cause and of why it suddenly has become present in our lives.

Gone are my 25 cent giant Jawbreakers from the huge glass jar at the candy shop on my way home. Gone is my blossoming sense of independence. I understand I need to be kept safe, but I don’t entirely understand why. My father’s attentiveness is warming, but unusual. “Sometimes you gotta learn the hard way,” was his mantra and that’s exactly how most of his tutelage was passed down; the hard way.

Beyond the “N-word,” I knew what the caller meant by calling my father “boy.” My six-foot-five-inch father was no boy. He was big and he could be pretty scary. People in town called him, “Big A.” He was the guy you called to haul your 200-pound Mastiff Shepherd down the stairs when he’s too scared to walk down on his own. He’s the guy you call when you need help moving the heaviest couch on earth, or to build a deep-set fence to keep the neighbor’s cows out of your clover field. He’s not a man that many would cross. Yet, someone was not scared of him. Some drawled, barbed voice on the other end of the answering machine knew they had power over him, and they exerted that power with the word “boy.”

~~~

The death threat was not the first time I had experienced racism. Upon reflection, it was the first time I became aware of it…

~~~

“Don’t be offended, Georgea, I’m just not attracted to black girls,” says my 10-year-old best friend, Jessie, in the school-yard when he is supposed to run up and kiss me in some variant of tag we were playing. I’m not offended, but I do wonder if all the other boys I know feel the same.

“My mom told me you can’t wash dreadlocks.” School kids would say. “Gross. Do you wash your hair? I bet it stinks. Georgea’s got dog hair.” All too familiar schoolyard exchanges. I did wash my dreads, and my father also washed his. Oddly, I never registered the vitriol that underscored these comments. I was happy to explain to my peers.

“No, of course we wash them. We just don’t brush them. We pull them apart so that they don’t mat up into one big gnarly Bob Marley dread.” Perhaps they went back and told their parents what they had learned. Perhaps that is why they came back and told me they were no longer allowed to play with me because I’m “black.” Perhaps that’s why I decided to cut off my dreads that year.

Sprawled out in a giant tractor tire in a dirt schoolyard, Nicole looks at me and questions, “Maybe your skin is brown because God pooped on you?”

“Maybe yours is white ‘cause God peed on you and bleached you pale.” I get out of the tire as the recess whistle blows. Feeling self-righteous about my quick-witted comeback, I walk towards the haphazardly forming line to reenter the school building.

I truly did not believe she was trying to be mean. I would go on to have many sleepovers at her house. We’d drown out Rush Limbaugh’s agitated voice coming from the living room big screen with THE Dave Mathew’s Band cranked full blast on her Sanyo boombox until we were told to “turn that racket down.”

Joining some other classmates towards the front of the line, I’m told by a popular girl wearing an athletic-style headband, “Nuggers in the back.” I don’t know what that means. I know nigger is a hate-filled word, but I don’t know what “nugger” means. Does she mean nigger? The dusty schoolyard is chaotic and loud. I just want to get inside.

A big sixth-grade girl appears. She drapes her arm around my shoulder and pulls me in close. She feels like a sister. I wish she were my sister. Her hair is big and curly and she smells like coconut and Dr. Pepper Lip smackers. “Come in the 6^th grade entrance with me,” she says, flipping her chin, neck, and hair around in the most confident display I’ve ever seen. Once inside the back part of the school in which I’d never been, she points down the hall and says, “Your classroom is that way. You’ll be OK.” She starts up the green-tiled stairs beside the water fountain when she turns and shouts down the hall, “Just ignore them.” I plant those words in my heart and live them as creed.

The halls are clean and almost empty as the lower grades have not yet been let in. I drink in the peace and try to step in each tile squarely, avoiding the cracks until I reach my door. The poster on my classroom door is a black and white picture of Dr. Martin Luther King with an excerpt from his, “I have a dream” speech.

“I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.’

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.”

I memorized those words that year and carried them as truth, my own illusion of colorblindness blinding me to the reality around me.

Heartbreaking as this all sounds now, it didn’t break my heart then. That came later. That came after the message. The message changed the tone the light cast on everything that came before.

~~~

During any one of my father’s empowerment lessons, he smiles that warming, charming smile that turns all the women around him into globby goo. “You can be and do whatever you want. You may have to work harder than some other people, but whatever you want to be in life, you can be. You just gotta play the game.” He looks like a superhero beaming down on me. Anything is possible, you just gotta be strong. Strong and proud; the burden of a black woman.

He tightens his turquoise bolo tie in the mirror and puffs up his chest as he swats the lint off his torso. I love to look at him when he’s dressed up for work. He’s taught me about the black cowboys in Oklahoma where his father is from, and I think secretly he wants to be a cowboy.

“Perception is reality, Georgea.” He always says my name after laying down some hardcore truths. “It matters how you speak, how you’re dressed, how you walk. People are gonna try and judge you, make decisions about you without axing you.” I register the mispronunciation of “ask,” and look up at him. “Asking,” he corrects himself smiling, his gold lateral incisor glistening in the sun. “You can’t change their minds, but you can control how you show up.” He adjusts the denim collar of his shirt, grabs his black wide-brimmed hat, and walks out of the room planting a sweaty kiss in the center of my forehead.

~~~

Raised to believe I had nothing to be ashamed of, I was happy to educate people about melanin in skin, the history of the slave trade, the ancient kingdoms of Africa and the Orient, and how my slightly wider nostrils helped my equatorial ancestor’s intake more air in hot climates. I truly believed that I could educate people out of ignorance, and I felt no shame in doing so.

“They’re just ignorant,” my dad would say. And so, for some time, this was my belief. People are not filled with hate, they are just ignorant. If their lack of knowledge was not elective, that meant I could simply provide them with knowledge and they would be healed, liberated. If they chose not to accept my knowledge, that was their loss. This stance carried me through much of my childhood and provided a cottony bubble of empowerment that burst when I learned that ignorance can be a choice.

~~~

“I’m Georgena. Georgena Tann. My name wasn’t called,” I say to the 5th grade ski club administrator in the auditorium. The words are hard to get out behind my suppressed tears. My voice trembles more than I want it to. She looks up from her scribbling with only her eyes.

“Right.” Eyes back on her clipboard. “I see your name here, Miss Tann. You were absent yesterday. Rule is, you don’t show up to school, you don’t ski the next day. You know that.”

“But it was a holiday. It was Martin Luther King’s day. It’s a holiday. I didn’t miss school. We celebrated.” I plead, genuinely surprised and confused.

“Not here it’s not. Everyone else was in school. Now, go back to your class. I’ll give you a late pass.” She hands me a yellow slip of paper without meeting my eyes.

I forget about my backpack and all my gear sitting in the 5th row. I run out of the auditorium, down the white-tiled halls, past a bumbling teacher, and out through those big green double doors. I run down those massive steps and all the way to my dad’s shop.

~~~

My father and I return to school that afternoon to speak with the principal. We’d been there only a few weeks back when I was sent home for the day for listening to “explicit content” on my Walkman. The song was a “Let’s Get It On” Marvin Gay single I’d stolen from my mom’s cassette library.

This was not the first or the last time my father spoke to a school principal on my behalf; not the only time I would register apprehension in her eyes as she closed her office door looking nervously at the aides on the other side of the glass.

“Big A” was intimidating. He couldn’t help it. He was born this way, brown and tall. The risen, rippling burn marks covering much of his right arm, hand, and body didn’t help diminish people’s concern.

So… my dad, big and intimidating, sat in front of that little principal woman, me beside him, and told her that Martin Luther King Day is now a federally observed holiday statewide and if the school was refusing to observe the holiday he would pull me from school, and — “take it up the line.”

We signed some papers and huffed out of there after collecting my things from the auditorium. The following day I returned to the private, “hippie school” I had attended in previous years. I had begged to go to public school to “feel normal.” My old, new school was directly across the street from Enos Garcis, the public elementary I had just busted out of, and at lunch recess the kids across the street would throw oranges and other fruit over the chain-link fence and chant, “Hippie Kids, Hippie Kids.” Maybe they hurled more intimidating insults, but my memory has kindly kept only, “Hippie Kids.” We had no ski-club, and our 30-person school was housed in an old church, but I was grateful to be back where things made sense. I still might not be kissable, but at least I could listen to Marvin Gaye.

~ ~ ~

I wonder if my father anticipated me not being able to ski and pulling me from that school. I wonder if he had planned the whole thing, or if it really was an innocent mistake. I wonder if he thought about how sad and left out I would feel sitting in that auditorium, while everyone’s name was called but mine. I wonder how I’ll teach my young, white-passing, daughter’s about the privilege they wear on their skin.

The following year Enos Garcia observed Martin Luther King Day.

~ ~ ~

So what happened with my dad and his 12-gauge? I remember the look of concern and fear in my dad’s squinting eyes. I remember the words on the answering machine verbatim. I vaguely recall tall men in sleek suits standing out against the south-western décor of the hotel lobby, which led to our family business. I don’t why it happened, or if the matter was ever resolved. I don’t know when my father finally stopped toting the gun around, or why.

What I do remember is my father explaining to me what a hate crime is. I don’t recall the exact words, but what I took from that explanation was that people might want to hurt you just for being who you are. Raised to believe I could be and do anything I wanted, safely, this was a potent deviation from all my father had instilled in me. So why does it matter? If I can’t remember any of the details beyond a dreamy blur, why has this memory become embossed into my psyche? Why, as Black Lives Matters protests swelled across the US last summer, did this memory move me to tears and often panic?

This experience subconsciously added a new filter to a little ten-year-old girl’s perceptual reality. The new awareness; we are not always safe in our skin.

Despite being college-educated, having two-passports, and speaking three languages (in sum, being blessed by privilege) the yoke of this awareness chokes me now as I, like my father 28 years prior, keep pushing play. I keep watching a black man die below the knee of a police officer. Over and over I watch. “I can’t breathe, I can’t breathe.” I can’t either. Am I safe? My supercomputer intelligence pulls up all the instances in which I have felt unsafe in my skin and begs me to explode into fight for flight. I’m flooded with cortisol and trembling despite sitting safely on my couch, phone in hand.

This is how trauma works, it creeps back up and takes hold of your most primal instincts when you least expect it.

Georgena Michelizza is a mixed-race, German/American dual citizen. She writes about growing up between cultures and skin tones. From the lens of a first-generation American she reflects on race, and wonders how to teach her very fair children about the African blood that discretely runs through their veins. Follow Georgena here.

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Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, parenting, Pregnancy

Yellow Coat

April 4, 2021

By Samina Najmi

This is an essay I don’t want my son to read.

When Cyrus first arrived at the daycare center, a handsome two-year-old with dimpled cheek, he refused to take his coat off. For weeks the battle raged. Even when he could be persuaded to walk into his classroom and sit at the communal table, he would not permit anyone to unzip his puffy yellow coat or slide the hood from his head. His teacher, a no-nonsense young woman concerned about the hazards of overheating, insisted. Cyrus would back away, clutching at his chest as she approached, but stronger hands than his pried his fingers away and retrieved the shrinking arms from the yellow sleeves that cocooned them. He’d crumple in the corner, then, his body hiccuping with sobs.

By the time Cyrus was four years old, he was already a staunch creature of habit. Every morning he climbed down from the top of the bunk-bed, one careful step at a time, with a plush animal or two ensconced under his arm, and at the end of each day he gathered his critters and climbed back up the ladder to bed. No matter how late the night or how tired his legs, Cyrus never left his critters behind.

But then his mother accepted a tenure-track position in the English Department at Fresno State. During the five months in which our family of four had to pack up our lives in Massachusetts and move to California, Cyrus sorrowed for what he was about to lose: the bedroom lined with bookshelves that he shared with his older sister, Maya; the swing-set in the sprawling backyard with grass that his father mowed on a mini tractor, sometimes with Cyrus sitting ensconced between his knees; the above-ground pool he would venture into only with a yellow float that resembled a lifejacket; his preschool friends and teachers who had been part of his world for fully half his life–in a word, everything he knew.

I helped as I knew how: by buying children’s books on the subject. Together we followed the Berenstain Bears’ move from mountain cave to tree-house and Tigger’s move to a new home; we read about a human family’s sudden accumulation of cardboard boxes from the perspective of their dog, Boomer. In fact, I discovered scores of stories about animals whose families were about to relocate. The one Cyrus asked me to read most often featured a little boy mouse and bore the title: I’m Not Moving, Mama!

Ten years later Cyrus would have to move again, this time within Fresno, following his parents’ divorce. I’ll worry about its effect on him, but though he’ll be more tentative about the condo than his sister, he will be surer of it than I. At fourteen, the relief of not having to water backyard trees or skim a pool, and the coolness factor of having the boutique drinks of Dutch Bros nearby will outweigh any sense of loss. This time it will be our four-year-old cat Winnie who’ll spend the first months after the move huddled in a cardbox box in our new garage.

But back then as we packed for the transcontinental move, Cyrus refused to part with any of his belongings, so we paid to have them all–not just the stuffed animals but every building block, every monster truck, every long-lost board-book, old socks, and worn shoes–we paid by the pound to have all of them driven three thousand miles in a big moving truck that sported the word Atlas on a blue wave across its breadth.

On the six-hour flight from Boston to San Francisco, Cyrus sat somber and resigned, like a kitten in a carry-cage that had stopped meowing but couldn’t be made to purr. An enthusiast about every mode of transportation, he allowed himself to be distracted only briefly by the airplane’s wing or the terrain below it. Often I’d look up to find his eyes holding the tears that would neither quell nor drop.

A single photograph captures the moment of Cyrus’s arrival at Fresno airport: he stands with his older sister at the top of the downward escalator in the terminal, a giant “Welcome to Fresno” sign visible above their small frames. Maya looks around her with bright, inquisitive eyes and a smile forming on her lips. Cyrus, on the other hand, wears a wary expression and a navy blue t-shirt with BOSTON in big red letters across his chest.

That first year, in addition to my new tenure-track job, the family had to adjust to the fact that dad was no longer working from home. This was especially hard for Cyrus. “I wish Daddy didn’t have a job,” he said more than once. (Until, within the year, his wish came true.) I arose at 5:00am to prepare or overprepare for my classes and get myself and my children ready for the day. I’d drop Maya off at Malloch Elementary and Cyrus at Kiddie Kare–the preschool he had picked over the more prestigious Fairmont on account of the quality of its playground (and yes, I gave him the choice because he had so few choices). Then I made my way twenty minutes east to Fresno State. I was teaching new courses and adapting to the rhythms of a large public university where the culture differed significantly from the small private colleges I had taught at until then. I was being tested and I didn’t want to fail.

Cyrus added to the challenges of my first year on the job by dragging his feet every morning. The day would begin pleasantly enough. He’d be the first person to awake after me, and as soon as he did so, he’d climb down from the bunk-bed with the stuffed toys du jour and come looking for Mama in the family room. He’d find her predictably reading on the couch, pen in hand. Our unspoken ritual dictated that I set my tome aside for a few minutes while he rested his head on my lap, and together we listened for the birdies. I didn’t know then how abruptly such rituals end or how often I would return to that morning communion between us when the teen years came. There are days now when my son will emerge from his bedroom and walk at brisk, preoccupied pace right past the living room, unseeing. But back then I would have to say, “Time for us to get up now, love.” And somehow as soon as the moment of idyllic stasis was behind us, as it came time to get dressed and head out of the house, the morning demanded some combination of coaxing, humoring, arguing, and reprimanding to get Cyrus out the door on time. Somehow, we managed.

Until one day, six months into the new school year, it got to me. And it was the morning of Cyrus’s fifth birthday.

He had come looking for me in the living room that cold February morning, his footsteps soft against the Mexican tiles of the hallway. But instead of bounding toward the couch, he paused at the threshold with smiling eyes, clutching Pinkie, the plush poodle, in one hand, his slender body wrapped in the fleece robe his grandmother had made him for Christmas. I went up to hug him before we returned to the couch together. That morning at the breakfast table he laughed at everything, the Birthday Boy, his dimples deep with the giddiness of turning five.

I don’t know when it began or how it escalated, but an hour later, the scene had shifted. Maya was dressed and ready, as was I. Also ready to go was a half-sheet marble cake for Cyrus’s classmates with strawberry filling and a miniature Lightning McQueen parked atop the icing. Then Cyrus was protesting–was it about wearing a sweater? putting his shoes on?–and I was trying to reason with him. Next thing I knew I was shrieking at him in a voice I couldn’t recognize as my own. It wasn’t even the worst of his procrastinations, but I couldn’t scale back. My words, whatever they were, bounced off the dark Mexican tiles and resounded throughout the high-ceilinged house. Maya stared. Six months of practiced patience at home and nervous diligence at work had erupted in unaccustomed volume that terrorized the five-year-old boy before me. His shoulders shook from the force of his sobs.

I like to think I didn’t let him cry for long. That I recovered my sense of proportion, abandoning whatever had seemed important to insist upon a few minutes ago. I held him until the sobs subsided, led him to the bathroom to wash his face and pat it dry, my fingers smoothing his dark hair.

I load the Lightning McQueen cake into the minivan. We drop Maya off at Malloch and within five minutes we have arrived at Kiddie Kare. As I reach for the sheet cake on the backseat, I wonder if Cyrus is a tad too quiet. The teacher takes the cake from my hands and assures me that the children will enjoy it. “Cyrus makes everyone laugh,” she says.

My husband and I had gone all out for our son’s fifth birthday, his first one in Fresno. We even colluded in buying him the big, red motorized All Terrain Vehicle he could only imagine owning. After Kiddie Kare, there was Pump It Up, an extravagant space where brother and sister bounced their hearts out together. The following day we hosted Cyrus’s four close friends from preschool, all of them boys who displayed good-natured envy of his new ATV and took turns driving it around our backyard. Photographs show Cyrus and his playmates with exuberant expressions, intent on their fun. All evidence suggests a happy birthday.

So why has that morning been on my mind these past few weeks of summer? Cyrus and Maya appear to have no memory of it. Does that mean it didn’t happen? That I didn’t ruin the day–didn’t make my son cry on the morning of his fifth birthday?

Moments after that moment, six-year-old Maya had said quietly, “He wasn’t really arguing with you, Mama. I don’t know why you got so upset with him.”

Maya has always been communicative–to a fault, her teachers might say. “Why not try to sit with silence?” I’d ask her at the kitchen table sometimes. “It’s not the same thing as nothingness, you know.” Now, in her last summer at home before leaving for college, she does yoga and we hang out at cafés together, as comfortable with quiet as with our chatter. Our conversations move across varied terrains. She’s my window into contemporary pop culture as shaped by artists of color–Solange Knowles, Childish Gambino (whom I once recalled as “Childish Bambino,” much to my children’s mirth). I can’t get into the macabre crime shows she loves, but Jane the Virgin reels me in with such vehemence that within weeks I’ve caught up on all eighty-one episodes available on Netflix.

Maya was a junior at Edison High when Cyrus entered as a freshman. Many in his class looked up to his sister as part of the cool set, one of those tweeting upper-classmen who have their fingers firmly on the pulse of their times. She made a formidable opponent in debates at Model United Nations conferences and performed in Edison Tiger Theater Company’s productions of The Wiz and The Lion King. She’s also a freelance journalist for The kNOw Youth Media and Fresnans have seen her pictured in The Fresno Bee among a small group of young people speaking up for their right to meaningful sex education in Fresno Unified schools. Maya has an opinion on most things, including high school robotics, which her brother loves.

Robotics. Cyrus’s freshman year, robotics became the wall between us that I couldn’t scale. He’s been loyal to soccer and piano since he was little, but neither of those shut me out like robotics, perhaps because sports and music make room for an audience. By contrast, the robotics club at Edison High gathers in an extension of the lab that is a warehouse–a metallic room cramped with tools that I can barely name, let alone use. This unbeautiful space fires my son’s imagination. During the six weeks of Build Season, he and a few other hardcore robotics students like him spend at least as many hours in the wareheouse after school as they do in class. There they feel the rush of the hands-on, head-on thrill of designing and building a robot that can compete at the prestigious First Robotics regional, national, and even global competitions. A tireless mentor stays with them, including parent-mentors who have both the time and know-how to make themselves useful.

I am not one of them. But sophomore year I spend more money than I should to tag along to Houston when Edison’s team, Mindcraft 3495, is invited to the World Competition, sponsored by major tech companies, including Google. Their robot’s unique four-bar arm design, which Cyrus had worked on with a senior, had won the Engineering Award at the Central Valley Regional and caught the attention of the First Robotics judges. They didn’t win the global tournament, but they were there. And cheering them on, I felt for the first time that I understood something of First Robotics culture, if not of mechanical engineering.

Still, the mother seeks traces of the little boy who loved his stuffed animals and never failed to scoop them up at the end of the day.

Is the boy who held on to his yellow coat there in the sixteen-year-old whose teammates trust him not only to design and build their robot but to drive it in the tense, adrenalin-charged arenas of a tournament?

Maya has her own take on her younger brother. With the vantage point of a graduated senior, she casts a suspicious eye on “STEM kids” as likely robotic themselves. And as an enthusiast of psychology, she has been known, half-seriously, to call her brother a sociopath–as distinct from psychopath, she tells him; more like the profiles of CEOs. I recoil from the noun and admonish her for typecasting. What does she know of Cyrus’s capacity for tenderness, his vulnerabilities, and his loyalties? Mine is the memory.

Perhaps the memories of Cyrus’s early years press on me now because Maya is about to leave home. I have spent the past few years anticipating what her absence will mean for me, for Cyrus, for our home life. We’ve moved twice before, but as a family; now Maya will be moving out. She will be moving on. For the first time in our world, it will be just my son and me. We’ll have only each other to greet first thing in the morning and last thing at night. Until, in two years’ time, Cyrus moves out, too.

As the harsh hand of change reaches toward me, I shrink into my yellow coat. I want to be the critter who won’t be left behind.

Samina Najmi teaches multiethnic U.S. literature at California State University, Fresno. A Hedgebrook alumna, Samina’s essays have appeared in such publications as World Literature Today, The Massachusetts Review, The Rumpus, and Entropy. Her essay “Abdul” won Map Literary’s 2012 nonfiction prize. Daughter of multigenerational migrations, Samina grew up in Pakistan and England and lived in Massachusetts before moving to California with her then-young family.

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This past year has been remarkable, in the best and worst of ways. (Her)oics Anthology is a collection of essays by women about the lived pandemic experience. Documenting the experiences of women both on the front lines and in their private lives, this book is an important record of the power, strength and ingenuity of women.

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Click here for all things Jen

Guest Posts, parenting, Special Needs

The Art of Acceptance

March 15, 2021

CW: This story contains outdated, culturally insensitive references to individuals with developmental disabilities. Prior to the 1990s, the term ‘’mental retardation’ was used to describe individuals diagnosed with low IQ.

By Cathy Shields

“Your daughter Jessica is profoundly retarded.”

The string of words yanks like an invisible chain, back to that moment in 1988 when the doctor made his decree. Those five words launched a journey I struggled to navigate for twenty-four years. Today I face what awaited at the end of my passage.

I stand in the middle of Jessica’s bedroom. Everything appears the same as yesterday; the same, but different. An assortment of posters hangs on the wall above her bed, most of them, images of the band, the Backstreet Boys. In one photo, the five boys lean forward, arms linked. They smile, and for a second, I imagine they can hear me. I whisper the words like a well-kept secret.

“We moved Jessica to a group home today.”

I turn my attention to the posters Jessica told me to bring. My fingers tremble as I grab the edges. I wonder whether my heart will crack into a million little pieces, like the broken keepsakes she has refused to throw away. Jessica often followed me around the house and repeated the same questions. “Mommy where we go today? Mommy, what we do? Mommy? Why you no answer me?”

What if we made a mistake moving her? Thoughts teeter like a seesaw. We should have waited. What if she doesn’t like it? What if she thinks we’ve abandoned her?

“You’re making that face again.” My husband Chip stands in the doorway. “I can tell what you’re thinking. The staff at the group home said they’d call if there were any problems.” He folds his arms across his chest. “We were supposed to wait a few days. You’re going to call anyway, aren’t you?”

I shrug. “Sorry, I have to.” I grab my cellphone and dial. Two rings later, Nina, the house manager, answers.

“Hi, it’s Jessica’s mom. I know you advised us to wait a few days to call, but can I speak to her?” The words leap from my mouth as if they possess a mind of their own.

“Yes, Mrs. Shields, but we want her to adjust to the new environment. Can you wait? I promise she’s fine.”

A long silence follows. I’m not sure whether to wait or hang up. When I don’t respond, Nina sighs. “Okay, I’ll get her.”

Seconds tick by until I hear Jessica’s voice.

“What you want Mommy? When you come here?”

“Um, I’ll come soon. In a few days.”

“You forget my posters? You say you bring them.”

“No, I didn’t forget. I started taking them down.”

“Okay Mommy. I love you. Bye.”

I hang up the phone and stifle an urge to cry.

“So do you feel better now?” Chip uncrosses his arms, a tiny smile peeking through his graying beard. His green eyes are like beacons calling me home. “What are we making for dinner? It’s getting late,”

“I’m not hungry,” I murmur. “Go ahead and grab something. I might be a while.”

“Are you still worried? Nina just told you Jessica’s fine.” He waits for me to respond and when I don’t answer, he says, “Okay, fine. Do whatever you have to. I’ll be in the kitchen.”

A rumpled pink bedspread covers Jessica’s mattress. I sit, pull her pillow close to me, and inhale. Faint traces of her vanilla-scented shampoo remain. Chip doesn’t understand. He didn’t spend years worrying about how to make Jessica normal. It seemed easy for him to accept. Why couldn’t I?

Stacks of empty video boxes, loose CDs, magazines, and crumpled pictures are scattered over the top of Jessica’s nightstand, and when I straighten the hodgepodge of items, I spot my favorite picture, a photo of me and four-year-old Jessica. In the photo, we smile at the camera. Her saucer-like blue eyes sparkle with childlike innocence. Silky bangs frame her face and her blonde hair cascades like a waterfall of curls. People often said she should be a child model. If things had turned out differently, it could have happened. My finger traces the curly lines of the embossed silver frame. I had insisted Chip take that picture. To mark the occasion.

I slide the photo from the frame and turn it over. In blue ink, I had written the date. April 5, 1988.

Dr. Morgan, the neuropsychologist who headed the program, met with us. He made his pronouncement. My mind reconstructs the scene. Snippets of details; the cold room, the red leather chair, the click of a pen, the tears. The meeting ended. Chip clasped my hand and led me away from the shards of broken dreams. I remember the way Dr. Morgan rose from his seat as I swept past him and headed into the hallway. For one split second, my mind had conjured an entirely different scene. What if I could change the ending? Then Chip opened the door to the children’s activity room. Jessica saw us. Her eyes lit up. She pointed and beamed at us. “That my Mommy.”

The woman beside her, clad in pink scrubs, laughed as Jessica tugged on her hand. “I’m Carol,” she said, “one of the nurses here. Your daughter is so sweet and adorable.”

A second nurse sidled up and stroked Jessica’s hair. “She certainly is. She’s angelic.”

I nodded, barely able to look at Jessica. Perhaps I would never see her the same way again. What then?

Carol touched my shoulder. “Oh, please don’t cry. So many kids come to our center, but your daughter is special. Perhaps she arrived in your life to help you. They say the Lord works in mysterious ways.”

I hated it when people said that. It sounded so condescending. Jessica held up both hands. “Up, Mommy. Pick me up. We go home?”

“Yes. Daddy and I will take you home.”

I remember how I held Jessica, pressed my face against her cheek, and inhaled the fragrance of her skin. A precious, heartbreaking moment. How could I live with the fact there was no cure for her irreversible brain damage?

Chip pokes his head through the bedroom doorway. “Didn’t you hear me call you? You’ve been in here for over an hour. Dinner’s ready. Come and eat.”

I steal one last glance at Jessica’s photo before I return it to the nightstand. It might take the rest of my life to learn the art of acceptance.

Cathy Shields is a retired educator with an M.S. Ed in Exceptional Education. She is a member of the South Florida Writers Association and a member of the Memoir Writers Circle. Her short stories have appeared in Ariel Chart International Literary Journal, ’45 Magazine Women’s Literary Journal, Flash Fiction Friday, A Story in 100 words, Spillwords and Variant Literature. Her work “The Phantom Ovaries” was nominated for the Pushcart Prize in 2019. Cathy resides in Miami, Florida where she and her husband raised their three grown daughters.

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A book about tears? Sign us up! Some have called this the Bluets of crying and we tend to agree. This book is unexpected and as much a cultural survey of tears as a lyrical meditation on why we cry.

Pick up a copy at Bookshop.org or Amazon.

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Guest Posts, Kindness, parenting, Self Love

Golden Repair: A Disfigured Mom’s Quest to Raise a More Loving Child

February 8, 2021

By Melissa Akie Wiley

She looked at my face with disgust. My infant daughter cooed. I had just placed the baby into a shopping cart when the woman first approached. A stranger. She came too close. Staring at my daughter.

“Your baby is perfect,” she said. “She looks like a doll.”

I thanked her and pulled the cart away. Then the woman looked up at me and froze. She was silent and scurried to her car, as if I might run after her. I stood in front of the grocery store with my daughter. The automatic doors opened and closed but I didn’t move. My baby smiled. Too young to know that she is beautiful but her mother is disfigured.

My daughter is 2 years old now. She has round blue eyes and blonde hair. Her face inspires joy. My face is lopsided and scarred. It was a dog attack. I was five. I am not afraid of dogs. People always seem more concerned about my feelings toward dogs than they do about me. I have had over thirty surgeries and they helped. But my face is instantly noticeable. And the world is bothered by asymmetry and imperfection. I am also part Japanese and part white. My skin is too pale and my hair is too dark. People tell me that my daughter is perfect and then they say she looks nothing like me.

I have never looked like anyone. Bi-racial and disfigured is a cocktail of isolation. In childhood, I left my hometown of Boulder, Colorado every summer to visit my Japanese grandma in Tucson, Arizona. One summer I begged her to take me to a crowded shopping mall to buy doll clothes. I was 7 years old.

“Did you see that disgusting girl?” a woman said then.

She was talking to her daughter and looking directly at me.

The girl met my eyes and glared. Her hair twisted in a tight braid. I dreamed of ponytails but didn’t dare wear my hair up. I looked at the girl’s flawless appearance and sank into shame.

“So gross. I can’t believe she even came out of her house. She’s going to give me nightmares. She’s a monster,” the girl said. She was my age and already this callous.

The mother hugged her daughter and shot my grandma a scowl.

Then she said, “I’m so sorry, sweetie. People should know better but she’s clearly with some immigrant nanny who probably doesn’t even speak English.”

We stood in silence with our doll clothes. I felt devastation that my grandma should suffer due to my deformity. I tried to wedge myself behind stacks of toys to prevent further commentary. My grandma adjusted her glasses with shaky hands.

“I am sorry I don’t speak good English,” she said.

That day she bought more doll clothes than she could afford. She had worked as a hotel maid and saved tips in the form of crisp dollar bills. She set this carefully preserved money aside for me. When we approached the counter to pay for the items, the cashier said, “what’s wrong with her face?”

“Nothing wrong with my granddaughter,” she said, in broken English.

Once I asked my mom if she was mad at God. We were sitting in my grandma’s backyard in Tucson. Looking at the night sky. It’s easier to talk about God’s failings in the dark.

On the day of the dog attack, she had only looked away for a minute. Long enough to drain noodles from a boiling pan. When she turned around, the yard lay covered in blood and my face was gone.

“No,” she said. “Because you are extraordinary. You have shown me what it is to live next to suffering and become truly beautiful.”

People ask how I survived. The answer is my mom.

I want to tell her that I am not mad at God because he gave me her, and a good mom is worth more than a pretty face. I am thankful I learned this lesson in youth. When I still have more years on the earth with my mom.

Tragedy in childhood is a spiritual offering. Early redemption creates a fast track toward a more meaningful and grounded life. I shed the frivolousness of appearance, money, and status like a butterfly discards a cocoon. Because when the world rejected me, I sheltered only with the tender hearted and my own soul. And if we’re lucky, that is where we all eventually end up anyway.

My daughter will grow up with a disfigured mom.

On my daughter’s first day of Kindergarten, middle school, high school, and college, I will take photos of her and children will stare. After I am gone, they will ruin these moments of childhood by asking what’s wrong with her mom. I know this because these moments were taken from me, too.

I will want to stay in the car to spare her. But I will not. Instead I will show up for everything. And when we hear the comments, I will tell her that the Japanese have a word, Kintsugi, which roughly translates to golden repair. It is the Japanese art of taking broken pottery and patching it with gold so that the imperfection is illuminated instead of disguised. I will tell her that my mother’s love was the glue that made my flawed life golden. And my love will hold her together, too.

This pain will make my daughter kind. It will teach her that the world is unduly harsh because we are all more broken than whole. And she will learn that love is restorative and the only thing of true beauty. She will inherit this wisdom in childhood. When we are both still young enough to walk the earth together.

And when people ask, I hope she says, “There is nothing wrong with my mom”.

Melissa Akie Wiley is a public servant and fierce local government leader by day and a mother and writer by heart. She strives to infuse joy into all aspects of service by living with authenticity and resiliance. After overcoming a disfiguring childhood dog attack, Melissa committed to a life of repair and love. She holds a Master’s Degree from the University of Pennsylvania and lives with her husband, daughter, and dog in Denver, Colorado. She is the director of the nationally-recognized, Denver Peak Academy and is currently working on her memoir.

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We love this book for so many reasons! The writing is incredible, the story is important, and seeing what life looks like when you survive the unthinkable is transformative. If you haven’t already, pick up a copy of Sanctuary, by Emily Rapp Black. Purchase at Bookshop.org or Amazon.

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Guest Posts, pandemic, parenting

Tough As A Mother

October 4, 2020

By Talya Jankovits

Four months ago, my children came home from school, and they never went back. Backpacks hung hopeful on hooks, until weeks passed, and it was clear that it was time to reach deep into the crevices of a dozen purposeless pockets and empty them of little bits of folded pieces of paper, a solitary cookie, a dried-out stick of gum. Even further still to the tiny colorful erasers hidden in the folds of the lining, these small prizes hoarded from teachers. Treasures of days traveling to and from school, all splayed out on the kitchen counter as I sorted through them like an excavator. What I could sneak into the trash before they catch me, what must get stored for next year. The backpacks went into the wash, then hung up to try before being put in the basement storage with no clear idea of when they might get pulled out next.

When I first faced the realization that we would be bunkered down, myself and my four daughters together as my husband, an essential worker, continued to work outside of the home, anxiety filled my mornings, my nights and every hour sandwiched in between. I lost myself in the heaps of laundry, the ever-growing pile of dirty dishes in the sink. I sank heavy under the demands of varying ages of children from a baby up to a fourth grader who needed to learn how to write a state paper and all the tiresome math problems in between. Winter was still hovering in the slow birth of spring, and we watched the seasons change as the weight of our outerwear hanging on the coatrack thinned ever slowly into straw hats and baseball caps. Finally, summer had arrived and with that a redemption from remote learning and a rebirth that I had not anticipated.

As a mother, I now have never felt stronger as a result from having never felt weaker. I hadn’t understood the immense value in self forgiveness until I was one of the very few people in my new reality who could offer it. I had never embraced my flaws as a parent until I was face to face daily with the reflection of myself in the eyes of my daughters – all of whom needed me more than ever. By the time the first tulips poked their heads out of the thawing ground I was slowly gaining awareness of my own metamorphosis. My body was softer than it ever was, fuller than its ever been. But I found that so was my heart. Parenting during a pandemic was, is, the fiercest thing I have ever done in my entire adult life.

Raising small humans was never a small task, but with the onset of a worldwide pandemic which held inside of itself historic happenings towards social justice, there was a surge in my responsibility towards fostering children that are human conscientious, anti-hate and anti-self-serving. I was terrified at all that was being hurled at us as human beings. All my obligations to absorb happenings and seize the opportunity to step up my parenting instead of retreating inside. And something remarkable happened, after months of all of us struggling with the changes, the challenges, the isolation, and the uncertainty, I noticed personal growth inside of our home.

Summer brought heat, sprinklers, frozen treats, and endless hours together to fill in any way we could think up. It also brought dialogue about why we wear masks and who we are protecting. Why we have given up certain opportunities to practice human awareness – the concept of tikkun olam, our part in caring and protecting the world. It brought on conversation about skin color, about systemic hate, about privilege, about standing up, about accountability and kindness and goodness in both large and small scales.

Summer days are hot and our heads hurt with weary happy heat by the time the sky glows pink. The kids fall asleep happy. They thank me. They tell me today was such a great day. And yet there are still times I am feeling totally gutted. As if I have hollowed all of myself out for them to grab and take with greedy fingers. I think of how far we likely are from our old normal. How long it may be until I can see my parents in California. How school may not arrive in the fall the way we want it to. How masked faces are the new face of human interaction. I think these things and I want to crawl into my bed, lay my head down and hibernate until a miracle solution is found. But then I put on my T-shirt.

The words printed on the tshirt: Tough as a mother. My grey t-shirt, unassuming, unremarkable – feels like a superhero’s cape. I pull it over my head, slip my arms through the holes, and holler for my girls: I am ready to start our day. I feel invincible. It seems inconsequential, almost absurd, that this shirt would have any influence over me. In no time it will be sweat stained, snot marked, sticky from melted popsicles. It will get thrown into a laundry shoot with little consideration after late summer dark finally blankets the sky and the last daughter has crawled into bed. Yet, it validates me. This shirt from the internet, it fuels me.

I am one tough mother. I did it. I am still doing it. Did I get through every day with grace and dignity? At first, no, definitely no. There was yelling. There was crying on cold kitchen floors as a baby gently poked me. There was hiding in bathrooms and there was anxiety ridden nights where I never fell asleep because the dread of the mundanity that morning would bring kept me awake until the first mommy! of the day clawed open my heavy eyelids. But four months have passed and I’m not rough around the edges anymore. I’m undoubtedly tougher. There is still so much summer ahead without any of our usual summer luxuries and indulgences. There is still a fast-approaching school year with so many unknowns. I have given up so much of myself for these four girls, and I likely will be giving up so much more. But I am at peace with that. I am braver and stronger than I’ve ever been and as this virus continues to rage on, as our country sets out to do so much work that needs to be done, I want my kids to reflect back one day on this time of their lives and think, we made it through ok, because we had one tough mother

Talya Jankovits’s work has appeared in Tablet, Kveller, Bartleby Snopes, Hevria, Lilith, Literary Mama, The Jewish Literary Journal, and The Citron Review among others. Her short story “Undone” in Lunch Ticket was nominated for the 2013 Pushcart prize. Her poem, A Woman of Valor, is featured in the 2019/2020 Eshet Hayil exhibit at Hebrew Union College Los Angeles. She holds her MFA in Creative Writing from Antioch University and resides in Chicago with her husband and four daughters..

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Guest Posts, Mental Health, parenting

All Boys Paint Cows

August 31, 2020

Self-portrait by Nick O’Rourke, age 15

By Miriam Feldman

My husband and I are driving to Paris from the south of France. I am in the passenger seat, writing ideas for a story about our son, on a napkin. Our son, Nick, has schizophrenia.

You see, I am the self-appointed conservator of his legacy. I have no complete poem, painting or song to present. Yet. Scraps of a life, one piled up on the other, form the work of art that is his story. I will continue to document his life and put it into the world for as long as I am here. Perhaps he is stricken, but perhaps he is just too magnificent for this world, a blazing light they don’t have eyes to see. But I see. A mother’s eyes can always see. Super tough, I can look directly at an eclipse without damage. Blindness is not an option.

When he was still inside of me, a tiny little tadpole boy swimming around, my husband and I heard his heartbeat for the first time. Back in those days they didn’t do sonograms without a medical reason, so the mystery of an unborn child was a universe of questions. We sat in the doctor’s office as she placed the stethoscope on my belly, and the sound came whooshing through a speaker. It was like the repetitive slap of water on some distant ocean shore. My husband blanched and reached behind him for a chair, then sat down hard. He had to breathe into a paper bag, overwhelmed by the sound of Nick’s beating heart.

Afterwards, we went to a small Ukrainian restaurant to have lunch. I ordered soup. It was particularly delicious, and I tried to figure out why. Staring at the bowl, I noticed the way the carrots had been cut. They weren’t the usual uniform disks, graduating in size from the thick part of the carrot to the tip. They were crazy random shapes, as though the cook had performed a wild cutlery dance, shiny blades flying. There were circles, half-moons, rectangles…little snippets of carrot that defied description. That was why the soup was so good. Something about the constellation of shapes enhanced the flavor, made it more interesting. When something arrives in an unexpected form it holds adventure, interest, mystery.

Nick arrived six months later and filled our world with his own configurations of unexpected stars. Some were beautiful, some had sharp edges that cut.

Driving along a grey serpent of highway, we descend into a valley. Immediately, I see the blue and red lights. It is the blue that catches your eye. We are all used to seeing the red, yellow and green of traffic lights, but like the black and white of a police car, blue calls out “calamity!”

“What is going on down there?” I say, sitting taller, my straightest spine. The traffic slows down and I can see people on the median, an upside-down van, personal belongings strewn everywhere.

“Pull over, I need to go there.” My husband knows me well enough not to argue. There would be no way for me to pass and not go see about what I could do. It is how I am wired; I am addicted to trying to help. I need to know I tried. I want to be a hero but I never am. I read about a woman who was electrocuted running into water to help a man stranded in a storm, ignoring the downed power lines lapping creepily at the edges. I thought, “I would have done that.”

Grabbing a water bottle, I open the car door before we have even come to a stop. My husband admonishes, “be careful crossing…” but I am gone.

I can’t decipher the situation at first. First, I see two women attending to…what? Oh, a little dog. “He was thrown from the vehicle,” one says, as she pours water on his head. “I’m trying to cool him off.”

“Do you need more water?” I ask. No, they don’t.

The van is about a hundred feet away from me, several people lean inside, wearing blue latex gloves. Where did they get gloves? The ambulance hasn’t even arrived yet. The air has a very still, artificial feeling as I walk over, through the debris, artifacts of a trip, a life. My foot sinks into a package of mushrooms. I see shoes, papers, a book, an open box of spaghetti that landed like pick-up sticks. A young woman bends over and retrieves a wallet, “Here is his license, now we know his name.” I wish I had been the one to find the wallet. I walk over to the van.

Sound reduces to a muted decibel, wind moves slowly, and I see the two people in the vehicle, roof partially ripped off. I think of an Edward Kienholz installation I saw at the museum in L.A., everything in the whole world shoved into the corner of one room.

Kienholz left detailed instructions when he died in 1994. He was buried, sitting in the front seat of his brown 1940 Packard Coupe, a dollar bill and a deck of cards in his shirt pocket, and the ashes of his dog, Smash, on the seat beside him.

The couple in the van look pale, not just their skin, but the entirety of them is a shade lighter than the rest of the world. Arms and legs splayed out stiffly, they look a bit like big dolls. Blue gloves firmly hold a red-soaked towel against the old man’s head. “Hang on, hang on,” someone says. It sounds to me like they are all under water. The woman with the wallet says, “His name is Fred.” The woman in the car moans it is her shoulder that hurts.

There is nothing I can do, nothing for me to contribute. My fingers moving against each other as if I could feel the air at my sides, I just stand there. The old man and woman, vacation careened terribly off-course, will be tended to by other drivers until the professionals get there. I go back to the car.

As we drive away, we pass the ambulance, siren cutting the day, headed up to help Fred and his wife. The radio is playing one of Chopin’s 24 Preludes and mournful piano chords fill the car. My fingers still caressing thin air, I listen. The countryside condenses as we approach the city.

An hour after we leave the accident, we reach Paris and our small hotel. I immediately turn on the television, wanting to see the news. Ridiculously, I expect to find out about the crash. I want to know how Fred is doing.

Instead, I am informed that an abandoned, just born, baby has been found in some bushes by a policeman. The anchorman teases the story before commercials, “Stay tuned to see what the officer first said to the baby. It was captured on his bodycam!” They show a second or two of film, two dark hands reaching into the foliage, an infant’s quiet cry, wind sounds, a man’s voice.

I sit on the awful hotel bedspread and wonder if I can bear the sadness his words.

They return with footage of a stocky officer holding the infant and telling her not to worry, that help is coming. But I heard something else during the lead-in, in the moment he pulled her out of the bushes. I had heard the real first thing he’d said, and it was “I’m sorry.”

I’m sorry you came in the world like this? I’m sorry you came into a world that is like this? I’m sorry this atrocious thing happened to you?

The news media had missed what he’d really said first. They’d missed the most plaintive, simple and enormous apology ever made.

The Sacre-Coeur Basilica at Montmartre in Paris sits on a hill surveying the city. It can be seen from almost anywhere. Standing on the top floor of The Centre Pompidou with my forehead smashed against the glass of a floor to ceiling window, I stare. Far away and across the city, the Basilica seems to be lit by its own sun. The eerie light calls up a memory and I am struck, like a blow to the head, by the fear I’ve forgotten something important. I can’t remember the details, but something happened with Nick up there, a decade ago when we came to Paris to paint, just before he lost his mind. What was it? Straining for the memory, I think of the small black moleskin notebook he brought on the trip. I’d found it, and read it, years later. Just prior to his unspooling, he’d recorded a beautiful, unsettling narrative from the cliff. One foot in our world, one foot in his future world, he’d told us what was happening in arduous, aching cursive.

When was the moment? When was the exact second of the shift?

And then I remember what happened. We’d lost him up there. One moment he was next to us, and then suddenly he was gone.

“Where did Nick go?” I’d asked my husband,

“I don’t know, he was right here.”

We began to look for him. We searched everywhere, the building, the grounds, then back to the building. I remember standing at the top of the endless steps outside and squinting at a group of kids lolling around, thinking he must be with them. I was wearing a slippery crepe skirt and flowered blouse that whipped about my body with the wind. Eventually, he just appeared.

“Where were you?” I asked, my voice strident from worry.

“Right here,” he said, “around.”

From my perch at the Pompidou, I see a crack, a split second of light between the truth and what might have been. I want to dive into that space.

My husband walks up to me, leans against the glass, and I say, “Remember when we lost Nick up there?”

His voice low and measured, he says, “You know, I’ve always thought that was where it happened.”

“What do you mean? What are you talking about?”

“I think something took him, up there on that hill, and gave him back to us altered. I think that is where he went crazy.”

This had never occurred to me and immediately I knew it was true.

“That’s pretty woo-woo, even for you, buddy,” I say because the idea is more than my brain can manage and I have to trivialize it in order to continue breathing.

“I know,” my tall and dark husband says, “but I believe it.”

The sun dips behind a menacing cloud and the Basilica darkens. Its luminous stone façade suddenly looks drab, desolate. My husband wanders off to the contemporary collection, I turn to the modernists.

When my kids were small, they used to loll around on the floor of their father’s studio with big sheets of butcher paper and paint while he worked. One day Lucy was teasing Nick because he always made cows and he shot back, “All boys paint cows, and anyway, I’m just starting. I’m going to paint a lot of other things.”

Sitting on a narrow bench in the Modern Collection (from 1905 to the 1960’s), I think about the day we lost Nick at the Sacre-Coeur. The area under my jaw constricts and saliva begins to pool in my mouth. There is a quickening of the blood as it moves through my veins. My arms crossed tightly across my chest, like armor, I lean forward and stare at the floor.

We were just walking around and then you were gone. We looked and looked for you, we did. Where did you go? Was it a portal? Can we go there now and find you? Please. Or are you in here? Are you at the Pompidou? Is this where you went? Did you go through a door we couldn’t see and just come here? Are you in the big Fernand Leger, in the corner, with the cerulean and the ochre? I would have thought you’d go to a Picasso, NickNack, but did you decide to trick me with a Leger?

Or was it the perfect little interlocking slats of varied woods of the floor, all different colors, that drew you to the Pompidou?

I’m rocking back and forth now with clenched bones holding in the torrent. I don’t want to cry in public, but now I am convinced some bad magic really did happen and it is true that we lost him here in Paris.

So this is what happens if I let the stoppers out? This is what happens if I think about it? Unbelievable, unyielding pain? Shredding of intestines? The longing, like gravity, for you? Then bring back the stoppers because I can’t live like this.

My husband walks into the gallery, sees me hunched over, sits down and puts a large hand firmly on my back, just between my shoulder blades.

It is 11:06 and I am at the desk in our hotel room, looking at the black night outside my window as if it were a painting. I want to believe Nick is sleeping peacefully right now, across oceans. If I could just know that, I would ask for nothing else. I haven’t gotten any texts from his caregivers, so he must be calmer than last night. I want to believe that with all my heart. I want to just slip into sleep and trust that all is well. Oh, I want.

Then, in the window, I can see Nick and his sisters painting in their father’s studio, the plywood floor a medium gray and the walls pure white in order to contain the colors of the paintings with neutrality. Against this palliative backdrop, my children are exuberant, messy, incongruous. Small pots of tempera are pushed to one side. The children lie on their bellies in baggy shorts, no shirts, legs flopping languidly as they move brushes across paper.

And then Nick looks up at me across time and space, as I sit at my computer in the dark. He smiles at me from his childhood, his cherub mouth so young and new, “I told her, Ma, all boys paint cows. I’m going to paint a lot of other things before I’m through.”

Miriam Feldman is a painter, writer, and mother originally from Los Angeles, California. After her son, Nick’s, diagnosis with Schizophrenia more than ten years ago, she began writing to document and explore the ways this new reality affected her relationship with her children, her husband, and herself. Her blog, https://www.miriam-feldman.com, explores issues of motherhood, mental illness and the politics of our mental health system. She holds an MFA in fine art from Otis College of Art and Design. Her paintings are in collections across the United States. She is represented by Hamilton Galleries in Santa Monica, Ca. Most recently, she joined Bring Change 2 Mind, Glenn Close’s organization to fight discrimination and educate around mental illness. She is on the Advisory Council and has a monthly blog on the website https://bringchange2mind.org. She is a frequent guest on mental health podcasts including https://player.fm/series/who-lives-like-this/art-and-chaos-with-mimi-feldman and https://www.sheilahamilton.com/category/podcasts/. Find her on Instagram at https://www.instagram.com/mimitheriveter/ where she is busy building a community of family and loved ones dealing with serious mental illness. Miriam now resides on a farm in rural Washington State with her husband, Craig. Nick lives in the small town nearby. She splits her time between the farm and Los Angeles, painting, writing, and staying active in the mental health community.

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Guest Posts, motherhood, parenting, Self Image, Self Love, Women

The Pink Wig

July 24, 2020

By Tricia Stearns

I have more regrets than Amazon has distribution centers. Still, one regret I do not have: buying a pink wig for my middle daughter. At age 10, she was the self-appointed influencer for her brat pack, as well as her sisters. If she decided it would be cool to cut up their designer jeans and make them purses, they would have stripped and handed her the scissors.

While I chauffeured them through childhoods I wish I had experienced, Daughter Two commanded the CD selection for the ride to school and taught her sisters backseat dance moves to Brittany Spear. From fashion to food to music, she navigated her world as if she was the CEO of Me, Inc.

Her zest for extra-curricular activities kept me spinning a schedule of dance lessons, theater rehearsals and private singing lessons. I couldn’t count on child support, but I could count on the sun rising and a new performance idea from Daughter Two. Kitchen clean-up doubled as a re-cap of dance class or a reprise of the opening of “Newsies.” Bedtime stories were told with a theatrical flair and always included happy endings.

She scrimped her allowance to buy the acrylic pink bob only to learn that her school dress code banned wigs. After a few rounds of letters to the school board failed to change the rules, she threw it in the Prop and Future Halloween Costume bin.

When Daughter Two decided to wear the wig on a rare outing for pancakes, it did not surprise me. The smell of bacon and maple syrup thickened the air as our waitress sugar-pied us up, and we ordered. We gave no further thought to Daughter Two’s accessory, accepting the pink wig into everyday wear. However, pink wigs were rare in our southern suburb, and breakfasters’ glances soon fell into stares.

The girls and I folded our straws into pretend people and created a story, positioning the ketchup and salt and peppershakers as props. My voice rose trying to drown out the chatter from a four-top of older ladies going to a Baptist bake sale, or maybe on their way to bingo.

“I never.”

“…should know better”

“Bless her heart. ”

Daughter Two’s mouth pursed. She wiggled in her seat. She twiddled her straw.

She stared right back at them. She re-arranged her fork and knife on the menu.

“Why in the world…”

We started a new play; our straw characters already tired. Daughter Two surveyed the restaurant, meeting the looks of a family of four wearing matching soccer jerseys and the chatty ladies closest to us.

She slapped her napkin down and plowed by our waitress carrying a load of pancakes.

She’d be back, we assured the waitress who volunteered to keep her plate warm. We slathered on butter and syrup, and wondered about Daughter Two camping out in the toilet. Perhaps, there was a line. Daughter Two’s chair sat empty. The glob of butter now melted over her pancakes, cold.

We found no line in the bathroom, just a weary traveler, adjusting her snowman sweatshirt, preparing to wash her hands. Outside a stall, I tried to coax Daughter Two with bathroom humor. The lady nodded toward the last toilet.

The girls and I shifted, peaking through the cracks. Daughter Two perched on the edge of the toilet, her blonde hair flattened, her small hands wringing the wig.

With eyes red and big tears raining, she declared she would never eat a pancake ever again, and to leave her alone. Forever.

“No pancakes for the rest of your life?”

“Can I have what you ordered?” asked Daughter Three.

“Hush.”

“Can I have your bacon?” asked Daughter One.

Elevator music looped, toilets flushed. Women moved in and out, offering looks and opinions. “Yes, thank you.” “NO, thank you.” “Bless YOUR heart.”

My youngest squatted down in the corner of the bathroom, looking up and under the door begging Daughter Two to come out.

My mom genes kicked in. There was more at stake than a little restaurant embarrassment. I had to get it right. I felt the weight of the moment: The rock of my daughter’s soul was tumbling down a dark hole and she might never be the same.

I needed time, to figure out how to pull the knife of doubt out of her heart, to stop the bleeding and convince her she could love the identity she created; at the bare minimum to re-enforce her natural strengths and beg her not to question her ability to pull off a fashion statement. She needed assurance it was okay to trust her truest self. If she couldn’t trust herself then I had failed as a mother, as a fellow female.

No longer was I standing in the bathroom of an interstate pancake house. No longer were we just using a coupon for pancakes before it expired. I was kneeling in a forest next to a hole freshly dug by a beautiful human, my child. She had sunk into a deep space carrying her childhood comforts: cookies, nuts, a blanket. She smoothed out the tattered edges of her childhood lovey questioning her place in the world.

I looked through the crack of the door. Her puffy eyes met mine. And in that moment, she knew I knew that place, too. She made room for me under her blanket.

I wanted to tell her, it gets easier, but judgment is timeless. Judgment is a relentless foe. We all stood in silence. Swoosh, another toilet.

I knew when I gave birth to a bevy of girls what I wanted for them. I also knew it would be difficult to teach. I was still trying to figure it all out: How to be myself in a world ready to tell me who I ought to be.

The real battle, the battle for one female to get it right, was right before me.

“You know, I don’t know a lot, but I do know if you wear a pink wig, you will get stares,” I said, with a calm assuredness. I held her gaze through the crack of the door, leaning on the door.

“ You got to be ready for it. If you wear it, you can’t care.” I paused, not knowing what I was going to say next, praying for the right words to come out of my mouth.

“Wear it. Don’t wear it. You decide. But if you do wear it, wear it with guts.

But be ready. You do not need permission to be yourself.”

Stillness. We sat in stillness. No one walked in or out for a moment. Daughter One sat down and grabbed Daughter Three’s hand. Moments passed into a future memory that I hoped would become a point of reference for my girls.

Daughter Two straightened and smooth out the pink wig and opened the bath room door. We walked out and into the world, feeling altogether different. Altogether better, all together.

Tricia Stearns has been published in Atlanta Journal Constitution, Bloom, Loose Change literary magazine, and wrote a weekly column for five years for the Fayette Daily News. In this column, Tricia dcumented how she started a farmers market and built the largest community garden in the Atlanta metroplex. She is currently working on a personal narrative essay collection. Tricia can be found on twitter as @tstearns2014 and on instagram as @triciastearns.

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Guest Posts, parenting

THE FIELD

December 24, 2019

By Maureen Mancini Amaturo

Just ahead is the familiar field, a triangle with rounded corners. I walk up with head down, anticipating that time will drag its feet while I sit and wish I could be attending to other things. But I sit on the aluminum bleachers, surrounded by mosquitoes, gymnastic squirrels, trees full of bugs, and everyone’s dogs. I’m here for my son. My son, who is at his designated spot on the field, crouching behind home plate, wiggling fingers, giving signs to the pitcher, his very handsome face protected by a caged mask. My son, the only baby boy ever born. He is why s-u-n and s-o-n are homonyms.

On arrival, I greet other parents, other fans, address the social niceties, then I dissolve into the book I’ve brought. Some comment that they don’t usually see someone bring a book to a game. But I always do, so the regulars are not surprised. I remember bringing a copy of WIDOW FOR A YEAR by John Irving to Madison Square Garden. The Rangers were playing. While hockey fans bounced in their seats and waved team towels, I focused on my pages until my husband tapped me on the shoulder to stand for the national anthem.

I arrive at the field after the national anthem this evening. I sit between the third corner and home, turning pages, moving through chapters, absorbed in Dan Brown’s words at this game. Being honest here, I’m not interested in the sport, not interested in the team. Don’t even care who is playing. Cannot pretend to root for someone else’s son. I’ll look up when my son is at bat, and I might glance a time or two to see him walk to his position when the innings change. I have no idea what the score is. I don’t know what team my son’s team is playing. I don’t know the inning is over until my husband says, “Michael is up.”

I hold my page with my finger and look at my son, his familiar batting stance. The intensity on his face. I say the “Our Father.” I imagine that Jesus Christ Himself is standing beside my son, and I say, “Jesus, please swing the bat with him.” The image of Jesus in flowing robes and billowing sleeves standing beside the batter’s box at Disbrow Park at dinnertime does not seem at all strange to me. I imagine that every time my son is up. I have complete faith that Jesus’ robes won’t get in the way of his swing. I say again, “Jesus, please swing the bat with him.” I know there are cancers to cure, crime and carnage to correct, and at this moment, I don’t care. I don’t care that people in countries with names I can’t spell don’t have clean drinking water. My son is up. This moment is important to my son, so it is important to me. My heart pounds. My teeth clench. I grip my book more tightly. I am praying in a loop. Jesus is used to hearing from me. I’ve asked Him for many things, big things. I assume many people have. A hit is such a small request. I imagine Jesus shrugs and is amused. I’m still asking, “Jesus, please swing the bat with him.” As a mother, I can’t bear to see either of my children have anything less than a perfect experience. “Jesus, please swing the bat with him.”

I pray. I pray. I pray.

I hear the ching of the aluminum bat. It’s a double. I watch my son leave home and round the corners, stopping at second. I wish it were a triple, so he’d be standing on the third corner, closer to where I’m sitting, where I could see him better. I tell Jesus, “Thank you.” And I can breathe again. I go back to my book.

And in each inning my son is at bat, my interest will go from flatline to spike. I’ll close my book and focus on my son, praying, use meditation tactics to manifest an outcome, envision him surrounded in white light, picture Jesus with arms outstretched toward my son as if He is sending divine power straight to him like a laser. I conjure images of my son’s bat connecting with the ball. In my mind’s eye, I see my son getting a hit. The emotional effort is almost painful. The intense concentration gives me a headache, even my sinuses hurt. I feel his hits and misses to my very core; my soul vibrates with worry. No, unmeasurable love.

After the game, my son asks, “Did you see how hard I hit that? It was a bomb, right in the gap.”

I say, “No, I was watching you, not the ball.”

“Why would you watch me run? You’re supposed to watch the ball.” He tries to explain why I was watching the wrong thing, but I know I saw exactly what I wanted to see.

Maureen Mancini Amaturo is a New York based fashion and beauty writer and a contributing columnist for The Rye Record. She teaches Creative Writing, produces literary events for Manhattanville College, and leads the Sound Shore Writers Group, which she founded in 2007. Her publications include: two beauty how-to guides for Avon Products, personal essays, creative non-fiction, short stories, and humor pieces published by Ovunque Siamo, Boned, Bordighera Press, Months To Years, Bluntly Magazine, Mothers Always Write, Baseballbard.com, Flash Non-Fiction Food Anthology published by Woodhall Press, a poetic tribute to John Lennon published by Beatlefest, articles and celebrity interviews published in local newspapers and on line. She was diagnosed with an overdeveloped imagination by a handwriting analyst, and has been doing her best to live up to that diagnosis ever since.

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Guest Posts, motherhood, No Bullshit Motherhood, parenting

Mothering In Heat

November 13, 2019

By Heather Carreiro

The dread had consumed me all week. 100 degrees on Sunday, with a heat index of 114 or 115. I’m convinced that climate change is going to boil us all alive, and this record-setting July heat wave had done nothing to assuage my fear. And now the day was here. Morning dawned languidly, the air not yet oppressively hot and humid in our un-air conditioned, 1790s-era New England farmhouse. The five-year-old, aka “the General,” was surprisingly content to watch TV, allowing the husband and I to lie on our separate couch zones like middle-aged beached whales. But soon enough, the dog needed to be walked.

The General felt she was up for this mission, and the three of us, dog, child and mama, set off. The temperature at 9 am was in the 80s, but the air was already soupy with humidity. No sooner had we walked to the next house, than it became apparent that this should have been a solo expedition. I had mistakenly thought we were on a short, hot, but relatively painless jaunt, but the General was in the jungles of ‘Nam. There was wailing. There was swooning. There were loud complaints of sore legs, hot body parts, warnings of imminent collapse from heat stroke. (For someone apparently in the throes of heat exhaustion, she had a powerful wail.) All this, dear reader, after walking barely a quarter mile.

“How,” I snapped, sweaty and irritated, “are you going to make it from the parking lot all the way into the water park [easily a quarter mile], when you can’t even do this?” “Nooooooooooo!” The howl was immediate. “Dadda said we could go to the water park today!! I’m going to the water park! Aaaaaagggghhh!” Before this could end in someone sprawled in tears on the blistering pavement (either one of us, take your pick), I acquiesced. “Fine. But you need to show me you can make it home. Let’s go.”

Somewhat rashly (as husbands are wont), the husband had promised the General earlier in the week that he would take her to the local amusement park’s water park on this day. And come hell or high water (and it felt very much like hell), she was going. At the slightest suggestion of postponing to another, slightly less 113 degree day, there were tears, shouting, and bitter recriminations. No suggestions of air-conditioned movie theaters or cool shopping malls filled with toys and ice cream would entice her. It was decided. They were going.

The husband was pleased that he was giving me a “nice break” (i.e., two hours of grocery shopping) while they bonded. I had concerns. Many concerns. I envisioned the husband on his phone, paying no attention to the General, who, in my overactive Mom Imagination, was then drowned beneath a sea of flailing limbs in the wave pool. Alternately, I imagined the husband passing out from heat stroke while the General frantically searched for someone to help her precious Dadda, terrified and traumatized.

But the only thing I wanted less than my child trudging from parking lot to overcrowded water park in searing, suffocating, third-degree-burn-giving heat with endless Mom-imagined danger looming at every turn was to be home with this child, in this heat, with her throwing a tantrum. Yes, dear reader, I am a horrible mother.

So off they toddled, brimmed hat fastened snugly on her head, sunscreen spackled on her face and body, and the husband loaded up like a Sherpa with water and snacks. I shut the door behind them, said a quick prayer, then readied myself to hang out in the frozen food section of my neighborhood grocery store until they (hopefully) made it back. A half hour later, I was perusing the deli case when I got a text from the husband: “This is a disaster. Taking her to the movies.”

Climate change: 1; The General: 0.

And P.S. – Mom ALWAYS knows best.

Heather Carreiro is a mom of one and corporate writer living in central Connecticut. Her world—and writing—at the moment is largely centered on raising a spirited six-year-old and all it entails: mermaids, glitter, public meltdowns, unexpected philosophical pronouncements, and the occasional turd in the pants.

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Guest Posts, No Bullshit Motherhood, parenting

Obsessed

May 6, 2019

By Katherine Sullivan

My mother’s pinky toe is her favorite. The nail never grows longer than a quarter inch. She would sit there not in plain view but off to the side of the room. Biting her lip in satisfaction with her knee in the crook of her elbow. Her callused heal gripping the edge of the chair. Thumbing the corners of her toenails, picking at it until she created a small nick in the edge of her pinky toe.

I’d watch her when she thought I was watching Full House or Happy Days. I bet the Tanners or the Fonz, used nail clippers in the privacy of their bathroom. I’d just sit there with her in my peripheral stealing glances of her. Watching how once she was able to grip that nail with her thumb and forefinger she would look delighted. Then she would peel the nail across that little toe, it didn’t matter how far down the angle would be, often times ripping the nail from the flesh causing it to bleed. I assume it caused her great satisfaction because she would do it over and over again. Causing her to walk on her callused heals, hobbling from room to room. Continue Reading…

Guest Posts, parenting

Toby’s Questions

January 28, 2019

By Ruth Arnold

Last night, my 13 year old son came in my room looking sad, a little sunburned in the face and worried. He had that need-to-cry look so I said, “If you need to cry, I’m here. We can talk while you cry or I can wait”. He said with tears, “I just need to cry a little so I can talk.” I was in my bed watching tv with my dog and also feeling somewhat nervous about an upcoming event that I was fairly sure was the source of his needing to “cry a little”.

In two weeks, I am going in for a full hysterectomy. I am told via ultrasound examination and gynecological review that I have dermoid cysts on my left ovary. Dermoid basically means yucky stuff but not cancer. I am a breast cancer survivor so it’s very hard for me to separate the matters as the same hospital for this surgery was where I got my radiation treatments for my cancer. So, my fear is here. My brain knows it is irrational but my emotions tell me that that is the cancer place where you go at 6:00 a.m. every day wearing a wig so that you can make it to work on time on the other side of town, stay alive and not scare your students with a bald head.

“I’m just scared a little bit”. I said, “Me too but not because I won’t get through this. I’ve had that kind of scare before and this isn’t that”. Continue Reading…

Chronic Illness, Guest Posts, parenting

Little Elephant

December 12, 2018

By Amy D. Lerner

You know the story of the blind men and the elephant? They’re trying to figure out what this creature is in front of them. Each of the men feels a different part of the elephant, the trunk, the foot, the tail, and describes the elephant based on only that one part. They each come up with wildly different ideas about what an elephant is, and not one of them sees the big picture, the whole elephant.

My elephant is only 3 feet tall and 35 pounds, yet this story is still true.

Like many people, I make up stories and make metaphorical leaps, from an elephant to my four-year-old daughter, without even thinking about it. My mind is a runaway steam engine—I can’t help thinking of that image—and metaphors are the coal.

“The way we think, what we experience, and what we do every day is very much a matter of metaphor,” write George Lakoff and Mark Johnson in Metaphors We Live By, the seminal book on thinking in metaphors that was published in 1980. We tend to speak and think in metaphors without being aware of it and without stopping to think about how our metaphors are guiding us, but they are, Lakoff and Johnson insist.

Studies have shown that by thinking about the story of the blind men touching the elephant, it’s as if I’m actually touching the wrinkled and rough skin of an elephant. In other words, metaphors are stored in the same part of the brain as the things they represent: the idea of kicking the habit stimulates the same motor area of the brain as kicking a ball does. Metaphors are deeply embedded in our minds, and they’re linked to the most basic human functions. Continue Reading…

Guest Posts, parenting

Leaning Into The Pain

June 27, 2018

By Claudia Hinz

“Ooh, look at the babies!” my daughter exclaimed at dinner. I hurried around to her side of the table from which she had a clear view of the park outside. Over the years, we have all held to our assigned spots at the dinner table, although my husband has moved into my 19 year-old daughter’s chair since she left for college. The other seat, my son’s seat, has been vacant for a while, but I leave a fresh cloth napkin and a placemat for him.

The baby goslings tottered around after their mother who nosed them in the right direction of the water. The sun was low in the sky and my eyes are not what they once were, so the goslings appeared as electrified yellow balls. Cute, as my daughter pronounced, but also dangerous in their vulnerability. I knew that in mere days they would be transformed into gawky, unsteady juveniles, the cute baby stage left behind.

This morning, there is the smell of perfume in the kitchen. She has left but I still smell my daughter in here with me. It is her voice on our answering machine. A message recorded when she was probably in middle school, the voice of a young girl, my baby. She is now 18. She just voted in her first election and will be headed off to college in less than four months. Still, I can’t change the message. We never use the home phone, but I am reluctant to cancel the service because I cannot bear to lose my daughter’s voice on the machine. Continue Reading…

Guest Posts, No Bullshit Motherhood, parenting

Modern Motherhood: A Sisterhood of Enemies

April 24, 2018

By Callie Boller

Last week I was at the pool for my boys’ swim lessons. My husband was picking up the babe from daycare so I was enjoying the quiet time, giving the boys an occasional wave and thumbs up, but mostly just zoning out. After three kids, I’ve stopped feeling guilty about ME time, and instead, try to soak up the moment. No screaming, no fighting, no whining. Amazing how 10 minutes of alone time can restore your sanity and feel like a weekend getaway to a five star resort.

Suddenly, from the other side of the pool I heard a little girl start to cry. She was sitting on the steps, surrounded by the others in her lesson – and she just started losing it. I watched as her mom (who was carrying a very small newborn) walked over to the girl and quietly whispered something into her ear. The girl started screaming louder, and I painfully watched as her mom desperately tried to calm her. It was your typical toddler meltdown, we’ve all been there. Long story short, it quickly escalated and the next thing you know the mom was trying to pick up the slippery, wet, screaming toddler – while holding her other baby – and trying not to lose her shit.

I immediately looked at the other parents that sat around her, and noticed that they were all staring in disbelief. Judging. Shaming. Some even whispering to one another. My heart broke for this fellow momma – not because I thought she was a bad mother or that her child was misbehaved. But because in a time of need, in a place we’ve ALL been, not a single person went to her rescue. I knew I had to help her. I got up from my spot on the other side of the pool, and I wish I could tell you that I swooped in and saved the day, but another mom beat me to it (bless her heart). My heart felt proud and inspired as I watched this stranger gently tap the mom on the shoulder, give her the “I’ve been there” smile, and offer to hold the baby so she could hog tie her now hysterical daughter.

As I reflect back on this, my eyes fill with tears as I think about how lonely and overwhelming motherhood often is. Having and raising little humans is something no one should face alone, we weren’t meant to – motherhood is the ultimate universal connection. We are a tribe. A sisterhood. A family. If anyone should know and understand the magic and messes that accompany raising children it’s a fellow momma. We have an unbelievably unique opportunity to support and lean on one another, but instead, we are too busy measuring one another up and tearing one another down.

Unfortunately, I feel like the new moms take the hardest hit, especially during those first few weeks postpartum. For some reason, we’ve created this ridiculous expectation that moms have to have their shit together – you know: shower daily, keep a clean house, and get their body back – all with a grateful smile on their face. Let’s be real…those first few weeks are painfully hard. Adjusting to life with a newborn, adult diapers, crotchsicle ice packs, running on little sleep, breastfeeding difficulties, recovering from BIRTHING A HUMAN BEING – the list goes on. For whatever reason, nobody talks about how DAMN HARD it is. Instead, we all just continue to post the perfect pictures and reinforce the unattainable expectations for the next generations of moms to come.

So I beg you – let’s start talking about the ugly…the shit we pretend doesn’t exist on social media. Instead of posting pictures of our super advanced children, playing nicely, while eating their all organic homemade meals…what if we allow ourselves to be vulnerable and post about the tantrums, the messes, and the bag of MSG packed cheese puffs I just gave my five year old to get him to shut the hell up for two minutes so I could finish grocery shopping. Instead of shaming one another, why not support and lift one another up?

Do me a favor, next time you are about to delete that unflattering picture that shows your mom belly covered in stretch marks, or your messy house at the end of the day, post it on social media instead. Next time you see a fellow mom with a tantruming child at Target, give her a smile and let her know you’ve been there too. Talk to other mommas about the hard stuff – the days that test your patience and break your spirit, the time your child went through that nasty biting phase at preschool, or the time your 3 year old said FUCK at the dinner party. Compassion and humility go a long way. Let’s build confidence in one another by being real about what motherhood really looks like.

I will be the first to admit that my life is not perfect. Far from it actually. I’m not always a good mom or wife. I lose my temper and yell too much at my kids. Sometimes I’m so tired at the end of the day that I cruise Pinterest instead of reading my boys bedtime stories. I turn into a total raging BITCH and take everything out on my husband when I’m lacking sleep or stressed. But that’s just it. We all have our faults. There are things we fail at daily. Every single one of us has skeletons in our closets, and ultimately, these imperfections are what make us human, and most importantly – relatable. Let’s start talking about it. Let’s give ourselves and other mommas a break. Let’s stop pretending that our shit doesn’t stink – we all have baggage, let’s own it…hell, let’s celebrate it even!

Callie Boller is a wife, mom of three, and the ringleader of a traveling circus show. She swears too much, runs to stay sane, and loves hard on her little tribe (even though they leave trail of complete destruction everywhere they go). She writes about motherhood. Writing provides Callie a space to process all the crazy that goes along with raising three children; but she also hopes to use it as a reminder not to take this motherhood gig too seriously! She can be found on Facebook, and has a blog. She is also on instagram as: mylittletravelingcircus.

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