Browsing Tag

fiction fridays

Guest Posts, Fiction Fridays

The Women Are Waiting

May 28, 2021
women

by Arya Samuelson

It always starts with a woman. Plunging into a clawfoot tub, burning her skin in waves. Or poised at the edge of her bed, head turned as if to pose for a portrait – only nobody else is there. What about the woman gazing at the rice fields, straw brim hat shielding her eyes from the feverish sun? She is not of this place and that’s why she has come. Because she feels freest in places where she has no history. (No history except colonialism, whispers a voice inside, which she swats away like the mosquitoes that form a curtain along the river.) A woman living inside a girl, furious and desperate because she can’t tie her shoes; the knot is slipping and she’s screaming inside, surrounded by a hovering crowd of her brother’s friends.

These women are waiting. Their story awaits. Hearts beat wildly, skin pulsing with the desire to be carried away on the boat of narrative that will give their lives, their pain, a purpose. The boats with engraved names like Plot or Character Development or Foil. Many will wait for a yacht to dock and hope for a big pay-off, others prefer a fishing boat (an ensemble drama,) while some settle for a sailboat: a self-published journey. It’s only the bravest and most foolish who dream of Transformation, the solitary ship that travails the rockiest, most violent waters. Capsizing is the deal you must strike. Body buckled beneath the current, black seaweed twisting your ankles. Heartbursting, striving for surface and a life beyond it. Survival is not a guarantee. Better to board the cruise boat that sails alongside and raise a cocktail glass to those morons. Sure, you only exist in glimpses – everyone’s attention fixed on Transformation, betting on the odds as if this were a horse race – but at least you’ll get to have some fun.

How to obtain passage on such a ship? Theories abound. Some say you need to cause a scene, shriek in the captain’s ear, and if it comes to this, grip your hands around his neck. Others whisper about underground bidding wars, where tickets are auctioned in exchange for unspeakable deeds. But another way is to climb inside an image – a woman plucking flowers, or lighting a house on fire, or climbing inside a bathtub and sing the words that resound at the core of your pelvis. Just stay there, resting inside the frame or moving your limbs when the impulse strikes, entirely and completely yourself, until someone walks by with a thousand questions. A passer-by so moved with wonder they’ll invite you onto their ship. Though you must wait for the right person, someone who won’t treat you like a circus monkey or glaze over your words. Wait for the person who will instead feed you fresh bread and crisp apples, who leaves a bowl of silence after each question, waiting to be filled with your voice.

Arya Samuelson is a writer currently based in Northampton, MA. She was awarded CutBank’s 2019 Montana Prize in Non-Fiction, which was judged by Cheryl Strayed. Her work has also been published in New Delta Review, Entropy, and The Millions. Arya is a graduate of the MFA Creative Writing program at Mills College and is currently working on her first novel. She is proud to be part of Lidia Yuknavitch’s Corporeal coven of writers.

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Megan Galbraith is a writer we keep our eye on, in part because she does amazing work with found objects, and in part because she is fearless in her writing. Her debut memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Memory Book , is everything we hoped from this creative artist. Born in a charity hospital in Hell’s Kitchen four years before Governor Rockefeller legalized abortion in New York. Galbraith’s birth mother was sent away to The Guild of the Infant Saviour––a Catholic home for unwed mothers in Manhattan––to give birth in secret. On the eve of becoming a mother herself, Galbraith began a search for the truth about her past, which led to a realization of her two identities and three mothers.

This is a remarkable book. The writing is steller, the visual art is effective, and the story itself is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Guest Posts, Fiction Fridays, Grief

Nobody Lives Here Anymore

May 7, 2021
rose

by Margaret MacDonald

When Rose dreams, she’s in the middle of a long street. It’s one of the streets that her and Cathy would make jokes about, would make up stories about the lives inside, would look at the house stiff and erect and lifeless and instantly know the type of person who owned it.

Surely nobody can live in there, Cathy would say. You would be scared to take your shoes off.

Rose’s sister goes missing on a Tuesday. On a Tuesday Rose’s sister leaves. Whichever one is true, either way she’s gone. Rose tells the police everything she knows.

She was at work late that night and her name is Cathy

She was wearing a grey raincoat and her name is Cathy

Her name is Cathy and her name is Cathy

After a week, the police come to the conclusion that Cathy left of her own volition. The evidence is stacked against Rose: Cathy took some cash out of their shared safe, some of her clothes are missing along with her rucksack, and she quit her job the night that she left.

Nothing survives her or loves her except for Rose. There’s nobody to argue with.

Rose leaves voicemails, texts, Facebook messages, Snapchat messages, emails. She calls and calls and calls until her voice is hoarse from repeating the same lines, always a variation of please just answer or please let me know you’re alright or please.

She worries so much that she gives herself a stomach ache. The worst of all is that she doesn’t know what she did wrong.

Rose finds a dead spider in the bath. She baulks to move it but manages to scoop it up with a cup. The noise that it makes as it flops against the side, solid and real, reminds her that it was alive once. She looks down at it, small inside the cup. What a terrible way to die, she thinks. Scrambling uselessly against the side of the bathtub, desperately trying to stay afloat inside the puddle left behind. The longer she looks, the longer she thinks that might not be true. Maybe its last moments were peaceful, and clean. She read somewhere that you shouldn’t kill spiders; that they’re signs of a clean home. An empty home.

In her dreams, Rose looks down the long row of houses that her and Cathy joked about. She starts to walk. There’s no lights on in any of the houses. They’re all identical, white-bricked and front-facing, all hollow dark windows and shadowed edges. There’s one at the end, though, that feels different. It feels alive.

Rose slows as she nears it. She watches for a moment.

Branches press their arms against the glass, pushing and curling and bending to fit inside the house until they sprout out the window to shoot tall and long and free. The roof is moving too, straining, hurting, before more branches push and shove themselves out. They bloom with leaves and flowers and create a canopy, like a silly little hat.

Rose smiles. It truly does look silly. Like a tree wearing a house, or maybe a house swallowed a tree.

She walks around the side to inspect it, comes to the back garden and feels her feet stop. It’s their back garden, the one they grew up in.

Rose takes a couple steps until she’s in the middle. She stands there for a moment until she feels something. She frowns.

It’s a voice, it’s underneath her feet somewhere below the ground, not a sound exactly but the sensation that a voice makes in the base of the throat. It’s in the soles of her feet, a vibration, a feeling.

Rose goes down on her hands and knees. She touches the mud with tentative fingertips and feels along the surface; it’s trying to escape. Rose doesn’t know why, doesn’t know how she knows, but then

She starts to dig, her fingers tearing at the soft earth like teeth into cake. The more she digs the more it unearths of the voice, the murmur. It’s shapeless and formless but it’s familiar, it’s her sister, she’s buried, she’s trapped.

A frantic sense of surety wells up in Rose, she’s down there, she knows Cathy is down there. Her hands are deep deep deep inside, elbow-high in the stomach of it, fingernails rooted and filled with mud. Rose puts her ear close to the ground and strains to hear, listens for help or I’m stuck or Rose, is that you? Get me out! but the murmuring is taking shape, is turning into words, a strange automated quality to them, robotic and unreal as,

Hye, you there? I’ve been back to the apartment

Rose spreads her palms across the ripped-up earth, the roots and the muck, presses the side of her face flat and listens to the whirring click of the voicemail,

Where are you? They said you quit your job two days ago. Seriously, Cathy? What the hell are –

The voice is small, it smells like moss and dirt, like piles and piles and piles of earth are on top of it.

Okay, I really don’t give a shit about the money, just call –

Rose closes her eyes, she could speak the words alongside herself, she could say,

Where exactly do you think you’re going to stay, Cathy? Do you not realise we’ve scraped by –

She lies down properly, on her side with her cheek in the mud, and mouths,

Are you ever going to answer? I know these are going through, so what? You won’t block me, won’t change your number, you’ll just keep ignoring me?

Are you there?

Hey, I’m home! You’d never guess what happened on my way over!

Anyone home! It’s me!

Just me!

Margaret McDonald (she/her) is a Scottish writer. She has a B.A (Hons) in Creative Writing with English Literature from The University of Strathclyde, and is currently studying for an MLitt in English Literature at the University of Glasgow. She was shortlisted in the Cranked Anvil Short Story Competition July 2020. She’s @margaret_pens on Twitter and @margaretmcdonald_ on Instagram

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.

Megan Galbraith is a writer we keep our eye on, in part because she does amazing work with found objects, and in part because she is fearless in her writing. Her debut memoir-in-essays, The Guild of the Infant Saviour: An Adopted Child’s Memory Book , is everything we hoped from this creative artist. Born in a charity hospital in Hell’s Kitchen four years before Governor Rockefeller legalized abortion in New York. Galbraith’s birth mother was sent away to The Guild of the Infant Saviour––a Catholic home for unwed mothers in Manhattan––to give birth in secret. On the eve of becoming a mother herself, Galbraith began a search for the truth about her past, which led to a realization of her two identities and three mothers.

This is a remarkable book. The writing is steller, the visual art is effective, and the story itself is important.

Pick up a copy at Bookshop.org or Amazon and let us know what you think!

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Guest Posts, aging, empty nest, Fiction

Overexposed

April 30, 2021
new car overexposed

By Karen Mandell

Before she left us for North Carolina, Marie told us that the wife moving in was recovering from a stroke. Great, Dalia said after Marie went back inside to her packing, she’ll die here. We gasped, shocked, but I knew it was inevitable, especially when I met Cath some weeks later.

George, the husband, said they’d come from California. Then why come to Massachusetts, I asked him, the early November day already dreary. I have three sons, he said, one in California, one in Missouri, and one here. I waited for him to go on. And my only grandkid is in Reading. A ten-year-old girl. Of course, I said. One town over. We were mostly like that in this complex—downsized middle-agers with young family nearby. They were a few single women here, five of them. One couple got divorced soon after they moved in, right before my time. The others had never married.

I met Cath once, though the signs of her presence were evident—a ramp from the garage to the back door, guys taking measurements for a ramp to the front door. When I met her, they’d just driven into the garage. No packages, so I supposed they’d come from a doctor’s appointment or a drive around the neighborhood. We were still at that stage—exploring the almost rural North Shore with its country roads and small ponds. Practically a different state from Boston and its suburban environs, its diverse restaurants and neighborhoods, its strip malls on Route 9 and Bloomindales-esque shopping centers.

I figured that since their garage door was still open, I’d run over and introduce myself. Cath, still unsteady after her illness, was arm and arm with her husband. Her hair was rough and her coat was half buttoned and studded with leaf bits. I felt sorry for her, a surging liquidy feeling, and more generally sorry for George. This hapless woman needed more care than her husband was able to give her. I walked to the back of the garage with them, almost to the ramp. “I need the ramp because of my eyes,” she said, and I looked at her gray eyes behind the smudged glasses.

“You need the ramp for more than that,” George said. I knew he wanted me to go, and I did. I did feel like voyeur.

It was a quiet complex, and it was a couple of weeks before I talked to his next-door neighbor, Gloria. I prodded her a little about the new neighbors. “She fell down a couple of times,” Gloria said. “She’s at a nursing home now.” She didn’t know when she’d be coming home. In the following days, I saw his son, daughter-in-law, and granddaughter pull into the driveway and go inside. After the next couple visits, they brought their new puppy, a French bulldog that looked stuffed into its fur. I liked the fact that they had a small periwinkle blue car, a little Datsun, which belied the image of suburban family so prevalent in Newton, our old town.

When our daughter Willow drove over (from Wakefield, the town next-door—the reason we’d moved thirty miles north) I told her about Cath and the nursing home. Seven-year-old Hailey was making snow angels on our little strip of lawn, and I didn’t think she was listening. Well, I hoped she wasn’t listening because I wanted to talk to Willow about our neighbors. But of course she was. “What’s a stroke,” she said. “Like a stroke of luck?” Hailey had a good vocabulary and was very nosy. I liked to think I was exactly like her as a child.

“It’s a sickness,” I said. She’s resting and getting better.” Hailey looked at me. I could tell she was assessing her own health. “Could I get it?” she said, fear scrunching up her nose.

 “Of course not,” Willow said. “It’s for old people.”       

“But then will Bubbie get it or Papi?”       

“No, no. They’re not that old and it’s not that common.”

 “Let’s go across the bridge to the wetlands,” I said. What a grandma I was. My mother would never talk about others’ illnesses in front of the kids. And cancer was never cancer but C. And then my own grandma said kaynahora, meaning keep the evil eye away. “Maybe we’ll see a coyote.” I said.

“Will they bite,” Hailey said, excited.    

“Only if they’re worried about their children,” I said. At least they were good mothers.

A few days later Gloria sat outside on her front step, enjoying the early winter sun. A good chance to ask her about Cath. “She died,” Gloria said, whispering though no one else was outside.

“I had no idea,” I said. “I haven’t seen George.” Not that I knew him well enough to ask him anything. A few of his activities were obvious just from looking out the dining room window: golf, food shopping of course, a walk through the complex, bringing back the mail from the mailboxes stacked at the front of the complex. He liked to wash his new car, having trading in his small Lexus for a larger NX. Insurance money, I decided. In fact, I’d said a few words to him the other day, you’ve got a new car. Yes, he answered, smiling.

 And then the workmen started coming, dragging large boxes out of their trucks. New appliances, fridge, stove, dishwasher, washing machine, dryer. Naturally all the condos had come with appliances, moderately priced, acceptable brands. But these new ones were high end, European, six burner stovetops, Viking and Bosch. I could tell by the cardboard containers, broken down and tied up on trash day. I talked to one of the workers. “He’s doing some work,” I said. Casual. A whole new kitchen, he told me. I was glad to get that much out of him. I would have loved to see inside, but that was impossible. I almost never saw him. It was cold, people were inside, socializing was practically nil.

Next to his driveway there was a patch of grass, then a two-car parking area meant for guests. A fairly new Subaru Forester began parking there, nicely washed, clean and spiffy inside. Sometimes the car was gone, but it always came back, though I never saw its driver. Someone’s guest. Not that that black car was the only outlier—adult children of the condo owners came and went with their children. No one under fifty-five was entitled to live here, but with jobs lost, rental prices high, parents took in their children and grandkids and dogs. Like the other condos, our dining room windows looked out onto the street, if you could call it that, more like a paved pathway. The developers hadn’t bothered to name the roads, so only our houses had names—or more accurately, numbers. No Mount Isabel or Clotworthy House here—just 43 (us) or 31 (George the widower across the street).

Sitting at the dining room table, reading The Globe, I figured out who owned what cars here. Because the mailboxes were at the front entrance of the development, I watched the residents walk down and back and take strolls with their visiting friends. Once when we were sitting down to Morty’s veal stew, he said, “You don’t have to get up every time someone walks by.” I hadn’t realized my behavior was so obvious, but there I was peering out between the slats of the closed blinds.

     “I was just checking the weather,” I lied. It wasn’t an outright lie because I do check the weather every time I look outside. When I was a teacher, one of my students told me I was a weather person. I thought that was a wonderful compliment, though I’d been mad at him earlier for playing with a koosh pencil topper in class. I’d taken it from him and put it in my desk. When he asked for it a few days later I said no. I liked it myself and wanted it. Some years later I heard he’d gotten engaged but committed suicide. I put the stringy ball on a top shelf and left it. I found it recently and briefly considered giving it to my granddaughter, but it had too many bad connotations. Did I prod him to committing suicide, like the last tiny breeze that makes the piggy’s straw house fall down? Like chaos theory, the straw that broke the camel’s back.

“Don’t act like I have nothing else to do,” I said. I opened my mouth to list them, all my activities, but Morty counted them off for me.

“Your reading, your newspapers, your piano playing.” He held up his hand so I wouldn’t stop him, “Poetry writing, your houseplants.”

“And I’m thinking of taking up painting.” Morty is a painter plus he does his leadership training from home. He nodded showing his potential interest.

“Actually,” I said, “it’s paint by numbers but it’s for adults. I saw it on Etsy. Lots of colors and tiny spaces to work on. Copies of the great masters.” As soon as I said this, I knew I couldn’t possibly do it. Thank goodness I hadn’t ordered anything yet. I need something to suck me in, a novel by Elisabeth Bowen or Virginia Woolf, where nothing really happens and you don’t have to follow a plot. Although I do love mysteries where the bodies pile up but the gore quotient is low.

Morty cut a couple of pieces of the good sourdough you can only get in Brookline, thirty miles away. I know that because that’s how far we moved to get closer to the grandkids. After twenty years in the old house. “I wonder how George across the street is doing. Do you ever see him to talk to?”

“When he’s been out washing his car now and then. Not since it’s got cold.”

“Maybe he’s joined a church and has friends there,” I suggested.

“Churches aren’t open yet. Are they? He gets the paper. That must take some time. You have noticed that the paper’s getting skimpier and skimpier.”

“I don’t like being aware of that,” I said.

“Anyway, I’m sure he’ll be fine. As much as the rest of us. His granddaughter and the puppy must lift his spirits.”

When Willow called, I asked her if I was having a delayed reaction to Sapphie. She’d died at sixteen last summer. I didn’t cry—I’m not a crier unless there’s a strand of tenderness in a book or some heart-tugging in a movie—but I missed her and her constant padding after me.

“You’ll take care of our dog,” Willow reminded me. Their Tibetan terrier puppy would hopefully be born in the summer—if the mother got pregnant. The breeder had tried once. They didn’t know yet if it took. Nothing was easy.

I started using the computer in the dining room. The light was better than the loft upstairs, in my nook near the laundry room. It still got dark early, so I could watch the sunset up close—the windows down here faced southwest. Upstairs, they faced north, so the light didn’t change much all day. In the interludes between lines

We buck each other up, the morning and I.

I throw open the window and admire her fog twist…

And the next one:

Loading the dryer, I think chocolate,

Chocolate waiting in the heart shaped red box

 Luck winds around me like a static filled sheet, an electric kiss…

I realized that it was one o’clock, lunchtime. The Subaru was parked in the guest space across the street, and I put on my coat, hat, and scarf to go pick up the mail, a constitutional before lunch. A bunch of circulars, it turned out, and the Lynnfield weekly paper, read mostly for the prices of recent house sales. I glanced into the Forester on the way back, surreptitiously because it did make me feel like I was snooping around. Someone could be looking at me from their window, George being the first to come to mind. I had enough time to take in the lack of magazines and books and reusable bags on the back seat, the spotless floor mats, the unstained and empty cup holders. The owner was someone neat and tidy with a new car like George. Or maybe George had helped her do a through cleaning. Some people found cleaning cars relaxing—smaller than a house, smaller than a kitchen, manageable. Maybe George had a girlfriend, I thought wildly, who had a car as well cared for as his. This car.

A romance on our street. Why not? A middle-aged man, trim, energetic. How much time could golf take. A lot, obviously, when I considered the people my uncle played with when I visited the New Jersey branch of the family as a child. My father wouldn’t touch the sport, having determined it was the refuge of the overweight, tightly belted white pants wearing bourgeoise. Plus, he’d never seen golf growing up in Poland, where soccer was the only activity that mattered. Though Morty’s parents had both played, and neither one was overweight nor particularly bourgeoise.

By the time I walked up the five steps to my front door, the questions had piled up like vehicles in a traffic jam on 128. Where would George have met her? Not only was he new in town, but he’d been a widower for just a few months. Actually, when you’re new in town is when you do make friends, making the effort to replace the network left back home. And the company of his late wife. They’d come to Boston to watch their granddaughter grow, and her being the only grandchild among his three sons made it likely that he’d go to a bunch of her activities. Dance recitals, basketball games, maybe even puppy training classes. Endless opportunities.

Inside, I shoved aside the computer, my pad of paper, various pens and pencils to the other end of the dining room table. I assembled my usual lunch: sharp cheddar cubes, cut up apple and carrot (plus one for Morty, vegetable intake a priority now that our eyesight was sputtering somewhat). Leftover seafood salad from Big Y, fragments (many of them) of super dark chocolate from the bar that I whacked on the counter. From my place at the table, my back and right shoulder each facing a separate window, I was steeped in a sunshine bath. I felt like a dozing tabby, my usual mid-lunch mood of purring satisfaction. But the satisfaction did not hold—I was still puzzling out how George across the street met a companion so fast. There was the grieving, the hunt for a new car, new appliances, fresh furniture too, from the vans marked Boston Interiors and Room and Board recently parked in front of his house. An electrician’s truck (More Power to You!), the plumber’s van (Pipe Dreams). From sleek and purring I’d descended alarmingly to frumpy and lethargic. I was beholding the youthfulness and energy of a person in love and awash in shiny new things.

The old song from my childhood shimmied through my mind—baby, baby where did our love go? Not that I didn’t love Morty—absolutely, timelessly. But recreating that spark of new love; now that was something else. I saw in my mind’s eye how it happened. George and his son and daughter-in law were attending Skye’s school open house. It was going to be a low-key affair this year with only half the parents attending that night and the other half waiting until next week. George and family were in the first group. He wouldn’t have missed it for the world. When his son called him in the morning, he said that he and his wife were toggling back and forth on who had the worse stomach—that left over take-out deli most likely the culprit. In the end, neither of them felt up to going and George went by himself. He was nervous and apprehensive, not having been in an elementary school for years. He could barely remember his three sons’ open houses. But certainly Carol had been there jotting down notes.

He struggled a bit to ease himself into a student’s seat. But not struggling too hard because he was slight and fit. He didn’t need more than walks and golf and the sustenance of foods prepared in his newly applianced and furnished kitchen/dining room to stay in shape. That’s what he told himself, although Carol would have a different point of view. She usually did. You’ve got a dream kitchen, he could hear her saying, you’d better use it to cook up plenty of vegetables and not just heat up high-end take-out.

Ms. Reid leaned back against her desk in updated yoga pants and long belted cashmere sweater and described what she expected from her students. (George felt a little bad that she’d have to go through this again for next week’s parents.) Well-crafted three paragraph essays to begin with, moving on to decoding poetry and close reading of fiction. She moved closer to the window, the high intensity lights in the parking lot plus the fluorescent classroom lights burnishing her hair. After her presentation, she chatted with the parents for a few minutes before she commiserated briefly with George about the death of Skye’s grandmother (and his wife) before she had to move on to others practically jostling for their turn.

George told his daughter-in-law that he’d pick Skye up from school a few days a week. Sometimes Ms. Reid came out to the playground to help out with pickup, but not always. Other teachers would take their turns. He told Skye to look for him on Tuesdays and Fridays, which were Ms. Reid’s days. It hadn’t taken long for him to figure that out. They chatted and one day when there was no school (the second day of winter break) they went to an afternoon movie at the Coolidge Corner Theatre. It was having a week of art house movies. Plus it made a nice drive—fifty miles round trip from Lynnfield Elementary School, where Toni parked her car and got into George’s.

The relationship, I figured, was well-launched by now. When I picked up the papers in the morning (his almost always already taken in), her car was outside, sometimes dusted with snow, sometimes layered with it. I wondered why he didn’t put hers in the garage with his. He had some shelves and a couple pieces of furniture along the right-hand wall, but he could move them around. He must have read my mind, because the next few days, which were stormy, her car wasn’t there. So the garage it was! Still, I hadn’t seen her yet, no matter how many times I looked outside. Everyone glances out now and then, and maybe my looking was a bit excessive, but barely. It just got me that I never laid eyes on her. It was like a cat and mouse game that she didn’t even know she was playing. On days when the weather was better, the Subaru would spend the day sunning itself in the parking spot.

I needed to do more walking. It would be spring soon (eventually) and I wanted to get in shape for the halcyon days of summer, riding my bike, strolling along Crane Beach. I didn’t want to feel fragile and rusty. I was at that age where you could tip either way, into the pre-elderly or a robust middle age. I crept through the hedges near the mailboxes, across a backyard, and landed in a posh neighborhood of brick mansions, with stone lions at the front doors or giant urns which held mostly dead foliage, even in the summer. But the avenues were broad, with almost nobody outdoors except a very few children and dog walkers. After I’d had my fill of too-large houses, I decided to walk in our development, where at least I could nod at the people I knew or introduce myself to those I didn’t. In none of the apartments could you see inside, windows swathed in curtains or blinds (like mine, though I kept them open all day to bring in the natural light). I switched to walking in the backyards, though I felt a little self-conscious, a holdover from my days in Newton/Needham, where a backyard was part of a homeowner’s property. Here in the development, you didn’t own the land—the complex did jointly. Even so, I seemed the only one who walked through backyards. Old habits die hard for some of us.

I expected that some would sit out on their patios during the afternoons when the late winter sun let loose its rays, sharp as swords. But no—people obviously had other things to do than expand their lungs and take in the beneficial microorganisms the earth began releasing this time of year. I know I could have called old friends and the new ones here and taken a more congenial walk. But this had been a winter of lethargy unless you summoned your forces to break out of it. For some time I hadn’t been a caller. But I was never sorry to have had a conversation. It lifted my spirts, reinforcing the fact that I had friends. Like everyone.

After lunch not long afterwards, I was about to bring my dish to the sink when I saw a couple moving from the block around the corner in the direction of the parked Subaru. Had George and his girlfriend taken a stroll and were now going for a drive? Did he usually wear a long loden coat? The woman had her hair tucked into the back of her coat, and now she pulled it out and loosened it around her shoulders. Like shaken silk, her light brown hair draped across her back. Even in a shampoo commercial, I’d never seen hair as shiny and all in a piece, no recalcitrant locks or gaps in its magnificent flow. That was my first thought. My second, as her companion thumbed his key and opened the door, was this man wasn’t George but neither was she George’s girlfriend. A young couple with a rental car visiting relatives in the complex, staying over. It had never occurred to me that there was a different angle to my story. Me, who always counted on both sets of fingers all the potentialities, mostly bad, in any situation, had been bushwhacked this time. I was sad the girlfriend for George hadn’t panned out. And for one twisted wretched moment I was also glad. Shouldn’t we all be suffering now? I want to say that that moment was truly just a moment.

I sat on the front stoop, letting the oblique sun warm my earlobes when George’s garage door opened and he came out. He placed his golf clubs in his trunk and walked around to the driver’s side. “Snow’s gone,” I said, standing up and moving toward the street. He smiled, a bright transforming smile like some people have. “You didn’t have a guest,” I added.

“A guest? You mean my son and his family.”

“Oh. Yeah,” I said. “They have a cute dog and what a sparky little girl.” I didn’t ask how the open house at school went. “I see the family coming up the steps sometimes, laden with shopping bags. Ten-year-old girls are a perfect age.”

“Nine, but she’s tall.”

“I’m sure she’s doing well in school.”

“She’s been home-schooled this year, but she’ll be going back after spring break.”

“Sure,” I said. “Things change.”

“Let’s hope so,” he said.

“I wanted to say how sorry I am about your wife.”

“Thank you.” He pursed his lips and nodded. His gray hair was thick and shaggy. Not in an unkempt way. Monty didn’t tell me when he was getting a haircut, just came back shorn and sheared. Maybe George had waited for his wife to tell him to go to the barber. “At least Carol got to be with Amy before she passed,” he said.

Amy? Of course. Not Skye. While we talked, I felt I was looking at a double-exposed photo from my parents’ time. Or hearing an echo coming back distorted.

My story about George superimposed upon his story made me dizzy. I felt the loss of Skye and Ms. Toni Reid. You’ve got an overactive imagination my parents would admonish me when I was worried about germs or friends that might abandon me or strep throat decades ago. But this moment I wasn’t dreading the obvious, just overlaying a scrim onto our harsh anodyne landscape.    

“I’d better go in,” I said. “I may try a recipe for Thai Stir-Fried Glass Noodles from The Globe. If it turns out, I’d be happy to bring some over. Can’t promise any miracles.”

At home I plucked the recipe from the dog-eared and tea-stained pile on a dining room chair. I had the cellophane noodles, but I hadn’t read farther down the ingredient list. Two tablespoons fish sauce… The recipe lost me right there, before the small head green cabbage, fresh cilantro, oyster sauce. I’d had a cabbage but left it in the garage (my “root cellar”) too long. Scratch glass noodle soup for any of us tonight. No, I couldn’t promise any miracles. Tomorrow I’d get what we needed.

Karen Mandell has taught writing at the high school and college levels and literature at community senior centers. She’s written Clicking, interconnected short stories, and Rose Has a New Walker, a book of poetry, both available on Amazon. She’s working on The Lulu Stories, speculative fiction that takes place in the near future.

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sentilles book stranger care

Sarah Sentilles is a writer, teacher, critical theorist, scholar of religion, and author of many books, including Draw Your Weapons, which won the 2018 PEN Award for Creative Nonfiction.  Her most recent book, Stranger Care: A Memoir of Loving What Isn’t Ours, is the moving story of what one woman learned from fostering a newborn—about injustice, about making mistakes, about how to better love and protect people beyond our immediate kin. Sarah’s writing is lyrical and powerful and she ventures into spaces that make us uncomfortable as she speaks for the most vulnerable among us. This is a book not to be missed.

Pre-order a copy of Stranger Care to get exclusive free access to a one-hour generative writing workshop with Sarah, via Zoom on May 25th at 7pm Eastern time. If you register for the workshop and can’t attend, a recording of the event will be available. More details here.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

death, Fiction, Fiction Fridays, Guest Posts

Bernoulli’s Heart

April 9, 2021
By Marco Etheridge

The coffin was in the ground and clods of earth had drummed on the hollow box. Retreating to the home of the newly departed, the mourners pour out liberal libations. Murmurs move through the sprawling house; quiet lamentation mixed with dashes of muffled laughter.

Some of the bereaved gather under the shaded cloister, chic in veils and tailored suits of black. Sunlight spills over the red earthen tiles of the courtyard. Four tables stand in the sunlight, four umbrellas furled. All of the wrought iron chairs are empty save for one.

The woman’s face is hidden under a wide-brimmed black hat. Her legs are bent to one side, ankles crossed, the black-stockinged calves of a woman younger than five decades. On the table beside her is an almost empty wine glass rimmed with ghost kisses from crimson lips.

A man appears from the shadow of the cloister. He strides across the courtyard, a full glass of wine in one hand, a tumbler of scotch in the other. The woman tilts back her head, watches his progress from beneath the brim of her hat.

The man stops beside her table, still holding the two glasses. He smiles at the woman with that singular smile that is reserved for old lovers. She returns his smile in kind while adding up the years since she last saw him in the flesh.

— John Staffen, as I live and breathe.

— Hello Yvette. Bit of a redundant expression, especially for a wake.

— What’s more redundant than a wake?

— Too true, in a sad sort of way. I saw your glass was empty. I had to guess on the wine.

— You always were a gentleman. If the wine is red, and in a glass, it’s perfect.

John Staffen flourishes the wine and places it on the table with a mock bow. Raising himself, he gestures to an empty seat. Yvette awards him a regal nod. He unbuttons his black suit coat and sits. He looks long over the rim of his whisky and Yvette Martin lets him look. Crystal scrapes the glass tabletop as he sets it down.

— My brain is telling me fifteen years, but my eyes don’t agree. You look damn good, Yvette.

— Thank you, John, it’s been sixteen, but who’s counting? You look good as well.

Staffen snorts, shakes his head.

— I look like death on a cracker and you know it. Not as bad as our dearly departed Harry, of course.

— Don’t be a drama queen, John. You’re not on stage right now. A little grey at the temples, some craggy lines; you’re a handsome middle-aged devil.

He waves a dismissive hand.

— Are you living here in the old alma mater?

— That’s right, still living at the scene of our crimes. I’ve got a cute condo with a view of the Charles, walking distance from my lab and the lecture hall. I’m all settled down like a real grownup. I assume you’re here just long enough to pay your last respects.

— I’m watching a friend’s place for a few weeks, then I’m off to Seattle for rehearsals and a six-week run of Uncle Vanya. I’m cast as the Old Professor, something that happens more often these days. Not that it matters.

— I’ll bet the script girls still swoon.

She gives him a long look but not without a smile. It is a look he remembers well. He thinks better of it and retreats.

— Do you mind if I smoke? It’s been a long morning.

— By all means. I look forward to the waves of disapproval.

Staffen glances to the figures in black strung along the shadowed borders of the courtyard.

— Piss on them. A murder of crows.

He removes a small cigar from a pocket, clips it, and flicks a lighter. The flame hovers beneath the tip of the cigar. He leans back in his chair as a cloud of smoke rises and swirls into the sunlight. A half smile breaks across his face as he speaks.

— Sixteen years gone and our paths cross here. I think Harry would get a chuckle out of that.

— I hope so. Were you two still close?

— No, not since he became the rich and famous Henry Grimes. We’d see each other now and again, whenever he felt like slumming with his old pals. I played Falstaff to his young prince, even though he had a decade on me. When was the last time you saw him?

— It’s been five years. We had a bit of a falling out. Bitter words, expectations not met, that sort of thing.

— Wait, were you two a thing? I had no idea.

— Why would you? Harry kept all his lives in separate compartments. Not the sort of man to spill his secrets while swilling drinks with you. What would he say? Oh, by the way John, I’ve bedded the former love of your life. Lovely Girl, I don’t know why you ever let her slip away. That was never Harry’s style and you know it.

Staffen smokes in silence, taking this in. Harry would have been right to say it. Why did he let her slip away? More of a push than a letting slip, truth be told.

— Anyway, it ended badly, as we both knew it would. But here I am, mourning the beloved dead.

Yvette takes a long drink of wine. She smiles at her former lover, the edges of her teeth stained bloody red.

— Don’t be shocked, John, and don’t pout. I always hated that. Harry was a charming man in his own way, until he wasn’t.

— I’m not shocked, just a bit surprised. You know it’s true, the part about you being the love of my life.

— I know.

— Do you mind if I change the subject?

— Please do.

Staffen contemplates his cigar before speaking.

— How many funerals have you been to this year?

— That’s a morbid question.

— Humor me, you used to be good at it.

— Don’t be catty, it doesn’t suit you. How many funerals this year? Three, if we’re counting today. Why?

He nods, as if having something confirmed.

— This makes four for me. There’s been a subtle shift in my social schedule. It happened sometime after I turned forty. I used to suffer through more weddings than funerals. Now it’s the opposite. The change is weighing on my mind, or rather on my heart.

— You’re being serious. That’s not like you. What do you mean, weighing on your heart?

— When I review the owner’s manual for my life, I can’t find a single chapter where it states that death will become a regular event. The bastards who wrote it lied to me, at least by omission.

— There’s an owner’s manual? I guess I never got my copy.

— Sure you did; we all did. It’s that compendium of expectations that we learned as kids. Childhood, school, meeting that special someone, children of our own, then a happy life into our dotage. But the balance tilts along the way. Not everyone gets their allotted four-score years. A car crash, an OD, a cancer diagnosis, and before you know it your heart is filled with dead people elbowing for space. My heart is getting crowded.

Yvette swirls the wine in her glass, thinks better of it, returns the glass to the table. She leans closer to John before she speaks.

— Your metaphorical heart is running out of space?

— Ever the scientific mind, Yvette.

— That’s one of the perils of being a scientist.

— Yes, I’m talking about the poet’s heart, not the muscle in my chest that races every time I see you.

— John Staffen, that is a very odd and sweet thing to say. Setting that weird compliment aside, my scientific mind tells me that you’re talking about accumulated grief. But on another level, I think I understand what you mean. I lost my mother, then my sister, both to breast cancer. Dead friends, people you don’t know, some younger than me. And now Harry, of course.

— There’s that as well, the quick assessment of my own mortality. When I read someone’s obit, the first thing I do is compare my age to theirs. Were they younger than me? The math gets less pretty as the years pass.

Yvette shakes her head, raises one hand as if to ward off the thought.

— No obituaries for me, thanks. I’m fifty years old, not some crazy old cat lady. A girl has limits. And no mortality discussions at a wake; We’re supposed to be celebrating Harry’s life, remember?

— Right, and now I have to make room for Harry. Except as I’m saying this out loud, I think it’s a question of weight rather than space. The dead weigh more than the living. Does that make any sense?

Staffen reaches for his whisky, eyes on Yvette over the rim of his tumbler. He is surprised to see her chuckle and responds with a questioning shrug which she answers.

— Sorry, science and grief colliding.

— Which one of them is funny?

— It’s the collision that’s funny, at least to me. Do you remember Bernoulli’s principal?

— You are the strangest woman I’ve ever met. You know that, right?

— Says the man who almost married me. Are you stalling for time?

— No, Bernoulli, I remember. That’s what allows planes to fly and shower curtains to be annoying, right?

— Yes, and more to my point, why straws collapse when you try to suck up that last bit of milkshake. Fluid dynamics; as the speed of flow increases, the pressure decreases. Less pressure inside the straw than outside it, so the milkshake squishes the straw.

— I’m being serious and you’re making fun.

— No, I’ve been struggling with this same sense of loss, more than just today. You talk about grief in terms of weight and space and my brain searches for a scientific principle to corroborate or deny. It’s how my mind works. You know that.

— Then would you care to explain how Bernoulli equates to the weight of grief?

— This is not an equation; it’s an analogy that banged into my head on top of, um, three glasses of wine. Which doesn’t make it untrue, just a little tangled. First, we need a baseline. Have you ever dated a widow?

— No widows, no orphans. Why?

— You always were a smart man. It’s very difficult to compete with a dead lover. Once they’re dead, they don’t make mistakes. The dead don’t forget birthdays, or anniversaries, and they are always there. Unlike the living, who tend to fuck things up and are often absent when they should be present.

— Is this from first-hand experience?

— Trust me, John, just say no. You can bitch about someone’s Ex, but you slander their dear departed at your own peril. Which is the opening to my hypothesis: the dead are immobile, hence denser. The living are different. We hold them in our hearts, but not like lumps of lead. They move around, sometimes they annoy the hell out of us. Their relative weight in our heart changes. What I’m saying is that their presence is not a constant.

Staffen shakes his head in wonder. Yvette talking a mile a minute, an idea clenched firmly between her teeth. And no subject was ever too weird for her. A woman unlike any other he had ever known.

— The living are annoying, so they weigh less in my heart? That’s your theory?

— It’s a hypothesis, not a theory, and yes. Poor old Harry is dead and laid to rest. I can tell you about his less than charming traits, but I suspect that in a month all I will remember is the Harry that I loved, minus the annoying bits.

Staffen swirls the ice in his glass. Don’t say it; don’t be an idiot. Then the whisky does the talking.

— What about me? How much do I weigh in your heart?

He expects a thrown wineglass or a scowl. Instead, Yvette rewards him with a long loud laugh. The sound of it echoes across the courtyard and draws scowls from the margins. Her laughter fades from everything but her eyes as she gives him an appraising stare.

— You’ve still got balls, John. You always did. But you’re not dead yet, so how can I answer your question? I could give your ego a good stroke and say that I pine for you every day, but that’s not true. We had some amazing years, you and I, until you started indulging in script girls.

— Something I’ll always be sorry about.

She waves it away like a mosquito, somehow keeping the smile on her face.

— Water under the bridge, the bridge has fallen in the river, and always is too long for anyone.

— I’m a good swimmer; better now than I used to be.

Yvette says nothing, turns her head to scan the milling shadows at the edge of the courtyard. John sees Yvette in profile and his heart shakes off two decades as they have no weight or consequence. His brain struggles to keep up.

She turns her head and catches him staring, her eyes grey and serious.

— It’s a good turnout for Harry. Isn’t that what we’re supposed to say?

— Sure, a life measured by the column inches of his obit and how many mourners showed up for the free booze.

Staffen smokes, blows a small cloud above his head, watches it drift across the empty courtyard. He remembers when he and Harry were lean and poor and always dreaming up the next great idea. Old dead Henry Grimes might enjoy this memorial, but young Harry would’ve walked out of any party this boring.

C’mon, John, this place is deader than dead. Grab that good-looker and let’s get outta here. He hears the dead man’s voice in his head and laughs out loud. Yvette arches an eyebrow from under the shadow of her mourning hat.

— I was just thinking how Harry would have hated all of this empty ritual. It’s no wonder the dead want to clutter up my heart. Where the hell else would they go? Certainly not here, not with all this quiet, carefully modulated grief. It’s not even mourning, it’s grief-lite. Easier on the mascara and the neighbors don’t complain about the keening.

Then Yvette’s hand is on his and the rising tirade of his words falls to nothing. When she speaks, her voice is quiet.

— I remember walking through a graveyard in Greece. The tombstones had photographs set into them. They looked like old-fashioned cameos; black-and-white images printed on porcelain ovals. Harry was with me on that trip. He said the photos were ghoulish. I suppose they were, but I also thought they were a good idea. The dead person is fixed in place, bound to their grave by their own image. The loved ones go to visit, light the candles, tidy up, and then leave the dead behind when they go home.

— They leave the dead behind, but they don’t forget.

— I suppose that’s right. It’s as if we’ve lost the rituals that hold the dead in place. When I go to an old cemetery, I feel the presence of all those departed souls. Not very scientific, I know, but I do love an old cemetery.

— As if I could forget the two of us wandering around Père Lachaise in Paris.

— Yes, it was dismal and rainy and cold. You wanted to find Oscar Wilde and I was looking for Edith Piaf.

There was a stir and murmur amongst the black suits and dresses. Staffen turns to look over his shoulder.

— It looks like they’re closing the bar. Shall I fetch you another glass of wine?

— No thanks, three glasses of red on an empty stomach. If I stop now, I’ll remember what happens next.

He turns back and is trapped by her grey eyes. Fear and longing mix and swirl in his chest, pushing away the warmth of the whisky. Then his heart elbows aside the fear and makes room for the longing.

— What does happen next?

— I think we bid Harry a fond farewell and find a taxi.

Yvette rises from her chair and John is quick to do the same. She slides a black shawl across her shoulders, looks at him and smiles. He crooks an elbow. She slips her arm through his and speaks to the sun and sky.

Au Revoir, Harry. Bon voyage.

He feels the pressure of her hand on his wrist and finds his own words.

Adios, Harry. Vaya con Dios.

He looks into Yvette’s eyes and two decades fly past him and swirl away into the sunlight. A long moment passes before he is able to move.

Then Yvette and John are walking across the red earthen tiles of the courtyard, arm in arm as a couple. When they reach the shaded cloister, the murder of chic crows parts to allow them passage.

Marco Etheridge lives and writes in Vienna, Austria. His short fiction has been featured in many reviews and journals in Canada, The UK, and the USA. Notable recent credits include: Coffin Bell, In Parentheses, The Thieving Magpie, Ligeia Magazine, The First Line, After Happy Hour Review, Scarlet Leaf Review, Dream Noir, The Opiate Magazine, Cobalt Press, Literally Stories, and Blue Moon Review, amongst many others. His non-fiction work has been featured at Jonah Magazine, The Metaworker, and Route 7. Marco’s third novel, “Breaking the Bundles,” is available now. Learn more about Marco at https://www.marcoetheridgefiction.com/.

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Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

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Guest Posts, Fiction, Fiction Fridays, Gender & Sexuality

In the Flesh of an Apple

April 2, 2021
apple

By Mercury-Marvin Sunderland

Julius bit into a big red apple. He was groggy, and it was morning. He was lying around in his on-campus apartment at Portland State University, trying to ignore the cramping in his uterus yet again. He got them fairly often, and would try to medicate himself with weed occasionally. He tried not to do it because he didn’t want to be as addicted to it as he was in high school. Provided, he didn’t want to be addicted to weed in the first place, but cutting down on it was the first step.

It had been years since he’d last had his period. When he’d started testosterone it had thankfully stopped the bleeding, but he was still getting the cramps. For a lot of people, starting HRT meant that it took away both the bleeding and the cramps, but for others, it wasn’t so fortunate. However, Julius was doing his best to just be grateful for what he had, and he knew that there were many people who didn’t get the privilege to start testosterone in the first place. He was just starting to get stubble and that was exciting. His voice was just getting deep.

Just think positive, Julius, he reminded himself. Think positive.

When he was a freshman in high school he read online that eating an apple every morning had caffeinated qualities. That was probably bullshit but he’d gotten into a huge habit of eating apples every morning ever since. He liked to eat the entire fruit, core, and stem. It pissed off his friends but seeing their priceless reactions only encouraged him to do it even more. Besides, the cyanide in apple seeds isn’t really enough to kill anyone, anyway. They taste like almonds.

Ignoring the way that his pain was literally making him aware of where his ovaries were, he got to the kitchen and made his morning coffee. He grabbed a Nature Valley bar and some slices of disgusting bootleg Kraft Singles. If you thought Kraft Singles couldn’t get any worse, you’re wrong. You can find bootlegs at the dollar store that try to be Kraft Singles but somehow manage to taste even worse. Julius wasn’t much of a chef, and didn’t have much money to buy his own groceries. He just knew that he needed the starch and protein, and that he was going to take what he could get.

He noticed that these packages of bootleg Kraft Singles claimed to be swiss cheese, but it had absolutely no holes in it. That drove him bonkers but he ate it anyway. He hated to peel off the plastic but he never had the energy to cook.

He got dressed in jeans, sneakers, and a Legend of Zelda t-shirt. He hated morning classes but he had to get to his 9 AM computer programming class before it was too late. He grabbed his powder blue backpack and headed outside.

When he got outside there was melting snow on the ground. Portland doesn’t get much snow but it was well past the point where snow was exciting anymore. People thought it was weird that he didn’t wear a coat too often, but nobody really seemed to think much of it.

When he was a freshman in high school he once ate an apple that tasted exactly like water. He’d never eaten an apple like that again but somehow it managed to be one of the most unpleasant things he’d ever eaten. Which isn’t to say that water doesn’t taste good, or that there aren’t gross mushy apples which would taste worse.

The taste of water just doesn’t feel appropriate in the flesh of an apple. It needs that sweet sugar.

Mercury-Marvin Sunderland (he/him) is a transgender autistic gay man from Seattle with Borderline Personality Disorder. He currently attends the Evergreen State College and works for Headline Poetry & Press. He’s been published by University of Amsterdam’s Writer’s Block, UC Riverside’s Santa Ana River Review, UC Santa Barbara’s Spectrum, and The New School’s The Inquisitive Eater. His lifelong dream is to become the most banned author in human history. He’s @Romangodmercury on Instagram, Facebook, RedBubble, and Twitter.

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This past year has been remarkable, in the best and worst of ways. (Her)oics Anthology is a collection of essays by women about the lived pandemic experience. Documenting the experiences of women both on the front lines and in their private lives, this book is an important record of the power, strength and ingenuity of women. 

Pick up a copy at Bookshop.org or Amazon.

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Anti-racist resources, because silence is not an option

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Click here for all things Jen

Guest Posts, Fiction, Fiction Fridays

Little Buddy

February 12, 2021
creature

By W. T. Paterson

The chill in the air settled against the fading blue sky as Porter lugged an ancient wooden storm panel around the side of the house. The cold sand shifted under his boots turning each step into an arthritic nightmare for his knees. It felt like the end of an era. The summer house that once teemed with life now sat empty and cold leaving only the rat-a-tat knocking of a pesky woodpecker that wreaked yearly havoc on the panels. Buddy, his son, had always helped with the end-of-season board-up, specifically shooing away the bird, but the boy had moved to the big city for a fancy hospital job and Porter was lucky if he got a phone call every other month. Minnie, his wife, took over their Massachusetts house after her therapist suggested a trial separation now that Buddy had grown. Minnie agreed before Porter could weigh in and all but exiled him to his family’s seaside cottage in Maine for the winter. A quarter-century worth of marriage dissolved like a cruel magic trick. One moment things were fine, and the next the veil lifted to reveal the great absence of a used-to-be.

The wooden panel slid into the de-screened slot and hooked into place with rusted latches. Porter rested his sore shoulders and aching back and looked out across the empty beach. The calm ocean barely rippled, more lake than tidal beast roaring with surf. With the summer crowds gone, the small town barely stirred. A part of him believed that being holed up in the place for the winter would bring some clarity to the situation, that the isolation would do him good until the rat-a-tat started up again.

Porter wiped his brow and then slapped the boards. The thick panels shook, and the knocking ceased.

He stepped outside and around the house toward the bulkhead for the final panels, and that’s when he saw it; the creature hiding near the cement foundation of his neighbor’s place. A baby dinosaur, a dilophosaurus by the looks and no bigger than a housecat, watched with cautious curiosity. Its yellow skin with red-striped belly sniffed the air through a long, ridged snout. The creature gave Porter a weak warning growl to reveal a curved row of small, jagged teeth.

“Monsters,” Porter said under his breath, and shook his head at the wealthy summer goers like the Hartwells who loved to buy exotic pets in the spring only to decide they didn’t want them come fall. Instead of heading to proper shelters, they stuck the creatures outside to fend for themselves and left town without so much as a second thought. One year, animal control wrangled a Chupacabra after reports of missing cats piled up, and a few years later, the carcass of a tiger was found in the snowy dunes frozen and starved. Finding the small dinosaur was, unfortunately, par for the course.

Porter closed the rusty bulkhead and went inside even though he wasn’t finished. He held his fingers under warm water to melt the stiffness in the joints and considered phoning the town. From the kitchen window, he watched the dinosaur sniff around and make chirping noises, neck craned and eyes large as the shadows of the houses stretched over the dunes and onto the empty beach.

*

The dark autumn sky swallowed the day. No one at the town hall had answered when he called, so Porter left a voicemail requesting that someone collect the dino. Poor thing won’t survive the cold, he said. It’s their blood. They need the heat. Porter wasn’t sure how he knew this, but he knew it to be true. Leftover details from his childhood fascination with predators perhaps, or something pulled from Buddy’s picture book filled with sharks and crocodiles and yetis and wolves.

That book was still upstairs, he was almost certain. They read it together every summer until Minnie complained that Buddy should turn his interests toward more sophisticated prose and came home with books about the anatomy, and physiology, and medicine. She tucked the book out of reach where it collected dust and rendered the sturdy pages fragile.

What an odd thing to remember at a time like this, Porter thought as he sat on the well-worn and sun-beaten couch. The muted television glowed with his favorite trivia show as static crackled across the screen. He waited for the phone to ring. He watched in quiet until the contestants shouted with glee as a big-money gamble paid off huge. They danced and twirled and pumped their hands up and down like they had just gotten married, like they had a few glasses of fine wine and a belly full of prime rib and sauntered to the dancefloor still believing the person they married was who they believed they were, that an office job wasn’t built to turn a man inside out, that unconditional love could actually heal a person, that paying hand-over-fist for a future that benefited everyone but themselves was a noble path. “Dreamers,” Porter said, and tried to will himself into a nap. That type of happiness made him uncomfortable. It was exhausting, a game for the young. It was why those trivia shows never cast anyone over thirty, because anyone older knew the that the world was a limited path with nothing but forced naps that wouldn’t come in a cold and empty house inside of a town that only lived for a single season.

When the evening news came on and the weather forecasted only cold days ahead, Porter went into the kitchen to scrounge up some dinner. In a cupboard was an unopened box of Rainb-O’s cereal, buddy’s favorite. He purchased a new box every year in the hopes that his son would visit and they could both share a bowl like the old days. He didn’t want to open the box, just in case.

In the back of the freezer, he found two steaks so frozen and frostbitten that they could hammer a nail. He took one out and ran it under the faucet resigning to finish installing the panels in the morning. Over the hiss of the tap, he could faintly make out the lonely wail of the baby dinosaur somewhere outside.

“Poor thing,” Porter said, and against his better judgement, filled an unused bamboo salad bowl with water and walked outside. At the base of the front steps, he put the bowl on the ground and whistled for the creature. The long, gravel driveway wound around sleepy dune grass, cut through overgrown lawn grass, and intersected with a paved road lined with tall pines. The neighboring houses stood like vacated caverns. Crickets pulsed in the chilly air like the slow breath of a sleeping giant. A moment later at the edge of the shadow, the dilophosaurus poked it’s head out from a patch of cratered dunes and sniffed the air. Porter clicked his tongue and pointed at the water. The small creature took hesitant steps and growled a curious growl.

“Atta boy,” Porter said, and watched the creature approach. “Don’t get used to it, though. Done enough charity for this lifetime.”

The idea turned him sour. Why did he always have to do things for the benefit of others? Why was it his responsibility to fix things? There was that time at the restaurant where Minnie had a little too much and started in.

“We should call and check on Buddy,” she said.

“He’s an adult, Min, he’s fine,” Porter said, feeling the night balance on the edge of Minnie’s fragile mood.

“People can be adults and still drown in the bathtub, Porter,” Minnie said, cupping the wine glass with such ferocity that it was a miracle the thing didn’t shatter.

“Ok. We can go,” Porter whispered, and put on his winter coat. He tossed an extra-large cash tip onto the table in an unspoken attempt to smooth things over with their server – a college girl with large eyes and full lips.

“He thinks money will buy you,” Minnie said, stumbling through the slurred words as the server picked empty plates from the table. “But he’s not your type, is he?”

The server went flush and smiled politely, and something about the reaction made Minnie go ice age. She didn’t talk to him for the rest of the night.

In the morning, she knew she had done something, but couldn’t remember what.

“Jog my memory,” she pleaded, rubbing her head. “You’re upset, and I can’t change if I can’t remember.”

“Said some things is all,” Porter mumbled, and twisted the gold wedding band around his finger to let the feeling go extinct.

A chill ran Porter’s spine, so he turned suddenly to go back inside. It startled the dinosaur and the creature reared back on its small hind legs. A scaley umbrella-like mane shot out from the sides of its head. It rattled like a snake, an unmistakable warning.

“Oh please,” Porter laughed. “Been married for nearly three decades. Know what that does to a man? Teeth don’t scare me, pal.”

He chuckled his way up the cold and creaking steps and closed the door inside. As he turned the porch light off, he watched through the glass as the small dinosaur retracted its mane, approached the bowl with curious eyes, and gulped down the water.

That salad bowl was a wedding gift, Porter thought. What an odd thing to remember at a time like this.

*

Just past sunrise, the rat-a-tat returned—a crude wooden alarm to usher in the rising coastal sun. Porter pulled the thinning comforter over his eyes and tried to ignore piercing rap, but the tapping pushed awake-ness through his eyelids like the slow drip of a hangover. His bones ached, the fossilized remains of a great used-to-be. Once a man so sturdy he could board up the home by himself breaking a sweat, he now struggled to sit upright in bed. All those years in an office behind a desk staring into sheets and memos and computer screens left little behind, and what remained had eroded into sun damaged skin and liver spots.

Rat-a-tat. Rat-a-tat. Rat-a-tat.

Porter slid out of bed still in jeans from the day before and shoved his wool-socked feet into tired work boots.

“I’m up,” he grunted, and wiped the last bit of sleep from his eyes. He put on the same flannel as yesterday and walked downstairs. The bones of the quiet home creaked with every thumping step, the arthritic walls wailing and moaning too. With day old coffee sitting cold in the cloudy glass pot, Porter poured the thick mass into a mug and tossed it into the microwave. A single spotted banana stared at him from the fruit bowl and he considered the possibility, but instead watched the digital seconds count down until the ding produced a steaming cup of bitter jet-fuel. After one sip, he knew it had turned but he finished the mug as to not be wasteful before heading outside to finish the job.

A familiar dull pain pulled at the muscles between Porter’s shoulders as he lugged another wooden panel from the bulkhead to the side of the house. Two more, and then he could shelter without worry of those winter storms.

Rat-a-tat. Rat-a-tat.

Porter shoved the panel into the sand below an open slot and huffed. He wanted to confront that damn bird, the constant pecking and relentless picking, but what good would that do anyone? No matter what he felt, the bird always came back and the rat-a-tat became a wooden, mocking laughter. At least with Buddy around, the boy could chase the bird through the cool and crunching dunes until he got tired, or bored, wanted to help with the panels. But Minnie always came outside demanding that Porter do something about the incessant, belligerent, ridiculous racket.

“It’s fine, Minnie,” Porter would say.

“Some people come here to relax. Some people need quiet reflection,” she’d say, and flap back inside chirping about how she married the only man in the world who couldn’t stand up to a bird. Buddy would watch from the dunes with large, confused eyes until Porter explained that it would have been Uncle Marius’s birthday.

“Oh,” the boy would say, and spend the rest of the afternoon quietly chasing birds, and bugs and while his father boarded.

Now, as Porter turned the corner of the boarded-up porch, he saw the small dinosaur crouched in the grass watching the gnawing woodpecker.

“Get!” Porter said and swiped at the bird. The dinosaur tilted its head. The woodpecker did a quick loop in the sky and swooped back onto the sill with an anarchic rat-a-tat. Porter’s blood boiled and his ears went hot.

“I said…” he shouted, and the bird took off again. This time, as it swooped over the dunes, the young dilophosaurus expanded its scaley mane and spit a dark glob of venomous, paralyzing phlegm, which wrapped the bird and brought it crashing out of mid-air. The woodpecker landed lifelessly in the nearby sand. The baby creature trotted over and ate the remains with big, proud bites and then looked at Porter with glistening, hopeful eyes.

“Not bad, little buddy,” he said, and though he couldn’t be sure, it looked like the creature smiled at the compliment.

For the rest of the morning, the dinosaur walked along the sand and dunes chasing away seagulls, butterflies, and crickets that came too close as Porter fixed the final wooden panels into place.

At lunch, Porter cooked the other remaining steak, but something chewed at his wandering thoughts. The spotted banana eyed him from the fruit bowl, and Porter knew that sometimes cooking for one was really cooking for two. He slapped the steak onto a Corelle plate and popped outside. The dino poked its head out from between long blades of dune grass.

“Eat up, you done good today” he said, and balanced the plate on the bottom step of the stoop. The creature sniffed the air, eyed Porter, and scampered out to devour the cooked meat. Porter peeled the yellow banana back and ate the sweet fruit—though he didn’t enjoy it—happy to be able to lend his talents to an appreciative crowd.

“If I let you in, you gonna be good?” Porter asked. The dinosaur looked up and continued chewing. “You gonna be good? If you come inside? You’ll be a good boy?” The creature pondered the question like it understood, and finally chirped as it stepped toward Porter’s knee. He gave it a gentle head-butt. Porter reached down and rubbed the top of the scaley head with his tired, heavy hands. “You’re a good boy.”

The baby dinosaur leaned back and sneezed. A tiny fleck of black, venomous phlegm landed on Porter’s knuckle and burned the skin with a terribly, fiery pain.

“Sweet mother of mercy,” he said, rubbing his fist on his jeans. The creature shrank with alarm when it realized what it had done, eyes wide with a different kind of hurt. “Ain’t your fault, boy,” Porter said. “It’s just how you are.” He stood to walk inside, and then whistled. The dilophosaurus perked up and followed, trotting next to Porter’s knees but never crossing in front.

*

Porter started to suspect that something was different that evening. Not wrong, but different. The dinosaur took a wheezing nap against the electric baseboard heater of the thin-walled coastal home. Upon awaking, he watched Porter as though trying to communicate something.

“You hungry?” Porter asked, and the sound of his voice seemed to put the creature at ease. The young dinosaur rolled to his feet and tip-toed over to the couch and placed his scaley and unusually heavy chin on the top of Porter’s thigh. Porter smiled and rubbed the creature’s rough and uneven head. He noted the retracted mane on the neck like wrinkled skin and wondered at nature’s design. The dilophosaurs relaxed into comfort, but the type of comfort that stems from concern and, he wasn’t sure how, but Porter could sense it like a light left on in a room he was no longer using.

When he moved his leg, the creature stepped back and followed him into the kitchen where the man pan-fried a chicken breast and put it in a ceramic cereal bowl – the big one that Buddy always filled to the brim with colorful Rainb-O’s but could never finish, until the year that Minnie insisted he switch over to something more nutritious like sausage and hash browns.

“A growing boy needs protein,” she said. “You keep giving him this, he’ll stay small forever, and be fragile, and his bones will be weak.”

“Ok,” Porter said like a deflating balloon, because every fight with Minnie was an unwinnable task. She fought with the fury and guilt over her wheelchair-bound brother Marius who drowned in the tub as a teen while she took a brief nap. What could he say to curb venom like that? Nothing, and Porter absorbed every last bit until there was nothing left.

The creature chomped at the chicken breast and pulled it apart with a ravenous hunger until everything was gone.

“You’ve got some appetite, lil’ buddy,” Porter said, and opened the cupboards to try and find something else to feed it. All that remained was the unopened box of Rainb-O’s. He rattled the cardboard and the dinosaur tilted its head. Porter popped the top and poured into the ceramic bowl. The creature sniffed the sugary O’s, looked at Porter, and then slowly lapped up the bits with his dark tongue. It only made it halfway through before walking away from the bowl, back into the living room, and pushed himself against the heater.

“How about a bedtime story before the sun goes down?” Porter asked, watching the young dino give in to heavy eyelids and long, strained breath. He knew just the book, it had to be here still.

Upstairs in the closet tucked in the very back of a shelf was the picture book of predators, the thick and sticky pages the same as they ever were. He remembered nights going through the pictures watching his son’s wide-eyed wonder at sharks, and coyotes, and lycans, and felt the venomous sting of a used-to-be erode the sides of his heart.

Downstairs, he sat on the couch and whistled for the dinosaur. The creature lifted its head and walked with a sleepy limp over to Porter, who opened the picture book and read aloud the simple prose. With each picture he pointed to, the creature seemed to smile and drift further into the clutches of sleep, seemingly happy to hear the man’s voice.

*

Porter’s worry began to peak. The creature asleep at his feet sounded like it was having more trouble breathing, and it kept twitching with miniature seizures. He didn’t know if this was natural, or a cause for alarm, so he pulled the phone from his pocket and wondered if his son might take a call in the big city. Wondering things such things made him feel insignificant, burdensome, left behind.

“Hey Pops!” a voice answered, which startled Porter. He hadn’t been aware that he even dialed, and it sounded like his son was at a restaurant, or a bar, or out with friends being social.

“Hey Buddy, it’s your father,” Porter said.

“I know. Call ID. What’s up?”

Porter wasn’t sure where to start, or how to even ask. Stuttering through ideas, he blurted out the only thing that sounded plausible.

“What do you think about having a dinosaur as a pet?” he asked, and then held his breath for the reply.

“Nah, you don’t want a dino. They have to have their own feeding space because they need to eat live meals. Birds, goats, sheep. Lot’s of blood and entrails, pretty heavy cleanup. Only raw food. Their micro-gut biomes are so strong that cooked food doesn’t get transferred into nutrients and they’ll starve to death. No people food. It makes’em sick, like dogs and chocolate. A lot of work, too much work, Pops. Why? You, uh, you doing ok?”

“Oh yes, yes. Just daydreaming is all,” Porter said. Dread rose from his chest into his throat as the creature kicked out again, writhing in some sort of pain. Porter did what he could to mask the anxiety. “How did you get so smart, anyways?”

“Years of mom forcing me to read books about how bodies work. Go figure,” Buddy said. “Hey, can I call you back in the morning? The firm just got a grant and we’re out celebrating.”

“Of course, son. Sure thing,” Porter said, and wheezed out a half-hearted, lonely laugh.

He hung up the phone and bent over the creature. The skin didn’t feel right. He wasn’t sure what right should have felt like, but this wasn’t it. Dry, too dry, and far too warm in the head, while the yellow belly with red stripes felt too cool.

“Don’t do this to me,” Porter said. “Please, I’m doing the best I can.”

The creature opened its eyes and chirped, but it was a distant noise. The pupils irised like a dimming bulb.

“I didn’t know any better,” Porter said, taking the head into his arms and cradling. “I did the best I could with what I knew, with what I had! I’ll try harder, please!”

The dinosaur began to shake and froth. Porter couldn’t look away even though the sight physically pained him, this creature in so much helpless, needless pain. Had the little dinosaur been like this all summer? Slowly starving to death?

A rattle began in the creature’s chest, which forced the remaining air from its lungs like a tea kettle coming to boil. Porter physically felt the life inside the dinosaur diminish, and he broke down into tears.

“I could have done better, I wasn’t ready for you, but I’m thankful we had this. Know that I’m thankful we had this,” he said. A small spark of life came to the young dinosaur’s eye and for that brief moment, they saw each other in the cold room. Porter wasn’t sure how he knew, but he knew that dinosaur loved him in their short time together.

And then, as the sun dipped over the horizon, the remaining light turned to darkness, and Porter was alone.

*

Porter barely slept, if he even slept at all. After carrying the creature into the basement and deciding to bury it in the woods later, he couldn’t shake the image of the dinosaur’s last moments and how this all could have been prevented with a little attentiveness and research.

Rat-a-tat. Rat-a-tat. Rat-a-tat.

Porter wasn’t in the mood. Of course another bird had come. Of course.

Then he realized it wasn’t a knocking, but a ringing. His cell phone vibrated against the wooden night table with an incoming call from the town offices.

“Heyo, Porter, it’s Len from City Hall. I didn’t wake you, did I?”

“No,” Porter said, and sat up.

“Anywho, got a call from the Hartwells asking if we’d seen a small dinosaur. Said it escaped as they were packing up last month. I told’em you’d called with a sighting, and they said they’d swing by. Wanted to give warning.”

“Thanks Len,” Porter said.

“Ayuh,” Len said, and ended the call. The morning sun forced its way through the thin drapes with blinding reminders. It didn’t seem fair that days got to start and end.

Porter sat up and put on his flannel, the same as the day before, and noticed a few places where venomous phlegm has burned small holes through the fabric. He ran his thumb over them and felt the immediate, pressing absence of a used-to-be.

Work-boots on, he limped downstairs with cold and tired knees as a shining car with New York plates blasting loud, electronic music pulled up the drive. He saw a young man and woman in their early twenties in the front seat, dark sunglasses pulled over their eyes, hair styled like they had just come from a fashion magazine’s photo shoot.

“You the guy?” the woman asked as she stepped out of the car in high heels.

“Len said you’d seen our dinosaur. Tricky bugger snuck out while we loaded the car.”

“Over those dunes,” Porter said, pointing away from the house. “I was boarding up. Saw’em hiding near the beach.”

“Is he still there?”

Porter shrugged and shoved his aching hands into his pockets. The woman rolled her eyes and whispered to the guy that she couldn’t walk in the sand with heels, and that he should go, and that he better be quick because she wanted to get back to the city by nightfall.

“We have a buyer, you see,” the guy said. “Top dollar.”

Porter didn’t move as the Hartwell boy traipsed into the dunes and whistled, pushing aside long blades of grass to look for any sign of the creature. He walked near the beach, deep into the grass, and then back again before returning to the car.

“Anything?” Porter asked.

“It’s a baby, how far could it have gone?” the woman said, annoyed. She leaned against the car and scrolled through her phone.

“Maybe you should have kept a better eye on it,” Porter said. He took his hands out of his pockets and crossed his arms.

“Excuse me?” the guy said and took off his sunglasses. He stepped into Porter’s personal bubble.

“You left this town two months ago. Never once came back looking. You can’t treat things that way, can’t abandon something just ‘cause you’re bored. You have to love it. You have to try at least and sometimes stand up for yourself, even when it’s hard, and you have to commit to working through tough times. Otherwise, anything that matters goes extinct and everyone ends up alone.”

“It’s just a dinosaur, dude,” the guy said. He held up his hands like he was trying to ward off a charging bull.

“Let’s just go,” the woman said. “We’ll tell Franco it was hit by a car or whatever.”

The woman opened the passenger door and sat down as the guy stomped around to the driver’s side cautiously eyeing Porter. At the end of the road, a familiar car turned into the drive. The car with New York plates turned around and sped out of the gravel drive as the other car—Buddy’s car—pulled in. Buddy parked and stepped out into the slowly warming day. He stood with large shoulders, a yellow and red striped sweater hugging his frame. Though he hadn’t been away in the city for too long, Porter couldn’t believe how much his boy had grown.

“Hey Pops,” Buddy said, holding an overnight bag. “What did those clowns want?”

“Something they shouldn’t have,” Porter said. “What’s the occasion?”

Buddy shrugged.

“Talking to you last night, I dunno, thought you might enjoy some company.”

Porter hugged his boy and welcomed him inside. With the wooden panels up along the porch wall, the inside felt cavernous and dark, but Buddy brought a certain light to the rooms that hadn’t existed in quite some time. They chatted in the kitchen about life in the city, about Porter’s move to the seasonal home, about the split with Minnie and how situations never stopped evolving.

“It’s good to see you, though,” Porter said after a while.

“No way, is that a box of Rainb-O’s? Haven’t had those in years. Don’t tell mum, but…” Buddy said.

“Say no more,” Porter said. He went into the cupboard and pulled out the recently-washed bamboo salad bowl.

“A growing boy needs his nutrition,” Porter said. Buddy sat at the kitchen table like a happy child while Porter popped the top of the cardboard cereal box. He poured the colorful O’s until the bowl had nearly filled and the box had all but emptied, and sat with his son in a warming house as daylight spilled through the cracks of the ancient wooden panels illuminating the presence of an always-will-be.

W. T. Paterson is a three-time Pushcart Prize nominee, holds an MFA in Fiction Writing from the University of New Hampshire, and is a graduate of Second City Chicago. His work has appeared in over 80 publications worldwide including The Saturday Evening Post, The Forge Literary Magazine, The Delhousie Review, Brilliant Flash Fiction, and Fresh Ink. A semi-finalist in the Aura Estra short story contest, his work has also received notable accolades from Lycan Valley, North 2 South Press, and Lumberloft. He spends most nights yelling for his cat to “Get down from there!”

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Fiction, Fiction Fridays, Guest Posts

  The Vanished Hitchhiker

January 15, 2021
hitchhiker

By James Gallant

December 1971, a clear, cold late afternoon sky. Maya had good luck thumbing rides after leaving college in Des Moines that morning. She was now within thirty miles of her family’s home in Evansville. But for the last couple hours, she’d been standing by a two-lane road in rural southern Indiana, her backpack at her feet, cars and trucks whizzing by as if she were invisible.

She was making the mandatory trip home for the year-end Xmas shopping and gluttony revels conjured by the retail industry, with the assistance of spectacular imagery explosions: Coca-Cola Saint Nick, the stable scene in Bethlehem, jingle bells silver bells candy canes at the five and dime dreaming of a white Tannenbaum hung by the chimney with care. Scrooge and his entourage of spirits had materialized again with the reminder that anyone who didn’t shop until he or she  dropped one was going straight to hell; and  there was Bob Cratchit and (god-bless-him) Tiny Tim to obscure awareness of the atomized, essentially gratuitous, American family. The seasonal hoopla, whose continuance was guaranteed by cultural inertia, reduced millions to depression.

Maya liked the word “inertia.” Both of its contrasting definitions were appropriate where “the most wonderful time of the year” was concerned. “Inertia,” on the one hand, described tendency of things in motion to continue in motion until impeded by an external force or obstacle. Otherwise, the term referred to stagnation, immobilization, paralysis, and torpidity.

If “inertia,” in both senses, was valuable for describing the year-end holidays, it  described also the American educational system that involved her, superintended by what Paul Goodman called the “school monks”: the creeping sludge of curricula, schedules, and testings valuable mainly for developing habits useful once a person was conscripted into the employment army: showing up on time, sitting still, following  instructions.

She’d encountered recently in a college text, William F.  Ogden’s conception of “culture lag,” a form of inertia. As rural-small town America was undergoing transformation into a predominately urban and industrial society, Ogden observed in 1922 that the altered material circumstances did not prevent people from passing on from generation to generation mores, values, and folkways that had originated in other circumstances. Conflicts between expectations and reality were inevitable. “Culture lag” epitomized Maya’s life experience. She understood immediately what Ogden was saying without even having to read the book in which he had said it.

She’d been warned countless times about the dangers of hitchhiking, but she’d  never had any trouble on the road, and liked thumbing rides. There was a pleasing simplicity about having one’s attention being focused on the simple task of getting from here to there,  temporary liberation from the dubious purposes and artifice imposed on her otherwise.

However, she was feeling a little anxiety at the moment. It was getting late. Dusk came early that time of year. Traffic was sparse now, and the temperature dropping. A cold breeze blew fitfully. She was not far from Evansville, but too far to walk.

A huge full moon appeared on the horizon. From the back pocket of her jeans she withdrew a little red notebook whose cover bore the title she’d scrawled across it:  MANTRAS FOR ALL OCCASIONS. The “mantras” were lists of related words she’d jotted down, mainly synonyms, characterizing aspects of her life experience. In order that the moonlight would shine over her shoulder on the pages, she turned her back to the roadway. Her musings on inertia and culture lag attracted her to the page titled GOING THROUGH THE MOTIONS. Listed under it were stereotyped, standard, walking through it, keeping up appearances, pro forma.

She flipped through the pages to PASSE: outmoded, defunct, dated, extinct, fusty, old-hat, out-of-date, faded, lapsed, obsolete. The enigmatic phrase “a posthumous society” which she had written in parentheses at the bottom of that list after encountering Ogden, brought a smile to her face.

A presence in the corner of her eye caused her to look back to the roadway. Approaching slowly, silently, was a  scene from a nostalgic Christmas card: a carriage pulled by four horses. The driver seated on the carriage bench above the horses, reins in hand, wore a top hat. She assumed the coach-and-four were participants in Christmas festivities somewhere, and it did not occur to her that might try to hitch a ride, but the carriage kindly stopped for her, and the door in its side sprang open invitingly.

“Are you going to Evansville?” she called up to the coachman, whose face was silhouetted by the moon so she could not see its expression. He did not reply, but simply extended an arm, and pointed a finger, to indicate his direction, which was toward Evansville. Wherever specifically the coach was bound, she would at least be going in the right direction, better off than where she was.

The coach was egg-shaped. She stepped through the open door. The dark interior was only large enough for a single person. There was no one inside. Who had opened the door? Seating herself, she felt the upholstery grip her shoulders firmly on either side. The door shut.

There was no sound of horses’ hooves or wheels turning on the pavement. It was as if the carriage were stationary, but looking through a narrow horizontal window in the side of the carriage she witnessed the illusory movement of the moon behind skeletal winter tree tops. It was as if the coach were flying.

When streetlights began to appear Maya supposed the coach had reached the suburbs of Evansville. She must inform the driver where she wanted to be let out, since for all she knew the coach might pass through Evansville, cross the Ohio River on the bridge to Kentucky, and continue into the South. Stagecoach compartments in historical films she had seen, had little windows that could be opened to allow communications between passengers and drivers. She felt along the front wall of the dark carriage, but found nothing of the sort. Perhaps she could get the driver’s attention by rapping on a solid surface, but she could not find one of those, either. The interior of the coach was a padded cell. She tried the door handle. It was locked.

Now the carriage was passing homes in residential streets, and when it came to a halt she saw through the carriage window a portion of a house door decorated with the blinking red nose of Rudolph the Reindeer, which could only be the battery-powered seasonal ornament her father installed every December. She had somehow reached home.

The carriage door opened. She got out. Making her way across the lawn to the porch, she watched the carriage continue down the street silently to the dark dead-end where it appeared to vanish.

The house door was unlocked. She entered. From the foyer she could hear a murmur of voices, and the dining room clink and clank of silverware on plates. She went to the doorway of the dining room where her mother and father, with her two younger siblings, were at the table.

“’Lo,” she said.

There was no response.

“’Lo,” she said louder.

Her little brother, the one with artistic skills, was drawing on a paper napkin.

“I expect Maya will be barreling in any time now,” her father said.

“If she didn’t decide to spend Christmas somewhere else,” Mother put in.

“O, she wouldn’t do that,” Dad said.

“I wouldn’t put it past her.”

“Goofy Maya,” her brother Timmy said. “I did a picture of her.” He handed around the table the cartoon drawn on a napkin, Maya glimpsed the caricature which featured her very large ears. The picture stirred general merriment.

“That’s not nice, Timmy,” Mother said.

“It’s a good picture,” Dad said, “but you shouldn’t make fun of your sister. She’s just trying to find herself.”

Maya was reminded of Alan Watts’ remark that people trying to “find themselves” could be trying for a long time, since they were looking for what did not exist.

“With Maya, we just have to batten down the hatches and be patient,” Dad said. “She’s smart, and there’s nothing with her that getting a job, marrying and having a couple kids won’t fix.”

“I’d be happy if she just stopped hitchhiking,” Mother said. “It’ll be the death of her.”

James Gallant’s “La Leona, and Other Guitar stories,” which won the 2019 Schaffner Press Prize for music-in-literature, is now available from Amazon, Barnes and Noble, etc. His e-novel, “Whatever Happened to Ohio?” from Vagabondage Press, and a collection of essays and short fiction, “Verisimilitude: essays and approximations,” published by Fortnightly Review press (UK), appeared in 2018. (Gallant has been an online columnist for FR since 2015 (http://fortnightlyreview.co.uk/category/verisimilitudes/). His website is: www.jamesgallantwriter.com

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Guest Posts, Fiction, Fiction Fridays

Song Looking for a Tune

January 8, 2021

By Travis Stephens

“What’s the matter?’ she asked for the third time in as many nights.

Tonight he was ready to say “nothing,” knowing it would sound half hearted. Low down half hearted, a song would say. Roman rolled those words around in his mind, probed them with his tongue. Can’t make it rhyme, can’t make it carry.

“I don’t know what’s the matter with you,” Susan said. “You’re in one of your moods.” They had moved into this place two years ago, glad for a house close to the city park. Now Susan could walk out with the dog and do a clockwise loop on the walking path. There were a lot of dogs in the neighborhood and Susan waked with a tight knot of Labs, spaniels and standard poodles. Roman’s dog, an otherwise proud Walker hound, had taken to whining and sometimes peeing in anticipation of the morning walk. Roman felt embarrassed for the dog.

That dog had been the impetus and star of his second best song, the one picked up by that handsome Nashville singer married to the Australian actress. Not that the singer needed a hit, but got one anyway. He put a little Oklahoma onto the song when Roman had wrote it with a Kentucky state of mind. A little moonshine and banjo around a hound who left him with his estranged wife. Nashville had run a fucking dobro over the best finger picking Roman ever tried. The royalty checks helped ease the pain, but goddamnit anyway.

His first hit, the song he was known for, was told through the eyes of a little boy whose father drove a truck “steering big wheels of sadness” for days at a time. A tear jerker in the best country tradition, with mandatory slide guitar wail. It ended with an uplifting final message.

“Where did that come from?” Susan asked, when he had played it for her.

“I dunno. Just did.”

“I don’t see how. Your Daddy teaches economics at Saginaw Valley.”

“It’s not about me, Sue.”

“It’s weird.”

Roman had been teaching composition at the two-year university and sending free verse poems out to literary magazines. He had shared the song with Debbie Garnet, a folk singer he had grown up with. Dated, briefly, too. Debbie knew someone who knew someone and when the publication contract arrived in the mail Roman thought it for one of his poems. The call from Jackie followed shortly after.

“Hey, bub,” Jackie said in her whiskey and Diet Coke voice, “you probably need a better agent. I got you covered right here.”

“I don’t have an agent?”

“You just book shows on your own? Oh, honey child, time to move out of your parents’ garage.”

“I don’t do shows. I’m not part of a band. I work teaching English and composition full time.”

“You’re just a Kris Kristofferson, ain’t you?”

“More like a John Moreland.”

“I don’t even know who that is.”

On Jackie’s advice he had rented a small studio and reduced his teaching to part-time.  He attended a songwriter’s workshop in Nashville, which Roman found to be exactly like any other writing workshop, full of snark and self congratulation. Jackie took him on a round of the smaller recording companies.

“Let me do the talking,” she said.

Roman paged through the press releases she was passing around.

“Wait, I’m not from Texas.”

“Hush. Everybody is from Texas. Just talk slower when anybody asks you something.”

“I’m not a trucker, either.”

“Don’t you worry about it. Nobody reads these things anyway.”

Afterward he was glad to go home. Nashville seemed  enamored with slight young singers with oversized guitars. These singers, usually attractive blond women, were guarded by a coterie of executives and makeup artists. Roman heard his songs when they emerged from a radio and sometimes struggled to recognize his writing. It was why they lived across the line, in the corner of Kentucky that abutted Arkansas. “Whooee,”Jackie, said, “why you want to live over in that cracker barrel?”

“I just like it, Jackie. We can afford a nice house there. Besides, it’s only a few hours away.”

“If you say so.”

Today Roman had taught class from eight to eight-fifty and had spent the rest of the day in his studio. The painter who had the adjoining studio had been spraying fixer on a series of abstract landscapes so Roman was forced to open his windows. Eventually he moved a stool onto the tiny galvanized steel fire escape and sat out there. It overlooked a lot of gravel, grass and the bones of a burnt out garage. As Roman watched a cat slunk along the cinder block wall. It moved with a sneaky furtiveness that spoke of having done some terrible wrong.

Roman strummed the guitar and mouthed a series of phrases that contained “cat”, “heartbreak”, and “night” which eventually tuned into a few good lines about tomcatting into the morning light. Not bad.

But that was it. No focus. A few words surrounded by daydream. These were full of jingles and carried by cliché. He was strumming when he heard movement behind him.

Stuart was a self taught painter who, Roman suspected, lived illegally in his studio. That couch looked too slept in. It wasn’t like Stuart had a string of models he bed. The artist was a pear shaped man with a mean set of eyes. He’d stepped into Roman’s open door and was wearing a full face shield. Roman saw him peel it off.

“Must be nice,” Stuart said.

“What?”

“To work with nothing. No paints or canvas. Man, I got thousands of dollars tied up in oil paints and gesso. You can just sit with a guitar.”

“It’s not that easy.”

“Sure it is.” Susan had framed one of his songs and it hung on the wall. Stuart tossed his thumb at it. “What is that, two chords?”

“Uh, yeah.”

“You’d think all country songs would already been done. All the possibilities run through. We have been painting for hundreds of years. Da Vinci. Michelangelo. Rembrandt. You could go back to the cave painters. Thousands of painters. It’s art that never ends.”

“Listen” Roman said, “How much longer you going to be spraying over there? You about give me a headache.”

“I just did the first coat,” Stuart said. “Two more coats to go.”

Roman fled to his car. Tossed the guitar in the back and drove the opposite direction of home. He wasn’t hungry. Before he went two miles he saw a ROAD WORK AHEAD, followed by WAIT FOR FLAGGER. He drove slowly past yellow behemoths grubbing in the dirt. Roman stopped when a flagger in a safety vest stepped in front of him. She held her palm toward him like she could fend off a songwriter in a half ton of steel.

She stood in the road a yard ahead of his radiator with a flag held lazily horizontal. The flagger wore scuffed work boots and jeans, a gray t-shirt. Her hair tried to lift the hardhat. County tomboy. Roman tried to imagine what someone like that would say when she came home after a day of standing on a road shoulder. How was your day? Exciting. Today I saw a red sports car. Kids on a bus waved to me. How was my day? Like any day just outside the grave.

Were there any songs about flaggers? He couldn’t think of one. Most country songs glorified the manly pursuits—ranching, trucking, building stuff or knocking it down. Roman tapped on the wheel, playing with a loose string of words that might be coaxed into a rhyme. Flag, nag, brag. Wave, crave and save. Maybe wave the flag and tie it to the US flag. Checkered flag.

Darlene, he decided. Dar—leen. Like darling. She lived in a trailer—no, she lived on a little place just big enough for a horse. Dreamed of carrying the flag on horseback like she used to do at the rodeo, flag over her shoulder, proud and tall with a Stetson instead of a hardhat, a pearl buttoned shirt with those western yokes. Big smile for the crowd. let’s give her a hand, folks, Miss Darlene of Abilene….

“Hey.” The flagger was at his driver’s side window. She was not smiling. She placed her hands on her hips. “What’s the matter with you? When I lower the flag it means you can go. Okay?” He heard her say “Dumbass” just under her breath.

Roman stepped on the gas a bit too hard. Spat gravel at the car behind him and toward the flagger. Damn. So long Darlene. So long. Nobody sings about flaggers and now he knew why.

Travis Stephens is a tugboat captain who resides with his family in California. An alumni of University of Wisconsin-Eau Claire, recent credits include: 2River, Sheila-Na-Gig, Hole in the Head Review, GRIFFEL, and The Dead Mule School of Southern Literature.

Recommended Reading:

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Guest Posts, Christmas, Fiction Fridays

Waiting For Flicker, Christmas 1963

December 18, 2020

By Byron Spooner

“The holidays are hard on everybody,” Mother says, stubbing out her half-smoked Kent in a chocolate-smeared dessert plate, as if that might head the conversation off at the pass. If Dad were here he’d be giving Mother his usual hyperbolic ration of shit about smoking, but he’s long gone so she can do pretty much anything she Goddamn well pleases. Plus, she only smokes about three or four a day. Five, tops. If I could get away with that I’d still be smoking.

Arranged around the table in roughly the same configuration as at that lunatic Christmas dinner forty-odd years before, the three of us are the only ones left and none of us remembers exactly. Not that it matters.

“And really, what was Dad thinking?” my brother Davey says.

Which is exactly the question Mother doesn’t want me or Davey asking, the start of a discussion she’s endured many times; another rehash of that evening we still tell stories about—obsessively, she would say—and embellish and laugh about, at our increasingly infrequent gatherings. She hopes she can still steer clear of it.

“Who knows?” I say.

“Who cares?” Mother says too late.

At the head of the table, the tinsel-shimmering tree in the bay window behind him, looming over us, was six-and-a-half feet of Dad. He was halfway into his third martini. At the other end, Mother, tiny and starting to put on weight, had a VO on the rocks within easy reach; who knew how many she’d had in the kitchen. The entire Northeast region, as the weatherman called it, may have been glazed stiff from three days of continual freezing rain, but inside the heat was on full, the food was steaming. The perfect way to bring the day to a fitting finish.

Granted, the morning’s gift exchange hadn’t gone as well as it could have. Davey and I had each gotten at least one thing we wanted and had managed to keep the whining to a minimum. Davey, at seven, had been, for weeks, nearly beside himself with anticipation; I played it cool, it was my tenth Christmas and I acted the unimpressed veteran. Dad’s asshole buddy Garnett and his glamorous wife Marge were with us and, as always, exchanged token gifts with Mother and Dad. But they’d been staying with us ‘for a couple of weeks’ since around April. Another thing for Mother to be chronically pissed off about.

Things got off on the wrong foot early when Dad gave Mother a flat white box with red wrapping paper and a gold ribbon. She unwrapped it carefully, putting the paper and ribbon aside intact, and slid the top off the box. She peeled away the tissue paper and slowly, with a puzzled smile on her face, held it up for view in front of us before she realized what exactly it was; the flimsiest, shortest, sheerest negligee legally offered for purchase within the borders of the contiguous United States. There were straps going every which way with seemingly no imaginable purpose, it looked as if the whole rig couldn’t modestly cover one of the cats. What there was of it was the thinnest black fabric with blacker vertical ribbing and a feathery—or maybe furry—scarlet trim. The second she realized what it was, her smile disintegrated and she flushed red as the trim, dropped it back into the box while trying simultaneously to refold the tissue paper around it, jam the top back on the box—if she could have rewrapped it she would have—and drop it on the floor next to her. She couldn’t look at anyone in the room, instead scowling at the box as though it were a Great Dane soiling her clean floor.

“Go ahead, try in on!” Dad said to her, leering slightly and elbowing Garnett.

“What was that?” Davey asked, “What’s it for?”

What was Dad thinking? Did he mistake the flush of embarrassment and anger on her cheeks for some rosy dawn of eroticism, a pinkening of the cadaver of desire afresh? Was he so out of it that he misinterpreted the obvious signals?

Mother was short-tempered the rest of the day and when I asked Dad why, he said, “Christ, who knows? It’s always something with her.”

Dad wore his suit to dinner nearly every day and there was no reason Christmas dinner should be any different. Expecting guests, especially wealthy guests like Aunt Doobie and Uncle Flicker, brought out the blade in him. Flicker had inherited money—“a shitpot full,” according to Dad— from his family. Money made from the manufacture and sale of a nationally-known constipation remedy. Which was what made “shitpot full” even funnier, again according to Dad.

When Flicker wasn’t around Dad referred to him as the “The Laxative King,” but on the rare occasions Flicker was around he sucked up to him unsubtly, calling him “My favorite brother-in-law” and stuff like that. It was Dad’s conviction, his only unshakeable tenet of belief, that the one and only reason Flicker existed on the earth, the reason he’d been born of woman and suckled and nurtured and expensively educated and raised to maturity and unleashed on an unsuspecting and undeserving world in all his slim, urbane, cigarette-holder-sporting, Thunderbird-driving, condescendingly-nasal-voiced glory, was to make Dad look bad.

Dad’s attitude was: You never knew when a rich person might be suddenly convulsed by the irresistible urge to begin handing out random cash. Stranger things had happened after all and there was no reason not to be close by should such a compulsion come over Flicker.

But Doobie and Flicker, never the most reliable of jetsetters, still had not shown. They were already a couple of hours late when Mother and Dad powwowed in the kitchen, hissing and whispering. Mother wanted to go ahead and serve; dinner was going to be too late for us kids if we waited much longer. Dad wanted to hold off for another hour or so. Mother’s winning point, the one that changed Dad’s mind, was ‘If we stall around any longer the roast’ll be ruined.” Overdone and tough. Hearing this, Dad, who liked his beef cooked ‘so it moos’ immediately relented and started herding everyone in sight to the table. He always said sophisticated people ate their meat rare.

With or without Doobie and Flicker, Dad had been looking forward to the Christmas roast since sometime around the Fourth of July. He loathed Christmas and all things associated with it but wasn’t about to let that spoil a good meal. Just because he’d been collecting Unemployment for the better part of nine months didn’t mean we couldn’t splurge a little for the holidays. The roast alone had set him back enough to feed the entire family the usual slop for a week. We’d be eating nothing but macaroni and cheese and store-brand canned crap into mid-January at least, but it would be worth it. Mashed potatoes, peas with pearl onions, Parker House rolls, real butter, Jell-O salad. Gravy. Garnett had said he’d kick a share into the pot but came up short, having been unemployed even longer than Dad.

Dad seemed to hover over the roast, a knife in one hand, a fork in the other, letting the anticipation build.

He peered into the gravy boat, the good one our grandmother had given us, silver and shaped vaguely along the lines of Aladdin’s Magic Lamp, from over his glasses. If you asked him—not that anybody ever did—there was never enough gravy; the woman never made enough. If it had been up to him he would never, ever, have to ladle out the gravy in carefully measured, niggardly portions as if we lived in the poorhouse or something. If it had been up to him, he’d have poured it. He’d have poured it on his meat, his potatoes, his vegetables, his salad, his goddamned ice cream, if he wanted to. He’d float the whole flipping meal in it.

And he always, at this point in the proceedings, asked the same question, “The gravy situation is MIK, I presume? More In Kitchen?”

“Just what’s there,” Mother said, her voice tense. To her, the most galling part of the whole performance was he always, no matter how many times he trotted out the same tired line, felt the need to translate the acronym for her. Did he think she hadn’t heard ‘More In Kitchen’ the last two hundred times he‘d said it? Did he not realize he was prodding a hornets’ nest with this MIK nonsense?

He shared a downcast look with us kids, and then with Garnett and Marge, as if to say, ‘See how much I have to suffer?’

He paused for another solemn moment.

“I must say that Christmas dinner is always extra special when I’m serving all these wonderful people. All these people who are so close to me and whom I love so dearly.”

Was he sincere or just bullshitting us? Probably a little of both if my ear could be trusted. It was hard to know.

“I know we’re all broke this year…”

“Just like last year…” Mother muttered.

“…but there are still some things…”

“…and the year before that…” she continued.

“…that are more important…”

He went on from there, blessing each of us several times including the roast and the gravy and the pearl onions, with the gravy ladle.

“A-men, a-men,” Marge said.

“God bless us one and all,” Garnett said. He was defrocked minister, so he still knew how to make stuff like that sound sincere and insincere at the same time..

“The food is getting cold,” Mother said.

Carefully and with all the high-seriousness befitting the occasion, Dad carved the roast and doled out the slices, a few at a time. His disappointment was obvious as each successive slice peeled away; the meat was gray, without even a trace of pink, through and through. The rest of us, hungry and not nearly as worldly as Dad, fell on the food like starved peccaries. All the while we kept one keen eye on the remaining food and plotted ways to get a little more than the others when the time came for seconds. Everyone talked at once: the gifts, the rain outside, the fire in the fireplace, Santa, Christmases past, Dickens, the Grinch, a week off from school.

No one mentioned Kennedy, who’d been shot and killed just over a month before.

“We’re not going to spoil our Christmas just because that sonofabitch is dead,” Dad had said, earlier in the day, making clear his position. As if there had ever been any doubt.

Garnett pulled a palmed marshmallow out of Davey’s ear. He kept a bag of them hidden in his coat pocket. Davey giggled.

“I love this time of year; the Christmas trees, the decorations, the store windows,” he said.

“Yes, it is lovely isn’t it? Why don’t we drive into the city tomorrow and see the decorations on the big stores one more time before they take them all down,” Marge suggested.

“Good idea,” Mother said, “We all get tired of being cooped up in the house after a couple of days. I know I do.” A glance at Dad.

Dad rolled his eyes ceilingward. Not his idea of a fun way to fill an afternoon.

“Did you see the guy owns the hardware store downtown?” Dad said, “He stuck a sign in his window says, ‘Give Your Husband a New Screw for Christmas!’ You might want to take the kids past that way. Good for a couple of laughs.” It was always hard to pinpoint who his intended audience was for this kind of thing. The rest of us could practically hear Mother simmering at the other end of the table. He was oblivious. At least it seemed so.

Garnett laughed, as would be expected, but Marge hid her mouth behind her napkin.

“Why would you say something like that at this table, with the children here, everyone in such a good mood?” she said.

“It’s a joke, m’dear, a joke. Best just to let it pass.” Garnett said, pulling another marshmallow from Davey’s ear. I monitored this pretty closely. Usually after another highball or two he’d switch from marshmallows to quarters. You wanted to be around for that.

“I hear Doobie and Flicker are headed for Aruba after the holidays,” Dad said.

“Yes, they are,” Mother said, perking up, momentarily encouraged that her husband had been paying attention to something other than his own needs for a change.

“Maybe they decided to head down there early,” Dad said.

“I understand it’s lovely this time of year,” Marge said.

“Me, too,” Garnett said, “No freezing rain, at least.”

“Art Plouts had a buddy went to Aruba,” Dad said, “He told me it isn’t all it’s cracked up to be.”

“Art Plouts?” Mother said.

“I remember ole Art,” Garnett said, “Wasn’t he…”

“Art Plouts?” Mother said again, incredulous, wanting none of Art Plouts, a gin-soaked housepainter Dad had met in a barroom in Memphis who’d mooched room, board and booze off us for several months in exchange for a couple of shaky coats of exterior white.

Mother said, “If Aruba’s such a hellhole how come people are practically killing themselves to get there?”

“Just ‘cause you’re rich, doesn’t make you smart,” Dad said, directing this at me and Davey as if it were a valuable piece of advice.

Mother said, “I guess by that measure you’re about the smartest man in town.”

He gave her a look of wounded incomprehension.

“You should be a regular genius,” she said.

Garnett reached over and pulled a quarter out of my ear. I must have miscalculated his rate of consumption.

“You and Art and all your other deadbeat friends? You idiots think it’s smart to not work? You and your friends are too fucking smart to hold a steady job?”

The table went silent.

Garnett issued a barely audible burp.

Dad swore like a drill sergeant, we heard obscenity and profanity daily—hell, hourly—from him. It had only been only a year or two since I’d figured out ‘motherfucker’ wasn’t another word for ‘lawnmower.’ Nouns, verbs, adjectives, adverbs, exclamations, he swung the words the way Dizzy Gillespie swung high notes, the way Jackie Gleason delivered a punch line, with precision and artistry, yes, but also for the sake of pure entertainment. But that word—Fuck—coming from Mother, and not just the word but in that tone, in front of her children and Marge and Garnett, and on Christmas, was nothing but unalloyed rage. It sent a charge of fear through the room.

“See here,” Marge said.

“Shut up,” Mother said, “You’ve been on my last nerve all day with your holier-than-thou, high-and-mighty attitude, so right now, just for now, why don’t you shut up?”

After a minute and with deliberate and exaggerated patience Dad said, “If you’re referring to the alleged differences between me and the sainted Flicker, I would like to point out, A, he’s never had to lift finger one in his entire pointless goddamned existence. B, he inherited everything…”

“It wasn’t Flicker who gave you the idea for that…that…filthy…thing you tried to give me this morning. That idea had to come from Art or some other dirty-minded friend of yours.”

“I came up with that on my own…” he said, leering again at the memory.

“I had nothing to do with it,” Garnett said.

“And in front of these poor children…?”

“…and, getting back to my original point, don’t forget, C, everyone…” he said, going back to his list, his forefinger pointing to the ceiling, massively oblivious to what was coming.

“…and on Christmas…?” she said, wanting nothing more to do with his alphabet.

“… on the entire face of the planet…”

“And…in…front…of…all…these…people?”

  As she said this last, she jumped out of her chair, gripping the edge of the table, bringing her end up with her as she rose.

“…kisses his rich ass…”

Like all tragedies, this one happened in slow motion.

We all watched breathless, frozen in place, useless, as Mother tilted her end of the table upward and sent an avalanche into Dad’s lap; the tablecloth with our dinner, dishes, silverware, serving platters, water glasses, the cocktails, the roast, the Jell-O salad, the peas with pearl onions, the mashed potatoes, the gravy—the gravy! Dad tried to save the roast, grabbing it as it sailed by. At the same time, he tried to stand, to get out of the way of the rest of our dinner, but in his rush to throw himself clear his legs got tangled in his chair legs; his left shoe clomped onto the silver-plated gravy boat, half-flattening it. He slipped in the spreading slick of gravy and fell backwards, kicking out, shooting the gravy boat, which no longer resembled Aladdin’s Magic Lamp or anything recognizable, at a terrifying speed and sending it smack against the opposite wall. It ricocheted back at him, caroming off the ceiling on its way. There was still enough gravy in the ruined thing to spatter Dad’s face and clothes when it struck him square in the forehead and rattled to the floor, came to rest in nearly the exact spot it had taken off from. More stunned than wounded, he fell backwards into the tree, bringing it down with a great, sickening crash. The plugs on the Depression-era light strings sputtered and smoked under the strain and finally gave up the ghost, flickering once, twice, and dying. Dad sprawled on top of the ruined tree, the roast resting on his chest like some wet trophy.

“Shit,” Dad said.

An extended stunned silence ensued punctuated only by the miniature crash—Ding!—of a last glass ornament dropping to the floor. We all sat in our chairs feeling suddenly exposed, absent the table, napkins in our laps, knives and forks still in our hands

“God bless us one and all,” Garnett said and Dad, from where he lay moaning, his suit gravy-spattered and covered with pine needles, could only laugh. He always thought Garnett was a fucking riot.

“A few years ago,” I say, “It came to me that the world didn’t need me to point out all the already obvious hypocrisies of the season. Most people work out ways to live with them, reconcile with them, so they can still enjoy the season. And I’m not helping anything by acting like Dad; trying to convert everyone into an atheist or a Scrooge. So he hated Christmas? So what? What gave him license to go around spoiling everyone else’s holiday?”

“So if you don’t have anything nice to say I just dummy up? ” Davey says, “Doesn’t sound like you.”

“It’s the new me,” I say.

“How’s that working out for you?” Davey asked.

“So-so, I’d have to say, Dr. Phil,” I say, I’ve been the other way for so long it’s just habit to be that way.”

“Forty Christmases under our belts since that one,” Davey says, “I guess we’re the last of them.”

I ask Mother, “What happened to Garnett?”

  “After your father died, I lost touch with Marge and Garnett,” Mother says, “I assume they’re gone. It was no state secret I never really cared much for them.”

She always said that, “No state secret.” Some things never change. Actually, most things never change, if you think about it.

“No, it certainly wasn’t,” Davey says, laughing at her understatement.

Mother says, “The last we heard they’d gone up to Providence to live with Marge’s sister, ‘looking for work’—probably sponging.”

“Doobie and Flicker never did show up,” Davey says.

“The peripatetic Doobie and Flicker,” I say, jumping on the rare chance to insert ‘peripatetic’ into a conversation.

“Wow, nice word,” Davey says. In our family, sarcasm is the mother tongue.

“Yeah, and I remember how pissed off you were,” I say to Mother. Davey just laughs. Whatever happened to her sister Doobie and Doobie’s husband Flicker that night is lost in the mists—the freezing rain—of history; never satisfactorily explained, never resolved. Nobody ever asked, nobody ever explained. Like everything else, we all just acted as if nothing had happened and trudged on. It was a tradition that had been passed down through generations. They died a few years later off the coast of Mexico, marlin fishing. Apparently everyone on board was loaded—’knee-walking drunk’ was how Flicker’s ancient mother put it—when they capsized.

“They always lived like the rules didn’t apply to them. They were terribly reckless.” she says, “And, just to set the record straight, I wasn’t ’pissed off’ so much as disappointed.”

Davey laughs again, “‘Disappointed?’ Hell, you didn’t speak to them for a couple of years after that.” He is always brutally honest with her, the one who calls her on her bullshit, never giving her an inch, ever since he was little.

“Yes, I never got the chance to reconcile with her,” she says, “And I would’ve too.”

Davey and I exchange glances that say, ‘Yeah, right.’

“It was all so long ago,” she says, sighing “I don’t understand why we always have to come back to it. Every Christmas it’s the same Goddammed thing.” She lights her last Kent of the evening and shakes the match out.

Davey says, “You’re right, ‘the holidays are hard on everybody.’”

Byron Spooner has recently retired after twenty-one years as the Literary Director of the Friends of the San Francisco Public Library where he produced literary events including a weekly poetry series with San Francisco Poet Laureate Emeritus Jack Hirschman. He founded and edited of The Readers Review, the Friends’ literary blog, where he wrote about books, music, film and bookselling. With his wife, writer Judith Ayn Bernhard, Byron co-edited Arcana: A Festschrift for Jack Hirschman (Andover Street Archives Press, 2014). His writing has been published in the San Francisco Examiner, the Anderson Valley Advertiser, Autobiography and Isis. He has written introductions to several anthologies published by FSFPL. His short story, A Book for Christmas was published by Red Berry Editions in 2011. Byron has served on the San Francisco Poet Laureate Nominating Committee and the One City, One Book Selection Committee of the SFPL, on the Board of Litquake, and the Advisory Board of the Beat Museum.

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Guest Posts, Fiction Fridays

Surfacing

December 4, 2020
wife

By Erin Jamieson

Lake Victoria, it is said, is what sustains life in Uganda.  The second largest freshwater lake in the world, it breeds the White Nile and the Katonga River. Transport cargos and ferries carry goods and passengers. Water is harnessed for electricity. Fisheries are established along the edges.

And yet, we cannot call it our own. The lake seeps into both Kenya and Tanzania. As much as we’d like to think so, it belongs to us no more than it belongs to them.

* * *

“So you are concerned with intimacy.”

My wife sits in an armchair beside me, stiff as stone. Her eyes do not meet mine when she answers.

“Yes.”

The doctor shifts in his chair. He is a balding man of maybe fifty or sixty, with narrow eyes the color of flint. “And what are your concerns, specifically? Is it frequency?”

My wife’s cheeks flush; we do not talk about such things, not in public or private. “We don’t at all anymore,” She whispers.

The doctor turns to me. “Has your wife expressed a reduced desire—“

“Not me,” She interrupts. He raises his eyebrows. It is rare for a woman to interrupt. She bends her head, humbled, “I mean, he does not want to. When I….he never…..”

“This is true?”

I stare at the doctor. On the wall behind him, a clock ticks like a heartbeat. I wish my wife would look at me, but I do not blame her. And the things I need to say I cannot.

“Yes. It’s true.”

* * *

Kampala is a haven in a world of chaos. Where once bombs shattered the earth, it is respite for the homeless. Day in and day out, Congolese refugees poor in like ants. We watch as tents rise across the outskirts of the capital. Desperate mothers and children with dirt stained cheeks and fathers whose eyes are clouded.

We came here because of my wife. She insists this is the only place we will be heard. Here, even though she is a woman, she can speak of such things. There a hospital instead of practices with thatched roofs. Here, there are therapists, they say, that can help more than traditional medicine.

What she doesn’t know is that I belong here. That even though we still have our home, I am every bit the refugee as the rest of them.

* * *

“Do you find yourself unsatisfied with your wife?”

I stare out the window, at the crystal blue sky. “My wife is beautiful,” I say.

The man clears his throat. “I understand you were in Congo.”

“I was studying there,” I say.

“Studying……”

“I am a professor at Makerere,” I explain. “My wife and I live just south of here. “

“I see.” He studies me. “You were taken by the rebels?”

I twist my hands in my lap. “I was…mistaken for a spy.”

“Is it possible the experience as prisoner has made it more difficult to be a lover?”

I glance up at him and see someone else. I see men without faces, whose breath smells of dust and sweat. I feel hands made of leather, forcing me still.

But I am a man. A man is able to fight, when he needs to. When he feels weak, he never shows it. A man endures pain as a woman does when she bears a child.

“No,” I say, “I don’t see how.”

* * *

My wife is a magician; though we have not always had money, she can always find ways to fill our plate, to pay our dues. Today she cooks matoke on an open wood fire. The banana peels form cocoons around the bowls of shredded chicken, cabbage and tomatoes, which she will make into a stew.

“It smells wonderful.”

Silently, she starts a kettle of water to boil. The steam rises in the air like a phantom. I let he finish, and when I join her at the table, the smell and warmth of the food makes me feel as if I might vomit.

“Do you know what they are saying? The women I see in the markets, the streets? They are talking about me. How my own husband does not desire me.”

I swallow a spoonful of the stew. It scorches my tongue, and maybe that is best, because my words no longer have any power.

“You don’t spend time with me. You don’t eat my food. Am I a bad wife?”

Her eyes are glistening with tears, and I know she is picturing the same thing I am; the son we buried three years ago whose skin was tinged blue and his head the size of my palm.

Then, we’d been told that God had other plans. But it was a burden my wife carried, to have her femininity questioned.  To feel the stares of women who’d been blessed with homes of seven, eight, nine children.

What I want to say is that I am much less a man than she is a woman. That, now, I know that probably was my fault, too.

And now. Now I do not know if we will have any children, ever.

It is the greatest shame, the greatest punishment anyone can imagine. And I have given it to the woman I love, the woman I labored for to produce a dowry of five handsome cows.

“For what it’s worth, I’m sorry.”

Her eyes flash. “I wish that were enough.”

* * *

I change my pants three times before we leave for the appointment. The pain is almost unbearable today, but worse is what it reminds me of. The past three weeks I have hidden my soiled clothes, washed them by hand at night while my wife sleeps. That way, I can spare her from seeing the stains.

“We’re late,” My wife complains as we walk in. She strides beside me, self-consciously adjusting the collar on her dress. Since I became a professor, we have begun to dress the part, but I think we both miss the traditional dress. Western clothing is strange, stifling.

The doctor greets us and smiles. “So good to see you. Sit.” He folds his hands in his lap. “How has this week been?”

The room fills with silence. The air is suddenly too thick.

“I see.” He ruffles through the pages of a notepad. “If you don’t mind, I think it would be beneficial to talk to the two of you separately. “ He looks at me. “Is this comfortable for you?”

No good husband would leave his wife alone with another man—even if he is a doctor. A wife is sacred, treasured. Even more so for a man who only has one.

“Of course,” I say, when what I really mean is, I’m sorry.

* * *

“Now that we’re alone, is there anything you’d like to say?”

No.

“It would help me to know everything. Is there anything you haven’t told your wife?”

I think of my wife, her wide chestnut eyes, the dimples on her cheeks. “There is something,” I say.

The doctor leans forward in his chair. “Another woman?”

I shake my head. “She is the only one for me. It has always been that way.”

“There’s no shame—“

“It was…something….that happened to me.”

He studies me. I can count the number of breaths I take. “Tell me,” He says.

And when I speak, I already know that I am falling. Already, it is too late.

* * *

We were told to march. We were not told where we were headed, and we did not dare ask. We started in the chill of the morning and continued past sunset. By the fifth day, most of the men’s’ feet were bloodied, the soles of their shoes peeling off.

When we finally stopped, we were ordered to help build fires. We gathered in groups warming our hands as the rebels roasted meat and ate stale crackers. We were offered none, even though our stomachs were empty and our heads light.

The rebels placed us in groups. Mine was taken over a group of trees nestling the camp.

A rebel walked around us in a circle, a rifle strapped over his back. “Bloody spies,” He spat. “Do you know what we do to spies? Show them the same courtesy they’d shown us.” He smiled and looked at us, one by one. I lowered my gaze. “Drop your clothes.”

It was unthinkable. Stripping  a man of his clothes was taking his dignity. One man—the smallest of all of us, with squirrely eyes and breath that smelled of despair—dropped his britches quietly. The rest of us stilled.

“Do you need some convincing?” The barrel of the rifle, suddenly, was shoved into the side of my head. “Go on, take them off, or I shoot.”

Shaking, I dropped my pants. The others followed suit.

I looked up into the sky, where the dusk had fallen. The sun was the yolk of an egg, stretching across the horizon. My throat burned. What would I tell my wife, my friends, my coworkers?

I was thrust forward to the ground. I spat up dirt, craning my neck, but a hand held me down. I could hear laughter as my undergarments were torn away. A chill ran up and down my spine.

The rebels were singing witch doctor songs.

We lived on a diet of two bananas a day. Two bananas, and I don’t think any of us could have stomached anything more.

* * *

There is a beat of silence, and it is shocking to find myself back in the tiny room with the cozy armchair.  The doctor studies me for a minute.

“How did you come home?”

“There was….a skirmish among the officers. They were arguing about who would get the last of their supply of coffee. One of us…took a chance, reached for one of the guns. Shots went off….some died, some escaped.”

“So you escaped.”

“I guess I was lucky,” I say, not believing my own words.

“Yes.”

I shift my position in my seat. It feels as if I am sitting on thorns. I wait for him to ask how this has affected me, what it was like. How I survived. Instead he shakes his head.

“Have you told your wife?”

“No, I haven’t.”

“Then I suggest you do.”

I swallow. “What do I tell her? That her husband is a weak man?”

The doctor doesn’t deny this. Instead he stands, and without looking at me, ushers me to the door. “Tell her the truth,” He says.

* * *

My wife is resting when I enter. She lifts her head, her dark hair a curtain around her face. “You’re home sooner that I expected,” She says, standing.

“Aye,” I say.

“Well?”

I meet her eyes. “Kabirinage. My love.”

“What is it?”

I step closer to her. Our faces are inches apart, and I can smell her scent: like sweet clover and freshly fallen rain. I curl my hands into fists at my sides, telling myself I must not touch her.

“I am sorry,” I begin. “I am so sorry.”

“You have decided to take another wife?”

I shake my head no. It is not in our religion to do this. I know many men do, but we were both raised Protestant. We do not believe in polygamy.

“You should know why,” I say. “Something happened to me.”

If she is surprised, she does not express it. She waits patiently.

“I was taken prisoner,” I begin.

“I know this.”

“But you don’t know everything,” I say.

“Tell me, then.”

And so I do the only thing I can; I do what the doctor proposed and have known all along I must do.

I speak, and plant the bitter seeds of truth.

* * *

When the police come, I only feel numb. It is a familiar numbness, the same numbness that came to me after nights of being compromised. It begins in my legs and arms and makes its way to the vital regions—my heart, my chest. It seeps into my body like a serpent, like venom. But it is that venom that I need. I need it, so I will not have to feel or think.

I let the officer guide me by the hands. He asks me to state my name and I do, feeling as if I am shedding my skin. I will never be able to use my name again. I am one of the despised; I am the roaches that lay eggs in dirt covered homes.

Before I am escorted, my wife casts one last glance at me. For a minute I stare into her eyes, but what I see I do not know. Hate. Fear. Maybe pity. But mostly hate.

And I know. She hates me because her name, too, has been shamed. She hates me because she will forever be the wife of a man who is not a man at all.

* * *

When a man is raped, he is presumed to be homosexual.

Engaging in relations with another man, in Uganda, is a crime.

A crime, if convicted, that can sentence a man to a sentence of fourteen years.

Fourteen years. In fourteen years you can build a home, a family, a career, a life. In fourteen years, the love of your life can forget you. In fourteen years, your skin can collect so much grime you cannot recall what it appeared before. In fourteen years, you can forget who you are.

And yet I know it will not be long enough. I know that every minute of those fourteen years, should they come, will be filled with nightmares. I know every minute I will relive the physical and emotional agony of those nights when I was stripped into something less than a human.

Worse yet, I know those fourteen years I will dream of her.

And I will fester in the shame I have brought upon both of us.

* * *

The day is cool and crisp, the sky an icy blue so piercing it hurts to look at. On our way to the holding cell, we drive past Lake Victoria. I can see it in the distance, eerily still, with a flock of birds swooping down to wet their beaks. These birds will rest and then fly somewhere else. But they will come back. Life has a way of working out this way.

The vehicle breaks down and I am told I must walk. I do not mind. I can breathe in the air one last time. I can look at the water and pretend I am swimming beneath the surface. I watch as a young man fishes at the shore. His line is silent and still as the lake, and he looks about ready to leave when suddenly the line jerks.

Letting out a cry, he winds it in, revealing a fat fish, gasping. I wait for him to set it on the shore and gut it, but what he does surprises me. He takes the fish in his hands, letting it flail until it goes still. And then, gently, he releases it back into the water.

With a sputter of motion, the fish leaps back in, under the water, knowing if it has been given a new lease on life, it has no choice but to continue swimming and without glancing back.

Erin Jamison holds an MFA in Creative Writing from Miami University of Ohio. Her writing has been published in over fifty literary magazines, and her fiction has been nominated for a Pushcart Prize. She currently teaches English Composition at the University of Cincinnati-Blue Ash College and also works as a social media specialist.

Anti-racist resources, because silence is not an option

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