By Travis Stephens
“What’s the matter?’ she asked for the third time in as many nights.
Tonight he was ready to say “nothing,” knowing it would sound half hearted. Low down half hearted, a song would say. Roman rolled those words around in his mind, probed them with his tongue. Can’t make it rhyme, can’t make it carry.
“I don’t know what’s the matter with you,” Susan said. “You’re in one of your moods.” They had moved into this place two years ago, glad for a house close to the city park. Now Susan could walk out with the dog and do a clockwise loop on the walking path. There were a lot of dogs in the neighborhood and Susan waked with a tight knot of Labs, spaniels and standard poodles. Roman’s dog, an otherwise proud Walker hound, had taken to whining and sometimes peeing in anticipation of the morning walk. Roman felt embarrassed for the dog.
That dog had been the impetus and star of his second best song, the one picked up by that handsome Nashville singer married to the Australian actress. Not that the singer needed a hit, but got one anyway. He put a little Oklahoma onto the song when Roman had wrote it with a Kentucky state of mind. A little moonshine and banjo around a hound who left him with his estranged wife. Nashville had run a fucking dobro over the best finger picking Roman ever tried. The royalty checks helped ease the pain, but goddamnit anyway.
His first hit, the song he was known for, was told through the eyes of a little boy whose father drove a truck “steering big wheels of sadness” for days at a time. A tear jerker in the best country tradition, with mandatory slide guitar wail. It ended with an uplifting final message.
“Where did that come from?” Susan asked, when he had played it for her.
“I dunno. Just did.”
“I don’t see how. Your Daddy teaches economics at Saginaw Valley.”
“It’s not about me, Sue.”
Roman had been teaching composition at the two-year university and sending free verse poems out to literary magazines. He had shared the song with Debbie Garnet, a folk singer he had grown up with. Dated, briefly, too. Debbie knew someone who knew someone and when the publication contract arrived in the mail Roman thought it for one of his poems. The call from Jackie followed shortly after.
“Hey, bub,” Jackie said in her whiskey and Diet Coke voice, “you probably need a better agent. I got you covered right here.”
“I don’t have an agent?”
“You just book shows on your own? Oh, honey child, time to move out of your parents’ garage.”
“I don’t do shows. I’m not part of a band. I work teaching English and composition full time.”
“You’re just a Kris Kristofferson, ain’t you?”
“More like a John Moreland.”
“I don’t even know who that is.”
On Jackie’s advice he had rented a small studio and reduced his teaching to part-time. He attended a songwriter’s workshop in Nashville, which Roman found to be exactly like any other writing workshop, full of snark and self congratulation. Jackie took him on a round of the smaller recording companies.
“Let me do the talking,” she said.
Roman paged through the press releases she was passing around.
“Wait, I’m not from Texas.”
“Hush. Everybody is from Texas. Just talk slower when anybody asks you something.”
“I’m not a trucker, either.”
“Don’t you worry about it. Nobody reads these things anyway.”
Afterward he was glad to go home. Nashville seemed enamored with slight young singers with oversized guitars. These singers, usually attractive blond women, were guarded by a coterie of executives and makeup artists. Roman heard his songs when they emerged from a radio and sometimes struggled to recognize his writing. It was why they lived across the line, in the corner of Kentucky that abutted Arkansas. “Whooee,”Jackie, said, “why you want to live over in that cracker barrel?”
“I just like it, Jackie. We can afford a nice house there. Besides, it’s only a few hours away.”
“If you say so.”
Today Roman had taught class from eight to eight-fifty and had spent the rest of the day in his studio. The painter who had the adjoining studio had been spraying fixer on a series of abstract landscapes so Roman was forced to open his windows. Eventually he moved a stool onto the tiny galvanized steel fire escape and sat out there. It overlooked a lot of gravel, grass and the bones of a burnt out garage. As Roman watched a cat slunk along the cinder block wall. It moved with a sneaky furtiveness that spoke of having done some terrible wrong.
Roman strummed the guitar and mouthed a series of phrases that contained “cat”, “heartbreak”, and “night” which eventually tuned into a few good lines about tomcatting into the morning light. Not bad.
But that was it. No focus. A few words surrounded by daydream. These were full of jingles and carried by cliché. He was strumming when he heard movement behind him.
Stuart was a self taught painter who, Roman suspected, lived illegally in his studio. That couch looked too slept in. It wasn’t like Stuart had a string of models he bed. The artist was a pear shaped man with a mean set of eyes. He’d stepped into Roman’s open door and was wearing a full face shield. Roman saw him peel it off.
“Must be nice,” Stuart said.
“To work with nothing. No paints or canvas. Man, I got thousands of dollars tied up in oil paints and gesso. You can just sit with a guitar.”
“It’s not that easy.”
“Sure it is.” Susan had framed one of his songs and it hung on the wall. Stuart tossed his thumb at it. “What is that, two chords?”
“You’d think all country songs would already been done. All the possibilities run through. We have been painting for hundreds of years. Da Vinci. Michelangelo. Rembrandt. You could go back to the cave painters. Thousands of painters. It’s art that never ends.”
“Listen” Roman said, “How much longer you going to be spraying over there? You about give me a headache.”
“I just did the first coat,” Stuart said. “Two more coats to go.”
Roman fled to his car. Tossed the guitar in the back and drove the opposite direction of home. He wasn’t hungry. Before he went two miles he saw a ROAD WORK AHEAD, followed by WAIT FOR FLAGGER. He drove slowly past yellow behemoths grubbing in the dirt. Roman stopped when a flagger in a safety vest stepped in front of him. She held her palm toward him like she could fend off a songwriter in a half ton of steel.
She stood in the road a yard ahead of his radiator with a flag held lazily horizontal. The flagger wore scuffed work boots and jeans, a gray t-shirt. Her hair tried to lift the hardhat. County tomboy. Roman tried to imagine what someone like that would say when she came home after a day of standing on a road shoulder. How was your day? Exciting. Today I saw a red sports car. Kids on a bus waved to me. How was my day? Like any day just outside the grave.
Were there any songs about flaggers? He couldn’t think of one. Most country songs glorified the manly pursuits—ranching, trucking, building stuff or knocking it down. Roman tapped on the wheel, playing with a loose string of words that might be coaxed into a rhyme. Flag, nag, brag. Wave, crave and save. Maybe wave the flag and tie it to the US flag. Checkered flag.
Darlene, he decided. Dar—leen. Like darling. She lived in a trailer—no, she lived on a little place just big enough for a horse. Dreamed of carrying the flag on horseback like she used to do at the rodeo, flag over her shoulder, proud and tall with a Stetson instead of a hardhat, a pearl buttoned shirt with those western yokes. Big smile for the crowd. let’s give her a hand, folks, Miss Darlene of Abilene….
“Hey.” The flagger was at his driver’s side window. She was not smiling. She placed her hands on her hips. “What’s the matter with you? When I lower the flag it means you can go. Okay?” He heard her say “Dumbass” just under her breath.
Roman stepped on the gas a bit too hard. Spat gravel at the car behind him and toward the flagger. Damn. So long Darlene. So long. Nobody sings about flaggers and now he knew why.
Travis Stephens is a tugboat captain who resides with his family in California. An alumni of University of Wisconsin-Eau Claire, recent credits include: 2River, Sheila-Na-Gig, Hole in the Head Review, GRIFFEL, and The Dead Mule School of Southern Literature.
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