Browsing Tag

mothers

Autism, Fiction Fridays, Guest Posts

Ordinary Lives

April 16, 2021
risa

by Marlene Olin

Margaret hears the sound of cabinet doors slamming. When she walks into the kitchen, her heart lurches. The walls are splattered, the floors crunchy.  But her daughter’s happy. Tomato sauce spackles Risa’s hair and her glasses. On top of a pot, steam billows.

“Dinner’s almost done,” says Risa.  A tornado of arms and legs, she whirls from the sink to the stove. “By my calculations, nine minutes tops.”

Once again Margaret glances at her kitchen. Risa has created a workspace like she’s been taught. The counter is covered with newspaper. The ingredients lined just so. Bay leaves. Garlic. Onion. Oregano. The measuring spoons and cups. The mixing bowls and slotted spoons. Not one dish will be cleaned until after dessert.  Order is everything.

“Looks great, sweetie. It’s such a help when you cook dinner.” Then Margaret mentally makes a note of the post-cleaning required long after her daughter has cleaned and gone to bed.

But there’s no denying that Risa’s happy. There’s a lift in her step and she hums while she works. When she’s finished, she walks up to Margaret. Most people would leave an ample amount of space between them. But space is subjective. Space is a loose and wobbly entity that one intuits. Instead Risa lines up toe to toe with her mother and waves a finger in Margaret’s face.

“One more step on the road to independence, Mom.”  Then she remembers her smile cards and creases the corners of her mouth.

***

Three hours later, they are lying down. Risa’s bedroom has looked the same for decades. The sheets are soft and flannel, the shelves lined with her collections. Stones. Crystals. Shells.

As always, Margaret picks a book of poems and reads. Dickinson tonight. Perhaps Browning tomorrow. Outside the window the moon waxes and wanes. Inside the words fall like waves. It’s the sound that matters, the lilt, the lull, the up and down. Meanwhile Margaret stifles yawn after yawn. Her day can’t end soon enough.

“Do you know that a giraffe just needs 1.9 hours of sleep?” says Risa.

While she turns the page, Margaret listens to the quiet of her house. A TV drones. A dryer rumbles. Somewhere her husband is lurching. Hunched, his hands clenched, his eyes darting.  A lost soul, her husband. A Victorian ghost. A daguerreotype, grayed and grim, save for the waistcoat and watch.

“Do you know that sharks have to keep moving?”  says Risa. “Do you know that sharks never sleep?”

“Never sleep?” says Margaret.

Despite herself, Margaret savors the moment. For she knows that moments like these will soon be come and gone.  This is the year that Risa’s turning forty. With the proper supervision and support, Risa will be getting her own apartment. Her bags will be packed. The house will be emptied. The shrinks, the social workers, the experts all say it’s time.

On the ceiling are Day-Glo constellations. As soon as the lamp’s turned off, they grab the light. Margaret closes her eyes. In seconds she’s transported to 1980’s. They had just moved to Miami for her husband’s new job.

  “Spring has sprung!” said the banner. Bunnies and egg-lined baskets.  A chain of pastel construction paper crisscrossed the room.

The teacher kept her voice to a whisper. “I have twenty children in my kindergarten. Twenty children and two aides. But Risa’s the one we watch. She runs with scissors. Walks into the seesaw. The other day she followed a stray dog out the school and down the block.”

What was her name?  Miss Susan or Miss Sarah. It was mythical the way she saw into the future. Like some sort of blind seer. Back then there were no catchphrases. No spectrums. No labels. Nothing to hang your hat on but despair.

“Her IQ is sky high. That’s obvious. And her knowledge of trivia endless. But she flinches at the slightest touch. She’s terrified of hugs.”

Instead of friends, Risa had pets. No dogs or cats. Margaret’s husband was allergic. To the hair. To the dander. To the pollen on their fur. Instead they adopted an ever-changing zoo. A guinea pig that kept them up all night. A savage hamster. A gerbil that found its way into the dryer duct. Saltwater fish. Freshwater fish. One morning they’d be fine. Then the next they’d be floating, a lifeless eye staring toward the light.

A fitful sleeper, Risa tosses and turns while Margaret inches closer to the edge. Of course, her daughter has no idea what awaits her. Noisy neighbors. Nosy landlords.  Butt crack plumbers. Pervs. But what Margaret fears most is the loneliness. She can see it now.  The hours of bone-crushing silence, the kind of quiet that screams.

Margaret’s dealt with pitfalls and potholes. And now an old familiar panic starts to grow.  Margaret’s learned to trust her instincts. Her instincts rarely fail her. But all she envisions are red lights and stop signs.  Risa’s own apartment? All she can hear is her voice shouting no!

Meanwhile Margaret’s bullied right and left.

From her son, the lawyer in Washington, the one who will one day bear the burden. Each rebuke is spewed with fear: “You’re not getting younger, you know.”

From the shrink. Good or bad, inspired or idiotic, the meter keeps running:  “What’s the worst that can happen?”

From the professionals in their air-conditioned offices, sweatered in smiles, gripping their coffee cups, glued to their screens: “It’s time to cut the cord, Mom.” Like Margaret’s a fucking stereotype. Like there’s an instruction manual she somehow missed.

Only her friends can she count on. In darkened rooms, she sobs while they sip Chablis. “She’s going where?” They say. “You’re doing what?”

But her daughter is insistent. She’s like a dog with a bone. Pulling. Tugging. The whole world has narrowed to this one theme, this one topic, this one road.

Margaret lowers her voice, taps into some patience, and slips a mask of calmness on her face. It won’t be as easy as you think, Margaret reminds her. The words coil like an undercurrent, slipping into every conversation. You’re too kind-hearted. Not everyone is as trusting and as kind-hearted as you.

But no argument chips the concrete. Instead Risa rolls her eyes. Then she reminds her mother of her accomplishments. The 3.3 average in college. Her job at the library. Plus she’s cooked dinner for three nights straight!

***

They make apartment hunting more of a pastime than a project. Marilyn, their realtor, is a friend. Blonde, bronzed, roped with jewelry, she carves out time in her busy busy schedule. She has known Margaret and Risa since forever.

Every Sunday, it is now part of their routine.

Marilyn points out the window. Beyond the pool is Biscayne Bay. “The condo is vacated,” says Marilyn. “Its owners just fled. Tax problems. Immigration problems. Who knows?  A bedroom and two baths plus lots of light.”

Margaret struggles to find fault but finds herself tongue-tied, stumped.

“I like this place,” says Marilyn. “There’s a nice view. Incredible amenities. A party room plus a gym!”

While Margaret follows the swoop of her hand, Risa has disappeared.  They find her checking out a spider down the hall.  When she joins them, her face is vacant, her eyes glazed. Security deposits. Down payments. It’s all too much too absorb.

“Do you know that living rooms were once called parlors?” says Risa. “When you died, they laid out your body on a table. Then all your friends and relatives dropped by.”

“Really?” says Marilyn. She is listening and not listening. Punching her phone.

“Really,” says Risa. “Then one day death became a business. Morticians took the bodies, cleaned them up, and moved them to funeral parlors. Then people started calling their parlors living rooms. Get it? Living rooms.”

“Is that a fact?” says Marilyn.

“Do you know that after mating,” says Risa, “the male arachnid dies?”

It was eighth grade. All the kids in Risa’s private school were supposed to perform community service. The voices in Margaret’s head said no. The voices yelled and screamed, are you insane? But Risa pleaded, all the kids were doing it, here’s the list of places we can go.

The plan was to drop her off at the animal shelter every Saturday. Margaret insisted on her version of a hazmat suit. Long sleeves, long pants. Covered shoes. They gave Risa all the jobs no one else would do. Clean bird shit from cages. Clean dog shit from crates. Every afternoon Margaret would pick Risa up, drive her home, and direct her straight into the shower.

Still the first month went smoothly. No chore was too vile. Risa would rake her fingers through a dog’s fur and instantly decompress. She’d stroke a cat and shudder as it purred. It was the second month that proved a disaster.

A staff member named Timmy started hanging around. A scruffy beard to cover up the acne. Torn jeans and checkerboard teeth. He’d wash a dog and spray Risa with the hose until her clothes clung. Then he’d warble, look who’s got titties. He talked her into wearing white tee shirts, the more to gawk at when they clung.

Then one day he asked her along to pick up a litter. They took off in his truck, his hand slipping on and off the gear stick, digging in the space between her thighs.  You working out, Risa?  She sat up straighter, startled. You seem tense, he said. I can feel your muscles clench.

She took a shower for two hours that night. Then she plucked out all her eyelashes. Clean couldn’t get clean enough.

But Marilyn’s not on the program. While Margaret wants to press the pause button, Marilyn’s programmed to make a deal. It’s almost Thanksgiving when she finds the perfect apartment. Fully refurbished. Fort Knox Security. The place is only two miles from their house.

“I’m sending you a lease,” says Marilyn. “We’ve got to jump on this one fast.”

The three of them had just finished eating a quick dinner in the kitchen.  Margaret. Her husband. Risa. The family response is all too easy to predict.

The husband retreats to his den.

Margaret gulps an antacid followed by an Ativan chaser.

Risa puts her hands on her hips. Then she lectures her mother theatrically like she’s seen people do on TV. “Everyone has their own apartment. I’m the only person in the world without her own apartment. This is your problem, Mother. Not mine.”

“But Risa,” says Margaret scrambling for words.

Next her daughter lifts her chin toward the ceiling and starts bugling like an overgrown toad.  When she’s finished with her performance, she turns once more to Margaret.

“Do you know,” says Risa, “that a Panamanian gold frog has no outside ears? It can even ignore its own voice.”

The days slog by. Marilyn texts every hour on the hour while the three of them gnash their teeth. But the more Margaret vacillates, the more anxious Risa becomes. She gives up sleep altogether. She bites on her lips and chews on her hands, gnawing her nails to the quick.

If only there were a guidebook, thinks Margaret. A primer for extraordinary people who crave ordinary lives. The problem is so much more than geography. There’s a hole in Risa’s heart that she can’t identify let alone fill. Though Risa’s life is consumed with routine, it’s shockingly empty.  Sure she has contacts on social media. But they aren’t true connections. They aren’t real friends.

And while Risa stays stuck, the rest of the world has moved on. Her brother has married and has two children. Even her younger cousins have families, too.

Is this something you can imagine? Margaret once asked her. Is this something that you want? When you look into the future, is this something that you see?

No, says Risa. I really can’t.

It’s a reality that Margaret has difficulty accepting. At night, she dreams of happy endings.  She pictures satin wedding gowns. A handsome groom and a multi-tiered cake.

But there’s no cooing infant in this picture. There’s no strolling down an aisle festooned with baby’s breath and ferns. Instead, Risa envisions a menagerie, a home for the lost and the neglected. There are no playpens and Pampers. Instead there’s meowing and barking. Chirping and cheeping. Room after room of flying feathers.

Her husband hides. Her son yells. Her realtor nags. And like mercury in a thermometer, her daughter’s stress shoots up. Meanwhile Margaret walks on tiptoes and speaks in whispers. It’s like living with a volcano that’s bound to explode.

“I hate you, Mother,” says Risa.

“They want signatures,” says Marilyn.

But Margaret shakes them off. There are and will be other apartments. This is another roadblock they can overcome.

She spends hours on the computer. Then she locates a special organization in Wisconsin that sells trained dogs. They aren’t service dogs. Risa would have to wait years for a service dog. But they know forty commands right off the bat.

The family response is all too easy to predict.

Risa’s eyebrows nearly jump off her head. Then she bounces up and down like she’s on a trampoline, waving her hands and wiggling her fingers. “I’m getting a dog! I’m getting a dog!”

The husband starts sneezing.

The son whines. “I always wanted a dog. We never got a dog before. Now Risa gets a dog?”

By January, the two of them are in Madison. The temperature is below zero and everything’s white. The rental car passes frozen lake after lake, the air’s still, the sky crisp. A few crazies are ice-fishing. Convenient stores sell cheese balls, cheese curds, cheese soup. Churches scream, Save Your Soul! Their laps are littered with road maps while their phones prove useless. Heading into the woods, they drive clean off the grid.

After two hours, they locate the kennel. Ten acres, a barn, and a house. A lumberjack kind of guy opens the door. Six feet tall, he’s a Paul Bunyan look-alike.  Flannel shirt. Workman boots.  Jeans.

Soon their efforts are rewarded when twenty Labrador Retriever puppies greet them. Black. Yellow. Brown. Licking. Yapping. Pawing. Deciding is impossible. Ridiculous!  With tears in her eyes, Risa becomes enamored with each and every one.

Finally, as the sun sets, a gold-colored dog picks Risa. She is sitting on the floor when a two-month-old ball of fluff waddles over, lies in her lap, and falls asleep. Smiling, Risa gives her a name. She looks like a Milly, don’t you think? Then they say their goodbyes and leave the puppy in Wisconsin to be trained. After a five-month gestation period, they’ll fly back. Then they’ll pick up the newest member of the family.

In the meantime, they get ready. They sign a lease. Purchase furniture. And every few weeks they’re emailed photos of the dog. Risa forwards them to everyone she knows. Like any proud parent, she diligently records milestones. She carries a brag book. To strangers on the bus she says, Have you seen anything cuter? To her mother she says, You’re the best.

There are commands to learn and supplies to buy. Leashes. Crates. Rawhide toys. Could Risa register for gifts at a pet store, Margaret wonders? Can I send out an announcement when our latest addition arrives? Sure, she tells her friends. Getting a new dog doesn’t have to be this hard. But when is learning to love ever easy?

Marlene Olin was born in Brooklyn, raised in Miami, and educated at the University of Michigan. Her short stories have been featured or are forthcoming in publications such as The Massachusetts Review, PANK, Catapult, and The Baltimore Review. She is the winner of the 2015 Rick DeMarinis Short Fiction Award, the 2018 So To Speak Fiction Prize, and a nominee twice for both the Pushcart and the Best of the Net prizes.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress “being good” in order to reclaim your own life.

Pick up a copy at Bookshop.org or Amazon.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Guest Posts, parenting, Special Needs

The Art of Acceptance

March 15, 2021
jessica

CW: This story contains outdated, culturally insensitive references to individuals with developmental disabilities. Prior to the 1990s, the term ‘’mental retardation’ was used to describe individuals diagnosed with low IQ.

By Cathy Shields

“Your daughter Jessica is profoundly retarded.”

The string of words yanks like an invisible chain, back to that moment in 1988 when the doctor made his decree. Those five words launched a journey I struggled to navigate for twenty-four years. Today I face what awaited at the end of my passage.

I stand in the middle of Jessica’s bedroom. Everything appears the same as yesterday; the same, but different. An assortment of posters hangs on the wall above her bed, most of them, images of the band, the Backstreet Boys. In one photo, the five boys lean forward, arms linked. They smile, and for a second, I imagine they can hear me. I whisper the words like a well-kept secret.

“We moved Jessica to a group home today.”

I turn my attention to the posters Jessica told me to bring. My fingers tremble as I grab the edges. I wonder whether my heart will crack into a million little pieces, like the broken keepsakes she has refused to throw away. Jessica often followed me around the house and repeated the same questions. “Mommy where we go today? Mommy, what we do? Mommy? Why you no answer me?”

What if we made a mistake moving her? Thoughts teeter like a seesaw. We should have waited. What if she doesn’t like it? What if she thinks we’ve abandoned her?

“You’re making that face again.” My husband Chip stands in the doorway. “I can tell what you’re thinking. The staff at the group home said they’d call if there were any problems.” He folds his arms across his chest. “We were supposed to wait a few days. You’re going to call anyway, aren’t you?”

I shrug. “Sorry, I have to.” I grab my cellphone and dial. Two rings later, Nina, the house manager, answers.

“Hi, it’s Jessica’s mom. I know you advised us to wait a few days to call, but can I speak to her?” The words leap from my mouth as if they possess a mind of their own.

“Yes, Mrs. Shields, but we want her to adjust to the new environment. Can you wait? I promise she’s fine.”

A long silence follows. I’m not sure whether to wait or hang up. When I don’t respond, Nina sighs. “Okay, I’ll get her.”

Seconds tick by until I hear Jessica’s voice.

“What you want Mommy? When you come here?”

“Um, I’ll come soon. In a few days.”

“You forget my posters? You say you bring them.”

“No, I didn’t forget. I started taking them down.”

“Okay Mommy. I love you. Bye.”

I hang up the phone and stifle an urge to cry.

“So do you feel better now?” Chip uncrosses his arms, a tiny smile peeking through his graying beard. His green eyes are like beacons calling me home. “What are we making for dinner? It’s getting late,”

“I’m not hungry,” I murmur. “Go ahead and grab something. I might be a while.”

“Are you still worried? Nina just told you Jessica’s fine.” He waits for me to respond and when I don’t answer, he says, “Okay, fine. Do whatever you have to. I’ll be in the kitchen.”

A rumpled pink bedspread covers Jessica’s mattress. I sit, pull her pillow close to me, and inhale. Faint traces of her vanilla-scented shampoo remain. Chip doesn’t understand. He didn’t spend years worrying about how to make Jessica normal. It seemed easy for him to accept. Why couldn’t I?

Stacks of empty video boxes, loose CDs, magazines, and crumpled pictures are scattered over the top of Jessica’s nightstand, and when I straighten the hodgepodge of items, I spot my favorite picture, a photo of me and four-year-old Jessica. In the photo, we smile at the camera. Her saucer-like blue eyes sparkle with childlike innocence. Silky bangs frame her face and her blonde hair cascades like a waterfall of curls. People often said she should be a child model. If things had turned out differently, it could have happened. My finger traces the curly lines of the embossed silver frame. I had insisted Chip take that picture. To mark the occasion.

I slide the photo from the frame and turn it over. In blue ink, I had written the date. April 5, 1988.

Dr. Morgan, the neuropsychologist who headed the program, met with us. He made his pronouncement. My mind reconstructs the scene. Snippets of details; the cold room, the red leather chair, the click of a pen, the tears. The meeting ended. Chip clasped my hand and led me away from the shards of broken dreams. I remember the way Dr. Morgan rose from his seat as I swept past him and headed into the hallway. For one split second, my mind had conjured an entirely different scene. What if I could change the ending? Then Chip opened the door to the children’s activity room. Jessica saw us. Her eyes lit up. She pointed and beamed at us. “That my Mommy.”

The woman beside her, clad in pink scrubs, laughed as Jessica tugged on her hand. “I’m Carol,” she said, “one of the nurses here. Your daughter is so sweet and adorable.”

A second nurse sidled up and stroked Jessica’s hair. “She certainly is. She’s angelic.”

I nodded, barely able to look at Jessica. Perhaps I would never see her the same way again. What then?

Carol touched my shoulder. “Oh, please don’t cry. So many kids come to our center, but your daughter is special. Perhaps she arrived in your life to help you. They say the Lord works in mysterious ways.”

I hated it when people said that. It sounded so condescending. Jessica held up both hands. “Up, Mommy. Pick me up. We go home?”

“Yes. Daddy and I will take you home.”

I remember how I held Jessica, pressed my face against her cheek, and inhaled the fragrance of her skin. A precious, heartbreaking moment. How could I live with the fact there was no cure for her irreversible brain damage?

*

Chip pokes his head through the bedroom doorway. “Didn’t you hear me call you? You’ve been in here for over an hour. Dinner’s ready. Come and eat.”

I steal one last glance at Jessica’s photo before I return it to the nightstand. It might take the rest of my life to learn the art of acceptance.

Cathy Shields is a retired educator with an M.S. Ed in Exceptional Education. She is a member of the South Florida Writers Association and a member of the Memoir Writers Circle. Her short stories have appeared in Ariel Chart International Literary Journal, ’45 Magazine Women’s Literary Journal, Flash Fiction Friday, A Story in 100 words, Spillwords and Variant Literature. Her work “The Phantom Ovaries” was nominated for the Pushcart Prize in 2019. Cathy resides in Miami, Florida where she and her husband raised their three grown daughters.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

A book about tears? Sign us up! Some have called this the Bluets of crying and we tend to agree. This book is unexpected and as much a cultural survey of tears as a lyrical meditation on why we cry. 

Pick up a copy at Bookshop.org or Amazon.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Guest Posts, parents

Just a Moment

March 8, 2021
moment

A photograph of the author’s parents.

By Allison Amy Wedell

Here’s what you need to know for this photo to make sense: I love my dad. I say “love,” in present tense, even though he’s been dead for almost four years. I would raid heaven to have him back, even if just for a moment—a snapshot, if you will.

Here’s how it happened: Dad and I went on a six-day, 360-mile bike ride in Wyoming in mid-July, my brother got married at the end of July, then Mom and Dad left for a month-long trip to England and Scotland in early August. Two weeks into the trip, he checked himself into an ER in London, where they confirmed what my dad, a retired doctor, had already suspected.

He had acute myeloid leukemia.

So Dad spent four weeks in a London ICU, fighting to put together enough white blood cells that they would let him fly home to Cheyenne. After a night in the local hospital and a frank talk with his doctor there, he realized he wasn’t going to bounce back from this, and opted for hospice instead. He spent six wonderful, heartbreaking weeks in hospice, saying goodbye to everyone he loved.

He died on October 29, 2016.

If you’re doing the math, you’ve already realized that he went from biking up mountains with his daughter and dancing at his son’s wedding to his deathbed in a scant three months. The speed of it still takes my breath away, like that instant after a car crash when you’re just sitting there blinking while you try to figure out what just happened.

Anyway. Back to the photo. My mom sent it to me about six weeks after Dad died. She received it from her friend Shel, who had been on the England/Scotland tour with my parents. Shel had been sorting through his photos from their trip, and he sent her a few. This one is my favorite.

It’s so casual, isn’t it? Just a couple of tourists, surrounded by a few other tourists, taking a break in Oxford’s Ashmolean Museum in August of 2016. They could be any retirees, caught in a moment of rest, planning their next foray among the antiquities. But I see so much more. So many tiny details of this captured moment reveal to me, in heartbreaking clarity, all that I am missing.

For example, the man has a camera slung over his shoulder. It evidences his passion for both photography and technology, and makes me wonder how many beautiful photos he has already snapped on this day alone. Some of them have his wife in them; some are landscapes; some are closeups of flowers in gardens. All of them delight in the world around him.

You can’t quite tell, but those pant legs zip off. This man is nothing if not practical. If it gets too hot in Oxford on this summer day, he’ll convert his pants to shorts and stow the legs in a backpack (that same backpack that contains a windbreaker and hat, should the weather turn in the opposite direction) or on the tour bus. He was a Boy Scout, and their motto has served him well all his life: Be prepared.

Despite the fact that he is thousands of miles and an entire ocean from home, he manages to look neat and tidy, right down to that crease in his shirtsleeve. His wife ironed that shirt before they left, but he packed it carefully and hung it up as soon as they arrived at the hotel. He wears a plain white undershirt so it doesn’t get sweaty, and any excess sweat on his face will get mopped up by the clean white handkerchief he carries in his pocket. Tomorrow’s shirt will be similarly plaid and similarly crisp.

That lovely salt-and-pepper hair (that same hair he will lose to chemo in less than a month, but we don’t know that yet, do we, viewer?) sticks up a bit in front. Several times today, he will unconsciously run the fingers of his left hand through it, smoothing it down and to the side. When it gets particularly unruly, next time he’s in the men’s room, he’ll take a little black plastic comb out of one of his pockets and tidy it more thoroughly.

The guidebook he reads is probably not dog-eared or wrinkled or creased in any way; if it has a binding, said binding remains intact. If he has found it necessary to make notes in it, he has done so lightly in pencil. The man and his wife have a large library at home, love books, and have instilled a deep respect for them in both their children.

You cannot see his right ankle, but if you could, you’d realize that his left ankle is swollen by comparison. This is due to an issue he has with the lymph glands in that leg; complications from a condition he developed when he and his wife lived in Haiti 45 years before, where he gave inoculations and saved babies from tetanus seizures using Valium they had smuggled in for that very purpose.

And speaking of his wife, that’s her head (with the curly hair inherited by both their children) just beyond his, bent over a map. They sit in the companionable silence borne of decades of marriage. She is the love of his life; he knew it the moment he met her, and they were married less than a year later.

They have already begun to make plans for their 50th wedding anniversary, but he will miss it by just over three months.

So yes, it is just a snapshot. It is just a moment—and not even a moment I witnessed. But oh, if I could have it back, what I wouldn’t give.

What I wouldn’t give.

Allison Amy Wedell is a blogger and speechwriter for the state of Minnesota. She is the author of Shaking Hands with Shakespeare: A Teenager’s Guide to Reading and Performing the Bard (Simon & Schuster, 2004) and The #TeamEric Chronicles, a blog about her dad’s illness and death from leukemia. Her work has been published by MomsRising, Committee for Children, and Free Spirit Publishing. She is the single mom of one amazing daughter and one rather ill-behaved cat in St. Paul.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

A book about tears? Sign us up! Some have called this the Bluets of crying and we tend to agree. This book is unexpected and as much a cultural survey of tears as a lyrical meditation on why we cry. 

Pick up a copy at Bookshop.org or Amazon.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Guest Posts, Siblings, sisters

The Things I’d Tell Her

December 12, 2020
sisters

By Christine Meade

My sister is moving with her husband and my twin toddler nephews to North Carolina in two weeks. That’s 811 miles away from her family of origin. They’re moving during a pandemic and only four months after I gave birth to my first son and I want it to be about me and tell them not to leave, but I know that’s not how this works. I’m dreading the day–the one when we’ll have to say goodbye–and the ugly tears I’ll cry. I wanted her to have the chance to fall in love with my son as much as I did with hers.

When my grandmother and her sister–Rita and Ruth–bought their first homes in Somerville, MA, with their WWII vet husbands in the fifties, they found two-family, white houses that mirrored each other on the same street. They each had a slew of kids who grew up as close as siblings. They would spend hours chatting on the phone to one another just across the road, giggling with the coiled phone cord wrapped around a finger when they couldn’t be together in person. They only wore heels when out walking, pushing their prams and chatting. One time, a drunk man dangled out a second floor window and shot at them as they brought their kids for a walk. When I imagine this, I picture their heels first–stilettos in a bright green color–panty-hosed knees bent ducking behind a car with their children huddled like ducklings around them. No one was hurt, and they made the newspaper.

The grandmother I knew had toes that were curled and feet curved with bunions. She always wore stockings with slippers in the house. It’s from wearing those heels, she’d say, without a hint of regret. She lived across from her sister until she passed away in 2007.

When my sister was little, I had her drink out of the dog bowl on the floor when we played “dog.” I had her squirmy body sit through rigorous school lessons that she was far too young to understand when we played “school” and I, as teacher, would get frustrated when she’d get bored and drop out. She could only read my books if she used the check-out system and library card I had created for her. I bribed her to do things by offering to “be her best buddy” when she was little, which she couldn’t refuse. She followed me around and copied what I said and wore and wanted to be until she was too old to get away with it. In a home video we found recently of the two of us as little kids in matching Minnie Mouse shirts before our brother came along, I told her “I loved you even when you were ugly.”

And then we got to high school and discovered the joys of having a close sister friend. We were three grades apart and we’d steal each other’s clothes and walk the hallways together, looking nothing alike, but liking the way “The Meade Sisters” sounded on other people’s tongues. It’s hard to feel lonely when you’re part of a team–a team that you can never opt not to play for. We were the funniest people we knew. Our family started referring to us as Rita and Ruth.

I went to college and moved to San Diego and then San Francisco and spent the better part of my twenties in California and I wonder now if this is how she felt to be the sister that stayed behind. If it’s what I’ll feel when she’s gone, except maybe worse, because the missing extends beyond her to the two little boys she created who have big eyes and big foreheads and call me Nini.

While in California, we’d talk on the phone and call each other by our nicknames and she’d visit and I’d take her to the best beach bars and Alcatraz and the Muir Woods. We handmade matching Halloween costumes and danced until we were sweat-slicked and tired. On bad nights, with ex-boyfriends, I’d lie awake in bed until 3 a.m. so it would be 6 a.m. her time and I’d call her for consolation.

When I moved back to Boston we made our own new set of traditions. We’d go to Salem every October for my birthday and get our fortunes read. When we were hungover, we’d order egg sandwiches and watch Blue Crush for the 100th time, a movie we loved because maybe it was a life we imagined for ourselves one day–simple beachside living, surfing, and sisterhood. I read online recently that 2020 is the eighteenth anniversary of Blue Crush, which made me feel old. To celebrate the 2002 film, the movie’s stars met on Zoom, which made me feel sad because maybe that’s what all ocean-loving, free-wheeling sisters have to settle for now–a quick video chat to connect.

As an adult, my sister became a nurse and a wife and then a distance settled between us. She wouldn’t answer my calls, and text responses came through a day too late. She was wrapped up in love’s arms and couldn’t be bothered with the trivialities of others’ day-to-day. I resented her or maybe more so him, but maybe that is love, I thought, since I was single at the time and couldn’t quite remember the flavor of that word in my own mouth. Maybe I’d do the same, I thought. Maybe I’d leave my sister for love. But I didn’t think so.

Then she had the twin boys and her role shifted. She became a mom, this place I knew nothing about. In motherhood, however, she needed me again, if only for the companionship, for a salve to the loneliness, the exhaustion. It’s a circumstance I only now understand, baby in my arms, calling her or my mother multiple times a day just to fill the blank space between feedings and diaper changes. The companionship needed in motherhood goes far beyond a spouse or a partner, I’ve found, but rests in other mothers whose bodies have been torn by the ones they love most. It rests in those who’ve been so stripped of sleep, they need to talk to someone who understands when they don’t have anything at all to say. When I became pregnant, our roles shifted again, and I needed my sister because why did my nipples hurt so much? And was crying this much normal? And would I ever–would he ever–sleep again?

A few months after the birth of her twins, my sister’s husband was deployed for a year and I had her back, all to myself. I got daily video calls and we saw each other a few times a week. I had visions of our boys growing up like brothers, only a year and a half apart, maybe going to the same school. We’d wheel them to the park together in strollers, carrying our iced coffees, and gossiping about the rest of our family. We’d take turns babysitting for the other and share big meals over loud dining room tables, our kids wrestling in the other room like Rita and Ruth’s boys.

Now her husband is back and they are leaving just to try something new. It will be her first time living in a different part of the country and there’s so much that I want to tell her. That it will be harder living that far away from a family as close as ours than she realizes. I remember my first night away after moving, crying quietly on my blow-up mattress, missing my family, the only home I had known for so long. That missing all the birthdays and barbecues and holidays feels isolating in a way you wouldn’t expect. That no matter how nice the place you moved to is–sunshine, beaches, all the promise of happiness–nothing replaces those random Tuesday night dinners around our parents’ kitchen island, drinking good red wine and laughing and eating with your siblings, and feeling, if nothing else, grateful.

And I would tell her, most importantly, that I love her and will miss her.

Christine Meade is a Boston-area writer and editor and first-time parent. She is the author of the award-winning novel “The Way You Burn.” Christine has published articles and essays for Dow Jones Media, The Boston Globe, Writer’s Digest, HuffPost, and GirlTalkHQ. She can be found online here: www.christine-meade.com.

 

Anti-racist resources, because silence is not an option

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Click here for all things Jen

Grief, Guest Posts

Sleep Training

November 18, 2020
dreams

By Lindsey Abernathy

“Mommy, you disappeared in the dark,” you say, as I turn off the bedroom light. Though you are three years old, we still have not mastered the fine art of independent sleeping. Each night I curl up next to you as you tell the mole on my stomach good night with a gentle pat, the glow of the lamp fuzzy and blond like your head.

I shiver at your words. This is how I lose my own mother, in my dreams.

You do not understand, yet, that I had a mother. She has been gone more than half your life, dead 26 months this March. If my grief was a child like you, son, it would be cutting second molars, maybe experiencing fear of strange places, possibly having difficulty pronouncing “l’s” or “th’s.” “My how time flies!” the parenting websites exclaim.

When you were littler, and Daddy put you to bed, you came looking for me sometimes, wailing “mommymommymommy,” a woeful pitch so pleading that it could wake the dead.

If only.

You don’t know this important thing about me, but some days it seems you are the only person who understands. You have known the inside of me more completely than anyone ever will.

The dreams ebb and flow, coming usually around the time I start my period. You don’t know what a period is, but it is the time of month when I beg you to give me privacy in the bathroom. You don’t understand privacy just yet. Sometimes you scooter in, full speed ahead. Sometimes you sit on my lap. You are so young that you say “poop,” when you see the dark stains.

They are always bad, the dreams.

Sometimes, I am a child, older than you but still little. Vacation has ended; we are sunburned and my scalp is an itchy layer of sunscreen and sand; it is time to go home. I search between the legs of aunts and uncles for my mother, but it seems she has left without me. I scream for her, but my cry is not strong like yours. My mother, she does not come back.

Sometimes she is the child. The teenager from that palm-sized, rounded-edge photo I keep on our bookshelf near your fall daycare picture, the one of you holding the white pumpkin. In these dreams, she is scared and lost. I take her in my arms and I tell her she will die, and we cry together.

I had not called my mother “mommy,” like you call me, for more than three decades, but I called her that as she died. We were all children at her death. She wore mesh underwear, the same kind the hospital gave me after you were born, and said “tee tee” when she needed to use the bathroom. I dropped her, that last day she was alive, there in the bathroom. I worried so much about dropping you in those early months, and here I had lost grip of my mother.

I got my first mammogram this year because I will do anything so that you do not dream like me. A mammogram is where nurses take pictures of breasts, to make sure they are not sick.

Afterwards I waited, shirtless, for the doctor but the doctor didn’t come. A nurse finally opened the door. “Doctor says everything looks normal,” she said. “For a 32-year-old breast.”

I took my 32-year-old breasts and left the clinic. A clogged milk duct, it turned out, I learned that night in the shower, though you have been weaned for more than a year.  You did not want to wean, still tried to catch my nipples in your mouth months after.

In bed, tonight, you grab for me, small hands frantic in the dark. “Mommy, where did you go?” I extend an arm to you and you nestle into me. I know that later my arm will go numb from the weight of your neck, that I’ll have to roll you gently onto a pillow.

“I’m still here, baby,” I say, and you sleep.

Lindsey Abernathy is a mother, daughter and writer from the Mississippi Gulf Coast. Abernathy studied journalism at the University of Mississippi and has worked as a writer, editor, and sustainability activist in higher education. Her most recent work was published in the Bitter Southerner.

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts, motherhood

Drawers

October 11, 2020
drawers

By Hillary Richard

When I was a kid, my brothers and I routinely rifled through our single mom’s drawers. We didn’t really know what we were looking for. Clues, maybe? Mom was something of an enigma then, alternately mystifying and terrifying.

While we three roamed the Upper West Side barefoot, bedraggled, and unsupervised, Mom worked as a registered nurse, mostly at night because it paid more. Because she worked nights, she slept during the day. When we feral kids woke her (which was often) she raged. Screaming, hitting, and punishments galore followed. Sometimes, if we really, really misbehaved, she would take away holidays like Halloween or Christmas.

But Mom could also be really fun. A musician at heart, a lifelong pianist, she loved to cook up a big pot of spaghetti, invite tons of people over, and make music. More often than not, though, we sat alone at the kitchen table, eating chicken potpies and TV dinners. Sometimes a live-in student swapped rent for nighttime babysitting. Men came and went. Some were nice and taught us things we loved, like how to burp on command (I can still do this). Some, not so much.

Who was this mother we loved, but whose actions confused and frightened us? The answer, we figured, was in her drawers. My brothers and I were usually disappointed to find only scarves, pantyhose, and underwear. Sometimes, we found matchbooks and notes. We pondered their meaning.

In time, I would find much more.

I now have three kids of my own. I have the luxury of a husband, a well paying job. When the kids were younger, I was able to employ an excellent nanny who not only cared for them, but who cleaned and cooked.

I can only imagine how hard it must have been for my mom to never enjoy the gift of time when I was a child. Just time to play with me or read to me; time free from worrying about how to pay the rent or clean the apartment. I, on the other hand, have clocked countless hours playing with Barbies, endless games of Candyland (which I never let the kids win without a real fight), and hours and hours of reading to them in bed or just laying there, feeling their hearts beat while they fell asleep. These quotidian minutiae shaped my relationships with my three girls. As did my desire to be an open book, unlike my mother.

When I was in third grade, I found some pot in one of my mother’s drawers. I had been fully indoctrinated into the belief that marijuana was a gateway drug that led directly to heroin. Naturally, I was hysterical. I told my older brother Chris, a sixth grader, that our mother was a drug addict, likely to die any day now of a fatal overdose. I thought we could confront her directly, you know: scare her straight. Chris calmly explained that he too smoked pot. Perhaps, he reasoned, if I tried it, I would understand it wasn’t dangerous like heroin. While I appreciated his soothing tone and calming efforts, I demurred. And rather than confront her, I just kept on spying.

Naturally, I grew to learn that weed doesn’t kill you, although alcohol might. And raising three girls firmly convinced me that of the two, weed was definitely the safer option. Alcohol would inspire me to make stupid and risky choices. Pot just made me hungry. My mom struggled with both. I joked that she could get addicted to anything – Coca Cola, aspirin, you name it. In retrospect, it doesn’t seem so funny.

When my middle daughter started smoking pot in high school, I was relieved she wasn’t coming home drunk. I didn’t want her to be vulnerable. Unfortunately, just being female and a teenager makes you vulnerable. But I didn’t want her to be more vulnerable.

Eventually, I found some papers in my mother’s underwear drawer. They appeared to reference a medical procedure. I didn’t understand them. But I remembered the word abortion. Or a word close to abortion. They might have been in Spanish; I don’t really remember. But they scared me.

Sometimes we spent weekends with our dad (dads really, as my little brother had a different one). We never wondered what my mom was doing because we were kids and mostly just thought about ourselves. To the extent we ever thought about it, we just assumed she was at work or at home, like always. I was frightened to think that when we were away, my mom was having medical procedures, or doing who knows what else. But I couldn’t ask without admitting I went through her stuff. Was this taking away a holiday kind of bad? I wasn’t sure of the grade of the offense, and I didn’t want to risk it. Still, I thought about those papers for years.

We left New York for California soon thereafter. My mom married her third husband. We stopped going through her drawers. He had a bad temper and it wasn’t worth the risk. Also, she was home more. She stopped nursing. Actually, she stopped working altogether.

I understand now that she was desperately searching for herself. All of a sudden, she had the luxury of time. She wrote music, poetry, plays. She was finding herself as an artist. We kids remained feral, complicated, and unruly. I’m sure this contributed to the demise of that marriage. We moved on. My brothers left to live with their respective fathers. I stayed behind.

As a full-fledged teenager, I acted out, fell in love, got arrested, cut classes. My mom played in rock bands, had tumultuous relationships, and went on welfare. She was no longer an enigma to me. I learned she’d had a particularly rough childhood, was orphaned young, then separated from her three siblings in foster care, only to later learn that between her mother’s death and her father’s a year later, he’d remarried and sired another child. I knew that she was overwhelmed by sadness. That she had complicated relationships with men. That she loved us as best as she could, but often felt we were just too much for her.

I was no longer in danger of getting punished for going through her drawers years ago, so at 14, I asked her about the papers I had found.

As it turned out, she’d had an abortion. Not in New York, where it was illegal. She’d been having a fling, maybe an affair, with a doctor at the hospital where she worked. He didn’t want a child, at least not that one, and my mother couldn’t afford another one. So, he flew her to Puerto Rico, where abortion was legal. Indeed, during the 1960s and 1970s, it was fairly common for women to fly from mainland US to Puerto Rico to obtain a safe, legal abortion. My mom could never have afforded that on her own.

I’ve often wondered what would have happened if she had gotten pregnant instead by the violin player she dated for ages, or the Con Ed worker who for a while was a fixture in our house. Would she have gotten a back alley abortion and possibly died? I can’t imagine her having another child when life was already so hard, money so strained, and my mother so tired. Our lives, already in motion, already difficult, would have been so much worse. Not only am I grateful, I’m astonished she could do such a thing. It must have been frightening to leave home, have an abortion, and return to three loud, needy kids, and pretend like nothing happened.

In that moment, I realized that there was so much of her I hadn’t realized. All along, she’d been a nuanced, complex woman with experiences and feelings unknown to me.

I soon left home and set out to live my own complex, nuanced life. About two weeks  before graduating from college and heading to law school, to begin what I saw as my real life, my adult life, I found out I was pregnant. I wasn’t in a committed relationship, although that wouldn’t have mattered. I was going to law school and there was no possibility that I was going there pregnant. Is it awful to admit that I don’t remember exactly who got me pregnant? It was a long time ago. What I do remember – vividly – was that I had a graduation party at Danceteria. I had the abortion money in my clutch (worn with my vintage cocktail dress and combat boots – thanks, Madonna). I guess he had given me his half at the party. I put my bag down to dance and when I looked over, it was gone. I ran off the dance floor and headed for the exit. (I had no money. This was a big deal.) There was the cuprit, fleeing down those steep Danceteria stairs. I screamed at her to stop and was about to jump when she tossed the bag up to me and ran.

My mother, sick with cancer, wasn’t able to attend my graduation. It was the first time I realized just how sick she was because she wouldn’t have otherwise missed it for the world. I didn’t tell her about the abortion; it didn’t seem necessary. And, given her pragmatism about hers, I was confident that she would appreciate my pragmatism about mine.

My mom died during my first year of law school. What can unmoor you more than that? (Spoiler alert: losing both parents.) I went to El Salvador and lived under martial law during a civil war. At least you can’t feel sorry for yourself under those circumstances. I blew up a relationship that probably deserved detonation. I graduated law school with honors. I had another abortion. These things were unrelated. I marched forward towards my real life. After graduation I met the man I’ve now been married to for almost thirty years. We’ve had three kids together. When I was pregnant with my eldest daughter, I longed for my mom. How did she feel when she was pregnant with me? Was she excited? Was I a surprise? I had so many questions that I’d never thought to ask. I longed for the time when I could rummage through her closets, scrutinize her expressions, pepper her with questions, if only I had known the right questions. Indeed, raising three girls, I long for her daily.

I firmly believe that we all keep secrets, even from those we have long, intimate, loving relationships with. Even those of us who consider ourselves an open book as I do. But am I an enigma to my kids? I think not. They know that I’ve had abortions. And they know not to eat any candy they find in my drawers because maybe it’s not just candy. But more than that, we spend endless amounts of time together; deeply together. We talk about things that were verboten when I was a kid: mental health issues, alcoholism, why every girl should own a vibrator, and just what it means to be alive and engaged in the world. Unlike my mom, I have the luxury of time. And I hope to have it long enough that they can ask me (once they are interested) what it felt like to be pregnant with them. How I coped working full time and raising kids. What to do when you find yourself pregnant and you don’t want to, or can’t afford to be. Let the rest of their lives be a riddle wrapped in a mystery inside an enigma. Not me. Just stay out of my drawers.

 

Hillary Richard is a former lawyer and now helps run a social media platform for women over 40 called The Woolfer. She is editor of the weekly newsletter and occasionally writes short pieces for the site. Hillary also writes, is the executive producer, and co-host of a podcast called Raging Gracefully

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts, pandemic, parenting

Tough As A Mother

October 4, 2020
tough

By Talya Jankovits

Four months ago, my children came home from school, and they never went back. Backpacks hung hopeful on hooks, until weeks passed, and it was clear that it was time to reach deep into the crevices of a dozen purposeless pockets and empty them of little bits of folded pieces of paper, a solitary cookie, a dried-out stick of gum. Even further still to the tiny colorful erasers hidden in the folds of the lining, these small prizes hoarded from teachers. Treasures of days traveling to and from school, all splayed out on the kitchen counter as I sorted through them like an excavator. What I could sneak into the trash before they catch me, what must get stored for next year. The backpacks went into the wash, then hung up to try before being put in the basement storage with no clear idea of when they might get pulled out next.

When I first faced the realization that we would be bunkered down, myself and my four daughters together as my husband, an essential worker,  continued to work outside of the home, anxiety filled my mornings, my nights and every hour sandwiched in between. I lost myself in the heaps of laundry, the ever-growing pile of dirty dishes in the sink. I sank heavy under the demands of varying ages of children from a baby up to a fourth grader who needed to learn how to write a state paper and all the tiresome math problems in between. Winter was still hovering in the slow birth of spring, and we watched the seasons change as the weight of our outerwear hanging on the coatrack thinned ever slowly into straw hats and baseball caps. Finally, summer had arrived and with that a redemption from remote learning and a rebirth that I had not anticipated.

As a mother, I now have never felt stronger as a result from having never felt weaker. I hadn’t understood the immense value in self forgiveness until I was one of the very few people in my new reality who could offer it. I had never embraced my flaws as a parent until I was face to face daily with the reflection of myself in the eyes of my daughters – all of whom needed me more than ever.  By the time the first tulips poked their heads out of the thawing ground I was slowly gaining awareness of my own metamorphosis. My body was softer than it ever was, fuller than its ever been. But I found that so was my heart. Parenting during a pandemic was, is, the fiercest thing I have ever done in my entire adult life.

Raising small humans was never a small task, but with the onset of a worldwide pandemic which held inside of itself historic happenings towards social justice, there was a surge in my responsibility towards fostering children that are human conscientious, anti-hate and anti-self-serving. I was terrified at all that was being hurled at us as human beings. All my obligations to absorb happenings and seize the opportunity to step up my parenting instead of retreating inside. And something remarkable happened, after months of all of us struggling with the changes, the challenges, the isolation, and the uncertainty, I noticed personal growth inside of our home.

Summer brought heat, sprinklers, frozen treats, and endless hours together to fill in any way we could think up. It also brought dialogue about why we wear masks and who we are protecting. Why we have given up certain opportunities to practice human awareness – the concept of tikkun olam, our part in caring and protecting the world. It brought on conversation about skin color, about systemic hate, about privilege, about standing up, about accountability and kindness and goodness in both large and small scales.

Summer days are hot and our heads hurt with weary happy heat by the time the sky glows pink. The kids fall asleep happy. They thank me. They tell me today was such a great day. And yet there are still times I am feeling totally gutted. As if I have hollowed all of myself out for them to grab and take with greedy fingers. I think of how far we likely are from our old normal. How long it may be until I can see my parents in California. How school may not arrive in the fall the way we want it to. How masked faces are the new face of human interaction. I think these things and I want to crawl into my bed, lay my head down and hibernate until a miracle solution is found.  But then I put on my T-shirt.

The words printed on the tshirt: Tough as a mother. My grey t-shirt, unassuming, unremarkable – feels like a superhero’s cape. I pull it over my head, slip my arms through the holes, and holler for my girls: I am ready to start our day. I feel invincible. It seems inconsequential, almost absurd, that this shirt would have any influence over me. In no time it will be sweat stained, snot marked, sticky from melted popsicles. It will get thrown into a laundry shoot with little consideration after late summer dark finally blankets the sky and the last daughter has crawled into bed. Yet, it validates me. This shirt from the internet, it fuels me.

I am one tough mother. I did it. I am still doing it. Did I get through every day with grace and dignity? At first, no, definitely no. There was yelling. There was crying on cold kitchen floors as a baby gently poked me. There was hiding in bathrooms and there was anxiety ridden nights where I never fell asleep because the dread of the mundanity that morning would bring kept me awake until the first mommy! of the day clawed open my heavy eyelids. But four months have passed and I’m not rough around the edges anymore. I’m undoubtedly tougher. There is still so much summer ahead without any of our usual summer luxuries and indulgences. There is still a fast-approaching school year with so many unknowns. I have given up so much of myself for these four girls, and I likely will be giving up so much more. But I am at peace with that. I am braver and stronger than I’ve ever been and as this virus continues to rage on, as our country sets out to do so much work that needs to be done, I want my kids to reflect back one day on this time of their lives and think, we made it through ok, because we had one tough mother

Talya Jankovits’s work has appeared in Tablet, Kveller, Bartleby Snopes, Hevria, Lilith, Literary Mama, The Jewish Literary Journal, and The Citron Review among others. Her short story “Undone” in Lunch Ticket was nominated for the 2013 Pushcart prize. Her poem, A Woman of Valor, is featured in the 2019/2020 Eshet Hayil exhibit at Hebrew Union College Los Angeles. She holds her MFA in Creative Writing from Antioch University and resides in Chicago with her husband and four daughters..

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Family, Guest Posts

Unstuck

September 24, 2020
tub

By Sherry Shahan

I am ten. Sitting on the edge of the porcelain tub while my mother paints on cat-eyes.

It is not enough to watch her in the refection of the tri-fold mirror. I want her to turn around.

Sherry Shahan is known for her adventure-based novels for teen girls. Her work has also appeared in the Los Angeles Times, Oxford University Press, Exposition Review, Backpacker and others. She holds an MFA from Vermont College of Fine Arts and taught a creative writing course for UCLA Extension for 10 years.

 

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Divorce, Guest Posts

She Cannot Make It Out

September 22, 2020
water

By Stina French

He isn’t grieving but she imagines him grieving. Maybe he’s grieving. She dreams he is talking to others about her as if she is dead, though they are only divorcing. He says she loved the moon. She loved the moon so much she told our daughter her first word was moon. Though it maybe wasn’t. It made for a good story, and she loved a good story. A lot could be spared with one good story. He says she loved to swim. She loved to swim so much everyone said she was a mermaid. She loved the moon and she loved to swim so much that sometimes she would swim in the ocean at night. He says I was never so brave. He says she cried and cried. Sometimes she cried so much I thought the water she swam in was her tears. She knows he is no poet and would not speak this way.  But maybe in her dreams he is a poet. Maybe he would speak this way if she were dead.

In the dream, she is swimming in a vast sea cave. Other women swim with her. Some girls, some grown.  One watches her jealously or with desire. One doesn’t watch her at all, a small girl. Not her daughter but someone else’s daughter. Someone else’s mother, maybe one day. Surely, she will cry waters of her own making. Some breaststroke in straight lines, some backstroke in circles. This is what they know to do–to cut the water with their bodies. To make the water with their bodies.

She cuts the water with her body as if she could swim a story across and wide.  A story she could live inside. He is on the shore saying I wish I knew what to do. I wish I knew how to help her stop crying. And she is shrinking now hearing these things. She would rather hear him talk about her love for the moon again. The way she is cutting the water with her body. He is holding their daughter. Their daughter she made herself with her body.

The daughter is laughing. He has given the daughter this, and she has given the daughter story. Story does not come without cost. Laughter is free and easy, as he is free and easy. She wonders why she wants him so badly to sink. And though he could not keep her afloat, he wants her there on the surface. He would not begrudge her a view of the moon, from any angle. He wants her alive and happy even if it means swimming alone without him under the moon at night. He does not understand the ocean under the moon at night because the things in the water at a certain depth scare him. He is on the shore saying more things about her as if she is dead, but it is so far now and she cannot make it out.

Now, there is only the story of water. It sloshes, dividing and rejoining. When she left him, maybe she was just parting the water. Maybe all these bodies in the water are parts of herself dividing and rejoining. Water fingers her hair, tugging tendrils into rays, a corona wet and waving. A crown for the Queen of the Unconstituted, Beloved Dissolved. Fluid surrender, shapes spells the moon could cipher if it were watching. Her pulse beats blood in ear canals, her red tide internal. She dreams she is not dead, only swimming. Only swimming beyond bereft, beyond the leaving of a life.

Stina French writes mystery, magic-realist memoir, flash fiction, and poetry. She has featured in many venues in Denver and Boulder, Co., and her work has appeared in Heavy Feather Review, Punch Drunk Press, and on the podcast Witchcraftsy. She is scratching at the window of her body, writing poems like passwords to get back in. To get forgived. To get at something like the truth. To get it to go down easy, or at all. She wears welts from the Bible Belt, her mother’s eyes in the red fall. She’s gone, hypergraphic. Writes on mirrors, car windows, shower walls. Buy her a drink or an expo marker. She’s shopping her manuscript, Also Arc, Also Offering, a Southern-queerdo memoir in flash non-fiction and verse.

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Family, Guest Posts

My Disapproving Mother Unwittingly Fuels My Creative Expression

September 8, 2020
expression

 By Lisa Mae DeMasi

The room began to close in. The air got thick…dense. Tension seeped into my pores. I grew smaller in stature—shrunk right there in my chair before her, as if I was Alice and had just choked down a little red pill.

The topic is forthcoming, typical of family gatherings, a line of discussion of an inquisitive nature. It is terribly humiliating this line, disintegrating the little validation I feel about myself, and certainly paving the way to pulverizing any validation I someday hope to feel.

She is triumphantly sitting across from me in my brother’s parlor, her hands folded over her swollen belly on this Christmas Day.

My hands are not folded over my own swollen belly, but my ever-shrinking Alice fingers are fumbling about, trying to maintain a grip on my ever-growing glass of sherry. I wallow in thought.

It’s a terrible thing to be shrinking, I muse.

I try to convey to her, with an expression of pity, that I’d like her to cut this sort of thing out: Hand me the blue pill! Return my body back to its normal inadequacy!

She picks up on my expression, but it doesn’t stop her. Her eyes, piercingly blue, bore into my forehead, mining my mind for the reasoning that prolongs the ongoing predicament. It is the matter that seemingly sears her brain daily, upon waking.

Words penetrate the thickness.

They loom before me, big and fat and dripping with turkey gravy. She says, “Are you ready to get back into the circle of life yet?”

Here we go.

I resist rolling my eyes, suck in my breath, and feel the pressure against my insides. Time slows to a crawl.

My lungs deflate, a slow leak like a bum tire. I maintain my front, an uneasy smile, thinking I have never departed from the circle of life!

I am here, albeit dwindling to mere molecules in my chair—she, mother; me, daughter—amid a festive family holiday. In my book, that constitutes part of the arc in said circle.

A voice in my mind, sounding as if it’s just taken a hit from a helium-filled balloon, squeals at me: That’s not what she means.

I laugh to myself, entertained: “Girl interrupted.” Say something else…

She’s not referring to procreating or dying or even “eat or be eaten.” She means circulation as in, “Are you ready to get back into circulation yet?”

Oh yeah. “Girl reactivated.”

The topic is the one that translates to me getting a paying job, rather than continuing to “run away from reality,” with my so-called “writing interests.”

I suppose, from her perspective, four years is a long time for her daughter “to run away from reality.” It is a novel pursuit, which thus far has yielded fruit the size of a water meal. However, in these four years she has failed to realize that I’ve poured my heart, soul and angst into this self-proposed commitment. Accordingly, I’ve also sought out Reiki to induce some self-love, since I am—especially when engaged in writing—constantly and colorfully harassed and torn to shreds by my inner critic.

Needless to say, my mother is my outer critic.

In the peace of the lovely colonial room, Dennis sits in a chair to my left, and my father sits beside my mother. My brother is off in the kitchen, cutting cheese.

The question, relating to the humiliating, fruitless topic that my mother could not resist in asking one moment longer, (particularly in light of the New Year—making resolutions, picking up the pieces and starting anew, and so forth) remains there, unaddressed. It lingers, splattering the coffee table with fowl juice, tainting the sherry and the nibbles, while extinguishing the flickering light of the assorted votive candles. This “circle of life” subject deflates the holiday mood; all falls flat.

I gaze back at her, with a hint of incredulousness in my expression saying: Why can’t you support my endeavor? Why can’t you just be a nice mother?

She, of course, does not pick up on this. She has never picked up on it, despite the countless amounts of times I’ve attempted to impress my feelings upon her.

Why should I expect anything different this Christmas Day?

Although he’s sitting beside me, I don’t defer to Dennis for his unwavering sympathy, support or opinion. I keep this subject between my mother and I, leaving open the possibility and space for us to “hash it out,” so-to-speak.

The “hashing it out” (a confrontation of sorts) does not happen. As usual, any real invitation to speak candidly, openly… ends up shunned upon.

There’s no avoiding her intention. She moves the subject right along and puts the question in a more specific form, saying: “What kind of job will you look for?”

My expression sours.

The refrain in which Elton John sings “in the cir-cle, the cir-cle of life” begins to repeat in my head.

The core of me within begs to rise up and show itself—my insides, out. The scorched and glistening spongy tissue springs from my throat and slops to the floor next to the coffee table. I stare at the battered evidence, my guts, and choose to defend myself (something I haven’t dared to do since I was a teenager).

My face is deadpan, void of the four-year compounded emotion relating to my writing efforts (best described as trying to squeeze blood from a stone intermittently). I assert into the space, some distance over my scorched and glistening core—my guts—and say, “I’d like to become a successful writer.”

My mother’s expression remains unmoved, quite serious and probing.

I refrain from glancing at Dennis and keep the perimeter open and clear for fire. I hope for confrontation—for a once-in-a-lifetime candid discussion.

Dad shakes himself out of dozing at the subject matter and pushes his glasses further up on his nose. He interjects, “There are lots of teaching jobs out there. You could be a teacher. All my retired engineer friends teach—you could teach middle school or high school.”

But Dad, I don’t want to be a teacher.

Not quite to my advantage, my mother’s ears fall deaf on the suggestion, and the conversation flatlines.

I focus on the flame of a burning candle, situated in the middle of a marble-topped mahogany end table, between my father and mother. I cross my eyes silly—my forehead cramps. The funky play of light brings me into a world of my own, prompting ironic clarity.

The helium inner voice comes on the wind again—she is from a different time and a different playing field. She knows not what it means, what drives and feeds one’s magnetism for risk, leaving the known for the unknown…

The voice becomes stronger and sloughs off the high pitch. She is the catalyst to our creative expression, you see, the thing that sates us—our subversive writing.

Anew: I am rebel with a cause, confident, triumphant even, in my own right.

My scorched and glistening guts slither up the couch and climb back down my throat to their rightful place. In a trance-like state I say, “Wait till my manuscript hits the big screen.”

My parents are stunned and wide-eyed. I can just make out their expressions in my periphery.

Nothing more is said on the matter.

*This essay was published in Elephant Journal with the title She, Mother. Me, Daughter.

Lisa has been publishing essays for five years on the writing life, sex and relationships, and her love for horses, dogs and cowboy country. She lives near Boston, where she rides horses and commutes by bike to her job writing and editing technology blogs for Dell Technologies. She is currently pitching her memoir Calamity Becomes Her to literary agents, a story about proving herself capable of taking care of horses on a Wyoming dude ranch, and is at work on two sequels. You can contact her at lisa.demasi@gmail.com and follow her @lisamaedemasiLinkedIn or via her website nurtureismynature.com.

Anti-racist resources, because silence is not an option.

~~~~~~~~~~~~~~~~~~~~

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

 

Guest Posts, motherhood

Treasure

May 28, 2020
breathe

By Shannon Lange

He arrived in December of 1987, 4 days before my 23rd birthday.

Tufts of downy black hair sticking up all over his perfect-shaped head, arms pin-wheeling, and fists tightly curled; prepared to fight right from the moment of his birth.

Those early moments and hours of watching his every movement and mood in wonder and fear-emotions in tandem. Flowing from one to the other with every breath we both took and knowing deep inside myself that nothing this beautiful and perfect can last forever. Keeping my face close to his, imbibing in the sweet scent of his neck and feeling tears run down my face as I whispered sweet nothings and loving promises into his tiny seashell ears, with the baby fuzz still intact on the tops of them.

🙢

He calls me one morning a few months back, on a work day. That in and of itself, startles me and immediately causes my stomach to clench and my hands to shake a bit as I grab my phone. My sons are of the generation that text primarily. They send funny memes to me as a means of checking in every few days, but often send them with no personal messages at all- the millennial version of Sunday dinner, I guess.

“Mom- I can’t breathe- something is wrong with me and I’m really fucking scared.”

“What do you mean you can’t breathe? What is going on, where are you, are you ok?”

“Mom, my chest feels tight and hurts and my fingers feel numb and tingly and I feel like I’m going crazy. I am sitting in the parking lot of a strip mall by work and I can’t work today. I can’t be alone and I have my girlfriend’s car and I need to pick her up at the airport in a few hours and I don’t know what to do!”

I tell him that I don’t have my own car on this particular day, as I have given it his younger brother to use. I ask if he wants me to call an ambulance, and I listen to his shaky uneven breathing as he tries to decision-make in the thick of whatever is occurring inside of his body and his brain.

“ I will drive to your place- I’ll be there in 20 minutes, Mom- I can’t be alone. I need you.”

I tell him that he can’t possibly drive in the state he is in, that I want him to stay on the phone with me and breathe, while I use my mother-voice to hopefully calm him down.

He hangs up on me halfway through, telling me he is on his way.

I promise myself that I will not call him back within the next 20 minutes, as I know he will be on at least 2 freeways driving towards my home in the burbs, and that if I call him, he WILL answer the call.

🙢

We are off to the Pediatrician’s office for the 4th time within a 2 month period between his 2nd and 3rd birthdays. He has turned into a daredevil and a constant whirling dervish of energy and impulsivity. He is prone to wildly jumping off furniture and picnic tables and the trunks of people’s cars and from branches of trees that should be light years away from his reach or climbing skills.

His first concussion is still 3 years in his future; his second 4 years ahead.

The pediatrician assesses him for lumps and bumps, bruises and contusions, and then suggests I keep a better eye on him and to hide anything cape-like in appearance, as these mishaps have a common denominator- the capes he ties around his neck. Capes made of tea towels primarily, which I tie or pin on autopilot for him when he brings them to me. I am distracted by his younger brother’s colicky wails during these months, and feel gratitude that he can amuse himself so well in his imaginary pleasures of being a superhero.

I cry tears of relief and shame all the way home from those visits to the pediatrician’s office with my son safely strapped into his car seat in the back of the car. He babbles non-stop in the car with me, telling me about Aladdin and Jafar, Littlefoot and Sara, Falkor and Bastion; also the old man next door that he talks to through the fence in the backyard.

🙢

The year he is 13, the car I am driving is hit by a train and the memory of the scent of him as an infant swirls around me in the wreckage. I am transported back to the promises I made him, and the whispering of sweet nothings into his perfect seashell ears. I babble to myself incoherently and remind myself to breathe as I slither my broken body out the shattered window.

The memory of his scent and the promises made spur me toward survival.

🙢

Three Christmases ago, he is with me in my home. He works with children and youth who are taken into care due to neglect or abuses too horrific to share. He tells me he is on call and will need to step out of the room to privacy if the cell phone he’s holding rings. It rings over and over that day, a constant background sound to the day’s festivities. He is absent more than he is present that day. Even when he is in the rooms with us all, he is not there. His brow is furrowed and he is deep within himself.

He leaves his plate of food mostly untouched and I watch the gravy on the plate in front of his empty chair turn to a gelatinous sludge, while sipping wine.

I make the mistake of commenting that he maybe should have skipped coming, as he has been so preoccupied and absent most of the day- that he couldn’t have possibly enjoyed the gathering.

“Mom, there is an infant that is one day old that is going to be taken away from its mother this evening. I have been on the phone with police and child services and coworkers and hospital social workers, coordinating the details and logistics. I am sorry I ruined your holiday.”

I sit in the chair after he leaves, and feel tears of shame and regret snake their way down my face in the dark like they did all those years ago.

🙢

The year he is 7, he ends up with strep infection and goes into a delirium state. I pull him into the bed beside me, and feel the burning heat coming from within his thin body. I rock him a bit, feeling his rigid limbs slowly relax against the softness of my stomach.  He eventually drifts off into fever dreams and upon awakening, tells me stories of pirate ships and buried treasures and makes me pinky swear I will always remember the location of the buried treasures. He says he will not remember it when we really need it when the bad times come.

He tells me he can save me with the treasures he will bring me.

🙢

The summer of his 13th year, while I recuperate from the accident, he works full time landscaping. We are living in an apartment, with no air conditioning, in the midst of a heat wave. My mother far away has taken my younger son for the summer; I am unable to care for him properly in my broken state.

He goes to work at 6 in the morning and doesn’t come home until the evening, working long hours in the heat like a man, coming home with brown skin and hair bleached by the hot sun.

He asks for my bank card and runs across the street to buy hot dogs or pizza pops or bacon- anything he can find at the convenience store that will feed us both for dinner.

He never complains, cooks for us both and then falls into his bed to rest for the next day.

He tells me that we need to talk about how often I am taking the pain pills and we make a plan together for me to wean myself off of them safely.

I begin to heal.

🙢

He arrives at my home the day of his breakdown and I sit with him.

I bring him cool water and stroke his hair and encourage him to breathe, while I strap my blood pressure cuff to his arm. I watch the numbers on the machine go higher and higher and higher, but tell him in a calm voice that everything will be ok, and just breathe.

My eyes fill with tears he cannot see as the numbers on the machine blur into the ages that my father and my brother died from heart attacks.

He worries about letting the children and his coworkers down and I remind him to breathe.

He worries about picking his girlfriend up at the airport in 3 more hours and I remind him to breathe.

He apologizes for scaring me and bringing his troubles my way and I notice that we are breathing together in perfect sync – slow life-sustaining breaths together.

I take him to my doctor across the street from my home and he tells him it is anxiety and lack of sleep and that he will be ok.

He sits with us both and reassures us that this too shall pass.

🙢

The year he is 15, we have a stupid argument over him not cleaning up after himself.

He is a man now physically and feeling ten feet tall and bulletproof as only teenaged boys can.

He has started to lip me back when I scold him about things and I sometimes search desperately to see even a trace of my baby in his angular features. I need it to remind myself that this isn’t some random male yelling in my house. I am mostly angry that year, for a variety of reasons, most of them having nothing to do with him or his brother. I am in school trying to better myself and my earning potential for all of us, and worrying constantly about keeping food in the house for my sons.

I decide to employ the silent treatment on him, and I go 24 hours or more without speaking to him.

I walk past him in the hall and the kitchen and do not respond to him when he speaks to me.

I am on the computer in the spare room when he walks in and approaches me.

It feels like a Mexican stand-off- him looking tearfully into my eyes and me looking back at him coldly.

“Mom, I can’t take you not speaking to me- it reminds me of when you had your accident and everyone said you were going to die. This is what it would have felt like living without you.”

I took him in my arms on that day and held on for dear life, thinking about the treasures he told me about all those years ago, how he knew he would save me someday, how it all came to pass.

Shannon Lange is an emerging writer and who has worked in healthcare for the last 25 years. She is also the mother of two adult sons, one a film maker, and the other a musician. Shannon and her family value creativity in its many forms, and her dream is to be able to write full time. 

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

 

Guest Posts, Self Image

Don’t be a Baby – Lessons in a Roy DeCarava Photo

April 8, 2020
decarva

By Trish Cantillon

Labor Day Weekend 1979 before we started ninth grade, my best friend Mery and I went to my family’s vacation home in Newport Beach. Since my parents’ separation it was where my dad spent most of his time, and by extension, my time with him. I assumed that since I was fourteen, I would be afforded some independence. I believed I’d outgrown the obligation to keep him company while he sunbathed on the front patio glistening with cocoa butter, a vodka cocktail always at arm’s reach. My plan was to spend those days laying out at lifeguard station fifteen, with afternoon bike rides down the boardwalk to the Fun Zone for Balboa Bars. We’d endure dinner with my dad, and whatever drunk personality he embodied, because his barbecued chicken was delicious. After dinner, we’d disappear upstairs to talk about boys and how great high school was going to be. This was my expectation.

Late Saturday morning, as we finished up bowls of cereal, Mery and I made our plans. My dad sat on a barstool at the counter: newspaper, coffee and vodka screwdriver in front of him. “I’m out of vodka. I’m going to need to go to the store before you head out,” he said, without looking up. His arm was in a sling from a shoulder injury and he wasn’t supposed to drive, though he seemed to pick and choose when he followed that rule. I was unsure what this had to do with us until he stood up, slipped his wallet into the pocket of his trunks and plucked the car keys from the dish next to the phone. “Come on, you’re going to drive me to Balboa Market,” he said.

“What? I can’t drive! I don’t even have my permit,” I replied, certain that once he realized that he’d back off.

“Oh, it’s fine. It’s just a few blocks. Come on,” he insisted. His tone got sharper. I was not in the habit of talking back, especially when he had been drinking, but this felt like a legitimate place to speak up.

“I’m not driving you to the store,” my voice quaked.

“Don’t be a baby,” he said. Me being a ‘baby” was an idea often directed at me, either in a lighthearted way, like when he’d sing, Yes, sir, that’s my baby on our bike rides, or, in this case, with anger and disappointment. It always made me feel small.

“No. Please don’t make me. I don’t want to.” He was silent, then looked at Mery.

“You wanna drive?” he asked. Mery looked at me and shrugged, as if to say, if you’re not going to, I will.

“Sure,” she answered.

“Atta girl,” my dad replied. I was dumbfounded. My grand gesture undermined in an instant. Mery didn’t see him as a bully trying to get his way. She hadn’t lived with that behavior her whole life. For her it was something cool; an opportunity to break the rules and have fun. I felt the heat rise inside me with nowhere to go but smiled as he handed her the keys. I followed them out the open front door.

Mery looked confident as she climbed into my dad’s loaner, a red Ford Granada. The jealous part of me was glad she wasn’t getting to drive his Mercedes 450SL. In abbreviated stops and starts, she backed the car out and pointed it in the direction of Balboa Market. From the sidewalk, I watched the surreal sight unfold slowly, like the final scene in a movie. Everything about it unrecognizable. My best friend behind the wheel of a strange car with my dad riding shotgun on an errand to buy vodka. I felt empty and deserted. I wandered into the house, unsure of what to do with myself. As the minutes ticked by, I began to question why I was so worked up about this in the first place. What’s your problem? It’s no big deal! You’re being a baby! I grabbed my beach bag, tossed in the Bain de Soleil, two cans of Tab, Seventeen Magazine and waited for them to return. Eager to pretend the whole thing never happened.

***

The tears came suddenly and completely. Before I was even aware, they were running down the sides of my cheeks. My husband Quinton and I drifted through the Museum of Modern Art that spring afternoon in the mid-nineties and happened upon the Roy DeCarava exhibit. I shuffled, along with the other patrons from one image to the next and came upon Graduation 1949. When I saw it, I was overcome with a sadness that’s hard to articulate. In Hyperallergic, Colony Little describes DeCarava’s work this way, “He transforms otherwise mundane moments into intriguing narratives with beguiling characters, extracting drama like no other.” The sadness I felt was familiar; an echo and I could instantly envision the life of this girl at this moment.

On a day she thought would be free from disappointment, she put on a happy face when things didn’t turn out as she hoped. She walked alone to her own graduation, through a decaying Harlem neighborhood and an empty lot strewn with trash. She gathered the sides of her beautiful white dress into her hands and lifted the hem so it wouldn’t drag. Everything she reasonably expected for the day had disappeared; except her fancy clothes and accoutrements. She would look the part, even if she didn’t feel it.

Graduation, 1949 exposed an interior life I had long kept at bay with a smiling face and cheerful demeanor. The physical representation of the young girl alone spoke to a deep abiding loneliness. I grew up in a large family and found myself most comfortable amidst the attendant noise and chaos that accompanied that life. I loved falling asleep listening to my brother’s music down the hall and my sister’s hairdryer in the bathroom. However, because I am the youngest by seven years, I often found myself alone. In those moments when life was quiet, I was consumed with a melancholy I could not name and didn’t understand. Distracting myself with elaborate imaginative play, TV and food, I felt a little less blue.

When I was ten new neighbors moved in next door. It was a Friday afternoon and a last-minute change in plans meant I would not have the standard-issue divorced kid weekend with my dad. My mom had a date so I would stay home with the housekeeper who spoke little English. I had the house, and, most importantly, the kitchen to myself. A few days earlier I had talked my mom into letting me buy a fancy Bundt cake mix I’d seen advertised on TV. Because we weren’t the type of family that baked cakes and had them around our own house, I had to have a reason to bake it and a somewhere for it to go. I told her I thought it would be nice to take to the new family next door.

With the family room TV on in the background, I put all my baking supplies on the counter: cake mix, egg, oil and water. I put an apron on over my t-shirt and shorts and when I was ready to begin preparing the cake, I silently called “action” on the imaginary TV show I was starring in. I carefully walked through each step of the recipe explaining the process and offering my valuable tips for the make-believe audience at home. When the cake was finished, I drizzled the packaged icing over the top (the whole reason to buy this cake mix), saved some for myself for later, and proudly displayed the finished product, with great personality and flair, to an invisible camera. I then walked it to the neighbor’s house and rang the bell. A petite brunette woman opened the door looking surprised to see a chubby blonde ten-year-old stranger holding a cake.

“I wanted to give you this to welcome you to the neighborhood,” I offered the plate to her.

“Oh, well, that’s very nice,” she replied, taking it from my hands, ‘Thank you.”

“You’re welcome. It’s kind of a neighborhood tradition,” I said, puzzled by how quickly the lie flew out of my mouth.

“Hope you like it. Bye.” I turned and stepped off her porch.

Back at home, I polished off the leftover batter that clung to the sides of the bowl and the beaters. I fixed myself a boiled hot dog and large bowl of buttered popcorn for dinner, then settled in for a night of television, interrupted only by a move from the den to my room upstairs. Tucked in bed with the portable black and white TV perched on the end of my desk so I could still see it while lying down, I watched The Rockford Files and waited for sleep to take over. Sometime in the middle of the night the white noise, or the National Anthem that preceded it, woke me up. The TV station’s final sign off for their broadcast day brought with it a profound sense of dread and flickers of panic. I was all alone. No one or no thing left to keep me company.

***

Aside from what was obvious in the light, the darkness and shadows in Graduation, 1949 said plenty to me about a literal childhood fear of the dark and an adult fear of the unknown. In Reading the Shadows-The Photography of Roy DeCarava, Ruth Wallen maintains, “The shadows house the riches as well as the dangers. DeCarava’s persistent focus on life in the shadows demands that they be read in a new way, as fertile ground full of possibilities.”

My mom was thirty-nine when I was born in 1965, which, then, was considered late. I was the fifth child who came seven years after the fourth. Growing up I was conscious of the fact that she was older and quickly attached myself to a fear of her death. In its early state, it was born from panic that if something happened to her, I’d have to live with my dad. After he died when I was fifteen it was simply the prospect of losing her that was devastating. Then, as I got older, it became more acute. I’d fret if she didn’t answer the phone or if I got a busy signal for more than an hour. I monitored every sniffle or cough that lingered. I read obituaries to check the average age of the old people that were dying. I didn’t want to think about life without her, or what it would feel like, so I tried to manage what I could not control.

She was a life-long smoker of unfiltered Pall Mall reds. She had a glass of wine and a cocktail every night and considered her vanilla ice cream a good source of calcium. She did not look after her health but managed to appear healthy. From 1978 to 2003 her only visits to a doctor were via the emergency room for a twisted ankle, a broken wrist and finally a broken pelvis. The extended gap in her health care was precipitated in 1978 by an irregular brain scan that doctors incorrectly presumed was a tumor. From that point she adopted the philosophy that doctors make you sick. By 2003 and the fractured pelvis, some legitimate, long-ignored, health issues were unmasked. She spent eight weeks in the hospital and rehab with a few touch and go all-nighters in the emergency room. In the darkest moments, I tried to talk myself into being okay with the fact it might be her time, but quietly sobbed at the thought. On top of knowing I would grieve losing her, I wasn’t sure how I would get through it.

Mother-daughter relationships are complicated by nature and ours was no different. Its complexities, however, were not typical. I never sassed her, talked back, or crossed her. Her emotional support was the only thing I felt I could trust and rely on as a young overweight girl with an alcoholic dad, who just wanted to feel good about herself and fit in. And she relied on me as a companion and ally, her number one booster and cheerleader. For her, my being “the baby” made her believe she appeared young to her peers, even after she had a handful of grandchildren. When she lied about my age to an old friend we ran into, she told me “They don’t want to know how old you are, it will make them feel old.” But an identity of “the baby” made me believe, by its definition, that I was not capable as an adult. This idea seeped into my fear of her death. Could I handle it? Or would I be an inconsolable mess?

In 2012, after several years of declining health, and several remarkable rebounds, my mom let us know that she was ready to not be here anymore.

“I want to be knocked out,” she said. Sitting up in her bed at the assisted living home she’d been in for a couple years, sipping the Bloody Mary my sister had fixed for her.

“You mean, like go to sleep and not wake up?” I asked.

“Yes,” she answered. Her mind was sharp, but her body was frail and, quite literally, shutting down. Less than twenty-four hours later, after the first dose of morphine had calmed her breathing and her nerves, my brothers and sisters and I gathered in her room. We’d been told she’d get a dose of morphine every four hours. The hospice nurse would be back in a day to check on her. I stood near the doorway and observed the scene for a moment and then felt compelled to go sit on the bed next to her. I rubbed her hand, remembering how much I loved the liver spots I thought were freckles as a kid. I could see and feel that she was slipping away, life draining from her body. It was not terrifying. It was not beautiful. It was a somber experience punctuated with inexplicable odd, humorous moments and a peacefulness that’s hard to describe. I felt no fear.

I realized, not long after, I had been present with her when she found out my dad died, when she broke her pelvis in 2003, when she fractured her back in 2010 and finally on the day she died. I had been moving from light to shadow and back to light endlessly but needed to fully experience the thing I feared most to appreciate what was possible in those shadows.

It’s been over twenty years since I first experienced Graduation 1949, it still evokes the same deep melancholy from the first time, when I may have believed I conjured an imaginary life for this young girl on her graduation day, but I what I really did was ascribe my own to her.

Los Angeles based writer and native Angeleno, Trish Cantillon has published personal essays on The Fix, Refinery 29’s “Take Back the Beach,” The Refresh, Storgy, Brain Child Magazine Blog and Ravishly. Her fiction has appeared in Gold Man Review and Berkeley Fiction Review.   She works for Dream Foundation, the first and only national organization providing end-of-life dreams to terminally ill adults. 

 

Upcoming events with Jen

~~~~~~~~~~~~~~~~~~~~

THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts, parenting

THE FIELD

December 24, 2019
bat

By Maureen Mancini Amaturo

Just ahead is the familiar field, a triangle with rounded corners. I walk up with head down, anticipating that time will drag its feet while I sit and wish I could be attending to other things. But I sit on the aluminum bleachers, surrounded by mosquitoes, gymnastic squirrels, trees full of bugs, and everyone’s dogs. I’m here for my son. My son, who is at his designated spot on the field, crouching behind home plate, wiggling fingers, giving signs to the pitcher, his very handsome face protected by a caged mask. My son, the only baby boy ever born. He is why s-u-n and s-o-n are homonyms.

On arrival, I greet other parents, other fans, address the social niceties, then I dissolve into the book I’ve brought. Some comment that they don’t usually see someone bring a book to a game. But I always do, so the regulars are not surprised. I remember bringing a copy of WIDOW FOR A YEAR by John Irving to Madison Square Garden. The Rangers were playing. While hockey fans bounced in their seats and waved team towels, I focused on my pages until my husband tapped me on the shoulder to stand for the national anthem.

I arrive at the field after the national anthem this evening. I sit between the third corner and home, turning pages, moving through chapters, absorbed in Dan Brown’s words at this game. Being honest here, I’m not interested in the sport, not interested in the team. Don’t even care who is playing. Cannot pretend to root for someone else’s son. I’ll look up when my son is at bat, and I might glance a time or two to see him walk to his position when the innings change. I have no idea what the score is. I don’t know what team my son’s team is playing. I don’t know the inning is over until my husband says, “Michael is up.”

I hold my page with my finger and look at my son, his familiar batting stance. The intensity on his face. I say the “Our Father.” I imagine that Jesus Christ Himself is standing beside my son, and I say, “Jesus, please swing the bat with him.” The image of Jesus in flowing robes and billowing sleeves standing beside the batter’s box at Disbrow Park at dinnertime does not seem at all strange to me. I imagine that every time my son is up. I have complete faith that Jesus’ robes won’t get in the way of his swing. I say again, “Jesus, please swing the bat with him.” I know there are cancers to cure, crime and carnage to correct, and at this moment, I don’t care. I don’t care that people in countries with names I can’t spell don’t have clean drinking water. My son is up. This moment is important to my son, so it is important to me. My heart pounds. My teeth clench. I grip my book more tightly.  I am praying in a loop. Jesus is used to hearing from me. I’ve asked Him for many things, big things. I assume many people have. A hit is such a small request. I imagine Jesus shrugs and is amused. I’m still asking, “Jesus, please swing the bat with him.” As a mother, I can’t bear to see either of my children have anything less than a perfect experience. “Jesus, please swing the bat with him.”

I pray. I pray. I pray.

I hear the ching of the aluminum bat. It’s a double. I watch my son leave home and round the corners, stopping at second. I wish it were a triple, so he’d be standing on the third corner, closer to where I’m sitting, where I could see him better. I tell Jesus, “Thank you.” And I can breathe again. I go back to my book.

And in each inning my son is at bat, my interest will go from flatline to spike. I’ll close my book and focus on my son, praying, use meditation tactics to manifest an outcome, envision him surrounded in white light, picture Jesus with arms outstretched toward my son as if He is sending divine power straight to him like a laser. I conjure images of my son’s bat connecting with the ball. In my mind’s eye, I see my son getting a hit. The emotional effort is almost painful. The intense concentration gives me a headache, even my sinuses hurt. I feel his hits and misses to my very core; my soul vibrates with worry. No, unmeasurable love.

After the game, my son asks, “Did you see how hard I hit that? It was a bomb, right in the gap.”

I say, “No, I was watching you, not the ball.”

“Why would you watch me run? You’re supposed to watch the ball.” He tries to explain why I was watching the wrong thing, but I know I saw exactly what I wanted to see.

Maureen Mancini Amaturo is a New York based fashion and beauty writer and a contributing columnist for The Rye Record. She teaches Creative Writing, produces literary events for Manhattanville College, and leads the Sound Shore Writers Group, which she founded in 2007. Her publications include: two beauty how-to guides for Avon Products, personal essays, creative non-fiction, short stories, and humor pieces published by Ovunque Siamo, Boned, Bordighera Press, Months To Years, Bluntly Magazine, Mothers Always Write, Baseballbard.com, Flash Non-Fiction Food Anthology published by Woodhall Press, a poetic tribute to John Lennon published by Beatlefest, articles and celebrity interviews published in local newspapers and on line. She was diagnosed with an overdeveloped imagination by a handwriting analyst, and has been doing her best to live up to that diagnosis ever since.

Upcoming events with Jen

****

THE ALEKSANDER SCHOLARSHIP FUND

Guest Posts

Woman Reading Newspapear

December 22, 2019
gallery

By Judyth Sinclair

A middle-aged woman stood just inside the entrance door, tired and seemingly waiting for someone. I often looked over at her and wondered why she kept patiently standing there and why she was watching me each time I looked at her. She wore wrinkled khaki slacks and a colorful tee-shirt, had a burlap tote bag on the floor by her feet, and one hand rested on a bright beach type of umbrella. It makes me uncomfortable to say that it took me most of a day, passing her several times, to realize that she was a sculpture.

I discovered Duane Hanson that day at the Wadsworth Athenaeum in Hartford, Connecticut. It turns out he was a Minnesota-born artist who became a sculptor. He invented some materials and combined others so that his full-size “people” would look as real as possible. His technique used fiberglass and paint to show veins, freckles, wrinkles, sallow skin and all the other visible things that make real people less doll-smooth than we might like ourselves to be.

Hanson’s proprietary materials and skill succeed in avoiding the waxysmooth look that celebrity museum inhabitants often display, perhaps helped in part by his subjects. Unlike wax museums displaying actors and royalty, Hanson’s are slightly plain and “ordinary” people we see paused in their days. For example, he has a court reporter waiting on a bench, a lying-down couch potato, a head-phonelistening teenager, a cheerleader in full regalia, a surfer, a repairmen in a one-piece uniform, an exhausted political protester, and an old man relaxing and maybe napping, among others. And you expect them to start talking with you.

In the late 1990s, I took a group to see a Whitney Museum exhibition of Hanson’s work and they were delighted. The teenagers loved that the table and food in front of “Woman Eating at a Diner Table” looked like their own favorites. And they liked “The Sunbather” reclining in a black almost-too-small bikini on a white plastic chair with a huge colorful beach towel under her seemingly sweaty back.

Their enjoyment was overshadowed, however, by my mother’s. She murmured something along the lines of how well she’d fit into Hanson’s crowd. Indeed, true to her often dowdy appearance, that day she wore a baggy long wool black coat over polyester pull-on lime green slacks and she’d shoved a newspaper into her brown fake leather handbag along with her reading glasses and a small loose-leaf notebook. Her too-large shoes flopped as she walked. Her hair was mousy brown and straight, unstyled. Her red fingernail polish was chipped on several fingers. She did fit right in, the main difference being that she was covered in epidermis instead of fiberglass.

I had been wandering through other gallery rooms and went to join my mother only to see that she had claimed a spot on the floor near a corner. She’d seated herself, let her coat fall off her shoulders, plopped her handbag on the floor beside her, and arranged the newspaper in front of her as if she were reading. Within minutes, people walking by exclaimed things like, “this one is quite realistic, too!!”

The rest of our group came to find us, saw my mother on the floor, and started to squeal but I gestured to them to be quiet and join me on the gallery bench. We sat for nearly an hour, enjoying passers-by appreciating our very own performance artist. The gallery guard was apparently in on the illusion, directing people toward that corner and smiling at their reactions.

I wasn’t sure how long I would wait or what I was waiting for until a woman stopped in front of “Woman Reading Newspaper” and paced back and forth in front of her, frowning. Her friend asked what she was thinking. She said, “I’m not sure what it is but so many of the pieces are amazing. This one just doesn’t seem as realistically well done.”

My mother raised her head. People in the room gasped and one or two put their hands to their mouths. My mother stood up, gathered her handbag and newspaper, shrugged on her coat, nodded to the guard, and glanced at the spectator who thought her unrealistic. She walked over and greeted me and the kids on the bench.  “I fit right in,” she said.  “What are they all yammering about?”

 

Judyth Sinclair wrote her first book when she was a preteen at camp in New Hampshire. It was about a girl who loves horseback riding (at least partly to spend time with the handsome riding teacher), sleeping outdoors and watching the moon and stars, playing croquet, and swimming, while dealing with being both African-American and an orphan. Had to have a zinger and a twist, y’know? In the years since, she’s studied and written poetry and fiction, presented a paper at a Danforth Foundation seminar, had a story published about a girl and a giraffe, and tried to hold onto imagination and insanity while (sometimes) keeping one foot in practical life.

Judyth grew up in Greenwich Village, that hotbed of creativity and eccentricity, majored in philosophy t college, got married, moved to the exurbs, set up a library in a small grammar school, worked for a non-profit, and now at a great law firm. She loves to write, knit, sew, read (especially while eating out), go to the theater, watch movies, and – most of all – have long long long conversations. And, as they say in Playbill bios, she is very thankful for her family and friends.

 

Upcoming events with Jen

****

THE ALEKSANDER SCHOLARSHIP FUND